Royal Higness

by Thomas Mann

  “On what observations,” she asked sharply, wagging her head from side to side, “did he base his conviction that she was approachable only or preferably by way of cheerful conversation?” And she commanded him rather than asked him to be kind enough to explain about the burning questions of the day.

  Then Klaus Heinrich explained what he had learnt from Herr von Knobelsdorff, and talked about the land and its state. He was well posted on every point at which the skinny index-finger had paused: he talked about the natural and the indebted, the general and the particular, the inherited and the intensifying misfortunes; he emphasized particularly the figures of the State debt, and the burden they laid on our national economy—they were six hundred millions—and he did not forget to mention the underfed peasants in the country-side.

  He did not speak connectedly; Imma Spoelmann interrupted him with questions and helped him on with questions. She listened carefully, and asked for explanations of what: she did not at once understand. Dressed in her loose-sleeved, red-silk dress with the broad embroidery on the yoke, an old-Spanish chain round her child-like neck, she sat leaning on one elbow over the table, her chin buried in her ringless hand, and listened with her whole soul, while her big, dark eyes scrutinized the Prince’s face.

  But while he spoke, in answer to Imma’s verbal and ocular questions, worked at his subject, grew excited and entirely absorbed in it, Countess Löwenjoul no longer felt herself restricted to sober clarity by his presence, but let herself go and indulged in the luxury of drivelling. All the misery, she explained with dignified gestures, even the bad harvest, the burden of debt and the rise in the price of gold, were due to the shameless women who swarmed everywhere, and unfortunately had discovered the way through the floor, as last night the wife of a sergeant from the Grenadiers’ Barracks had scratched her breasts and pommelled her in a horrible way. Then she alluded to her Schlosses in Burgundy, through the roofs of which the rain came, and went so far as to relate that she had gone as lieutenant in an expedition against the Turks, on which she had been the only one who “had not lost her head.” Imma Spoelmann and Klaus Heinrich threw her a kind word now and then, readily promised to call her Frau Meier in future, and for the rest took no notice of her.

  The cheeks of both were burning when Klaus Heinrich had said all he knew—even on Miss Spoelmann’s usually pearl-white cheeks there was a shade of red to be seen. They then stopped, the Countess too kept quiet, with her little head inclined on her shoulder, and staring into vacancy. Klaus Heinrich played on the white and sharply folded table-cloth with the stem of an orchid, which had stood in a glass by his plate; but as soon as he raised his head he met Imma Spoelmann’s large, flaming eyes, which spoke a message of secret entreaty across the table, a darkly eloquent language.

  “It has been nice to-day,” she said in her broken voice, when she said good-bye this time, and he felt her small, soft hands clasp his with a firm squeeze. “Next time your Highness honours our unworthy house, do bring me one or two of those excellent books you have bought.” She could not entirely resist mocking him, but she asked him for his finance books, and he brought them to her.

  He brought her two of them, which he considered the most informative and comprehensive; he brought them some days later in his carriage through the damp Town Garden, and she thanked him for doing so. As soon as tea was over, they retired to a corner of the room, and there, while the Countess absently continued sitting at the tea-table, they began their common studies in throne-like chairs at a gilt table, bending over the first page of a manual called “The Science of Finance.” They even read the headings to the sections, each reading a sentence softly in turn; for Imma Spoelmann insisted on going methodically to work and beginning at the beginning.

  Klaus Heinrich, well prepared as he was, acted as guide through the paragraphs, and nobody could have followed more smartly or clear-headedly than Imma.

  “It’s quite easy!” she said and looked up with a laugh. “I’m surprised that it is at bottom so simple. Algebra is much harder, Prince.”

  But as they went so deeply into things, they did not get far in one afternoon, so made a mark in the book at which to start next time.

