The End Has Come

by John Joseph Adams

  TABLE OF CONTENTS

  INTRODUCTION

  John Joseph Adams

  BANNERLESS

  Carrie Vaughn

  LIKE ALL BEAUTIFUL PLACES

  Megan Arkenberg

  DANCING WITH A STRANGER IN THE LAND OF NOD

  Will McIntosh

  THE SEVENTH DAY OF DEER CAMP

  Scott Sigler

  PROTOTYPE

  Sarah Langan

  ACTS OF CREATION

  Chris Avellone

  RESISTANCE

  Seanan McGuire

  WANDERING STAR

  Leife Shallcross

  HEAVEN COME DOWN

  Ben H. Winters

  AGENT NEUTRALIZED

  David Wellington

  GOODNIGHT EARTH

  Annie Bellet

  CARRIERS

  Tananarive Due

  IN THE VALLEY OF THE SHADOW OF THE PROMISED LAND

  Robin Wasserman

  THE UNCERTAINTY MACHINE

  Jamie Ford

  MARGIN OF SURVIVAL

  Elizabeth Bear

  JINGO AND THE HAMMERMAN

  Jonathan Maberry

  THE LAST MOVIE EVER MADE

  Charlie Jane Anders

  THE GRAY SUNRISE

  Jake Kerr

  THE GODS HAVE NOT DIED IN VAIN

  Ken Liu

  THE HAPPIEST PLACE . . .

  Mira Grant

  IN THE WOODS

  Hugh Howey

  BLESSINGS

  Nancy Kress

  THE APOCALYPSE TRIPTYCH

  ACKNOWLEDGMENTS

  ABOUT THE EDITORS

  COPYRIGHT ACKNOWLEDGMENTS

  OTHER APOCALYPTIC BOOKS

  ALSO EDITED BY JOHN JOSEPH ADAMS

  Cover Art by Julian Aguilar Faylona

  Cover Design by Jason Gurley

  INTRODUCTION

  John Joseph Adams

  The world dies over and over again, but the skeleton always gets up and walks.

  —Henry Miller, “Uterine Hunger,” from The Wisdom of the Heart

  The Apocalypse Triptych was conceived as a series of three anthologies, each one covering a different facet of the end of times. Volume one, The End is Nigh, contains stories that take place just before the apocalypse. Volume two, The End is Now, focuses on stories that take place during the apocalypse. And, naturally, this third volume, The End Has Come, features stories that explore life after the apocalypse.

  But we were not content to merely assemble a triptych of anthologies; we also wanted story triptychs as well. So when we recruited authors for this project, we encouraged them to consider writing not just one story for us, but one story for each volume, and connecting them so that the reader gets a series of mini-triptychs. So several of the stories contained in this anthology — eighteen of the twenty-three tales — have related stories in The End is Nigh and The End is Now. They conclude with The End Has Come.

  If you’re one of the readers who read and enjoyed volumes one and two: Thank you! We’re glad to see you returning for volume three. You made the first two volumes a resounding success, and we couldn’t be more thrilled both with how well the books have done in the marketplace and with how well they’ve been received by readers and critics.

  If you’re a reader who has not read The End is Nigh or The End is Now: Welcome! And fear not: You needn’t have read either of the previous volumes in order to enjoy the stories in this one. Although several of the stories in The End Has Come pick up where other volumes left off, we’re confident that the authors have provided sufficient context that you can jump into their worlds without any prior knowledge.

  • • • •

  Now for a confession: Although I’m fascinated by all the different modes of the apocalypse — as evidenced by volumes one and two of this Triptych — post-apocalyptic fiction is my first and dearest love.

  My fascination with post-apocalypse narratives began with the 1988 video game Wasteland (and then was reinforced by its spiritual successor, Fallout). I have been hopelessly hooked ever since. Years later, when I started pursuing writing and editing, the first piece I ever sold was an article about post-apocalyptic fiction. Later, the first anthology I ever sold (Wastelands: Stories of the Apocalypse) was a reprint anthology with the same focus. So in some ways this final volume of The Apocalypse Triptych is like seeing my career come full circle.

