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The Argonauts

Page 9

by Maggie Nelson


  But that was not my fate, nor was it the baby’s. Within twenty-four hours of hearing the news, I was on board. Little Agnes would be little Iggy. And I would love him fiercely. Maybe I would even braid his hair! As you reminded me on the drive home from our appointment, Hey, I was born female, and look how that turned out.

  Despite agreeing with Sedgwick’s assertion that “women and men are more like each other than chalk is like cheese, than ratiocination is like raisins, than up is like down, or than 1 is like 0,” it took me by surprise that my body could make a male body. Many women I know have reported something of the same, even though they know this is the most ordinary of miracles. As my body made the male body, I felt the difference between male and female body melt even further away. I was making a body with a difference, but a girl body would have been a different body too. The principal difference was that the body I made would eventually slide out of me and be its own body. Radical intimacy, radical difference. Both in the body, both in the bowl.

  I kept thinking then about something poet Fanny Howe once said about bearing biracial children, something about how you become what grows inside you. But however “black” Howe might have felt herself becoming while gestating her children, she also remained keenly aware that the outside world was ready and waiting—and all too willing—to reinforce the color divide. She is of her children, and they are of her. But they know and she knows they do not share the same lot.

  This divide provoked in Howe the sensation of being a double agent, especially in all-white settings. She recalls how, at gatherings in the late ’60s, white liberals would openly converse “about their fear of blacks, and their judgments of blacks, and I had to announce to them that my husband and children were black, before hastily departing.” This scene was not limited to the ’60s. “This event has been repeated so many times, in multiple forms, that by now I make some kind of give-away statement after entering a white-only room, one way or the other, that will warn the people there ‘which side I am on,’” Howe says. “On these occasions, more than any others, I feel that my skin is white but my soul is not, and that I am in camouflage.”

  Harry lets me in on a secret: guys are pretty nice to each other in public. Always greeting each other “hey boss” or nodding as they pass each other on the street.

  Women aren’t like that. I don’t mean that women are all back-stabbers or have it in for each other or whatnot. But in public, we don’t nod nobly at each other. Nor do we really need to, as that nod also means I mean you no violence.

  Over lunch with a fag friend of ours, Harry reports his findings about male behavior in public. Our friend laughs and says: Maybe if I looked like Harry, I’d get a “hey boss” too!

  When a guy has cause to stare at Harry’s driver’s license or credit card, there comes an odd moment during which their camaraderie as two dudes screeches to a halt. The friendliness can’t evaporate on a dime, however, especially if there has been a longish prior interaction, as one might have over the course of a meal, with a waiter.

  Recently we were buying pumpkins for Halloween. We’d been given a little red wagon to put our pumpkins in as we traipsed around the field. We’d haggled over the price, we’d ooed and ahed at the life-sized mechanical zombie removing his head. We’d been given freebie minipumpkins for our cute baby. Then, the credit card. The guy paused for a long moment, then said, “This is her card, right?”—pointing at me. I almost felt sorry for him, he was so desperate to normalize the moment. I should have said yes, but I was worried I would open up a new avenue of trouble (never the scofflaw—yet I know I have what it takes to put my body on the line, if and when it comes down to it; this knowledge is a hot red shape inside me). We just froze in the way we freeze until Harry said, “It’s my card.” Long pause, sidelong stare. A shadow of violence usually drifts over the scene. “It’s complicated,” Harry finally said, puncturing the silence. Eventually, the man spoke. “No, actually, it’s not,” he said, handing back the card. “Not complicated at all.”

  Every other weekend of my pregnant fall—my so-called golden trimester—I traveled alone around the country on behalf of my book The Art of Cruelty. Quickly I realized that I would need to trade in my prideful self-sufficiency for a willingness to ask for help—in lifting my bags in and out of overhead compartments, up and down subway steps, and so on. I received this help, which I recognized as great kindness. On more than one occasion, a service member in the airport literally saluted me as I shuffled past. Their friendliness was nothing short of shocking. You are holding the future; one must be kind to the future (or at least a certain image of the future, which I apparently appeared able to deliver, and our military ready to defend). So this is the seduction of normalcy, I thought as I smiled back, compromised and radiant.

