Three Button Trick and Other Stories
Page 22
Parker looked up. ‘Tea, white, two sugars. Thanks.’
When Bethan returned with his tea, she placed the cup on the desk to his right. She had small hands, he noticed, and on her wrist was a little charm bracelet. The ornaments hanging on it were all connected with animals—fish, mainly, but a ladybird and a robin, too.
Parker thanked her for the tea, watched the curve of her hip pushing against the black fabric that contained it as she walked from the room, picked up his pen, smiled to himself and then started writing.
I must just get to the point. I was helping to sort through some of Sam’s things. Me and Josh and Sam’s mother. We were all cleaning and packing and clearing out his flat. This was Sunday. I was in the kitchen, mainly, and the first thing I came across was a bag of shopping which had been dumped, on the floor, next to the fridge, still not unpacked. Stuff Sam had bought at Spitalfields market the day after our last match together. The day he died. Some sourdough bread, mouldy now, some beetroots, raw, a lettuce—slimed up—and a box of free-range duck eggs. White eggs, like hens’ only bigger.
I was about to throw the eggs into the bin with the other food but then Josh came through and said, don’t chuck them, take them home if they’re still fresh. And they were. So I did. Imagine that. A dead man’s eggs.
I took them home and I was unpacking them from their box and into my refrigerator. For the most part they came easily, but then one of them had cracked and the juice that had escaped had dried like adhesive and stuck part of the shell to the box. I yanked it up but when it pulled free the egg was heavier than the others had been and felt odd in my hand. I looked at it, closer. I held it on my open palm and it was shaking. That little egg. Jerking and warm on my palm.
I sat down and I watched it. For two, three hours. And slowly, very gradually, it hatched.
Bethan turned over the sheet, ready to find something on the other side but the other side was blank. She had become quite engrossed. What an odd man, she thought, and stared fixedly at the sheets before her while using her free hand to fiddle, unconsciously, with the little charm bracelet on her wrist.
She tried to work out what the answer Parker Swells had given her meant. What did it say about him? His friend had died. He was sensitive—worried about the possibility of having injured or offended him—but how did that relate to a work context? Could it relate?
She bit her lip. Parker’s reaction to Sam’s death had been curious, kind of dispassionate. But he went along to clean his flat, to help out, so he was handy. Good in an emergency? And then finally … the eggs. That was strange.
Bethan reread the additional material Parker had added on the second page about the duck hatching. This was the part of his story she found most interesting. Again, she messed with the bracelet on her wrist, looked down at it for a moment: fish, fish, robin, shark, fish.
Sometimes Bethan felt she had to be like a private detective in her line of business. To discover things, to unearth people’s secrets, to pluck at threads and see what she could unravel. To read significant signs and signals into the apparently superficial.
Parker Swells had confused her. She felt all fogged up. She inspected his writing again, the slope, the mis-links, the way he didn’t close his as and his os. She delved into her bag and took out her college notes. She checked back on a couple of references. There were signs here, definite signs. Below the line, sloping left, the os … He was a liar.
Parker didn’t get his third interview. The letter they sent him—the people from personnel—said very little, only that they’d had plenty of applicants and they hoped he’d find success elsewhere.
By a strange coincidence, a week to the day after Bethan had dispatched her rejection letter to Parker Swells, she met him on the platform at Canary Wharf, waiting for a train. It was five thirty. She was on her way home to Bow. As she walked past him he said hello.
‘Hello,’ she said, and looked at him askance.
‘Sorry, you probably don’t remember me.’
‘I remember you.’ She smiled. ‘The duck.’
He chuckled at this but added nothing. ‘I was here,’ he said, by way of explanation, ‘on another interview. With another bank.’
‘Oh yes?’
‘Yes.’
He was handsome, she thought, in his own way. He had gappy teeth and green eyes and skin which had seen the sun. Leathery. But he was a liar.
The train arrived. The doors opened. Parker was actually in front of Bethan, but he stepped back and held out his arm. ‘After you.’
She thanked him and moved forward and then she saw it. His right hand, completely mangled. He caught her expression. ‘An accident,’ he said, ‘at work.’
She nodded. They climbed on to the train. ‘It’s ugly,’ he said, with apparent unselfconsciousness.
‘Were you left-handed originally?’ Bethan asked, shocked and momentarily stuck for something to say.
‘No. Right-handed, always. I had to learn to use my left hand. To write, to eat and everything. After the accident I found I couldn’t work so effectively in a manual capacity. That’s why I decided to go to college. To qualify for something else.’
