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Do Not Disturb

Page 28

by A. R. Torre


  “Good,” he groans. “Very good. I like you, Jessica.”

  Jessica. Not my real name. He thinks he knows me. They all think they know me. After all, they’ve seen my Facebook page, seen the Photoshopped photos that construct my manufactured life. They believe what they see, because they want to believe. Like I want to believe.

  I turn to the wall and stand, dragging my expensive thong down over my toned hips, bending over and exposing my most private area to his hungry eyes. The embroidered lace slides the rest of the way down my legs and drops around my ankles, snagging on the Italian stilettos that encase perfectly pedicured feet. I am naked now, and slide down to lay on my side in front of him, propped up on one elbow, his eyes hungrily feasting on my body. The lights, bright and hot, illuminate my bare skin, causing it to glow. He speaks, the arousal present in his voice, in the slight thickening of his accent.

  “Touch yourself. Just your fingers. I want to see you come.”

  He wants my fingers, a seductive performance of gasps, moans, and slick foreplay. Eventually, fingers won’t be enough. The next visit he’ll want more, something bigger, deeper—my moans to be louder, my orgasm stronger. There will be no secrets anymore, no boundaries, no requests he won’t be comfortable giving. At this moment, I am his, to do with as he pleases. And right now, he wants fingers.

  I angle my body so that he can see my parted legs, my completely bare sex, wet, opened and closed with experienced movements. I dip one finger, then two, inside of me, moving them in and out with slow, seductive strokes, my eyes closed, head tilted back. I hear his gasp, the rustle of clothing, a zipper, and a moan as his hand finds his cock. Unintelligible words, a brief slip into a foreign tongue, the meaning clear despite the language. I increase the speed of my fingers, then pause, spreading my lips and exposing the sensitive bud that holds the power over my ecstasy. I moan softly, a breathy sigh that speaks of want and need, spreading wetness over my swollen clit, the change in pace causing a groan from him.

  “Jessica,” he whispers my name, longing and need filling every syllable. “Please. I need to see you come.”

  I open my eyes, staring forward into the bright lights, with a thin sheen of moisture on my skin. I bite my bottom lip, widening my eyes when my fingers again plunge into my core, quick, fast darts of movement, skin on skin; every thrust placing the heel of my hand over my clit, with a delicious friction that moves me in the general direction of an orgasm.

  I won’t come. An actual orgasm is an occasional occurrence, one that my tortured body spits out in exhausted exasperation, one of those ‘here take it!’ gifts. But for the most part, I am severely oversexed, and my body, my pussy, has grown immune to stimulation. But he doesn’t know that. All he knows is that, ten minutes after my fingers make their first dip into the wet folds of my sanctum, my back arches, eyes close, and I have a full body, toe-curling, best-orgasm-of-my-life. I shudder, I gasp; I own the shit out of that fake orgasm. As I always do.

  He groans at my climax, his hand creating slick sounds at an impossible speed, and a strangled sound meets my ears, a shuddering moan that disappears into thick gasps.

  Then, pure silence. No breaths, no fabric rustling, no sated sighs.

  An electronic beep sounds, a tone that I’ve heard thousands of times. I stretch, grab my lingerie and roll over, hop off the bed, and walk carefully across soft carpet in four-inch heels until I reach my computer’s keyboard. I press a key, ending our session.

  The lights go out.

  CHAPTER 1

  I HAVEN’T TOUCHED a human in three years. That seems like it would be a difficult task, but it’s not. Not anymore, thanks to the Internet. The Internet that makes my income possible and provides anything I could possibly want in exchange for my credit card number. I’ve had to go into the underground world for a few things, and once in that world, I decided to stock up on a few fun items, like a new identity. I am now, when necessary, Jessica Beth Reilly. I use my alias to prevent others from finding out my past. Pity is a bitch I’d like to avoid. The underground provides a plethora of temptations, but so far, with one notable exception, I’ve stayed away from illegal arms and unregistered guns. I know my limits.