  And so they went on, and the Prince’s visits to Delphinenort were devoted to dull realities. Whenever Mr. Spoelmann did not come to tea, or, with Dr. Watercloose, left them, after eating his rusk, Imma and Klaus Heinrich sat down at the gilt table with their books, and plunged heads together into the Science of Economics. But as they progressed, they compared what they learned with the reality, applied what they read to the circumstances of the country, as Klaus Heinrich conceived them to be, and made their studies profitable, though it happened not seldom that their investigations were interrupted by considerations of a personal kind.

  “It seems, then,” said Imma, “that the issue may be effected either directly or indirectly—yes, that’s obvious. Either the State turns directly to the capitalists and opens a subscription list … Your hand is twice as broad as mine,” she said; “look, Prince.”

  And they looked laughingly at their hands, his right and her left, as they lay next each other on the gilt table.

  “Or,” went on Imma, “the loan is procured by negotiation, and it is some big bank, or group of banks, to which the State …”

  “Wait!” he said softly. “Wait, Imma, and answer me one question. Aren’t you missing the main point? Are you making progress? What about the disenchantment and embarrassment, dear little Imma? Have you now just one spark of confidence in me?” His lips asked the question close to her hair, from which a delicate fragrance arose, and she held her dark head still and bent over the book, though she did not answer his question frankly.

  “But must it be a bank or group of banks?” she pondered. “There’s nothing about it there; I can’t think it would be necessary in practice.”

  She spoke gravely and deliberately on these occasions, for she too for her part had to grapple with the mental exercises which Klaus Heinrich had successfully managed after the conversation with Herr von Knobelsdorff. And when some weeks later he repeated his question, whether she would not like to go to the Court Ball, and told her of the ceremonial conditions which had been sanctioned for this occasion, behold, she replied that she would like to, and would go next day with Countess Löwenjoul and leave cards on the widowed Countess Trümmerhauff.

  This year the Court Ball took place earlier than usual; at the end of November—an arrangement which was said to be due to the wishes of the Grand Ducal Party. Herr von Bühl zu Bühl bitterly bewailed this precipitation, which obliged him and his subordinates to cancel the arrangements for the most important Court function, especially the improvements which the Gala Rooms in the Old Schloss so much needed. But the wish of the particular member of the Grand Ducal family had had the support of Herr von Knobelsdorff, and the Court Marshal had to give way. But it happened thus that people’s minds scarcely had time to prepare themselves sufficiently for what really was the event of the evening, in comparison with which the unusual date seemed as nothing. Indeed, when the Courier published in leaded type the news of the leaving of cards and the invitation—not without expressing in rather smaller type and in glowing words its satisfaction thereat, and welcoming Spoelmann’s daughter to the Court—the important evening was already close at hand, and before tongues could get fairly wagging the whole thing was a completed reality.

  Never had more envy attached to the five hundred favoured ones whose names stood on the Court Ball list, never had the bourgeois more eagerly devoured the account in the Courier—those dazzling columns which were written every year by a nobleman who had degenerated through drink, and which were such glorious reading that one felt they gave one a peep into Fairyland, while as a matter of fact the ball in the Old Schloss went off quite modestly and soberly. But the report only extended to the supper, including the French menu, and everything that came later, especially all the delicate significance of the great occasion, were necessarily left to
be reported by word of mouth.

  The ladies, in a huge olive-coloured motor, had pulled up in front of the Albrechtstor at the Old Schloss fairly punctually, though not so punctually that Herr von Bühl zu Bühl had not had time to get anxious. From a quarter-past seven onwards he had waited in full uniform, covered with orders down to his waist, with a bright brown toupée and his gold pince-nez on his nose, in the middle of the armour-hung Knights’ Hall where the Grand Ducal family and the chief officials were collected; standing now on one foot, then on the other, and every now and then dispatching a footman to the ballroom to find out whether Miss Spoelmann had not yet come. He thought of all sorts of unheard-of possibilities. If this Queen of Sheba came too late—and what might one not expect of a girl who had walked right through the guard?—the entry of the Grand Ducal cortège would have to be delayed, and the Court would have to wait for her, for she simply must be introduced first, and it was out of the question that she should enter the ballroom after the Grand Duke.

