The World is Moving Around Me

by Dany Laferriere

  Originally published as Tout bouge autour de moi

  Copyright © 2011 by Éditions Grasset et Fasquelle

  THE WORLD IS MOVING AROUND ME

  by Dany Laferrière

  Translation copyright © 2013 by David Homel

  Foreword copyright © 2013 by Michaëlle Jean

  All rights reserved. No part of this book may be reproduced in any part by any means—graphic, electronic, or mechanical—without the prior written permission of the publisher, except by a reviewer, who may use brief excerpts in a review, or in the case of photocopying in Canada, a license from Access Copyright.

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  The publisher gratefully acknowledges the support of the Canada Council for the Arts and the British Columbia Arts Council for its publishing program, and the Government of Canada (through the Canada Book Fund) and the Government of British Columbia (through the Book Publishing Tax Credit Program) for its publishing activities.

  This translation, including the section “How It Came to Be,” is based on the Quebec edition published in 2010 by Mémoire d’encrier.

  The quotation from Amos Oz, The Same Sea, was translated by Nicholas de Lange.

  Publisher’s note: During the course of the translation, the writer used his authorial privilege to make certain changes to his original text.

  Cover photograph by Getty Images

  Book design by Gerilee McBride

  Editing by Susan Safyan

  Printed and bound in Canada

  Library and Archives Canada Cataloguing in Publication:

  Laferrière, Dany

  The world is moving around me [electronic resource] : a memoir of the Haiti earthquake / Dany Laferrière ; translated by David Homel.

  Translation of: Tout bouge autour de moi. Electronic monograph in EPUB format. Issued also in print format. ISBN 978-1-55152-499-3

  1. Haiti Earthquake, Haiti, 2010. 2. Laferrière, Dany. I. Title.

  QE535.2.H34L3313 2013 551.22097294 C2012-906804-7

  For the little group at the Hôtel Karibe

  who faced the wrath of the gods with me:

  Michel Le Bris, Maëtte Chantrel, Mélani Le Bris,

  Isabelle Paris, Agathe du Bouäys,

  Rodney Saint-Éloi, and Thomas Spear

  In the face of death

  There should be neither joy nor sadness

  Just a long astonished gaze

  —Renaud Longchamps

  Foreword

  The Right Honourable Michaëlle Jean

  Special Envoy for Haiti for the United Nations Educational, Scientific and Cultural Organization, and former Governor General of Canada

  The “Étonnants voyageurs” international festival of books and film was about to take place in Haiti in January 2010 when, suddenly, all hell broke loose. The deadliest earthquake in the country’s history threw the nation into shock and horror.

  Dany Laferrière was among the novelists, poets, and publishers staying at the Hôtel Karibe, overlooking the city of Port-au-Prince.

  Not only did the ground beneath their feet betray them, as the earth let loose a deafening growl, but words failed them when it came time to describe that moment of truth, when brutal reality left the voice of fiction speechless.

  The only solid things that remained in their lives were those everyday actions that helped them hold onto what had collapsed: the few landmarks still standing amid an inferno of rubble; the few loved ones left among the survivors, who were themselves damaged, riddled with cracks.

  Dany Laferrière, faithful guardian and watchman, would work to recover his senses and his stability in the face of this catastrophe and try to make meaning of it.

  One day he wrote, “No one can tell a story exactly as it happened. We piece it together. We try to find the essential emotions. In the end, we fall into nostalgia. And if there’s one thing that’s far from truth, it’s nostalgia. So that’s not your story.”

  I read The World Is Moving around Me with this premise in mind—that this is a story that’s not his to tell. In the way he follows the stream of events, and renders impressions, images, scenes, and conversations in the midst of tragedy or on its periphery, on the path of nostalgia for places that have been destroyed, for those people who have vanished, for memories wounded and devastated, we feel his restraint, something akin to prudishness. There are no special effects. Nothing literary.

  And yet, when a journalist asks him—as a man of letters who has witnessed all of this—what the value of culture is, when faced with such suffering, he answers, “When everything else collapses, culture remains.” In Haiti, nothing is truer. Witnesses will say, and Laferrière will confirm it, that after the initial shock and for the nights that followed, as the tremors continued to punish the city, people joined together to sing as a way of fighting their misfortune. He reminds us of the lesson and the imagery of Haiti’s naïve painters, who choose to portray nature at its most generous, a Garden of Eden, a paradise lost, while all around them, desolation reigns.

  The original French-language edition of this book is published in Quebec by Mémoire d’encrier, Rodney Saint-Éloi’s company. Dany and Rodney were sitting at a table at a hotel restaurant in Port-au-Prince when “the earth started shaking like a sheet of paper whipped by the wind.” This book is filled with a sense of fraternity, informed by the love of a country that never deserts its sons and daughters who live far from it. And I’m one of them.