  The UPS man knows me by now—knows to leave my boxes in the hall and to scrawl my name on his signature pad. His name is Jeremy. About a year ago, he was sick, and a stranger came to my door. He refused to leave the package without seeing me. I almost opened the door and went for his box cutters. They almost always carry box cutters. That’s one of the things I love about deliverymen. Jeremy hasn’t been sick since then. I don’t know what I’ll ever do if he quits. I like Jeremy, and from my warped peephole view, there is a lot about him to like.

  The first shrink I had said I have anthropophobia, which is fear of human interaction. Anthropophobia, mixed with a healthy dose of cruorimania, which is obsession with murder. He told me that via Skype. In exchange for his psychological opinions, I watched him jack off. He had a little cock.

  While I may go out of my way to avoid physical human interaction, virtual human interaction is what I spend all day doing. To the people I cam with, I am JessReilly19, a bubbly nineteen year old college student—a hospitality major—who enjoys pop music, underage drinking, and shopping. None of them really know the true me. I am who they want me to be, and they like it like that. So do I.

  Knowing the real me would be a bit of a buzz kill. The real me is Deanna Madden, whose mother killed her entire family, then committed suicide. I inherited a lot from my mother, including delicate features and dark hair, but the biggest genetic inheritance was her homicidal tendencies. That’s the reason I stay away from people. Because I want to kill. Constantly. It’s almost all I think about.

  Over the last three years, I’ve learned how to optimize my income. From 8 a.m. to 3 p.m. I use a site called Sexnow.com, which has a clientele of mostly Asians, Europeans, and Australians. From 6 p.m. to 11 p.m., I’m on American turf, on Cams.com. In between shifts, I eat, workout, shower, and return emails—always in that order.

  Whenever possible, I try to get clients to use my personal website and also make appointments. If they go through my website, I make 96.5% of their payout, plus I can hide the income from Uncle Sam. The camsites only pay me 28%, which officially constitutes as highway robbery. I charge $6.99 a minute. On a good month, I make around $55,000 and on a bad one, about $30,000.

  Camming makes up seventy percent of my income; the rest comes from my website, which allows men to watch my live video feed. I broadcast at least four hours a day and charge subscribers twenty bucks a month. I wouldn’t pay ten cents to watch me masturbate online, but apparently two hundred and fifty subscribers feel differently.

  The $6.99 a minute grants clients the ability to bare their sexual secrets and fantasize to their heart’s content, without fear of exposure or criticism. I don’t judge the men and women who chat with me and reveal their secrets and perversions. How can I? My secret, my obsession, is worse than any of theirs. To contain it, I do the only thing I can. I lock myself up. And in doing so, I keep myself, and everyone else, safe.

  Sometimes I allow myself to be delusional. To daydream. At those times I tell myself that one day I will be happy—that I am banking all of this money so I can move to the Caribbean and lie on the beach. But I know that if I did that, the sand would be covered in blood soon enough.

  I try to sleep at least eight hours a night. Nighttime is when I typically struggle the most. It is when I thirst for blood, for gore. So Simon Evans and me have an agreement. Simon lives three doors down from me in this shithole that we all call an apartment complex. He has, over the last three years, developed a strong addiction to prescription painkillers. I keep his medicine bottle filled, and he locks me up at night. My door is, without a doubt, the only one in the complex without a deadbolt switch on the inside.

  I used to have Marilyn do it. She’s a grandmotherly type who struggles by on the pittance that is her social security. She lives across from Simon
. But Marilyn stressed out too much; she was always worried that I would have some personal emergency, or fire, or something, and would need to get out. I had to find someone else. Because I worried over what was coming. At night, my fingers would start to itch, and I would come close to picking up that phone, to asking her to unlock my door. And then I would wait beside it, wait for the tumblers to move and my door to be unlocked. And when I opened it, when I saw Marilyn’s lined and tired face, I would kill her. Not immediately. I would stab her a few times, leaving some life in her, and wait for her to run, to scream. I like the sound of screams—real screams, not the pathetic excuse that most movies tried to pass off as the sound of terror. Then I would chase her down and finish the job, as slowly as I could. Dragging out her pain, her agony, her realization that she had caused her own death. I had gotten to the point where I had picked out a knife, started to keep it in the cardboard box that sat by the door and held my outgoing mail and various crap. That was when I knew I was getting too close. That was when I picked Simon instead. Simon’s addiction supersedes any concern he has for my well-being.

