HORRORS! #2 More Rarely Reprinted Classic Terror Tales

by Unknown

  "Nothing much happened at dinner. The people were very much like those of the garden party. A young woman next me seemed anxious to know what was being read in London. As she was far more familiar than I with the most recent magazines and literary supplements, I found salvation in being myself instructed in the tendencies of modern fiction. All true art, she said, was shot through and through with melancholy. How vulgar were the attempts at wit that marked so many modern books! From the beginning of literature it had always been tragedy that embodied the highest attainment of every age. To call such works morbid merely begged the question. No thoughtful man – she looked sternly at me through the steel rim of her glasses – would fail to agree with me. Of course, as one would, I immediately and properly said that I slept with Pett Ridge and Jacobs under my pillow at night, and that if Jorrocks weren't quite so large and cornery, I would add him to the company. She hadn't read any of them, so I was saved – for a time. But I remember grimly that she said that the dearest wish of her life was to be in some awful and soul-freezing situation of horror, and I remember that she dealt hardly with the hero of Nat Paynter's vampire story, between nibbles at her brown-bread ice. She was a cheerless soul, and I couldn't help thinking that if there were many such in the neighbourhood, it was not surprising that old Glenham had been stuffed with some nonsense or other about the Abbey. Yet nothing could well have been less creepy than the glitter of silver and glass, and the subdued lights and cackle of conversation all round the dinner-table.

  "After the ladies had gone I found myself talking to the rural dean. He was a thin, earnest man, who at once turned the conversation to old Clarke's buffooneries. But, he said, Mr. Broughton had introduced such a new and cheerful spirit, not only into the Abbey, but, he might say, into the whole neighbourhood, that he had great hopes that the ignorant superstitions of the past were from henceforth destined to oblivion. Thereupon his other neighbour, a portly gentleman of independent means and position, audibly remarked 'Amen,' which damped the rural dean, and we talked of partridges past, partridges present, and pheasants to come. At the other end of the table Broughton sat with a couple of his friends, red-faced hunting men. Once I noticed that they were discussing me, but I paid no attention to it at the time. I remembered it a few hours later.

  "By eleven all the guests were gone, and Broughton, his wife, and I were alone together under the fine plaster ceiling of the Jacobean drawing-room. Mrs. Broughton talked about one or two of the neighbours, and then, with a smile, said that she knew I would excuse her, shook hands with me, and went off to bed. I am not very good at analysing things, but I felt that she talked a little uncomfortably and with a suspicion of effort, smiled rather conventionally, and was obviously glad to go. These things seem trifling enough to repeat, but I had throughout the faint feeling that everything was not square. Under the circumstances, this was enough to set me wondering what on earth the service could be that I was to render-wondering also whether the whole business were not some ill-advised jest in order to make me come down from London for a mere shooting-party.

  "Broughton said little after she had gone. But he was evidently labouring to bring the conversation round to the so-called haunting of the Abbey. As soon as I saw this, of course I asked him directly about it. He then seemed at once to lose interest in the matter. There was no doubt about it: Broughton was somehow a changed man, and to my mind he had changed in no way for the better. Mrs. Broughton seemed no sufficient cause. He was clearly fond of her, and she of him. I reminded him that he was going to tell me what I could do for him in the morning, pleaded my journey, lighted a candle, and went upstairs with him. At the end of the passage leading into the old house he grinned weakly and said, 'Mind, if you see a ghost, do talk to it; you said you would.' He stood irresolutely a moment and then turned away. At the door of his dressing-room he paused once more: 'I'm here,' he called out, 'if you should want anything. Good night,' and he shut his door.

  "I went along the passage to my room, undressed, switched on a lamp beside my bed, read a few pages of The Jungle Book, and then, more than ready for sleep, turned the light off and went fast asleep.

