The Vampire Chronicles Collection

by Anne Rice

  “I held her and looked across the long vista of the room to where Claudia stood, with that strange coffin, watching me. Her eyes were still but dark with an undefined suspicion, a cool distrust. I set Madeleine down beside her bed and moved towards those eyes. And, kneeling calmly beside her, I gathered Claudia in my arms. ‘Don’t you recognize me?’ I asked her. ‘Don’t you know who I am?’

  “She looked at me. ‘No,’ she said.

  “I smiled. I nodded. ‘Bear me no ill will,’ I said. ‘We are even.’

  “At that she moved her head to one side and studied me carefully, then seemed to smile despite herself and to nod in assent.

  “ ‘For you see,’ I said to her in that same calm voice, ‘what died tonight in this room was not that woman. It will take her many nights to die, perhaps years. What has died in this room tonight is the last vestige in me of what was human.’

  “A shadow fell over her face; clear, as if the composure were rent like a veil. And her lips parted, but only with a short intake of breath. Then she said, ‘Well, then you are right. Indeed. We are even.’ ”

  • • •

  “ ‘I want to burn the doll shop!’

  “Madeleine told us this. She was feeding to the fire in the grate the folded dresses of that dead daughter, white lace and beige linen, crinkled shoes, bonnets that smelled of camphor balls and sachet. ‘It means nothing now, any of it.’ She stood back watching the fire blaze. And she looked at Claudia with triumphant, fiercely devoted eyes.

  “I did not believe her, so certain I was—even though night after night I had to lead her away from men and women she could no longer drain dry, so satiated was she with the blood of earlier kills, often lifting her victims off their feet in her passion, crushing their throats with her ivory fingers as surely as she drank their blood—so certain I was that sooner or later this mad intensity must abate, and she would take hold of the trappings of this nightmare, her own luminescent flesh, these lavish rooms of the Hôtel Saint-Gabriel, and cry out to be awakened; to be free. She did not understand it was no experiment; showing her fledgling teeth to the gilt-edged mirrors, she was mad.

  “But I still did not realize how mad she was, and how accustomed to dreaming; and that she would not cry out for reality, rather would feed reality to her dreams, a demon elf feeding her spinning wheel with the reeds of the world so she might make her own weblike universe.

  “I was just beginning to understand her avarice, her magic.

  “She had a dollmaker’s craft from making with her old lover over and over the replica of her dead child, which I was to understand crowded the shelves of this shop we were soon to visit. Added to that was a vampire’s skill and a vampire’s intensity, so that in the space of one night when I had turned her away from killing, she, with that same insatiable need, created out of a few sticks of wood, with her chisel and knife, a perfect rocking chair, so shaped and proportioned for Claudia that seated in it by the fire, she appeared a woman. To that must be added, as the nights passed, a table of the same scale; and from a toy shop a tiny oil lamp, a china cup and saucer; and from a lady’s purse a little leather-bound book for notes which in Claudia’s hands became a large volume. The world crumbled and ceased to exist at the boundary of the small space which soon became the length and breadth of Claudia’s dressing room: a bed whose posters reached only to my breast buttons, and small mirrors that reflected only the legs of an unwieldy giant when I found myself lost among them; paintings hung low for Claudia’s eye; and finally, upon her little vanity table, black evening gloves for tiny fingers, a woman’s low-cut gown of midnight velvet, a tiara from a child’s masked ball. And Claudia, the crowning jewel, a fairy queen with bare white shoulders wandering with her sleek tresses among the rich items of her tiny world while I watched from the doorway, spellbound, ungainly, stretched out on the carpet so I could lean my head on my elbow and gaze up into my paramour’s eyes, seeing them mysteriously softened for the time being by the perfection of this sanctuary. How beautiful she was in black lace, a cold, flaxen-haired woman with a kewpie doll’s face and liquid eyes which gazed at me so serenely and so long that, surely, I must have been forgotten; the eyes must be seeing something other than me as I lay there on the floor dreaming; something other than the clumsy universe surrounding me, which was now marked off and nullified by someone who had suffered in it, someone who had suffered always, but who was not seeming to suffer now, listening as it were to the tinkling of a toy music box, putting a hand on the toy clock. I saw a vision of shortened hours and little golden minutes. I felt I was mad.