  But the pregnant body in public is also obscene. It radiates a kind of smug auto eroticism: an intimate relation is going on—one that is visible to others, but that decisively excludes them. Service members may salute, strangers may offer their congratulations or their seats, but this privacy, this bond, can also irritate. It especially irritates the antiabortionists, who would prefer to pry apart the twofer earlier and earlier— twenty-four weeks, twenty weeks, twelve weeks, six weeks … The sooner you can pry the twofer apart, the sooner you can dispense with one constituent of the relationship: the woman with rights.

  For all the years I didn’t want to be pregnant—the years I spent harshly deriding “the breeders”—I secretly felt pregnant women were smug in their complaints. Here they were, sitting on top of the cake of the culture, getting all the kudos for doing exactly what women are supposed to do, yet still they felt unsupported and discriminated against. Give me a break! Then, when I wanted to be pregnant but wasn’t, I felt that pregnant women had the cake I wanted, and were busy bitching about the flavor of the icing.

  I was wrong on all counts—imprisoned, as I was and still am, by my own hopes and fears. I’m not trying to fix that wrong-ness here. I’m just trying to let it hang out.

  Place me now, like a pregnant cutout doll, at a “prestigious New York university,” giving a talk on my book on cruelty. During the Q&A, a well-known playwright raises his hand and says: I can’t help but notice that you’re with child, which leads me to the question—how did you handle working on all this dark material [sadism, masochism, cruelty, violence, and so on] in your condition?

  Ah yes, I think, digging a knee into the podium. Leave it to the old patrician white guy to call the lady speaker back to her body, so that no one misses the spectacle of that wild oxymoron, the pregnant woman who thinks. Which is really just a pumped-up version of that more general oxymoron, a woman who thinks.

  As if anyone was missing the spectacle anyway. As if a similar scene didn’t recur at nearly every location of my so-called book tour. As if when I myself see pregnant women in the public sphere, there isn’t a kind of drumming in my mind that threatens to drown out all else: pregnant, pregnant, pregnant, perhaps because the soul (or souls) in utero is pumping out static, static that disrupts our usual perception of an other as a single other. The static of facing not one, but also not two.

  During irritating Q&As, bumpy takeoffs and landings, and frightful faculty meetings, I placed my hands on my risen belly and attempted silent communion with the being spinning in the murk. Wherever I went, there the baby went, too. Hello New York! Hello bathtub! And yet babies have a will of their own, which becomes visible the first time mine sticks out a limb and makes a tent of my belly. During the night he gets into weird positions, forcing me to plead, Move along, little baby! Get your foot off my lungs! And if you are tracking a problem, as I was, you may have to watch the baby’s body develop in ways that might harm him, with nothing you can do about it. Powerlessness, finitude, endurance. You are making the baby but not directly. You are responsible for his welfare, but unable to control the core elements. You must allow him to unfurl, you must feed his unfurling, you must hold him. But he will unfurl as his cells are prog
rammed to unfurl. You can’t reverse an unfolding structural or chromosomal disturbance by ingesting the right organic tea.

  Why do we have to measure his kidneys and freak out about their size every week if we’ve already decided we are not going to take him out early or do anything to treat him until after he’s born? I asked the doctor rolling the sticky ultrasound shaft over my belly for seemingly the thousandth time. Well, most mothers want to know as much as possible about the condition of their babies, she said, avoiding my eyes.

  Truth be told, when we first started trying to conceive, I had hoped to be done with my cruelty project and onto something “cheerier,” so that the baby might have more upbeat accompaniment in utero. But I needn’t have worried—not only did getting pregnant take much longer than I’d wanted it to, but pregnancy itself taught me how irrelevant such a hope was. Babies grow in a helix of hope and fear; gestating draws one but deeper into the spiral. It isn’t cruel in there, but it’s dark. I would have explained this to the playwright, but he had already left the room.