  "Three hours later I woke up. There was not a breath of wind outside. There was not even a flicker of light from the fireplace. As I lay there, an ash tinkled slightly as it cooled, but there was hardly a gleam of the dullest red in the grate. An owl cried among the silent Spanish chestnuts on the slope outside. I idly reviewed the events of the day, hoping that I should fall off to sleep again before I reached dinner. But at the end I seemed as wakeful as ever. There was no help for it. I must read my Jungle Book again till I felt ready to go off, so I fumbled for the pear at the end of the cord that hung down inside the bed, and I switched on the bedside lamp. The sudden glory dazzled me for a moment. I felt under my pillow for my book with half-shut eyes. Then, growing used to the light, I happened to look down to the foot of my bed.

  "I can never tell you really what happened then. Nothing I could ever confess in the most abject words could even faintly picture to you what I felt. I know that my heart stopped dead, and my throat shut automatically. In one instinctive movement I crouched back up against the headboard of the bed, staring at the horror. The movement set my heart going again, and the sweat dripped from every pore. I am not a particularly religious man, but I had always believed that God would never allow any supernatural appearance to present itself to man in such a guise and in such circumstances that harm, either bodily or mental, could result to him. I can only tell you that at that moment both my life and my reason rocked unsteadily on their seats."

  The other Osiris passengers had gone to bed. Only he and I remained leaning over the starboard railing, which rattled uneasily now and then under the fierce vibration of the over-engined mail-boat. Far over, there were the lights of a few fishing smacks riding out the night, and a great rush of white combing and seething water fell out and away from us overside.

  At last Colvin went on:

  "Leaning over the foot of my bed, looking at me, was a figure swathed in a rotten and tattered veiling. This shroud passed over the head, but left both eyes and the right side of the face bare. It then followed the line of the arm down to where the hand grasped the bed-end. The face was not entirely that of a skull, though the eyes and the flesh of the face were totally gone. There was a thin, dry skin drawn tightly over the features, and there was some skin left on the hand. One wisp of hair crossed the forehead. It was perfectly still. I looked at it, and it looked at me, and my brains turned dry and hot in my head. I had still got the pear of the electric lamp in my hand, and I played idly with it; only I dared not turn the light out again. I shut my eyes, only to open them in a hideous terror the same second. The thing had not moved. My heart was thumping, and the sweat cooled me as it evaporated. Another cinder tinkled in the grate, and a panel creaked in the wall.

  "My reason failed me. For twenty minutes, or twenty seconds, I was able to think of nothing else but this awful figure, till there came, hurtling through the empty channels of my senses, the remembrance that Broughton and his friends had discussed me furtively at dinner. The dim possibility of its being a hoax stole gratefully into my unhappy mind, and once there, one's pluck came creeping back along a thousand tiny veins. My first sensation was one of blind unreasoning thankfulness that my brain was going to stand the trial. I am not a timid man, but the best of us needs some human handle to steady him in time of extremity, and in the faint but growing hope that after all it might be only a brutal hoax, I found the fulcrum that I needed. At last I moved.

  "How I managed to do it I cannot tell you, but with one spring towards the foot of the bed I got within arm's-length and struck out one fearful blow with my fist at the thing. It crumbled under it, and my hand was cut to the bone. With a sickening revulsion after the terror, I dropped half-fainting across the end of the bed. So it was merely a foul trick after all. No doubt the trick had been played many a time before: no doubt Broughton and his friends had had some large be
t among themselves as to what I should do when I discovered the gruesome thing. From my state of abject terror I found myself transported into an insensate anger. I shouted curses upon Broughton. I dived rather than climbed over the bed-end on to the sofa. I tore at the robed skeleton – how well the whole thing had been carried out, I thought – I broke the skull against the floor, and stamped upon its dry bones. I flung the head away under the bed and rent the brittle bones of the trunk in pieces. I snapped the thin thigh-bones across my knee, and flung them in different directions. The shin-bones I set up against a stool and broke with my heel. I raged like a Berserker against the loathly thing, and stripped the ribs from the backbone and slung the breastbone against the cupboard. My fury increased as the work of destruction went on. I tore the frail rotten veil into twenty pieces, and the dust went up over everything, over the clean blotting-paper and the silver inkstand. At last my work was done. There was but a raffle of broken bones and strips of parchment and crumbling wool. Then, picking up a piece of the skull – it was the cheek and the temple bone of the right side, I remember – I opened the door and went down the passage to Broughton's dressing-room. I remember still now my sweat dripping pyjamas clung to me as I walked. At the door I kicked and entered.