  But thank heaven! a bare minute before half-past seven she arrived with her Countess: and it made a great sensation when the Chamberlains who received them arranged them next the diplomats, and so in front of the nobility, the Court ladies, the Ministers, the Generals, the Presidents of Chambers, and all the Court world. Aide-de-camp von Platow had fetched the Grand Duke from his rooms. Albrecht, in hussar uniform, ad greeted the members of his House with down-cast eyes in the Knights’ Hall, had offered his arm to Aunt Catherine, and then, after Herr von Bühl had tapped three times with his staff on the parquet in the open doors, the procession of the Court into the ballroom had begun.

  Eye-witnesses asserted later that the general inattention had verged on the scandalous during the perambulation of the Grand Duke. As Albrecht reached successive spots with his dignified aunt, a hasty bowing and billowing without the fitting composure ensued, but otherwise all faces were turned to one point only in the ball, all eyes directed with burning curiosity on this point alone.… She who stood yonder had had enemies in the hall, at least among the women, the female Trümmerhauffs, Prenzlaus, Wehrzahns, and Platows, who were plying their fans here, and sharp and cold female glances had scrutinized her. But whether her position was now too well established for criticism to venture to assail her, or her personality itself had conquered the secret opposition—all had declared with one voice that Imma Spoelmann was as fine as the daughter of the King of the Mountains.

  The whole town, the clerk in the Government office, the messenger at the street corner, knew her toilette by heart next morning. It had been a gown of pale-green crêpe de chine, with silver embroidery and priceless old silver lace on the bodice. A tiara of diamonds had glittered in her dark hair, which showed a tendency to fall in smooth wisps across her forehead, and a long hanging chain of the same stones was wound two or three times round her brown throat. Small and child-like, yet strangely earnest and sensible-looking, with her pale face and big, strangely speaking eyes, she had stood in her place of honour by the side of Countess Löwenjoul, who had been dressed in brown as usual, though this time in satin. When the cortège reached her, she had, with a kind of coy pertness, made a suggestion of a curtsey, without completing it; but when Prince Klaus Heinrich, with the yellow ribbon and the flat chain of the Family Order “For Constancy” over his tunic, the silver star of the Grimmburg Griffin on his chest, and his anæmic cousin on his arm whose conversation was limited to “Yes,” passed by her directly after the Grand Duke, she had smiled with closed lips and nodded to him like a comrade—which sent something like a quiver through the company.

  Then, after the diplomats had been received by the Grand Ducal party, the presentations had begun—begun with Imma Spoelmann, although there had been two Countess Hundskeels and one Baroness von Schulenburg-Tressen among the débutantes. With an ingratiating smile, which showed his false teeth, Herr von Bühl had presented Spoelmann’s daughter to his master. And Albrecht, sucking his lower lip against his upper, had looked down on her coy semi-curtsey, from which she had raised herself to scrutinize with her speaking eyes the suffering Hussar Colonel in his silent pride. The Grand Duke had addressed several questions to her, an exception to an otherwise strict rule; he had asked her how her father was, what effect the Ditlinde Spa had, and how she liked on the whole being with us—questions which she had answered in her broken voice with a pout and a wag of her dark head. Then, after a pause, a pause perhaps of internal struggle, Albrecht had expressed his pleasure at seeing her at Court; whereupon Countess Löwenjoul had executed her curtsey, with an evasive glance from her eyes.

  This scene, Imma Spoelmann in the presence of Albrecht:, long remained the favourite topic of conversation, and although it had passed, as it was bound to pass, without anything unusual happening, yet its charm and importance must not be overlooked. It was not indeed the climax of the evening. That, in the eyes of many, was the Quadrille d’honneur; in the eyes of others, the supper,—in reality, however, it was a secret duologue between the two chief actors in the piece, a short, unnoticed exchange of words, whose contents and actual result the public could only guess—the settlement of certain tender struggles on horseback and on foot.

