The Early Stories

by John Updike

  Packed Dirt, Churchgoing,

  a Dying Cat, a Traded Car

  Different things move us. I, David Kern, am always affected—reassured, nostalgically pleased, even, as a member of my animal species, made proud—by the sight of bare earth that has been smoothed and packed firm by the passage of human feet. Such spots abound in small towns: the furtive break in the playground fence dignified into a thoroughfare, the trough of dust underneath each swing, the blurred path worn across a wedge of grass, the anonymous little mound or embankment polished by play and strewn with pebbles like the confetti aftermath of a wedding. Such unconsciously humanized intervals of clay, too humble and common even to have a name, remind me of my childhood, when one communes with dirt down among the legs, as it were, of presiding presences. The earth is our playmate then, and the call to supper has a piercing eschatological ring.

  The corner where I now live was recently widened so that the cars going back and forth to the summer colony on the Point would not be troubled to slow down. My neighbor’s house was sold to the town and wrecked and picked clean by salvagers and finally burned in a great bonfire of old notched beams and splintered clapboards that leaped tree-high throughout one whole winter day’s cold drizzle. Then bulldozers, huge and yellow and loud, appeared on the street and began to gnaw, it seemed, at the corner of our house. My third child, a boy not yet two, came running from the window in tearful panic. After I tried to soothe him with an explanation, he followed me through the house sobbing and wailing “ ’Sheen! ’Sheen!” while the machines made our rooms shake with the curses of their labor. They mashed my neighbor’s foundation stones into the earth and trimmed the levelled lot just as my grandmother used to trim the excess dough from the edge of the pieplate. They brought the curve of the road right to the corner of my property, and the beaten path that does for a sidewalk in front of my home was sheared diagonally by a foot-high cliff.

  Last night I was coming back from across the street, fresh from an impromptu civic lamentation with a neighbor at how unsightly, now that the snow was melted, the awkward-shaped vacant lot the bulldozers had left looked, with its high raw embankment gouged by rivulets and littered with old chimney bricks. And soon, we concluded, now that spring was here, it would be bristling with weeds. Crossing from this conversation, I noticed that where my path had been lopped the cliff no longer existed; feet—children’s feet, mostly, for mostly children walk in our town—had worn the sharpness away and molded a little ramp by which ascent was easier.

  This small modification, this modest work of human erosion, seemed precious to me not only because it recalled, in the slope and set of the dirt, a part of the path that long ago had led down from my parents’ back yard to the high-school softball field. It seemed precious because it had been achieved accidentally, and had about it that repose of grace which is beyond willing. We in America have from the beginning been cleaving and baring the earth, attacking, reforming the immensity of nature we were given. We have explored, on behalf of all mankind, this paradox: the more matter is outwardly mastered, the more it overwhelms us in our hearts. Evidence—gaping right-of-ways, acres mercilessly scraped, bleeding mountains of muddy fill—surrounds us of a war that is incapable of ceasing, and it is good to know that now there are enough of us to exert a counter-force. If craters were to appear in our landscape tomorrow, the next day there would be usable paths threading down the blasted sides. As our sense of God’s forested legacy to us dwindles, there grows, in these worn, rubbed, and patted patches, a sense of human legacy—like those feet of statues of saints which have lost their toes to centuries of kisses. One thinks of John Dewey’s definition of God as the union of the actual and the ideal.

  There was a time when I wondered why more people did not go to church. Taken purely as a human recreation, what could be more delightful, more unexpected than to enter a venerable and lavishly scaled building kept warm and clean for use one or two hours a week and to sit and stand in unison and sing and recite creeds and petitions that are like paths worn smooth in the raw terrain of our hearts? To listen, or not listen, as a poorly paid but resplendently robed man strives to console us with scraps of ancient epistles and halting accounts, hopelessly compromised by words, of those intimations of divine joy that are like pain in that, their instant gone, the mind cannot remember or believe them; to witness the windows donated by departed patrons and the altar flowers arranged by withdrawn hands and the whole considered spectacle lustrous beneath its patina of long use; to pay, for all this, no more than we are moved to give—surely in all democracy there is nothing like it. Indeed, it is the most available democratic experience. We vote less than once a year. Only in church and at the polls are we actually given our supposed value, the soul-unit of one, with its noumenal arithmetic of equality: one equals one equals one.

