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The Cataracts

Page 5

by Raymond McDaniel


  the fear of the devil is the memory of the shape of the mind

  of a dead race moving human bodies to forms fit to house

  the mind of that murderous race long after it had torn itself

  apart in hatred and lust and war. This is an altogether roundabout

  explanation of more common hatreds, but to justify Quatermass

  the Explainer requires a mystery, the solution to which you can intuit.

  Or whose origins you can see by looking out the window.

  Some mysteries require an optic-encephalogram, a device that records

  and broadcasts trace impressions from the brain

  of upon whomever it is placed, which is how Quatermass

  learns that some fraction of living Londoners contain

  trace remnants of the mutant genes of long-dead aliens

  and carry also the potential to enact a telepathic mass murder

  against those Londoners who do not. Well, that’s one answer.

  If in the present you see what you cannot believe,

  you call what you see a vision, as if the means by which you would see

  what cannot be there becomes synonymous with the thing

  you cannot see. Pictures in the mind of one woman,

  visions in the mind of the masses, a purge enabled

  by a shared sense of seeing what should not be.

  In Five Million Years to Earth Quatermass

  and his allies save London and the human race

  with an applied folktale, that an apparition abhors iron,

  which is like saying a hard fact is the natural enemy of a vague idea.

  Still, what a relief to have an explanation that is also an answer.

  Ghost, ghast, demon, devil, plague, pestilence, threat, hate,

  a version, a vision, a Martian, a memory, a mnemonic.

  It’s a mess and a mystery, we shrug, but it all ends

  when a man throws a chain down a well, and we all know

  that a loose chain is better than one that binds you,

  that all’s well that ends well, yes? No matter how it begins.

  Here Comes the Flood

  In Here Comes the Flood the painter makes the perfect village by making the perfect villagers, who know that in order to make the lake which, when still, will both reflect the village and be the surface on which the village sits, each must take up the same task, hoist to their shoulders the same tesserae, the same flat squares of sky. They look like sky because they reflect the sky, but they are lake, because they cannot stand on sky. From where you sit in the unfinished village, you cannot see the faces of the villagers who hold the lake aloft. But if the village is unfinished, how can you be sitting, where do you sit? Clearly this is not the first flood, nor the first village. Clearly, this is not the first you.

  The Uncertain Value of Human Life

  Behind the frozen falls:

  green light through green ice.

  Nothing made here,

  nowhere to sleep.

  Just the pale white light

  ice-diffuse, indifferent.

  And in the branching caves of karst:

  blue light through blue water.

  Transparent liquid settled flat

  over heavy, blurry brine.

  It looks like two rooms.

  But in neither can you breathe.

  Generation Mechanism

  It is tedious only if you know it isn’t true.

  A dream is a sort of tool or device, but

  every time I have this dream

  there is a moment when I think the thing of which I have dreamed

  and am currently dreaming is finally true—

  but then in the dream I recall all the other times

  I have had this dream,

  including the time

  when the problem posed by tidal waves

  was solved simply by scale and flight,

  buildings that became colossal, gargantuan,

  the principle of a sea wall magnified ten thousand times.

  The ten thousands, the hours and amounts.

  A wave-caller who crawls across

  the massive face of the architecture—

  he seems real.

  And by the time I remember that he cannot be real:

  here comes the whole ocean.

  Harbor wave, first memory, is not a wave.

  It is a tide.

  Before it can return, it must go away.

  Drawback, its generation mechanism,

  whereby amplitude = height

  and the height is the weight of breaking water,

  of broken water.

  Even the dream of the wave is a dream of light,

  of the buildings and statutes that aren’t,

  the legs of the colossi barrier islands,

  the glassless windows of the rooms of their eyes.

  The caller stands on the cliffs and shouts, wave, wave—

  caught in the fluttering eye of the abyssal.

  Like everyone, I could dream before I could see,

  and now the dream and the sight are the same.

  Wave after wave, zealous seams.

  Downrushing, descent of water,

  and the people in the village by the sea flee

  as they have dreamed of fleeing, have fled before.

  The descendants of the descent of water sound

  like water as it flees and returns.

  The clatter, the clamor.

  Who could sleep through all this?

  The dropping of hammers. The loosing of tools.

  The Stoning of the Devil

  A little knowledge is a dangerous thing—why?

  Because you do not know how little you know?

  But then how can you know when you know enough

  to know more than a little, to have many pieces

  of knowledge that in aggregate mean understanding,

  so that you are no longer in danger or a danger to others

  or a danger but differently. I thought I knew about an awful thing

  that had happened during the hajj, that many people had died

  in a crush of human bodies, but then I heard years later

  than an awful thing had happened during the hajj,

  that many people had died in a crush of human bodies,

  and I knew I didn’t know whether it was the awful thing

  I had remembered or another new and awful thing

  that was also, awfully, the same thing. I now know that in 1994

  270 pilgrims died and in 1998 118 pilgrims died

  and in 2001 35 pilgrims died and in 2003

  14 pilgrims died and in 2004 251 pilgrims died

  and in 2006 346 pilgrims died and in 2015 2,411 pilgrims died

  and I don’t know which of these I knew about first,

  which means I don’t know anything about any of them.

  I know one way to think about a crush of bodies is to blame

  the people whose bodies these are, to think that everyone

  acting selfishly inevitably results in people trampled

  into bodies, but I also know that thought is cruel and wrong.

  It is more accurate to note that at six persons

  per square meter individual action becomes impossible

  and people behave not volitionally but like water,

  carrying shock waves, filling crevasses, seeking everywhere

  to distribute equally the fluid weight of persons.