  As to the Quadrille d’honneur, there were people who declared next day that Miss Spoelmann had danced in it, with Prince Klaus Heinrich as her partner. Only the first part of this story was correct. Miss Spoelmann had taken part in the solemn dance, but as the British Consul’s partner and Prince Klaus Heinrich’s vis-à-vis. This was fairly strong, but what was still stronger was that the majority of the guests did not consider it an unheard-of thing, but on the contrary almost a matter of course.

  Yes, Imma Spoelmann’s position was established; the popular conception of her personality—as the public learned next day—had prevailed in the Court ballroom, and, what is more, Herr von Knobelsdorff had taken care that this conception should be expressed with all the publicity he thought desirable. Not with distinctive or aggressive respect; no, Imma Spoelmann had been treated ceremoniously, and at the same time with systematic, intentional emphasis. The two Masters of the Ceremonies on duty—Chamberlains in rank—had introduced selected dancers to her; and when she had left her place, close by the low red platform where the Grand Ducal family sat on damask chairs, to dance with her partners, they had busied themselves, just as when the princesses danced, in clearing her a space under the chandelier in the middle and protecting her from collisions—an easy task in any case, for a protective circle of curiosity had formed round her when she danced.

  It was reported that when Prince Klaus Heinrich asked Miss Spoelmann for the first time, a deep drawing of breath, a formal “Sh” of excitement had been heard in the ballroom, and the Masters of the Ceremonies had found it difficult to keep the ball going and to prevent the whole company standing round the dancers in gaping curiosity. The women especially had watched the pair with an excited delight, which, had Miss Spoelmann’s position been only a little weaker, would undoubtedly have taken on the form of rage and malice. But the pressure and influence of public feeling, that powerful inspiration from below, had worked too powerfully on every one of the five hundred guests for them to be able to regard this spectacle through any eyes other than those of the people. It did not seem to have occurred to the Prince to impose any restraint upon himself. His name—shortened to “K. H.”—appeared twice on Miss Spoelmann’s programme, and besides he had sat out several other dances with her. They had danced yonder. Her brown arm had rested on the yellow-silk ribbon that crossed his shoulder, and his right arm had encircled her light and child-like figure, while, as usual when he danced, he had placed the left on his hip and guided his partner with one hand only. With one hand!…

  When supper-time came, a further article in the ceremonial conditions which Herr von Knobelsdorff had contrived for Imma Spoelmann’s visit to Court came into staggering force. It was the article which dealt with the order of seating at the table. For while the majority of the guests supped at long tables in the
picture gallery and in the Hall of the Twelve Months, supper was laid in the Silver Hall for the Grand Ducal family, diplomats, and leading Court officials. In solemn procession, as when they entered the ballroom, Albrecht and his party entered the supper-room punctually at eleven o’clock. And Imma Spoelmann passed by the lackeys, who kept the doors and repelled the uninvited, on the arm of the British Consul, and entered the Silver Hall to take her place at the Grand Ducal table.

  That was unheard of—and at the same time, after all that had gone before, so logically consequential, that any surprise or disgust would have been idiotic. The motto for the day was to be prepared for anything in the way of omens and phenomena. But after supper, when the Grand Duke had withdrawn and Princes Griseldis had opened the cotillon with a Chamberlain, expectation was again raised to fever point, for the general question was, had the Prince been allowed to present Miss Spoelmann with a bouquet? His instructions had obviously been not to give her the first. He had first given one each to his Aunt Catherine and a red-haired cousin; but he had then advanced towards Imma Spoelmann with a bouquet of lilac from the Court gardens. As she was about to raise the lovely bunch to her nose, she had hesitated for some unknown reason with a look of apprehension, and it was not till he had encouraged her with a laugh and a nod that she decided to test the fragrance of the bouquet. Then they had danced and chatted quietly together for a long time.

  And yet it was during this dance that that unnoticed duologue, that conversation of a palpably bourgeois tenor and practical result, had taken place—and this is what it was.