Dean Koontz - Strange Highways
Page 35
Although she saw none of the enemy, she began to fire into the stalls as she moved again toward the front of the barn - blam, blam, blam - three rounds in three of those narrow spaces, a yard-long flare spurting from the muzzle with each hard explosion, the thunderous gunfire echoing off the barn walls. When she fired the third shot, a squealing pair of rats burst from the fourth stall into the better-lighted center of the barn, sprinting toward the cover offered by the disabled Jeep. She pumped two rounds into them, and both were hit, killed, tossed end over end as if they were rags in a typhoon.
She had emptied the Mossberg. Wincing, she dug in her pockets with her injured hand and extracted the four shells, reloading fast. As she jammed the last of the rounds into the magazine, she heard several, high shrieks behind her. She turned. Six large, white rats with misshapen skulls were charging her.
Four of the creatures realized that they were not going to reach her fast enough; they peeled off from the pack and disappeared under the car. Unnerved by the swiftness with which the last two closed the, gap, she fired twice, decisively eliminating them.
She hurried around the jeep in time to see the other four scurry out
from under the vehicle and across the floor toward the old feed bin. She fired once, twice, as they vanished into the shadows at the base of that big storage box. She was out of ammunition. She pumped the Mossberg anyway, as if by that act she could make another shell appear magically in the chamber, but the clackety-clack of the gun's action had a distinctly different sound when the magazine was empty.
Either because they knew what that sound meant as well as she did or because they knew that she had been left with only nine rounds - the five in the shotgun and the four they had not managed to steal from the carton in her bedroom closet - the rats that had vanished under the bin now reappeared. Four pale forms slunk into the wan light from the single, dusty bulb overhead.
Meg reversed her hold on the shotgun, gripping it by the barrel, making a club of it. Trying to ignore the pain in her left palm, she raised the gun over her head.
The rats continued to approach slowly ... then more boldly.
She glanced behind, half expecting to see a dozen other rats encircling her, but evidently there were no more. Just these four. They might as well have numbered a thousand, however, for she knew that she wouldn't be able to club more than one of them before they reached her and crawled up her legs. When they were on her, biting and clawing at her throat and face, she would not be able to deal with even three of them, not with her bare hands.
She glanced at the big open door, but she knew that if she threw the gun down and ran for the safety of the mean winter night, she would not make it before the rats were on her.
As if sensing her terrible vulnerability, the four creatures began to make a queer keening sound of triumph. They lifted their grotesque, malformed heads and sniffed at the air, lashed their thick tails across the floor, and in unison let out a short shriek more shrill than any that Meg had heard from them before.
Then they streaked toward her.
Although she knew that she could never make the door in time, she had to try. If the rats killed her, Tommy would be helpless out there in the snow, with his broken leg. He would freeze to death by morning ... if the rats didn't risk the fury of the storm to go after him.
She turned from the advancing pack, dashed toward the exit, and was startled to see a man silhouetted in the fading but still bright glow of the burning house. He was holding a revolver, and he said, "Get out of the way!"
Meg flung herself to one side, and the stranger squeezed off four quick shots. He hit only one of the rats, because they made small targets for a handgun. The remaining three vanished again into the shadows at the base of the feed bin.
The man hurried to Meg, and she saw that he wasn't a stranger, after all. He had spoken to her at the roadblock. He was still wearing his sheepskin-lined jacket and snow-crusted toboggan cap.
"Are you all right, Mrs. Lassiter?"
"How many of them are there? I killed four, and you killed one, so how many are left?"
"Eight escaped."
"So just those three are left?"
"Yes. Hey, your hand's bleeding. Are you sure you're-"
"I think maybe they've got a tunnel between the barn and the house," she said urgently. "And I've got a hunch the opening to it is around the bottom of that feed bin." She was speaking through clenched teeth and with a fury that surprised her. "They're foul, disgusting, and I want to finish them, all of them, make them pay for taking my home from me, for threatening Tommy, but how can we get at them if they're down there in the ground?"
He pointed to a large truck that had just pulled into the driveway. "We figured when we found the rats, we might have to go after them in a burrow, so among a lot of other things, we have the necessary equipment to pump gas down in their holes."
"I want them dead," she said, frightened by the purity of the anger in her own voice.
Men were pouring out of the back of the big truck, coming toward the barn. Snow - and wind-borne ashes from the collapsing house - slanted through their flashlight beams.
"We'll need the gas," the man in the toboggan cap shouted.
One of the other men answered him.
Shaking with anger and with the fear to which she had not dared give herself until now, Meg went outside to find her son.
17
SHE AND TOMMY AND DOOFUS SHARED THE WARMTH AND SAFETY OF the truck cab while the men from Biolomech attempted to eradicate the last of the vermin. The boy huddled against her, trembling even after the warm air from the heater had surely chased the chill from his bones.
Doofus was blessed with the greater emotional resilience that arose from being a member of a playful and less intelligent species that lacked a dark imagination, so eventually he slept.
Though they did not think that the rats would follow the tunnel back to the ruined house, some of the Biolomech security men established a cordon around that still-burning structure, prepared to kill any creature that appeared from out of the conflagration. Likewise, a cordon was thrown up around the barn to prevent any escape from that building.