  “I put my hands under my head and gazed at the chandelier; it was hard to disengage myself from one world and enter the other. And Madeleine, on the couch, was working with that regular passion, as if immortality could not conceivably mean rest, sewing cream lace to lavender satin for the small bed, only stopping occasionally to blot the moisture tinged with blood from her white forehead.

  “I wondered, if I shut my eyes, would this realm of tiny things consume the rooms around me, and would I, like Gulliver, awake to discover myself bound hand and foot, an unwelcome giant? I had a vision of houses made for Claudia in whose garden mice would be monsters, and tiny carriages, and flowery shrubbery become trees. Mortals would be so entranced, and drop to their knees to look into the small windows. Like the spider’s web, it would attract.

  “I was bound hand and foot here. Not only by that fairy beauty—that exquisite secret of Claudia’s white shoulders and the rich luster of pearls, bewitching languor, a tiny bottle of perfume, now a decanter, from which a spell is released that promises Eden—I was bound by fear. That outside these rooms, where I supposedly presided over the education of Madeleine—erratic conversations about killing and vampire nature in which Claudia could have instructed so much more easily than I, if she had ever showed the desire to take the lead—that outside these rooms, where nightly I was reassured with soft kisses and contented looks that the hateful passion which Claudia had shown once and once only would not return—that outside these rooms, I would find that I was, according to my own hasty admission, truly changed: the mortal part of me was that part which had loved, I was certain. So what did I feel then for Armand, the creature for whom I’d transformed Madeleine, the creature for whom I had wanted to be free? A curious and disturbing distance? A dull pain? A nameless tremor? Even in this worldly clutter, I saw Armand in his monkish cell, saw his dark-brown eyes, and felt that eerie magnetism.

  “And yet I did not move to go to him. I did not dare discover the extent of what I might have lost. Nor try to separate that loss from some other oppressive realization: that in Europe I’d found no truths to lessen loneliness, transform despair. Rather, I’d found only the inner workings of my own small soul, the pain of Claudia’s, and a passion for a vampire who was perhaps more evil than Lestat, for whom I became as evil as Lestat, but in whom I saw the only promise of good in evil of which I could conceive.

  “It was all beyond me, finally. And so the clock ticked on the mantel; and Madeleine begged to see the performances of the Théâtre des Vampires and swore to defend Claudia against any vampire who dared insult her; and Claudia spoke of strategy and said, ‘Not yet, not now,’ and I lay back observing with some measure of relief Madeleine’s love for Claudia, her blind covetous passion. Oh, I have so little compassion in my heart or memory for Madeleine. I thought she had only seen the first vein of suffering; she had no understanding of death. She was so easily sharpened, so easily driven to wanton violence. I supposed in my colossal conceit and self-deception that my own grief for my dead brother was the only true emotion. I allowed myself to forget how totally I had fallen in love with Lestat’s iridescent eyes, that I’d sold my soul for a many-colored and luminescent thing, thinking that a highly reflective surface conveyed the power to walk on water.

  “What would Christ need have done to make me follow Him like Matthew or Peter? Dress well, to begin with. And have a luxurious head of pampered yellow hair.<
br />
  “I hate myself. And it seemed, lulled half to sleep as I was so often by their conversation—Claudia whispering of killing and speed and vampire craft, Madeleine bent over her singing needle—it seemed then the only emotion of which I was still capable: hatred of self. I love them. I hate them. I do not care if they are there. Claudia puts her hands on my hair as if she wants to tell me with the old familiarity that her heart’s at peace. I do not care. And there is the apparition of Armand, that power, that heartbreaking clarity. Beyond a glass, it seems. And taking Claudia’s playful hand, I understand for the first time in my life what she feels when she forgives me for being myself whom she says she hates and loves: she feels almost nothing.”