  The World Is Moving Around Me

  Life Returns

  Life seems to have gotten back to normal after decades of trouble. Laughing girls stroll through the streets late into the evening. Painters of naïve canvases chat with women selling mangos and avocados on dusty street corners. Crime seems to have retreated. In lower-class neighborhoods like Bel-Air, criminals aren’t tolerated by a population exasperated by everything it has gone through over the last fifty years: family dictatorships, military coups, repeated hurricanes, devastating floods, and random kidnappings. I’ve come for a literary festival that will bring together writers from around the world to Port-au-Prince. It is an exciting occasion: for the first time, literature seems to have supplanted politics in the public mind. Writers are on television more often than elected officials, which is rare in a country with such a political temperament. Literature is recovering its rightful place. Back in 1929, in his lively book Hiver caraïbe, Paul Morand noted that in Haiti, everything ends with a collection of poems. Later, Malraux, after his last journey to Port-au-Prince in 1975, spoke of a nation of painters. People are still looking for the reason behind the high concentration of artists in such a small space. Here in Haiti, a country that occupies just a third of the island it shares with the Dominican Republic, in the Caribbean Sea.

  The Minute

  I was in the restaurant at the Hôtel Karibe with my friend Rodney Saint-Éloi, the publisher at Mémoire d’encrier, who had just come in from Montreal. Under the table, two overloaded suitcases filled with his latest titles. I was waiting for my lobster (langouste, on the menu) and

  Saint-Éloi for his fish in sea salt. I was biting into a piece of bread when I heard a terrible explosion. At first I thought it was a machine gun (others will say a train) right behind me. When I saw the cooks dashing out of the kitchen, I thought a boiler had exploded. It lasted less than a minute. We had between eight and ten seconds to make a decision. Leave the place or stay. Very rare were those who got a good start. Even the quickest wasted three or four precious seconds before they understood what was happening. Thomas Spear, the critic, another of the friends I
was with, wasted three precious seconds finishing his beer. We don’t all react the same way. And no one knows where death will be waiting. The three of us ended up flat on the ground in the middle of the courtyard, under the trees. The earth started shaking like a sheet of paper whipped by the wind. The low roar of buildings falling to their knees. They didn’t explode; they imploded, trapping people inside their bellies. Suddenly we saw a cloud of dust rising into the afternoon sky. As if a professional dynamiter had received the express order to destroy an entire city without blocking the streets so the cranes could pass.

  Silence

  When I travel, I always keep two things with me: my passport (in a pouch around my neck) and a black notebook in which I write down everything that crosses my field of vision or my mind. While I was lying on the ground, I thought of those disaster movies and wondered if the earth would gape open and swallow us up. That was my childhood terror. We found refuge on the hotel tennis courts. I expected to hear screams and cries. There was none of that. In Haiti, they say that as long as no one has screamed, death isn’t real. Someone shouted that it was dangerous to stay under the trees. That turned out not to be true. Not a single branch or flower moved during the forty-three seismic disturbances of that first night. I can still hear the silence.

  Projectiles

  A 7.3 magnitude earthquake is not so bad. You still have a chance. Concrete was the killer. The population had joined in an orgy of concrete over the last fifty years. Little fortresses. The wood and sheet-metal houses, more flexible, stood the test. In narrow hotel rooms, the TV set was the enemy. People sit facing it. It came right down on them. Many got hit in the head.

  The Ladder

  We slowly got to our feet like zombies in a B-movie. I heard cries from the courtyard. The buildings at the rear and to the right had collapsed. These were apartments rented by the year to foreign families, most of them French. Two teenage girls were in a panic on their second-floor balcony. Very quickly, people looked for a way to help them. Three men took up position at the foot of the building. Two were holding a ladder. The young man who’d had the intelligence to go looking for the ladder climbed to the top. The older girl managed to step over the balcony railing. She made it to the ground. Everyone gathered to help her. The young man climbed up the ladder again to bring down the younger girl, who refused to leave the building. She insisted on waiting for her mother. No one knew there was a third person up there. The rescuers worked silently, sweating. They had to act fast because the building, on its last legs, could come down at the slightest vibration. The teenage girl screamed that her mother was inside. She had tried to escape down the stairs and had gotten trapped. The girl was crying and pointing to the spot where her mother had disappeared. From the garden, we watched the girl who believed that if she came down, we’d forget all about her mother. Everyone was working feverishly since the earth had trembled again. The mother managed to free herself by breaking a window. She rushed to her daughter who still refused to climb down until she did. Only when her mother was on solid ground did she accept the ladder.