Several times Ben Parnell came to the truck. Meg put down the window, and he stood on the short running board to report on their progress.
Wearing respirators to protect themselves, they pumped a lethal gas into the mouth of the rats' tunnel, which had indeed been located by the feed bin. "We gave 'em a generous dose," Parnell said during one visit. "Enough to saturate a burrow ten times larger than any they've had time to dig. Now we've got to excavate the tunnel until we find the bodies. Shouldn't be too difficult. They won't have gone deep while boring out a passage between the house and the barn, because going deep would've been wasted effort. So we'll start stripping the surface off the ground, the top few inches, digging backwards from the barn wall, across the yard, shearing the top off the tunnel, you see, until we turn them up."
"And if you don't turn them up?" she asked.
"We will. I'm sure we will."
Meg wanted to hate all these men, and she especially wanted to hate Parnell because he was in charge of the search and, therefore, the only authority figure on whom she could vent her anger. But speaking harshly to him - and maintaining her rage in the face of his obvious concern for her and Tommy - was difficult, because she realized that these were not the men responsible for the creation of the rats or for letting them escape. This was just the cleanup crew, ordinary citizens, just like all the ordinary citizens who, down through all the centuries, had been called in to clean up when the big shots screwed up. It was the ordinary citizen who always made the world safe for peace by fighting the current war to the bitter end, always the ordinary citizen whose taxes and labors and sacrifices paved the way for those advancements of civilization for which the politicians stole the credit.
Furthermore, she was touched by the genuine sympathy and understanding that Parnell showed when he learned that her husban
d had died and that she and Tommy were alone. He spoke of loss and loneliness and longing as if he had known his share of them.
"I heard of this woman once," he said rather enigmatically, leaning in the open truck window, "who lost her only daughter to cancer, and she was so crushed by grief that she had to change her entire life, move on to totally new horizons. She couldn't bear to look at her own husband any more, even though he loved her, because they shared the experience of their daughter, you see, and every time she looked at him ... well, she saw her little daughter again, and was reminded again of the girl's suffering. See, that shared experience, that shared tragedy, was like a trap their relationship just couldn't escape. So ... divorce, a new city, new state ... that was the only solution for her, drastic as it was. But you seem to've handled grief better than that, Mrs. Lassiter. I know how hard it must've been for you these past couple years, but maybe you can take some heart in the fact that, for certain people who don't have your strength, life can be harder."
At ten minutes past eleven that night, two thirds of the way across the yard from the barn to the ruined house, they scraped off another couple of feet from the top of the tunnel and found the three dead rats. They put the bodies side by side on the barn floor, next to the other five that had been shot.
Ben Parnell came to the truck. "I thought maybe you'd want to see them - that we've got all eight of them, I mean."
"I would," she said. "Yes. I'll feel safer."
Meg and Tommy got out of the truck.
"Yeah," the boy said, "I want to see them. They thought they trapped us, but it was the other way around." He looked at Meg. "As long as we've got each other, we can get out of any scrape, huh?"
"Bet on it," she said.
Parnell scooped up the weary boy in his arms to carry him to the
barn.
As the raw wind nipped at Meg, she jammed her hands into her, coat pockets. She was relieved. At least for the moment, not all of the burden was hers.
Looking over his shoulder, Tommy said, "You and me, Mom."
"Bet on it," she repeated. And she smiled. She felt as if the door, to a cage, of which she'd been only dimly aware, had opened now, giving them access to a new freedom.
BRUNO
1
I WAS SLEEPING OFF HALF A BOTTLE OF GOOD SCOTCH AND A BLONDE named Sylvia, who hadn't been so bad herself. But no one can sneak up on me, no matter how bushed I am. You have to be a light sleeper to last long in this business. I heard the thump near the foot of my bed, and I was reaching under the pillow for my Colt .38 in the next instant.
If I hadn't been out celebrating the successful conclusion of a case, the blinds and drapes wouldn't have been drawn. But I had been, and they were, so I didn't see anything.
I thought I heard footsteps in the hallway to the living room, but I couldn't be sure. I slid out of bed, stared intently around the room. Brown gloom, no intruder. I padded into the hall, looked both ways. No
one.
In the front room, I distinctly heard the rod of the police-special lock pull out of its floor groove. The door opened, closed, and footsteps pounded in the outside hall, then down the apartment-house steps.
I ran into the living room and almost into the corridor before I remembered I was in my skivvies. It's not a building where anyone would care - or maybe even notice - a guy in his briefs, but I like to think I have higher standards than some of the weird creeps I call neighbors.
Turning on the lights, I saw that the police lock had been disengaged. I slid the bolt back in place.
I carefully searched the apartment from the john to the linen closet. There weren't any bombs or other dirty work, at least as far as I could see. I checked the bedroom twice, since that was where I first heard him, but it was clean.
I brewed some coffee. The first sip was so bad that I poured half the mug in the sink, wondering if the old plumbing could take it, and then laced what was left with some good brandy. Better. My kind of breakfast.
