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bone

Page 4

by Yrsa Daley-Ward


  what is now will soon be past

  Just because you do it

  doesn’t mean you always will.

  Whether you’re dancing dust

  or breathing light

  you’re never exactly the same,

  twice.

  why you love her and what to do

  I

  Because she, like you, was raised on the

  hard side of the lie and when this giant

  of a woman folds all of herself into you

  so small, you want to keep her for good

  —safe from all that ever was and will be.

  You want to take her away from

  everything that ever hurt her or still can

  because neither of you know your

  daddy’s voice.

  You know first name and surname and

  little facts like the country hers was born

  in and that yours had puppy dog eyes

  that cut through your mother’s

  stubbornness

  but as for his shade of black and the way

  your hands might feel in his . . . you may

  only guess

  because you joke that perhaps they were

  the same person . . . that would explain so

  much and would also make you illegal,

  but some of the best loves have been

  because you knew her past before she

  told you—those were all of your

  mistakes too, happening in a different

  town aged sixteen with grown men

  some of whom had grown wives

  because your bodies always betrayed

  your young selves—making you smell

  like you shouldn’t, giving you a scent

  you weren’t yet old enough to own

  doing women’s work when you were

  barely old enough to bear a man’s

  weight, a heartbreak, or a child.

  This is why you love her.

  II

  So you’ve got to hold her with both

  hands at arm’s length.

  Say there’s too much of her inside of

  you already. Feel like you cannot stand

  any more. Tell her no, pull back, it

  hurts.

  Know that she scares you and you’re

  far too used to life as a lone wolf crying

  at the new moon and marveling at its

  orientation in every single new country.

  Let her know the relief of leaving things

  behind. Tell her it’s a pain you’ve

  grown with. Tell her you’ll come back.

  Visit. Really mean it.

  Tell her she is better with someone else.

  The kind of person who stays in a place

  and builds and knows how to stay put.

  Know that her mothering isn’t

  something to get used to. Tell her you

  stopped relying on this aged six.

  See her happy in the future with

  someone better than you. Feel sick

  when you feel it, but know it.

  q

  If you

  were married to yourself

  could you stay with yourself?

  My house

  would be frightening and wild.

  another tuesday

  I bet

  there are millions of stories

  in your legs alone

  a man tells a girl

  while he is pulling on his boxers and

  gray socks.

  I love my wife,

  he says,

  putting on his trousers.

  I just need the fire,

  he says shivering.

  Your kind of fire.

  It is December.

  She nods and thinks

  that he looks like something else,

  standing there

  glistening, self-important

  about to drive two miles home to his family.

  She has a bedsit

  and a healthy dream life

  long brown legs and the kind of eyes that

  sink you.

  Too much sadness in her

  but so much youth

  it doesn’t quite show, not yet.

  Odd how

  often

  beauty is another type of prison.

  But what can you do?

  He pays one full hundred

  and really when you need it, you need it.

  She did well at school

  but large thoughts are a problem

  when there’s no call for them.

  They become a nuisance,

  always reminding you of the ghost life

  running alongside you,

  the phantom life

  you could have had

  if you felt at home

  if everyone where you grew up

  didn’t get off their heads.

  If there’s nothing like the next high

  if you cook magic in your kitchen

  who needs food

  when it takes you and sends you on to Venus,

  it doesn’t matter when you get

  chest pains

  or sick

  or forget how to speak

  if your veins are driving you out to sea.

  So she offers up her arms

  gets lost in the pretty side of life

  in the crevices

  slips into its hot folds

  when Tuesday rolls into Thursday

  and there’s no night anymore

  no night

  just ink-blue blankets

  dusted with hours of star

  warm

  engulfed

  gilt-edged minutes.

  In a place

  where nothing stings.

  Not a thing.

  success

  “I’m two hundred percent of a lover

  and it gets me into trouble,”

  you laugh

  fooling no one

  not even yourself

  yes, you’re a beauty. Yes

  people want you

  but only at first.

  Your talents just about ruin your life.

  Yes. You are dazzling

  yes

  you’ll make money

  but only too much

  and fast.

  Yes. You’ll be rich

  but only in cash.

  the biggest tortoise in the world

  “They found the biggest tortoise

  in the world in South America today,”

  you said, massaging the tender knot at the back of

  my neck

  with one hand

  removing your boots

  with the other.

  “They had to get a lorry or something to remove

  it, imagine that.”

  I said nothing, thinking of all of the things yo

  understand and

  all of the things you don’t

  like how I will love you forever but

  probably from afar

  not in the way you want and

  how you’ll find somebody new

  to be with. It’s only fair.

  Maybe he or she will have

  tightness in the neck

  a passion for useless facts

  the power to stick around and

  really, I miss you already.

  now that it’s all over

  She says she cries over me on the

  train to and fro
m work

  and one day it will be better but it

  isn’t better now.

  she is just like my mother, but alive.

  Knows how to love

  quietly, completely.

  Something about the way black women

  hold your heart.

  You can leave them all you like but you

  can’t stay gone.

  what love isn’t

  It is not a five-star stay. It is not

  compliments and it is never ever

  flattery.

  It is solid. Not sweet but always

  nutritious

  always herb, always salt. Sometimes

  grit.