  IT WAS A WEEK before we accompanied Madeleine on her errand, to torch a universe of dolls behind a plate-glass window. I remember wandering up the street away from it, round a turn into a narrow cavern of darkness where the falling rain was the only sound. But then I saw the red glare against the clouds. Bells clanged and men shouted, and Claudia beside me was talking softly of the nature of fire. The thick smoke rising in that flickering glare unnerved me. I was feeling fear. Not a wild, mortal fear, but something cold like a hook in my side. This fear—it was the old town house burning in the Rue Royale, Lestat in the attitude of sleep on the burning floor.

  “ ‘Fire purifies …’ Claudia said. And I said, ‘No, fire merely destroys.…’

  “Madeleine had gone past us and was roaming at the top of the street, a phantom in the rain, her white hands whipping the air, beckoning to us, white arcs of white fireflies. And I remember Claudia leaving me for her. The sight of wilted, writhing yellow hair as she told me to follow. A ribbon fallen underfoot, flapping and floating in a swirl of black water. It seemed they were gone. And I bent to retrieve that ribbon. But another hand reached out for it. It was Armand who gave it to me now.

  “I was shocked to see him there, so near, the figure of Gentleman Death in a doorway, marvellously real in his black cape and silk tie, yet ethereal as the shadows in his stillness. There was the faintest glimmer of the fire in his eyes, red warming the blackness there to the richer brown.

  “And I woke suddenly as if I’d been dreaming, woke to the sense of him, to his hand enclosing mine, to his head inclined as if to let me know he wanted me to follow—awoke to my own excited experience of his presence, which consumed me as surely as it had consumed me in his cell. We were walking together now, fast, nearing the Seine, moving so swiftly and artfully through a gathering of men that they scarce saw us, that we scarce saw them. That I could keep up with him easily amazed me. He was forcing me into some acknowledgment of my powers, that the paths I’d normally chosen were human paths I no longer need follow.

  “I wanted desperately to talk to him, to stop him with both my hands on his shoulders, merely to look into his eyes again as I’d done that last night, to fix him in some time and place, so that I could deal with the excitement inside me. There was so much I wanted to tell him, so much I wanted to explain. And yet I didn’t know what to say or why I would say it, only that the fullness of the feeling continued to relieve me almost to tears. This was what I’d feared lost.

  “I didn’t know where we were now, only that in my wanderings I’d passed here before: a street of ancient mansions, of garden walls and carriage doors and towers overhead and windows of leaded glass beneath stone arches. Houses of other centuries, gnarled trees, that sudden thick and silent tranquillity which means that the masses are shut out; a handful of mortals inhabit this vast region of high-ceilinged rooms; stone absorbs the sound of breathing, the space of whole lives.

  “Armand was atop a wall now, his arm against the overhanging bough of a tree, his hand reaching for me; and in an instant I stood beside him, the wet foliage brushing my face. Above, I could see story after story rising to a lone tower that barely emerged from the dark, teeming rain. ‘Listen to me; we are going to climb to the tower,’ Armand was saying.

  “ ‘I cannot … it’s impossible … !’

  “ ‘You don’t begin to know your own powers. You can climb easily. Remember, if you fall you will not be injured. Do as I do. But note this. The inhabitants of this house have known me for a hundred years and think me a spirit; so if by chance they see you, or you see them through those windows, remember what they believe you to be and show no consciousness of them lest you disappoint them or confuse them. Do you hear? You are perfectly safe.’

  “I wasn’t sure what frightened me more, the climb itself or the notion of being seen as a ghost; but I had no time for comforting witticisms, even to myself. Armand had begun, his boots finding the crack between the stones, his hands sure as claws in the crevices; and I was moving after him, tight to the wall, not daring to look down, clinging for a moment’s rest to the thick, carved arch over a window, glimpsing inside, over a licking fire, a dark shoulder, a hand stroking with a poker, some figure that moved completely without knowledge that it was watched. Gone. Higher and higher we climbed, until we had reached the window of the tower itself, which Armand quickly wrenched open, his long legs disappearing over the sill; and I rose up after him, feeling his arm out around my shoulders.

  “I sighed despite myself, as I stood in the room, rubbing the backs of my arms, looking around this wet, strange place. The rooftops were silver below, turrets rising here and there through the huge, rustling treetops; and far off glimmered the broken chain of a lighted boulevard. The room seemed as damp as the night outside. Armand was making a fire.