  Which seems appropriate, as coming “full circle” is what post-apocalyptic fiction is all about. From the dust we came, and to the dust we shall return. But once everything has turned to dust, what then will rise from the ashes?

  BANNERLESS

  Carrie Vaughn

  Enid and Bert walked the ten miles from the way station because the weather was good, a beautiful spring day. Enid had never worked with the young man before, but he turned out to be good company: chatty without being oppressively extroverted. Young, built like a redwood, he looked the part of an investigator. They talked about home and the weather and trivialities — but not the case. She didn’t like to dwell on the cases she was assigned to before getting a firsthand look at them. She had expected Bert to ask questions about it, but he was taking her lead.

  On this stretch of the Coast Road, halfway between the way station and Southtown, ruins were visible in the distance, to the east. An old sprawling city from before the big fall. In her travels in her younger days, she’d gone into it a few times, to shout into the echoing artificial canyons and study overgrown asphalt roads and cracked walls with fallen roofs. She rarely saw people, but often saw old cook fires and cobbled together shantytowns that couldn’t support the lives struggling within them. Scavengers and scattered folk still came out from them sometimes, then faded back to the concrete enclaves, surviving however they survived.

  Bert caught her looking.

  “You’ve been there?” Bert said, nodding toward the haze marking the swath of ruined city. No paths or roads ran that way anymore. She’d had to go overland when she’d done it.

  “Yes, a long time ago.”

  “What was it like?”

  The answer could either be very long or very short. The stories of what had happened before and during the fall were terrifying and intriguing, but the ruins no longer held any hint of those tales. They were bones, in the process of disappearing. “It was sad,” she said finally.

  “I’m still working through the histories,” he said. “For training, right? There’s a lot of diaries. Can be hard, reading how it was at the fall.”

  “Yes.”

  In isolation, any of the disasters that had struck would not have overwhelmed the old world. The floods alone would not have destroyed the cities. The vicious influenza epidemic — a mutated strain with no available vaccine that incapacitated victims in a matter of hours — by itself would have been survivable, eventually. But the floods, the disease, the rising ocean levels, the monster storms piling one on top of the other, an environment off balance that chipped away at infrastructure and made each recovery more difficult than the one before it, all of it left too many people with too little to survive on. Wealth meant nothing when there was simply nothing left. So, the world died. But people survived, here and there. They came together and saved what they could. They learned lessons.

  The road curved into the next valley and they approached Southtown, the unimaginative name given to this district’s main farming settlement. Windmills appeared first, clean towers with vertical blades spiraling gently in an unfelt breeze. Then came cisterns set on scaffolds, then plowed fields and orchards in the distance. The town was home to some thousand people scattered throughout the valley and surrounding farmlands. There was a grid of drained roads and whitewashed houses, solar and battery operated carts, some goats, chi
ckens pecking in yards. All was orderly, pleasant. This was what rose up after the ruins fell, the home that their grandparents fled to as children.

  “Will you let the local committee know we’re here?” Bert asked.

  “Oh, no. We don’t want anyone to have warning we’re here. We go straight to the household. Give them a shock.”

  “Makes sense.”

  “This is your first case, isn’t it? Your first investigation?”

  “It is. And . . . I guess I’m worried I might have to stop someone.” Bert had a staff like hers but he knew how to use his for more than walking. He had a stunner and a pack of tranquilizer needles on his belt. All in plain view. If she did her job well enough he wouldn’t need to do anything but stand behind her and look alert. A useful tool. He seemed to understand his role.

  “I doubt you will. Our reputation will proceed us. It’s why we have the reputation in the first place. Don’t worry.”

  “I just need to act as terrifying as the reputation says I do.”