  My preaching corrupts the words and corrupts me. Belief builds itself unconsciously and in consciousness is spent. Throughout my childhood I felt nothing in church but boredom and an oppressive futility. For reasons my father never explained, he was a dutiful churchman; my mother, who could use her senses, who had read Santayana and Wells, stayed home Sunday mornings, and I was all on her side, on the side of phenomena, in those years, though I went, with the other children, to Sunday school. It was not until we moved from the town and joined a country church that I, an adolescent of fifteen, my head a hotbed of girls and literature, felt a pleasant emotion in church. During Lent—that dull season, those forty gray days during which the earth prepares the resurrection that the church calendar seizes upon as conveniently emblematic—I ushered with my father at the Wednesday-night services. We would arrive in our old car—I think it was the ’38 Chevrolet then—on those raw March nights and it pleasantly surprised me to find the building warm, the stoked furnace already humming its devotions in the basement. The nave was dimly lit, the congregation small, the sermon short, and the wind howled a nihilistic counterpoint beyond the black windows blotted with garbled apostles; the empty pews, making the minister seem remote and small and emblematic, intensified our sensation of huddling. There was a strong sepia flavor of early Christianity: a minority flock furtively gathered within a dying, sobbing empire. From the rear, the broad back and baked neck of the occasional dutiful son loomed bullishly above the black straw hats of the mischievous-looking old ladies, gnarled by farmwork, who sat in their rows like withered apples on the shelves of a sweet-smelling cellar. My father would cross and uncross and recross his legs and stare at his thoughts, which seemed distant. It was pleasant to sit beside him in the rear pew. He was not much of a man for sitting still. When my parents and I went to the movies, he insisted on having the aisle seat, supposedly to give his legs room. After about twenty minutes he would leap up and spend the rest of the show walking around in the back of the theatre drinking water and talking to the manager while my mother and I, abandoned, consoled ourselves with the flickering giants of make-believe. He had nothing of the passive in him; a church always became, for him, something he helped run. It was pleasant, and even exciting, when the moment for action came, to walk by his side up the aisle, the thump of our feet the only sound in the church, and to take the wooden, felt-floored plates from a shy blur of white robes and to administer the submission of alms. Coins and envelopes sought to cover the felt. I condescended, stooping gallantly into each pew. The congregation seemed the Others, reaching, with quarters glittering in their fingers, toward mysteries in which I was snugly involved. Even to usher at a church mixes us with the angels, and is a dangerous thing.

  The churches of Greenwich Village had this second-century quality. In Manhattan, Christianity is so feeble its future seems before it. One walks to church past clattering cafeterias and glowering news vendors in winter weather that is always a shade of Lent, on pavements spangled with last night’s vomit. The expectantly hushed shelter of the church is like one of those spots worn bare by a softball game in a weed-filled vacant lot. The presence of the city beats like wind at the glowin
g windows. One hastens home afterward, head down, hurrying to assume the disguise—sweaters and khaki pants—of a non-churchgoer. I tried not to go, but it was not in me not to go. I never attended the same church two Sundays in succession, for fear I would become known and be expected. To be known by face and name and financial weight robs us of our unitary soul, enrolls us against those Others. Devil’s work. We are the others. It is of the essence to be a stranger in church.

  On the island the very color of my skin made me strange. This island had been abandoned to the descendants of its slaves. Their church was on a hill; it has since been demolished, I have learned from letters, by a hurricane. To reach it one climbed a steep path made treacherous by the loose rubble of coral rock, jagged gray clinkers that bore no visible relation to the pastel branches that could be plucked, still pliant, from the shallows by Maid’s Beach. Dull-colored goats were tethered along the path; their forelegs were tangled in their ropes so tightly that whenever they nodded the bush anchoring them nodded in answer. For windows the church possessed tall arched apertures filled not with stained glass but with air and outward vision; one could see the goats stirring the low foliage and the brightly dressed little girls who had escaped the service playing on the packed dirt around the church. The service was fatiguingly long. There were exhaustive petitionary prayers (for the Queen, the Prime Minister, Parliament) and many eight-versed hymns sung with a penetrating, lingering joy and accompanied by a hand-pumped organ. The organ breathed in and out, loud and soft, and the congregation, largely female, followed its ebb and flow at a brief but noticeable distance; their lips moved behind the singing, so I seemed immersed in an imperfectly synchronized movie. Musical stress, the West Indian accent, and elision worked upon the words a triple distortion. “Lait eth’s waadsa cull raio-ind …” Vainly seeking my place in the hymn—for without a visual key I was lost—I felt lifted within a warm, soughing milk, an aspiring chant as patient as the nodding of the goats.