So there I stood in my shorts on the cold kitchen floor, warming my gut with liquor and wondering who had broken in and why.
Then I had a bad thought. When the intruder left, he'd pulled the rod of the special lock out of its nest in the floor. Which meant he'd entered the apartment through a window or that, when he'd first come through the door, he had replaced the police rod. The last idea was stupid. No dude is going to make it hard for himself to get out if the job goes sour.
I went around checking all the windows. They were locked as always. I even checked the bathroom window, though it has no lock, is barred, and is set in a blank wall eight floors above the street. No one had come in any of the windows.
I slapped my head a few times, as if I might knock some smarts into myself and figure this out. No smarter, I decided to take a shower and get on with the day.
It must have been hallucinations. I'd never had what the two-hundred-dollar-an-hour shrinks call postcoital depression. Maybe this was what it was supposed to be like. After all, no one walks into your apartment after achieving the near impossible of silently throwing a police lock, then sneaks into your bedroom, just to look you over and leave. And none of my enemies would send a killer who would chicken out after he got that far.
I finished the shower at four-thirty and did my exercises until five. Then I showered again - cold, this time - toweled hard enough to raise blisters, combed my mop into a semblance of order, and dressed.
By five-thirty, I was sliding into a booth down at the Ace-Spot, and Dorothy, the waitress, was plopping a Scotch and water in front of me before the smell of the place was properly in my nose.
"What'll it be, Jake?" she asked. She has a voice like glass dropped into a porcelain basin.
I ordered steak and eggs with a double helping of french fries, then topped it off with a question: "Anybody been asking around about me,
Dory?"
She wrote half the question down on the order pad before she realized that I had stopped ordering. Dory was supposed to have been a fine-looking street girl in her day, but no one ever said she had many smarts.
"Not me," she said. "I'll ask Benny."
Benny was the bartender. He was smarter than Dory. Some days, he was capable of winning a debate with a carrot.
I don't know why I tend to hang around with so many chumps, saps, and blockheads. Maybe it makes me feel superior. A guy who's dumb enough to be trying to make a living as an old-fashioned shamus in the late twentieth century, in the age of computers and space-age eavesdropping equipment and drug thugs who'd kill their grandmothers for a nickel - hell, he needs some reason to feel good about himself.
When Dory came back, she brought a negative from Benny, plus the food. I took it down in large bites, thinking about the stranger who had walked through the wall into my bedroom.
After two more big Scotches, I went home to look the place over
again.
Just as I reached my apartment door and thrust the key toward the lock, this dude opened it from the inside and started coming out.
"Hold it right there, creepo," I said, leveling my .38 on his big belly. I pushed him back into the living room, closed the door behind us, and turned on the light.
"What do you want?" he asked.
"What do I want? Look, buster, these are my digs, see? I live here. And the last time I looked, you didn't."
He was dressed like something out of a Bogart film, and I might have laughed except that I was angry enough to chew up a little bunny rabbit and spit out good-luck charms. He had a huge hat pulled down over half his face. The overcoat might have been tailored for Siamese twins. It hung to his knees, and after that there were wide, sloppy trousers and big - I mean BIG - stuffy tennis shoes. The tennis shoes didn't fit Bogart, but the air of mystery was there.
For size, this guy reminded me of that actor from the old movies, Sidney Greenstreet, though with a serious gland condition.
"I don't want to harm you," he said. His voice was about a thousand regis
ters below Dory's, but it had that same harsh sound of something breaking.
"You the same dude who was here earlier?" I asked.
He hunched his head and said, "I never been here before."
"Let's see what you look like."
I reached for his hat. He tried to pull away, discovered I was faster than he was, tried to slug me in the chest. But I got the hat off and managed to take the clip on the shoulder instead of over the heart where he had aimed it.
Then I smiled and looked up at his face and stopped smiling and said, "Good God!"
"That kicks it!" His face contorted, and his big square teeth thrust over his black lip.
I was backed up against the door. And though I was terrified for the first time in years, I wasn't about to let him out. If my threats didn't keep him where he was, a hot kiss from the .38 would manage just fine - I hoped.
"Who ... what are you?" I asked.
"You were right the first time. Who."
"Answer it, then."
"Can we sit down? I'm awful tired."
I let him sit, but I stayed on my feet to be able to move fast, and while he walked to the sofa and collapsed as if he were on his last legs, I looked him over good. He was a bear. A bruin. He was a big one too, no little Teddy, six feet four. His shoulders were broad, and under those baggy clothes he probably had a barrel chest and legs like tree trunks. His face was a block of granite that some artist had tried to sculpt with a butter knife, a straight pin, and a blunt screwdriver. All sharp planes, eyes set under a shelf of bone, a jaw better than Schwarzenegger's. Over all that: fur.
If I hadn't been used to watching afternoon TV talk shows when business was slow, all those programs featuring husbands-who-cheat-with-their-wives'-mothers and transvestite-dentists-who-have-been-abducted-by-aliens, then sure as hell the sight of a talking bruin would have crumpled me like an old paper cup. But even being a couch potato in the nineties and facing up to what's creeping around on our city streets is enough to make you tougher than Sam Spade and Philip Marlowe combined.