Bethan nodded. ‘I get it.’
She felt guilty. She was normally so perceptive. That was what she was trained for and paid for, after all. That was her job. To notice things. But she hadn’t noticed this. It was down to her, finally, that Parker hadn’t got the third interview. Down to her, reading too much into things. But was that it? Maybe the problem had actually been a lack of information.
He should have told her about his hand. This was the kind of detail the company needed to be acquainted with. Doubtless, she told herself, stroking and smoothing her own ruffled feathers, too little information and not too much had been her stumbling block.
‘Are you still working as a builder?’ Bethan asked, eventually, praying for the affirmative.
‘When I can.’
‘What kind of things do you do?’
‘Laying patios, retiling, making paths, that sort of work. And building ponds.’
Bethan blinked. ‘I’ve got some ponds,’ she said, ‘a big one and a little one. Two ponds.’
‘I know. You keep fish.’
Bethan was beguiled. ‘How could you know that?’
He pointed to her wrist. ‘Your bangle. Full of fish charms.’
She chuckled. ‘I gave myself away’
‘Not at all. I’m simply interested,’ he said, ‘in details.’
‘Me too. Actually …’ She looked out of the window to check where they were. Three stops still to go. Actually,’ she said, fiddling with her bracelet, ‘I wish I’d known about your bad hand. That might’ve affected the conclusions we reached on your second interview.’
‘What kind of fish do you keep?’ he asked, like he hadn’t really heard her.
‘Carp. Koi carp. Beautiful ornamental carp.’
‘And what was wrong with my second interview?’
‘Um …’ She paused. ‘We felt that your answers on the quiz were slightly unconventional. Like, uh, like, well, like my pond at home …’
‘Your pond?’
‘Yes. My main pond at home has my three best fish in it, but it’s hard to see them because it gets greened up a lot. Algae and plants and what-not. I bought a filter for it, to keep it cleaner, but I haven’t installed it yet.’
‘And my answers …’
‘Like the pond. There was something good in there, deep down, something interesting, but it was difficult to see, to decipher, and your writing …’
‘Scruffy.’
‘Yes.’
‘I know.’
‘I’m sorry.’
‘That’s OK.’
She cleared her throat. ‘And the duck?’
‘The duck?’ he reiterated, looking surprised. ‘Oh, the duck. The duck. It’s doing fine.’
Parker lay on Bethan’s bed with his arms crossed behind his head. He stared up at her light fitment. A heavy, glass lamp, yellow, t
he wiring, he noticed, coming slightly away from the cornice and the ceiling. He made a fist out of his damaged hand. He’d lost count of the number of women who had taken him into their beds simply because of this one, small, gorgeous imperfection. Sympathy was a powerful emotion. Might not seem it, but it was. And guilt.
Bethan strolled back into her bedroom. She was carrying a packet of biscuits and a couple of apples. She was naked. She bit into one of the apples and handed Parker the other. She sat down on the bed.
‘We missed dinner,’ she said, and grinned.
‘How big is your garden?’ Parker asked.
‘It’s tiny, really’
‘Do the ponds take up most of it?’
‘Come and look,’ Bethan said, and pulled on a T-shirt.
‘I didn’t build them, they were here when I bought the flat, so I thought I might as well put in some fish. Initially I just had goldfish and then one day I saw some carp at a garden centre and I thought they were so beautiful. So big. They come in every colour. See him? The gold one? Gold and white. He’s called Samson. He’s the oldest. The biggest too: I feed them by hand.’
Parker stared into the water. The ponds were antique and grand and well-established.
‘That’s a beautiful pond,’ he said. ‘Is it deep?’
‘Very deep. Too deep. Sometimes the fish swim under and I don’t get to see them for days. And see how murky it gets towards the bottom? That’s why I bought the filter.’
‘It’s good, though,’ Parker interjected, ‘not to see the bottom. The fish must like to dive and disappear.’
‘Only I haven’t been able to set it up myself,’ Bethan said, like she hadn’t heard him, ‘the filter. Too complicated. I’ll show you it, if you like. It’s in the shed. You might be able to give me some tips.’
She stood up.
It was late and Parker was pulling on his coat. She had given him the key to the side gate.
‘I’d give you the house keys,’ she said, ‘only I’ve not got an extra set.’
He smiled at her. He found it strange that she’d have sex with him, let him inside her, but the keys to her home she couldn’t quite trust him with.