  “From a molding pile of furniture he was picking chairs, breaking them into wood easily despite the thickness of their rungs. There was something grotesque about him, sharpened by his grace and the imperturbable calm of his white face. He did what any vampire could do, cracking these thick pieces of wood into splinters, yet he did what only a vampire could do. And there seemed nothing human about him; even his handsome features and dark hair became the attributes of a terrible angel who shared with the rest of us only a superficial resemblance. The tailored coat was a mirage. And though I felt drawn to him, more strongly perhaps than I’d ever been drawn to any living creature save Claudia, he excited me in other ways which resembled fear. I was not surprised that, when he finished, he set a heavy oak chair down for me, but retired himself to the marble mantelpiece and sat there warming his hands over the fire, the flames throwing red shadows into his face.

  “ ‘I can hear the inhabitants of the house,’ I said to him. The warmth was good. I could feel the leather of my boots drying, feel the warmth in my fingers.

  “ ‘Then you know that I can hear them,’ he said softly; and though this didn’t contain a hint of reproach, I realized the implications of my own words.

  “ ‘And if they come?’ I insisted, studying him.

  “ ‘Can’t you tell by my manner that they won’t come?’ he asked. ‘We could sit here all night and never speak of them. I want you to know that if we speak of them it is because you want to do so.’ And when I said nothing, when perhaps I looked a little defeated, he said gently that they had long ago sealed off this tower and left it undisturbed; and if in fact they saw the smoke from the chimney or the light in the window, none of them would venture up until tomorrow.

  “I could see now there were several shelves of books at one side of the fireplace, and a writing table. The pages on top were wilted, but there was an inkstand and several pens. I could imagine the room a very comfortable place when it was not storming, as it was now, or after the fire had dried out the air.

  “ ‘You see,’ Armand said, ‘you really have no need of the rooms you have at the hotel. You really have need of very little. But each of us must decide how much he wants. These people in this house have a name for me; encounters with me cause talk for twenty years. They are only isolated instants in my time which mean nothing. They cannot hurt me, and I use their house to be alone. No one of the Théâtre des Vampires knows of my coming here. This is my secret.’

  “I had watched him intently as
he was speaking, and thoughts which had occurred to me in the cell at the theater occurred to me again. Vampires do not age, and I wondered how his youthful face and manner might differ now from what he had been a century before or a century before that; for his face, though not deepened by the lessons of maturity, was certainly no mask. It seemed powerfully expressive as was his unobtrusive voice, and I was at a loss finally to fully anatomize why. I knew only I was as powerfully drawn to him as before; and to some extent the words I spoke now were a subterfuge. ‘But what holds you to the Théâtre des Vampires?’ I asked.

  “ ‘A need, naturally. But I’ve found what I need,’ he said. ‘Why do you shun me?’

  “ ‘I never shunned you,’ I said, trying to hide the excitement these words produced in me. ‘You understand I have to protect Claudia, that she has no one but me. Or at least she had no one until …’

  “ ‘Until Madeleine came to live with you.…’

  “ ‘Yes …’ I said.

  “ ‘But now Claudia has released you, yet still you stay with her, and stay bound to her as your paramour,’ he said.

  “ ‘No, she’s no paramour of mine; you don’t understand,’ I said. ‘Rather, she’s my child, and I don’t know that she can release me.…’ These were thoughts I’d gone over and over in my mind. ‘I don’t know if the child possesses the power to release the parent. I don’t know that I won’t be bound to her for as long as she …’

  “I stopped. I was going to say, ‘for as long as she lives.’ But I realized it was a hollow mortal cliché. She would live forever, as I would live forever. But wasn’t it so for mortal fathers? Their daughters live forever because these fathers die first. I was at a loss suddenly; but conscious all the while of how Armand listened; that he listened in the way that we dream of others listening, his face seeming to reflect on everything said. He did not start forward to seize on my slightest pause, to assert an understanding of something before the thought was finished, or to argue with a swift, irresistible impulse—the things which often make dialogue impossible.