Indiana (Oxford World's Classics)

by George Sand

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  1 Henry James, ‘George Sand’, in Leon Edel (ed.), French Poets and Novelists (New York: Grosset & Dunlap, 1964), 162.

  2 George Sand, Letter to Laure de Decerfz (3, 6, and 7 July 1832), in Georges Lubin (ed.), Correspondence 2, 1832–35 (Paris: Gamier, 1966), 120. All translations are mine except where otherwise noted.

  3 Edouard d’Anglemont, review of Indiana in La France littéraire 4 (Nov. 1832), 457, as cited by Sandy Petrey, ‘George and Georgina Sand: Realist Gender in Indiana’, in Michael Worton and Judith Still (eds.), Sexuality and Textuality (Manchester: Manchester University Press, forthcoming).

  4 Jacques Lerond writing in the Revue des Deux Mondes, Chronique de la Quinzaine (1 June 1832), as cited by Georges Lubin, Correspondence 2. 115 n.1.

  5 George Sand, in Thelma Jurgrau (ed.), Story of my Life: The Autobiography of George Sand, a group translation (New York: SUNY Press, 1991), 922.

  6 George Sand, see ‘Preface to the 1831 Edition’, pp. 5–9 of this book.

  7 Sand, Story of my Life, 923.

  8 Sand, see ‘Preface to the 1832 Edition’, pp. 5–9 of this book.

  9 Sand, Story of my Life, 931.

  10 Latouche, cited by Georges Lubin in Correspondence 2. 88 n.1.

  11 Roland Barthes, S/Z, trans. Richard Miller (New York: Hill & Wang, 1974), 55.

  12 Leslie Rabine, ‘George Sand and the Myth of Femininity’, “Women and Literature, 4/2 (Fall 1976), 2.

  13 Doris Kadish, ‘Representing Race in Indiana’, George Sand Studies, 11/1–2(1992)» 23.

  14 Stirling Haig, ‘The Circular Room of George Sand’s Indiana’, in his The Madame Bovary Blues (Baton Rouge: Louisiana State University Press, 1987), 29–42.

  15 René Girard, Deceit, Desire and the Novel: Self and Other in Literary Structure, trans. Yvonne Freccero (Baltimore: Johns Hopkins University Press, 1976).

  16 Sand, Indiana, see p. 234 of this book.

  17 Charles Sainte-Beuve in Le National (5 Oct. 1832) as cited by Béatrice Didier (ed.), ‘Notice’, in Indiana (Paris: folio, 1984), 361.

  18 James, ‘George Sand’, 181.