  After the Q&A at this event, a woman came up to me and told me that she just got out of a relationship with a woman who had wanted her to hit her during sex. She was so fucked up, she said. Came from a background of abuse. I had to tell her I couldn’t do that to her, I could never be that person. She seemed to be asking me for a species of advice, so I told her the only thing that occurred to me: I didn’t know this other woman, so all that seemed clear to me was that their perversities were not compatible.

  Even identical genital acts mean very different things to different people. This is a crucial point to remember, and also a difficult one. It reminds us that there is difference right where we may be looking for, and expecting, communion.

  At twenty-eight weeks, I was hospitalized for some bleeding. While discussing a possible placental issue, one doctor quipped, “We don’t want that, because while that would likely be OK for the baby, it might not be OK for you.” By pressing a bit, I figured out that she meant, in that particular scenario, the baby would likely live, but I might not.

  Now, I loved my hard-won baby-to-be fiercely, but I was in no way ready to bow out of this vale of tears for his survival. Nor do I think those who love me would have looked too kindly on such a decision—a decision that doctors elsewhere on the globe are mandated to make, and that the die-hard antiabortionists are going for here.

  Once I was riding in a cab to JFK, passing by that amazingly overpacked cemetery along the Brooklyn-Queens Expressway (Calvary?). My cabdriver gazed out wistfully at the headstones packed onto the hill and said, Many of those graves are the graves of children. Likely so, I returned with a measure of fatigued trepidation, the result of years of fielding unwanted monologues from cabdrivers about how women should live or behave. It is a good thing when children die, he said. They go straight to Paradise, because they are the innocents.

  During my sleepless night under placental observation, this monologue came back to me. And I wondered if, instead of working to fulfill the dream of worldwide enforced childbearing, abortion foes could instead get excited about all the innocent, unborn souls going straight from the abortion table to Paradise, no detour necessary into this den of iniquity, which eventually makes whores of us all (not to mention Social Security recipients). Could that get them off our backs once and for all?

  Never in my life have I felt more prochoice than when I was pregnant. And never in my life have I understood more thoroughly, and been more excited about, a life that began at conception. Feminists may never make a bumper sticker that says IT’S A CHOICE AND A CHILD, but of course that’s what it is, and we know it. We don’t need to wait for George Carlin to spill the beans. We’re not idiots; we understand the stakes. Sometimes we choose death. Harry and I sometimes joke that women should get way beyond twenty weeks—maybe even up to two days after birth—to decide if they want to keep the baby. (Joke, OK?)

  I have saved many mementos for Iggy, but I admit to tossing away an envelope with about twenty-five ultrasound photos of his in-utero penis and testicles, which a chirpy, blond pony-tailed technician printed out for me every time I had an ultrasound. Boy, he’s sure proud of his stuff, she would say, before jabbing Print. Or, He really likes to show it off!

  Just let him wheel around in his sac for Christ’s sake, I thought, grimly folding the genital triptychs into my wallet, week after week. Let him stay oblivious—for the first and last time, perhaps—to the task of performing a self for others, to the fact that we develop, even in utero, in response to a flow of projections and reflections ricocheting off us. Eventually, we call that snowball a self (Argo).

  I guess the cheery way of looking at this snowball would be to say, subjectivity is keenly relational, and it is strange. We are for another, or by virtue of another. In my final weeks, I walked every day in the Arroyo Seco, listing aloud all the people who were waiting on earth to love Iggy, hoping that the promise of their love would eventually be enough to lure him out.

  As my due date neared, I confided in Jessica, the woman who would be assisting our birth, that I was worried I wouldn’t be able to make milk, as I had heard of women who couldn’t. She smiled and said, You’ve made it already. Seeing me unconvinced, she said, Want me to show you? I nodded, shyly lifting a breast out of my bra. In one stunning gesture, she took my breast into her hand-beak and clamped down hard. A bloom of custard-colored drops rose in a ring, indifferent to my doubts.