  She smiled. “Exactly — you know just how this works, then.”

  They wore brown tunics and trousers with gray sashes. Somber colors, cold like winter, probably designed to inspire a chill. Bert stood a head taller than she did and looked like he could break tree trunks. How sinister, to see the pair of them approach.

  “And you — this is your last case, isn’t it?”

  That was what she’d told the regional committee, that it was time for her to go home, settle down, take up basket weaving or such like. “I’ve been doing this almost twenty years,” she said. “It’s time for me to pass the torch.”

  “Would you miss the travel? That’s what I’ve been looking forward to, getting to see some of the region, you know?”

  “Maybe,” she said. “But I wouldn’t miss the bull. You’ll see what I mean.”

  They approached the settlement. Enid put her gaze on a young woman carrying a basket of eggs along the main road. She wore a skirt, tunic, apron, and a straw hat to keep off the sun.

  “Excuse me,” Enid said. The woman’s hands clenched as if she was afraid she might drop the basket from fright. As she’d told Bert, their reputation preceded them. They were inspectors, and inspectors only appeared for terrible reasons. The woman’s expression held shock and denial. Why would inspectors ever come to Southtown?

  “Yes, how can I help you?” she said quickly, nervously.

  “Can you tell us where to find Apricot Hill?” The household they’d been sent to investigate.

  The woman’s anxiety fell away and a light of understanding dawned. Ah, then people knew. Everyone likely knew something was wrong, without knowing exactly what. The whole town would know investigators were here within the hour. Enid’s last case, and it was going to be all about sorting out gossip.

  “Yes — take that path there, past the pair of windmills. They’re on the south side of the duck pond. You’ll see the clotheslines out front.”

  “Thank you,” Enid said. The woman hurried away, hugging her basket to her chest.

  Enid turned to Bert. “Ready for this?”

  “Now I’m curious. Let’s go.”

  Apricot Hill was on a nice acreage overlooking a pretty pond and a series of orchards beyond that. There was one large house, two stories with lots of windows, and an outbuilding with a pair of chimneys, a production building — Apricot Hill was centered on food processing, taking in produce from outlying farms and drying, canning, and preserving it for winter stores for the community. The holding overall was well lived in, a bit run down, cluttered, but that could mean they were busy. It was spring — nothing ready for canning yet. This should have been the season for cleaning up and making repairs.

  A girl with a bundle of sheets over her arm, probably collected from the clothesline the woman had mentioned, saw them first. She peered up the hill at their arrival for a moment before dropping the sheets and running to the house. She was wispy and energetic — not the one mentioned in the report, then. Susan, and not Aren. The heads of the household were Frain and Felice.

  “We are announced,” Enid said wryly. Bert hooked a finger in his belt.

  A whole crowd, maybe even all ten members of the household, came out of the house. A rough looking bunch, all together. Old clothes, frowning faces. This was an adequate household, but not a happy one.

  An older man, slim and weather-worn, came forward and looked as though he wished he had a weapon. This would be Frain. Enid went to him, holding her hand out for shaking.

  “Hello, I’m Enid, the investigator sent by the regional committee. This is my partner, Bert. This is Apricot Hill, isn’t it? You must be Frain?”

  “Yes,” he said cautiously, already hesitant to give away any scrap of information.

  “May we step inside to talk?”

  She would look like a matron to them, maybe even head of a household somewhere, if they weren’t sure she didn’t have a household. Investigators didn’t have households; they traveled constantly, avenging angels, or so the rumors said. Her dull brown hair was rolled into a bun, her soft face had seen years and weather. They’d wonder if she’d ever had children of her own, if she’d ever earned a banner. Her spreading middle-aged hips wouldn’t give a clue.

  Bert stood behind her, a wall of authority. Their questions about him would be simple: How well could he use that staff he carried?

  “What is this about?” Frain demanded. He was afraid. He knew what she was here for — the implications — and he was afraid.

