Daughter of Middle Border

by Garland, Hamlin

  All that day I went about the house with my children like one whose world had suddenly begun to crumble. The head of my house was gone. Over and over again I stole softly into his room unable to think of him as utterly cold and still.

  For seventy years he had faced the open lands. Starting from the hills of Maine when a lad, he had kept moving, each time farther west, farther from his native valley. His life, measured by the inventions he had witnessed, the progress he had shared, covered an enormous span.

  "He died like a soldier," I said to the awed children, "and he shall have the funeral of a soldier. We will not mourn, and we will not whisper or walk tip-toe in the presence of his body."

  In this spirit we called his friends together. In place of flowers we covered his coffin with the folds of a flag, and when his few remaining comrades came to take a last look at him, my wife and I greeted them cordially in ordinary voice as if they had come to spend an evening with him and with us.

  My final look at him in the casket filled my mind with love and admiration. His snowy hair and beard, his fair skin and shapely features, as well as a certain firm sweetness in the line of his lips raised him to a grave dignity which made me proud of him. Representing an era in American settlement as he did I rejoiced that nothing but the noblest lines of his epic career were written on his face.

  This is my consolation. His last days were spent in calm content with his granddaughters to delight and comfort him. In their young lives his spirit is going forward. They remember and love him as the serene, white-haired veteran of many battles who taught them to revere the banner he so passionately adored.

  The art career which Zulime Taft abandoned (against my wish) after our marriage, is now being taken up by her daughter Constance who, at fourteen, signs herself C. Hamlin Garland, Artist.

  * * *

  AFTERWORD

  To Mary Isabel, who, as a girl of eighteen, still loves to impersonate the majesty of princesses, I entrust the future literary history of Neshonoc.

  * * *

  Afterword

  At this point I make an end of this chronicle, the story of two families whose wanderings and vicissitudes (as I conceive them) are typical of thousands of other families who took part in the upbuilding of the Middle Western States during that period which lies between the close of the Civil War and the Great War of Nineteen Fourteen. With the ending of the two principal life-lines which bind these pages together my book naturally closes.

  In these two volumes over which I have brooded for more than ten years, I have shadowed forth, imperfectly, yet with high intent, the experiences of Isabel McClintock and Richard Garland, and the lives of other settlers closely connected with them. For a full understanding of the drama—for it is a drama, a colossal and colorful drama—I must depend upon the memory or the imagination of my readers. No writer can record it all or even suggest the major part of it. At the end of four years of writing I go to press with reluctance, but realizing that my public, like myself, is growing gray, I have consented to publish my manuscript with its many imperfections and omissions.

  My Neshonoc is gone. The community which seemed so stable to me thirty years ago, has vanished like a wisp of sunrise fog. The McClintocks, the Dudleys, the Baileys, pioneers of my father's generation, have entered upon their final migration to another darkly mysterious frontier. My sunset World—all of it—is in process of change, of disintegration, of dissolution. My beloved trails are grass-grown. I have put away my saddle and my tent-cloth, realizing that at sixty-one my explorations of the wilderness are at an end. Like a captive wolf I walk a narrow round in a city square.

  With my father's death I ceased to regard the La Crosse Valley even as my summer home. I decided to make my permanent residence in the East, and my wife and daughters whose affections were so deeply inwound with the Midland, loyally consented to follow, although it was a sad surrender for them. As my mother, Isabel McClintock, had given up her home and friends in the Valley to follow Richard Garland into the new lands of the West, so now Zulime Taft, A Daughter of the Middle Border, surrendered all she had gained in Illinois and Wisconsin to follow me into the crowded and dangerous East. It was a tearing wrench, but she did it. She sold our house in Woodlawn, packed up our belongings and joined me in a small apartment seven stories above the pavement in the heart of Manhattan.

  The children came East with a high sense of adventure, with no realization that they were leaving their childhood's home never to return to it. They still talk of going back to West Salem, and they have named our summer cabin in the Catskills "Neshonoc" in memory of the little pioneer village whose graveyard holds all that is material of their paternal grandparents. The colors of the old Homestead are growing dim, and yet they will not permit me to deed it to others. We still own it and shall continue to do so. It has too many memories both sweet and sacred,—it seems that by clinging to its material forms we may still retain its soul.

  We think of it often, and when around our rude fireplace in Camp Neshonoc in a room almost as rough as a frontier cabin, we sit and sing the songs which are at once a tribute to our forebears and a bond of union with the past, the shadows of the heroic past emerge. David and Luke, Richard and Walter, and with them Susan and Lorette—all—all the ones I loved and honored——.

  My daughters are true granddaughters of the Middle Border. Constance at fourteen, Mary Isabel at eighteen, are carrying forward, each in her distinctive way, the traditions of the Border, with the sturdy spirit of their forebears in the West. To them I am about to entrust the work which I have only partially completed.

  Too young at first to understand the reasons for my decision, they are now in agreement with me that we can never again live in the Homestead. They love every tree, every shrub on the old place. The towering elms, the crow's nest in the maples, the wall of growing woodbine, the gaunt, wide-spreading butternut branches,—all these are very dear to them, for they are involved with their earliest memories, touched with the glamour which the imagination of youth flings over the humblest scenes of human life. To them the Fern Road, The Bubbling Spring, and the Apple Tree Glen, scenes of many camping places, are all a part of childhood's fairy kingdom. The thought of never again walking beneath those familiar trees or sitting in those familiar rooms, is painful to them, and yet I am certain that their Neshonoc, like my own, is a realm remembered, a region to which they can return only on the wings of memory or of dream.

  Happily the allurement of art, the stimulus of ambition and the promise of love and honor already partly compensate them for their losses. Their faces are set to the future. On them I rest my hopes. By means of them and their like, Life weaves her endless web.

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