  Throughout the service, restless deacons slipped in and out of the windows. Bored myself—for we grow sated even with consolation—I discovered that without moving from my pew I too could escape through those tall portals built to admit the breeze. I rested my eyes on earth’s wide circle round. From this height the horizon of the sea was lifted halfway up the sky. The Caribbean seemed a steeply tilted blue plane to which the few fishing boats in the bay below had been attached like magnetized toys. God made the world, Aquinas says, in play.

  Matter has its radiance and its darkness; it lifts and it buries. Things compete; a life demands a life. On another English island, in Oxford—it is a strange fact about Americans, that we tend to receive our supernatural mail on foreign soil—I helped a cat die. The incident had the signature: decisive but illegible. For years I did not tell my wife about it, for fear it would frighten her. Some hours before, I had left her at the hospital in the early stages of labor. Wearing a sterilized gown and mask, I had visited her in a white-tiled room along whose walls gleaming gutters stood ready to drain torrents of blood. Her face, scrubbed and polished, was fervent like a child’s, and she seemed, lying there swathed in white, ready for nothing so much as a graduation ceremony. She would break off talking, and listen as if to the distant voice of a schoolmistress, and her face would grow rapt, and when the contraction had passed she would sigh and say, “That was a good one,” and chatter some more to me of how I would feed myself alone and to whom I would send telegrams.

  Shooed from the room, stripped of my mask, I tried to wait, and was told, the comical useless husband of American cartoons, to run on home; it would be “a time.” I went outside and took a bus home. It was the last day of March. I had been born in March, and had looked forward to welcoming my child to the month; but she was late. We lived on Iffley Road, and around midnight, for some reason—I think to mail a letter, but what letter could have been that important?—I was out walking a few blocks from our flat. The night was cold enough for gloves. The sensations of turning into a father (or, rather, the lack of sensations: the failure of sympathetic pain, the anesthetized dread, the postponement of pride) made the street seem insubstantial. There was not that swishing company of headlights that along an American road throws us into repeated relief. The brick homes, save for an occasional introverted glow in an upstairs window, were dark in their vehement English privacy behind the thatchy hedges and spiked walls. The streetlamps—wintry, reserved—drained color from everything. Myself a shadow, I noticed another in the center of the road. A puddle of black, as I watched, it curled on itself; its ends lifted from the macadam and seemed to stretch in a yawn. Then it became inert again. I was horrified; the shape was about the size of a baby. When it curled the second time, I went to it, my footsteps the only sound in the street.

  It was a cat that had been struck by a car. Struck but not quite killed: a testament to the modest speed and sensible size of English automobiles. By the impersonal witness of the lamps burning in the trees I couldn’t be sure what color its fur was—it seemed orange-yellow, tabbied with stripes of dark ginger. The cat was plump and wore a collar. Someone had loved it. Blackness from one ear obscured one side of its head and when I touched here it was like a cup. For the third time, the cat stretched, the tips of its hind feet quivering luxuriously in that way cats have. With a great spastic effort it flipped over onto its other side, but made no cry. The only sound between us was my crooning as I carried it to the side of the street and laid it behind the nearest hedge.

  A sallow upstairs light in this home was glowing. I wondered if the cat was theirs. Was it their love invested in my hands? Were they watching as I pushed, crouching, with my burden through their hedge? I wondered if I would be taken for a trespasser; as an American, I was nervous of English taboos. In my own country it was a not uncommon insult to kill a cat and throw the body into an enemy’s yard, and I was afraid that this might be taken that way. I thought of writing a note to explain everything, but I had no paper and pen. I explained to the cat, how I was taking her (I felt the cat was female) out of the street so no more cars would hit her, how I would put her here in the nice safe dirt behind the hedge, where she could rest and get well. I did not believe she would get well; I think she was dead already. Her weight had felt dead in my hands and when I laid her down she did not stretch or twitch again.