  “I think we should go inside and sit down before we talk,” Enid said patiently, knowing full well she sounded condescending and unpleasant. The lines on Frain’s face deepened. “Is everyone here? Gather everyone in the household to your common room.”

  With a curt word Frain herded the rest of his household inside.

  The common room on the house’s ground floor was, like the rest of the household, functional without being particularly pleasant. No vase of flowers on the long dining table. Not a spot of color on the wall except for a single faded banner: the square of red and green woven cloth that represented the baby they’d earned some sixteen years ago. That would be Susan — the one with the laundry outside. Adults had come into the household since then, but that was their last baby. Had they wanted another child badly enough that they didn’t wait for their committee to award them a banner?

  The house had ten members. Only nine sat around the table. Enid took her time studying them, looking into each face. Most of the gazes ducked away from her. Susan’s didn’t.

  “We’re missing someone, I think?” Enid said.

  The silence was thick as oil. Bert stood easy and perfectly still behind her, hand on his belt. Oh, he was a natural at this. Enid waited a long time, until the people around the table squirmed.

  “Aren,” Felice said softly. “I’ll go get her.”

  “No,” Frain said. “She’s sick. She can’t come.”

  “Sick? Badly sick? Has a doctor seen her?” Enid said.

  Again, the oily silence.

  “Felice, if you could get her, thank you,” Enid said.

  A long stretch passed before Felice returned with the girl, and Enid was happy to watch while the group grew more and more uncomfortable. Susan was trembling; one of the men was hugging himself. This was as awful a gathering as she had ever seen, and her previous case had been a murder.

  When Felice brought Aren into the room, Enid saw exactly what she expected to see: the older woman with her arm around a younger woman — age twenty or so — who wore a full skirt and a tunic three sizes too big that billowed in front of her. Aren moved slowly, and had to keep drawing her hands away from her belly.

  She might have been able to hide the pregnancy for a time, but she was now six months along, and there was no hiding that swell and the ponderous hitch in her movement.

  The anger and unhappiness in the room thickened even more, and it was no longer directed at Enid.

  She waited while Feli
ce guided the pregnant woman to a chair — by herself, apart from the others.

  “This is what you’re here for, isn’t it?” Frain demanded, his teeth bared and fists clenched.

  “It is,” Enid agreed.

  “Who told?” Frain hissed, looking around at them all. “Which one of you told?”

  No one said anything. Aren cringed and ducked her head. Felice stared at her hands in her lap.

  Frain turned to Enid. “Who sent the report? I’ve a right to know my accuser — the household’s accuser.”

  “The report was anonymous, but credible.” Part of her job here was to discover, if she could, who sent the tip of the bannerless pregnancy to the regional committee. Frain didn’t need to know that. “I’ll be asking all of you questions over the next couple of days. I expect honest answers. When I am satisfied that I know what happened here, I’m authorized to pass judgment. I will do so as quickly as possible, to spare you waiting. Frain, I’ll start with you.”

  “It was an accident. An accident, I’m sure of it. The implant failed. Aren has a boy in town; they spend all their time together. We thought nothing of it because of the implant, but then it failed, and — we didn’t say anything because we were scared. That’s all. We should have told the committee as soon as we knew. I’m sorry — I know now that that was wrong. You’ll take that into consideration?”

  “When did you know? All of you, starting with Aren — when did you know of the pregnancy?”

  The young woman’s first words were halting, choked. Crying had thickened her throat. “Must . . . must have been . . . two months in, I think. I was sick. I just knew.”

  “Did you tell anyone?”

  “No, no one. I was scared.”

  They were all terrified. That sounded true.

  “And the rest of you?”

  Murmurs answered. The men shook their heads, said they’d only known for a month or so, when she could no longer hide the new shape of her. They knew for sure the day that Frain ranted about it. “I didn’t rant,” the man said. “I was only surprised. I lost my temper, that was all.”