  "Broughton was in bed. He had already turned the light on and seemed shrunken and horrified. For a moment he could hardly pull himself together. Then I spoke. I don't know what I said. Only I know that from a heart full and overfull with hatred and contempt, spurred on by shame of my own recent cowardice, I let my tongue run on. He answered nothing. I was amazed at my own fluency. My hair still clung lankily to my wet temples, my hand was bleeding profusely, and I must have looked a strange sight. Broughton huddled himself up at the head of the bed just as I had. Still he made no answer, no defence. He seemed preoccupied with something besides my reproaches, and once or twice moistened his lips with his tongue. But he could say nothing though he moved his hands now and then, just as a baby who cannot speak moves its hands.

  "At last the door into Mrs. Broughton's room opened and she came in, white and terrified. 'What is it? What is it? Oh, in God's name! What is it?' she cried again and again, and then she went up to her husband and sat on the bed in her night-dress, and the two faced me. I told her what the matter was. I spared her husband not a word for her presence there. Yet he seemed hardly to understand. I told the pair that I had spoiled their cowardly joke for them. Broughton looked up.

  "'I have smashed the foul thing into a hundred pieces,' I said. Broughton licked his lips again and his mouth worked. 'By God!' I shouted, 'it would serve you right if I thrashed you within an inch of your life. I will take care that not a decent man or woman of my acquaintance ever speaks to you again. And there,' I added, throwing the broken piece of the skull upon the floor beside his bed, 'there is a souvenir for you, of your damned work to-night!'

  "Broughton saw the bone, and in a moment it was his turn to frighten me. He squealed like a hare caught in a trap. He screamed and screamed till Mrs. Broughton, almost as bewildered as myself, held on to him and coaxed him like a child to be quiet. But Broughton – and as he moved I thought that ten minutes ago I perhaps looked as terribly ill as he did – thrust her from him, and scrambled out of bed on to the floor, and still screaming put out his hand to the bone. It had blood on it from my hand. He paid no attention to me whatever. In truth I said nothing. This was a new turn indeed to the horrors of the evening. He rose from the floor with the bone in his hand and stood silent. He seemed to be listening. 'Time, time, perhaps,' he muttered, and almost at the same moment fell at full length on the carpet, cutting his head against the fender. The bone flew from his hand and came to rest near the door. I picked Broughton up, haggard and broken, with blood over his face. He whispered hoarsely and quickly, 'Listen, listen!' We listened.

  "After ten seconds' utter quiet, I seemed to hear something. I could not be sure, but at last there was no doubt. There was a quiet sound as of one moving along the passage. Little regular steps came towards us over the hard oak flooring. Broughton moved to where his wife sat, white and speechless, on the bed, and pressed her face into his shoulder.

  "Then, the last thing that I could see as he turned the light out, he fell forward with his own head pressed into the pillow of the bed. Something in their company, something in their cowardice, helped me, and I faced the open doorway of the room, which was outlined fairly clearly against the dimly lighted passage. I put out one hand and touched Mrs. Broughton's shoulder in the darkness. But at the last moment I too failed. I sank on my knees and put my face in the bed. Only we all heard. The footsteps came to the door, and there they stopped. The piece of bone was lying inside the door. There was a rustle of moving stuff, and the thing was in the room. Mrs. Broughton was silent: I could hear Broughton's voice praying, muffled in the pillow: I was cursing my own cowardice. Then the steps moved out again on the oak boards of the passage, and I heard the sounds dying away. In a flash of remorse I went to the door and looked out. At the end of the corridor I thought I saw something that moved away. A moment later the passage was empty. I stood with my forehead against the jamb of the door almost physically sick.