  Back in my flat, I discovered that one glove was smeared with blood. Most of the palm and three of the fingers were dyed wine-brown. I hadn’t realized there was so much blood. I took off my gloves and carefully wrote a note, explaining that I had found this cat in the middle of the street, still alive, and that I had put it behind this hedge to be safe. If, as I thought, the cat was dead, I hoped that the finders would bury it. After some deliberation, I signed my name and address. I walked back and tucked the note under the cat’s body, which seemed at home behind the hedge; it suffered my intrusion a trifle stiffly. It suggested I was making too much fuss, and seemed to say to me, Run on home.

  Back in my flat once more, I felt abruptly tired, though my heart was pounding. I went to bed and set the alarm for three and read a book. I remember the title, it was Chesterton’s The Everlasting Man. I turned off the light and prayed for my wife and, though I did not believe myself capable of it, fell asleep. The alarm at three came crashing into some innocent walk of a dream and my frail head felt like a hollow cup. I dressed and went out to the public phone booth a block away and called the hospital. A chirping voice, after some rummaging in the records, told me that several hours ago, in the first hour of April (in the United States it was still March), a perfect female infant had been born. To me.

  The next morning, after all the telegrams had been managed, I went back to the hedge, and the cat and my note were gone. Though I had left my address, I never received a letter.

  When we returned from England, we bought a car. We had ordered it through my parents from folders they had sent us, and though its shade of blue was more naïve, more like a robin’s egg, than we had expected, t
his ’55 Ford proved an excellent buy. Whether being shuffled from side to side of West Eighty-fifth Street every morning or being rammed in second gear up a washed-out mountain road in Vermont, it never complained. In New York hot tar from a roof-patching job rained onto its innocent paint, and in Vermont its muffler was racked and rent on a shelf of rock, and in Massachusetts it wallowed, its hot clutch stinking, up from more than one grave of snow. Not only sand and candy wrappers accumulate in a car’s interior, but heroisms and instants of communion. Americans make love in their cars, and listen to ball games, and plot their wooing of the dollar: small wonder the landscape is sacrificed to these dreaming vehicles of unitary personhood. In the beginning, my wife and I would lovingly lave with soap and warm water the unflecked skin of the hood as if it were the thorax of a broad blue baby, and toward the end we let the gallant old heap rust where it would. Its eggshell finish grew grizzled with the stains of dropped maple seeds. Its doors balked at closing; its windows refused to roll down. But I somehow never believed we would ever trade it in, though the little girl born across the ocean in the ominous turning of April, now a vocal and status-conscious democrat of nearly six, applied more and more pressure. The deal was consummated while my soul had its face turned, and Detroit contracted to devour her offspring. But before the new car arrived, there was a month’s grace, and in this grace I enjoyed a final fling with my car, my first, my only—for all the others will be substitutes. It happened this way:

  Dancing at a party with a woman not my wife, I took the opportunity to turn her hand in mine and kiss her palm. For some time her thighs had been slithering against mine, and, between dances, she developed a nervous clumsy trick of lurching against me, on tiptoe, and rubbing her breasts against my forearm, which was braced across my chest as I held a cigarette. My first thought was that I might burn her; my second, that Nature in her gruff maternal way had arranged one of her opportunities—as my mother, when I was a child, would unpredictably determine to give me a birthday or Halloween party. Obediently I bowed my head and kissed my friend’s moist palm. As it withdrew from the advance, her fingertips caressed my chin in the absent-minded manner of one fingering the muzzle of an importunate dog. The exchange transposed us into a higher key; I could hardly hear my own voice, and our dancing lost all connection with the music, and my hand explored her spine from a great aerial distance. Her back seemed mysteriously taut and hard; the body of a strange woman retains more of its mineral content, not yet being transmuted into memory. In a sheltered corner of the room we stopped dancing altogether and talked, and what I distinctly remember is how her hands, beneath the steady and opaque appraisal of her eyes, in agitation blindly sought mine and seized and softly gripped, with infantile instinct, my thumbs. Just my thumbs she held, and as we talked she moved them this way and that as if she were steering me. When I closed my eyes, the red darkness inside my lids was vibrant, and when I rejoined my wife, and held her to dance, she asked, “Why are you panting?”