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  Contents

  COVER

  TITLE PAGE

  WELCOME

  DEDICATION

  PART 1 CHAPTER 1

  CHAPTER 2

  CHAPTER 3

  CHAPTER 4

  CHAPTER 5

  CHAPTER 6

  CHAPTER 7

  CHAPTER 8

  CHAPTER 9

  CHAPTER 10

  CHAPTER 11

  CHAPTER 12

  CHAPTER 13

  CHAPTER 14

  CHAPTER 15

  CHAPTER 16

  PART 2 CHAPTER 17

  CHAPTER 18

  CHAPTER 19

  CHAPTER 20

  CHAPTER 21

  CHAPTER 22

  CHAPTER 23

  CHAPTER 24

  CHAPTER 25

  CHAPTER 26

  CHAPTER 27

  CHAPTER 28

  CHAPTER 29

  CHAPTER 30

  CHAPTER 31

  CHAPTER 32

  CHAPTER 33

  CHAPTER 34

  CHAPTER 35

  CHAPTER 36

  CHAPTER 37

  CHAPTER 38

  CHAPTER 39

  CHAPTER 40

  CHAPTER 41

  CHAPTER 42

  CHAPTER 43

  CHAPTER 44

  CHAPTER 45

  CHAPTER 46

  CHAPTER 47

  CHAPTER 48

  CHAPTER 49

  CHAPTER 50

  CHAPTER 51

  PART 3 CHAPTER 52

  CHAPTER 53

  CHAPTER 54

  CHAPTER 55

  CHAPTER 56

  CHAPTER 57

  CHAPTER 58

  CHAPTER 59

  CHAPTER 60

  CHAPTER 61

  CHAPTER 62

  CHAPTER 63

  CHAPTER 64

  CHAPTER 65

  CHAPTER 66

  CHAPTER 67

  CHAPTER 68

  CHAPTER 69

  CHAPTER 70

  CHAPTER 71

  CHAPTER 72

  CHAPTER 73

  CHAPTER 74

  CHAPTER 75

  CHAPTER 76

  CHAPTER 77

  CHAPTER 78

  CHAPTER 79

  PART 4 CHAPTER 80

  CHAPTER 81

  CHAPTER 82

  CHAPTER 83

  CHAPTER 84

  CHAPTER 85

  CHAPTER 86

  CHAPTER 87

  CHAPTER 88

  CHAPTER 89

  CHAPTER 90

  CHAPTER 91

  CHAPTER 92

  CHAPTER 93

  CHAPTER 94

  CHAPTER 95

  CHAPTER 96

  CHAPTER 97

  CHAPTER 98

  CHAPTER 99

  CHAPTER 100

  CHAPTER 101

  CHAPTER 102

  CHAPTER 103

  CHAPTER 104

  CHAPTER 105

  CHAPTER 106

  CHAPTER 107

  CHAPTER 108

  PART 5 CHAPTER 109

  CHAPTER 110

  CHAPTER 111

  CHAPTER 112

  CHAPTER 113

  CHAPTER 114

  CHAPTER 115

  CHAPTER 116

  CHAPTER 117

  ACKNOWLEDGMENTS

  NOTE FROM THE AUTHOR

  MEET THE AUTHOR

  BY A. R. TORRE

  A PREVIEW OF THE GIRL IN 6E

  ORBIT NEWSLETTER

  COPYRIGHT

  Copyright

  The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

  Copyright © 2015 by A. R. Torre

  Excerpt from The Girl in 6E copyright © 2014 by A. R. Torre

  Cover design by Wendy Chan and Abi Hartahorne

  Cover image © Shutterstock

  Cover © Hachette Book Group, Inc.

  All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at permissions@hbgusa.com. Thank you for your support of the author’s rights.

  Redhook Books/Orbit

  Hachette Book Group

  1290 Avenue of the Americas, New York, NY 10104

  orbitbooks.net

  orbitshortfiction.com

  First ebook edition: April 2015

  Redhook is an imprint of Orbit, a division of Hachette Book Group.

  The Redhook name and logo are trademarks of Hachette Book Group, Inc.

  The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.

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  ISBN 978-0-316-40444-0

  E3

 

 

 


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