  "'You can turn the light on,' I said, and there was an answering flare. There was no bone at my feet. Mrs. Broughton had fainted. Broughton was almost useless, and it took me ten minutes to bring her to. Broughton only said one thing worth remembering. For the most part he went on muttering prayers. But I was glad afterwards to recollect that he had said that thing. He said in a colourless voice, half as a question, half as a reproach, 'You didn't speak to her.'

  "We spent the remainder of the night together. Mrs. Broughton actually fell off into a kind of sleep before dawn, but she suffered so horribly in her dreams that I shook her into consciousness again. Never was dawn so long in coming. Three or four times Broughton spoke to himself. Mrs. Broughton would then just tighten her hold on his arm, but she could say nothing. As for me, I can honestly say that I grew worse as the hours passed and the light strengthened. The two violent reactions had battered down my steadiness of view, and I felt that the foundations of my life had been built upon the sand. I said nothing, and after binding up my hand with a towel, I did not move. It was better so. They helped me and I helped them, and we all three knew that our reason had gone very near to ruin that night. At last, when the light came in pretty strongly, and the birds outside were chattering and singing, we felt that we must do something. Yet we never moved. You might have thought that we should particularly dislike being found as we were by the servants: yet nothing of that kind mattered a straw, and an overpowering listlessness bound us as we sat, until Chapman, Broughton's man, actually knocked and opened the door. None of us moved. Broughton, speaking hardly and stiffly, said, 'Chapman, you can come back in five minutes.' Chapman was a discreet man, but it would have made no difference to us if he had carried his news to the 'room' at once.

  "We looked at each other and I said I must go back. I meant to wait outside till Chapman returned. I simply dared not re-enter my bedroom alone. Broughton roused himself and said that he would come with me. Mrs. Broughton agreed to remain in her own room for five minutes if the blinds were drawn up and all the doors left open.

  "So Broughton and I, leaning stiffly one against the other, went down to my room. By the morning light that filtered past the blinds we could see our way, and I released the blinds. There was nothing wrong in the room from end to end, except smears of my own blood on the end of the bed, on the sofa, and on the carpet where I had torn the thing to pieces."

  Colvin had finished his story. There was nothing to say. Seven bells stuttered out from the fo'c'sle, and the answering cry wailed through the darkness. I took him downstairs.

  "Of course I am much better now, but it is a kindness of you to let me sleep in your cabin."

  MAN-SIZE IN MARBLE

  Edith Nesbit

  Although every word of this story is as true as despair, I do not expect people to believe it. Nowa
days a "rational explanation" is required before belief is possible. Let me, then, at once offer the "rational explanation" which finds most favour among those who have heard the tale of my life's tragedy. It is held that we were "under a delusion," Laura and I, on that 31st of October; and that this supposition places the whole matter on a satisfactory and believable basis. The reader can judge, when he, too, has heard my story, how far this is an "explanation," and in what sense it is "rational." There were three who took part in this: Laura and I and another man. The other man still lives, and can speak to the truth of the least credible part of my story.

  I never in my life knew what it was to have as much money as I required to supply the most ordinary needs – good colours, books, and cab-fares – and when we were married we knew quite well that we should only be able to live at all by "strict punctuality and attention to business." I used to paint in those days, and Laura used to write, and we felt sure we could keep the pot at least simmering. Living in town was out of the question, so we went to look for a cottage in the country, which should be at once sanitary and picturesque. So rarely do these two qualities meet in one cottage that our search was for some time quite fruitless. But when we got away from friends and house-agents, on our honeymoon, our wits grew clear again, and we knew a pretty cottage when at last we saw one.