  A Small Celebration

  A woman was pacing with a crying baby in her arms. I took him and tried rocking him. He stared up at me with his dark eyes like a frightened mouse. His attention was so intense it intimidated me. The woman told me she was his nurse. His parents were at work. She had just finished giving him his bath when the room started rocking. She kept running into the walls, but never let go of the baby. She tried to leave the building through the stairway. It was blocked. She went back to the room and managed to balance the baby on the window ledge, then slipped down to the balcony of the floor below. Then she climbed on a chair to get the baby who, miraculously, had not moved, as if he understood the gravity of the situation. Once she had him in her arms again, he began screaming as if he were being thrust into boiling water and had been going like that for the last two hours. His parents arrived in a panic. I could scarcely imagine their fear as they drove here. They left the car doors open in the middle of the street. The nurse gave them their baby and they danced with a wild kind of joy, holding him close. An aftershock interrupted their small celebration.

  The Hotel Employees

  Impeccable in their uniforms, the hotel employees never lost their composure. There was a little panic at the beginning, but mostly from the guests who were running in every direction. Some had to be rescued from their rooms because they refused to come out. They were found walking in circles or sitting on their beds with stunned expressions. I watched the staff do everything possible to provide a decent level of service. Maybe the fact they had a function to fulfill helped them walk straight, while the guests went staggering past. As soon as someone was hungry, they would arrive single file with platters of hors d’oeuvres that they lined up on a broad table. They were expecting a reception in the big meeting room by the restaurant. The food was ready. Now we could enjoy it. Near the low gate that led to the tennis courts where we had taken shelter, the security guards stood. They did their best to reassure the customers. I say customers rather than tourists, since the latter are rare in Haiti. Instead, you find members of the many NGOs that have sprouted up over the last decades, sun-tanned journalists who haven’t gotten around to leaving the island and foreign businessmen talking in low voices over breakfast with Haitian politicians bathed in sweat. In the garden, the hotel owner went by, inspecting the damage. Walking slowly, his face care-worn, he seemed lost in thought. I’d have given anything to know what was going through his mind. The damage was not just material. In less than a minute, some saw their lifelong dreams go up in smoke. That cloud in the sky a while back was the dust of their dreams.

  The Bathroom

  I imagine the fear of people who were in the bathroom when the earthquake struck. Everyone was caught off guard, but those who were in the shower must have experienced pure panic. You always feel more vulnerable naked, especially covered in soapy water. A lot of people, in their hurry to get out, left the water running.

  Objects

  The enemy isn’t time, but all those things we’ve accumulated with the passage of time. Once we start collecting, we can’t stop. Every object demands another. That’s the portrait of a life. They’ll find bodies by the door. A suitcase next to them.

  Where Are You, Honey?

  It’s very rare for all the members of one family to be together in the same place, at the same time, in a big city. Especially at 4:53 in the afternoon. People have left work, but they haven’t gotten home. No one can be completely sure where the others are. In a family that’s trying to make ends meet, if the mother is in one place, the father is somewhere else. Never both in the same spot. The children hang out after school. Only the grandparents are at home. All around me, people were shouting into their cell phones. “Where’s your brother? Where’s your sister? Mama, answer me, please! Where are you, honey? Have you talked to the kids? Where should we meet?” The conversations ended with the shouted observation, as if the other party could hear, “The line’s gone out!” They tried to borrow someone else’s phone. The problem was widespread. They paced, feverishly pushing buttons on the slender object that could put them in touch with someone close to them. Picture an entire city where everyone is trying to find a family member or a friend. They shout louder and louder into their phones. They hear the other person less and less. They lose patience. People are concentrated on their personal dramas. Language is whittled down to the essential. Then comes silence.

  Night

  Most residents of Port-au-Prince spent the first night outside. The previous nights had been chilly. This one was warm and star-lit. I hadn’t slept outside since childhood. Lying on the ground, we felt each of the earth’s convulsions in our very being. Our bodies were one with the ground. I was pissing against a tree when my legs started trembling: the impression that the earth was shaking. I walked through the garden, amazed to see that the most fragile flowers were still hanging from their stems. The earthquake attacked what was
hard, solid, what could resist it. The concrete fell. The flowers survived.

  Time

  I never knew sixty seconds could last so long. And that a night could be endless. No radio: the antennae have fallen. No TV either. No Internet. The cell phone network is gone—though we had time for a few quick calls to the people who matter most to us. A strange moment when we realize we’ve lost the ability to contact people far away from here. All those wires that link us are cut. We can communicate with those immediately around us, who can hear our voices, but no one else. Human time is now contained in the sixty seconds that the first violent tremors took to change our lives.

  Place

  When it happened, people were scattered here and there: at home (the grandparents and the sick), at school (those slow to leave because class ended an hour earlier), at work (the best employees are often the last to clock out), in the supermarkets (those who have steady pay), in the outdoor markets (no danger for anyone there), in the streets (more than half of the population). An enormous number of people were caught in the monstrous traffic jams that paralyze Port-au-Prince during rush hour. The uproar suddenly stopped at 4:53 in the afternoon. The fateful hour that cut Haitian time in two. We gaze at Port-au-Prince with the stunned air of a child whose toy has just been accidentally stepped on by an adult.

  The Radio