  According to Kaja Silverman, the turn to a paternal God comes on the heels of the child’s recognition that the mother cannot protect against all harm, that her milk—be it literal or figurative—doesn’t solve all problems. As the human mother proves herself a separate, finite entity, she disappoints, and gravely. In its rage at maternal finitude, the child turns to an all-powerful patriarch—God—who, by definition, cannot let anyone down. “The extraordinarily difficult task imposed upon the child’s primary caretaker not only by the culture but also by Being itself is to induct it into relationality by saying over and over again, in a multitude of ways, what death will otherwise have to teach it: ‘This is where you end and others begin.’

  Unfortunately, this lesson seldom ‘takes,’ and the mother usually delivers it at enormous cost to herself. Most children respond to the partial satisfaction of their demands with extreme rage, rage that is predicated on the belief that the mother is withholding something that is within her power to provide.”

  I get that if the caretaker does not teach the lesson of the “me” and the “not-me” to the child, she may not make adequate space for herself. But why does the delivery of this lesson come at such an enormous cost? What is the cost? Withstanding a child’s rage? Isn’t a child’s rage something we should be able to withstand?

  Silverman also contends that a baby’s demands on the mother can be “very flattering to the mother’s narcissism, since it attributes to her the capacity to satisfy her infant’s lack, and so—by extension—her own. Since most women in our culture are egoically wounded, the temptation to bathe in the sun of this idealization often proves irresistible.” I have seen some mothers use their babies to fill a lack, or soothe an egoic wound, or bathe in the sun of idealization in ways that seemed pathological. But for the most part those people were pathological prior to having a baby. They would have had a pathological relation to carrot juice. Remnant Lacanian that she is, Silverman’s aperture does not seem wide enough to include an enjoyment that doesn’t derive from filling a void, or love that is not merely balm for a wound. So far as I can tell, most worthwhile pleasures on this earth slip between gratifying another and gratifying oneself. Some would call that an ethics.

  Silverman does imagine, however, that this cycle could or should change: “Our culture should support [the mother] by providing enabling representations of maternal finitude, but instead it keeps alive in all of us the tacit belief that [the mother] could satisfy our desires if she really wanted to.” What would these “enabling representations” look like? Bet
ter parts for women in Hollywood movies? Books like this one? I don’t want to represent anything.

  At the same time, every word that I write could be read as some kind of defense, or assertion of value, of whatever it is that I am, whatever viewpoint it is that I ostensibly have to offer, whatever I’ve lived. You know so much about people from the second they open their mouths. Right away you might know that you might want to keep them out. That’s part of the horror of speaking, of writing. There is nowhere to hide. When you try to hide, the spectacle can grow grotesque. Think of Joan Didion’s preemptive attempt, in Blue Nights, to quash any notion that her daughter Quintana Roo’s childhood was a privileged one. “‘Privilege’ is a judgment. ‘Privilege’ is an opinion. ‘Privilege’ is an accusation. ‘Privilege’ remains an area to which—when I think of what [Quintana] endured, when I consider what came later—I will not easily cop.” These remarks were a pity, since her account of “what came later”—Quintana’s death, on the heels of the death of Didion’s beloved husband—underscores Didion’s more interesting, albeit disavowed subject, which is that economic privilege does not protect against all suffering.

  I am interested in offering up my experience and performing my particular manner of thinking, for whatever they are worth. I would also like to cop easily to my abundant privilege—except that the notion of privilege as something to which one could “easily cop,” as in “cop to once and be done with,” is ridiculous. Privilege saturates, privilege structures. But I have also never been less interested in arguing for the rightness, much less the righteousness, of any particular position or orientation. What other reason is there for writing than to be traitor to one’s own reign, traitor to one’s own sex, to one’s class, to one’s majority? And to be traitor to writing.

 

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