  It is now and till the end. It is never a

  slither, never a little

  it is a full serving

  it is much

  too much and real

  never pretty or clean. It stinks—you can

  smell it coming

  it is weight

  it is weight and it is too heavy to feel

  good sometimes. It is discomfort—it is

  not what the films say. Only songs

  get it right

  it is irregular

  it is difficult

  and always, always

  surprising.

  body

  If I’m entirely honest,

  and you say I must be,

  I want to stay with you all afternoon

  evening, night and tomorrow

  pressed into you so tightly that we don’t

  now whose belly made what sound,

  whose heart it is that is thumping like

  that

  until I don’t know if the sweat on my

  chest is yours or mine or ours.

  things it can take twenty years and a bad liver to work out

  1.

  Truth is a beauty, whether pretty or not.

  Love doesn’t always mean you should stay.

  Sometimes the truth has to punch you, twice.

  Love doesn’t always mean you should stay.

  2.

  See, nobody warns you about yourself.

  The red in your eye.

  The trap in your mouth.

  The person who hurts you the most in the end will

  sbe you.

  Almost every time, you.

  You’d better learn to forgive yourself.

  Forgive yourself instantly.

  It’s a skill you’re going to need until you die.

  3.

  When the girl is all kinds of weather in a day

  do not enter her lightly.

  Your senses will not survive it.

  You can leave your tail,

  head, eye lights on

  come, go hollow

  running away from her

  without any of the good parts of yourself

  thinking you did nothing wrong.

  Wondering why,

  when you smile,

  blood.

  4.

  Love is not a safe word.

  But it’s the safe things that kill you

  in the end.

  5.

  You lose too much to fear.

  You might choke on all that you do not say

  and

  can we talk about when it should be no

  but you say yes?

  6.

  There are parts of you

  that want the sadness.

  Find them out. Ask them why.

  7.

  Make it.

  If you don’t

  it will be a tragedy

  and then

  everything else

  the sky

  and everything else.

  lipsing

  Some lovers look you in the mouth

  right clean in your mouth

  and your story comes,

  running.

  revelation

  One day I will tell you what I’ve been.

  It will scare you.

  sabbath

  Your skirt is split too high for church.

  The elders glare.

  You are your mother’s daughter.

  Always meaning well and falling short.

  Where is she these days?

  they inquire

  with knowing faces.

  You don’t give them anything.

  You say,

  Paris this week, then on to Italy.

  They say, oh that’s nice

  with their mouths

  and the air says all the rest.

  You don’t care.

  Everyone says you have her face and it’s a face

  that’ll open doors.

  Even locked doors. Especially locked doors

  and so,

  the skirt is split too high for church

  but the collection box is yours.

  You look like an actress,

  says the usher.

  Sit here. Right here. Relax.

  not the end of the world, but almost

  The day was not the best, especially in

  my head. I was thinking calmly

  about stepping off the side of the mountain in the rain

  arms outstretched

  embracing this life, this empty space

  one last time and making it look like

  an accident. My eyes were blurry with

  salt and I hadn’t eaten in days but my

  mind was clearer than air on a blue-

  sky morning in the Black Country.

  I said,

  No hard feelings bright, hard world

  but maybe

  just maybe you are not for me. Maybe

  I’m stretched too thinly, pressed too

  deeply into you in a shape that I can’t

  keep without cramping and maybe

  just maybe your breath is too cold.

  Perhaps human nature is just too

  fickle to understand

  and rainbows aren’t all they’re cracked

  up to be, so why hang on until the

  rain ends?

  That was when I saw you.

  Eyes did meet, lightning did not

  flash but I thought to myself, Who

  wears a reindeer jersey and red shorts

  in May? And anyway you looked kind

  and the sun was peeping out a little

  and the sky was still dark and it was

  still drizzling but everyone needs a

  little kindness.

  You have a smile that turns down at

  the corners

  and those gentle kind of eyes.

  Those gentle kind of eyes.

  We sat on a hill in the car looking at

  where the beach met the sea and the

  rain hit them both and I (quite

  desperately, quite selfishly) said, Drive

  into the sea with me, just once and

  it’s done.

  You drove fast in the opposite

  direction to a blessed place of broken

  brick and stone and said, This used to

  be my childhood house, and then

  drove me further

  on further

  to a purple house safe up on the

  hillside and said, Hey,

  one day this will be home.

  It wasn’t perfect. It isn’t now. I still

  have days when I want to exit the

  system quicker than you can say don’t

  you dare give up now

  and you still have days where you

  ca
n’t even taste the sweet in raw

  honey and neither one of us believes

  in pills.

  Days when I so want to kiss you but

  your mouth is sour and my thoughts

  are bitter and I’m angry, just mad, just

  crazy with it all

  but we are each other’s home sweet

  home, Love.

  The roof is screwed on too tight at

  times and the walls of our house can

  pinch a little but, my God, they are

  always warm.

  waiting for the check to clear

  What an odd, romantic time it is, if

  you remember not to panic.

  How many times has money almost

  driven you mad?

  You only need spices to throw in the

  bowl

  you only need flour to make some

  kind of bread

  and maybe somebody to lie in the

  dark with.

  Somebody’s hands to touch.

  a

  Your father died this morning.

  I scramble to the supermarket to buy a

  phone card and call South Africa

  from the bottom deck of a South

  London bus.

  You sound smaller than you are.

  “I am wearing a skirt,” you say, “can

  you imagine?”

  I cannot. All I can think is in your

  language

  oh God, Ngiyakuthanda.

  My God,

  how you are loved.

  You cannot speak for long

  you have family to sit with

  sweet tea to steep,

  a mother to attend to

  food in plastic and foil to warm

  and stow away

  “Okay,” I say, reaching the stop

  by Camberwell. “Let me know when

  I can call.”

  I hang up.

  The sky

  is trying to rain and all I can speak

  is in your language

  into the broken line

  into the dead space.

 

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