‘I wish you could bring the duck along while you’re fixing up the filter,’ she said, out of the blue, as he was walking through her front door.
‘What?’
‘The duck. He’d do well on my two ponds but I don’t think the fish would like it.’
Parker laughed. ‘There is no duck,’ he said.
‘What do you mean?’
‘No duck. I made it up.’
She stared at him, her mouth open, barely comprehending. Eventually she said, ‘But the duck … that was the best part of it.’
‘Of what?’
‘The story. The duck …’ She looked flabbergasted.
Parker put his head to one side, still smiling. ‘While I was filling out that quiz you brought me in a cup of tea, remember?’
She nodded.
‘And I saw the bangle you were wearing, full of fish and birds and stuff. I thought the duck story would appeal to you. That was all.’
‘So you lied on your application form?’
‘Doesn’t everybody? Didn’t you?’ Somehow, though, he thought he already knew the answer to this question. ‘It doesn’t matter,’ he said. ‘It’s only a question of telling the right kind of lies.’
‘Doesn’t matter? Of course it matters.’
‘You really want the full picture?’
His smile was strange, suddenly, and full of pain. ‘You don’t want the full picture,’ he said, answering his own question. ‘You wouldn’t recognize the full picture if someone sat down and painted every tiny stroke of it straight on to your pretty hands and your silly face.’
‘What’s that supposed to mean?’
‘You didn’t know I was disabled but you came to certain conclusions about me because of my writing, you read into what I’d written things I hadn’t said. It was kind of …’ he paused and considered for a moment, ‘kind of despicable.’
“Was it all lies?’
‘Only the duck.’
‘So you are a liar. I was right. I was right about you.’
He ignored this. ‘Was I a liar,’ he asked, ‘before I filled in your stupid quiz form?’
She stared at him in silence for a while and then she put out her hand. ‘Can I have my key back?’
‘Why?’
‘I don’t want you fitting my filter any more. I feel weird about this now.’
‘Don’t be foolish. I’ll fix the filter.’
‘Give me the key.’
He laughed and handed her the key. She closed the door on his smiling face. She wrapped her arms around her breasts and shuddered.
It took almost an hour for the police to arrive. The constable who finally turned up was thickset and blond-haired and held his hat under his arm like it was a baby. He had a habit, Bethan noticed, of wiping his palms on the side of his thighs. She invited him in.
He took out his notebook and waited for her to say something.
‘I came home from work,’ she said, ‘to discover that someone had broken into my property, through the back gate …’
‘Did they force the lock?’
‘No. I think they broke the lock and then replaced it. I found some new keys posted through my letterbox.’
‘Someone changed the locks and then posted the new keys through your letterbox?’
‘Yes.’
‘Do you happen to know who might have done such a thing?’
‘Yes. I know who did it. He’s called Parker Swells.’
Bethan spelled Parker’s name out loud and checked as the constable wrote it on his pad.
‘I have his address and all the details you could want about him, only everything’s still at work …’
The policeman nodded. ‘And what, exactly,’ he said, ‘apart from changing the lock on your back gate, did he actually do?’
‘Come outside.’
Bethan took the police officer into her back garden. She pointed. He looked around him. There was little to see. A neat lawn, flowerbeds, nothing amiss.
‘He stole my ponds,’ she said, her voice cracking.
‘Your what?’
She pointed. He saw five, large, beautiful fish in a curious selection of small, clear-glass containers.
‘He stole my ponds.’
Ponds, the policeman wrote down in his book. Stolen.
Bethan watched as he wrote this. His writing, she saw, was round and girlish and immature. She wished they’d sent someone else. He clearly wasn’t going to prove competent.
‘And why do you think he did this? Why did he steal your ponds?’
Bethan didn’t know. She couldn’t answer. She felt so ridiculous.
‘He had a duck, a pet duck,’ she said, eventually. ‘Maybe he stole them for his duck.’
She glanced up and saw the policeman was smiling at her. She looked away.
‘Those are beautiful,’ he said, indicating towards the fish. She nodded. Her fish hung, suspended, in their small, plain glass bowls; tight and bright and golden. Their gills moved; in and out, in and out. Bethan could clearly see every tiny little detail now.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
copyright © 1993, 1996, 1999 by Nicola Barker
cover design by Connie Gabbert
978-1-4532-8826-9
This edition published in 2012 by Open Road Integrated Media
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