  But this is also cruel and wrong, to explain what happens to persons

  by admitting that enough persons deny the very possibility

  of thinking of what happens to them as something persons did.

  Most of these pilgrims have died during a ritual named

  the ramī al-jamarāt, or the Stoning of the Devil, which begins

  on Eid al-Adha and refers to the hajj of Ibrāhīm, wherein

  three temptations occurred: representing that of Ibrāhīm t
o spare

  the life of Ismāīl, of Hājar to beseech him to spare Ismāīl, of Ismāīl

  to plead for his own life. At each of these Jibrayil tells Ibrāhīm

  to pelt the devil with stones, and so each pilgrim must

  do the same, striking one wall with seven pebbles, then on

  the days following, each of the three walls with seven pebbles,

  proceeding east to west. None of this knowledge is knowledge.

  But each of those pilgrims is a person, unlike the drops that comprise

  the fluid, the pebbles that comprise the mountain that collapses

  to pebbles. What the devil wants of Ibrāhīm is for him to be selfish,

  and that is what the angel exhorts Ibrāhīm to rebuke,

  and what the pilgrims reject:

  to think of others only in terms of the self. What the devil wants

  is for us to look at the many and see none, to think of the many

  but know no one.

  Undercity

  Unbearable above and unbearable alone: go below

  to go within, make cavernous, dig and begin again.

  The central alley of the undercity is where weddings occur,

  where murders occur, where knife fights for the right

  to lead the dwellers of the undercity occur, where the groom

  lolls against the marital divan and the bride clutches

  a bouquet of flowers grown in the artificial gardens

  of the undercity by an old woman whose new name

  suits her gifts, as does the name of every resident

  of the undercity, or all those who found their way underground,

  too ugly or too unloved or loved just enough to abandon,

  who take their names from stories in books of old places,

  beautiful places whose residents respected their monsters,

  built palaces and mazes and castles for them, fed them

  the best and the freshest and the bravest and the boldest,

  built their whole civilizations around what gods compelled

  them to acknowledge, around what they bred by breeding

  with the residents of the mortal world, by bringing them

  greater beauty and greater cruelty than a man can imagine.

  All gods are built on whatever ruin remains of prior gods.

  The cave is never closed, the season only changes.

  The world is heaven’s undercity, the undercity makes

  of the world above a heaven. The ugly, the dispossessed.

  The stealers of children, the bearer of chains. Below,

  where for each figure of the above lives a flawed analogue.

  Here, too, a Magdalene, a Lazarus, a Nazarene. Yes.

  Madness to Believe

  that things happen

  without being made to happen—

  madness to believe there is no maker

  the ocean’s agony and upset

  is a giant risen from black marble

  veined with white

  like the tight but easily torn stitchery of waves

  slipping against the giant

  the jet of his fist

  driven into the earth

  the earth under the ocean is still the earth

  cratered

  and therefore creased

  slow ocean

  gelid black

  viscous with cold

  it only looks slow because it is enormous

  and far away

  but seems to quicken as it approaches

  even though it slows

  all you want from yourself

  and from whomever you made a child with

  is that as the wave advances

  you will be strong enough

  to fling that child to them—

  that they will be strong enough

  to catch that child

  all you know

  as the wave advances

  is that even if it is only for moments more

  you run

  This Is Going to Hurt

  No one who wants to see the world end wants to see it

  from within the world’s ending. They end once upon a time,

  but then they want to close the book in which they are bound.

  That sounds like something people would want, but you

  would have to know them to say, and even then speak

  as if you weren’t one of them—just as I’m doing now.

  Once, every living person needed, to a greater or lesser degree,

  every other person. Now, every living person comes at the expense,

  to a greater or lesser degree, of every other living person.

  If you do not engage you afflict those who depend on your engagement,

  and if you engage you afflict those who bear the cost

  of your engagement. Do not worry, says the king, or if you wish

  to put action to your worry, shop! And everyone laughs bitterly.

  It’s a stupid example and common, but its stupidity and obviousness

  are what mark it as stupidly, obviously, commonly true.

  Faced with an intractable problem or an insoluble dilemma,

  everyone asks Well, what can I do, not to know the answer

  but to avoid the implication of the question. What you can do

  is a problem all by itself, all the things I am doing by being,

  the cascade of consequences of what I choose and refuse,

  what I want you to do compressed to what I want you to want.

  Every single item we declare ourselves wise by refusing

  to buy drives someone deeper into debt, denies someone else

  the dim profit gleaned by the manufacture of an object we wish

  did not exist or the provision of a service we wish no one desired.

  You cannot have your wish for nothing granted without crippling

  whoever needs you to take what they have to give without wishing

  them away as well. It isn’t that we believe anyone is innocent

  of civilization; it is a question of how to behave once you know

  everything you do or fail to do can only magnify your guilt.

  I say you and them but I mean me and mine, joining to you

  that to which you may not wish to be enjoined, and so

  proving a fact by manufacturing one. That’s civilization.

  Some moderate their response to the alleged hysteria of cries

  that the world is coming to its end by saying that no, it isn’t

  the world that is ending, it is civilization, but that is also false;

  civilization will not end until people do, and even that misses

  the point, which is that we are afraid what we find good about ourselves

  will dwindle while what we find appalling will magnify,

  and given that fear, the fact that a decline can take a very long time

  means time is not something to treasure but rather something to dread,

  a wickedness stretched over enough years to create greater wickedness,

  a long enough spell for the people to make even more people,

  every last one of whom will have the same claim on life, chief

  of which is the production of more life, more living, more.

  This happens to populations all the time, but that is no comfort

  unless you are fine with thinking of yourself as a number of a number

 

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