G K Chesterton- The Dover Reader
Page 41
So it is also, of course, with the contradictory charges of the anti-Christians about submission and slaughter. It is true that the Church told some men to fight and others not to fight; and it is true that those who fought were like thunderbolts and those who did not fight were like statues. All this simply means that the Church preferred to use its Supermen and to use its Tolstoyans. There must be some good in the life of battle, for so many good men have enjoyed being soldiers. There must be some good in the idea of non-resistance, for so many good men seem to enjoy being Quakers. All that the Church did (so far as that goes) was to prevent either of these good things from ousting the other. They existed side by side. The Tolstoyans, having all the scruples of monks, simply became monks. The Quakers became a club instead of becoming a sect. Monks said all that Tolstoy says; they poured out lucid lamentations about the cruelty of battles and the vanity of revenge. But the Tolstoyans are not quite right enough to run the whole world; and in the ages of faith they were not allowed to run it. The world did not lose the last charge of Sir James Douglas or the banner of Joan the Maid. And sometimes this pure gentleness and this pure fierceness met and justified their juncture; the paradox of all the prophets was fulfilled, and, in the soul of St. Louis, the lion lay down with the lamb. But remember that this text is too lightly interpreted. It is constantly assured, especially in our Tolstoyan tendencies, that when the lion lies down with the lamb the lion becomes lamb-like. But that is brutal annexation and imperialism on the part of the lamb. That is simply the lamb absorbing the lion instead of the lion eating the lamb. The real problem is—Can the lion lie down with the lamb and still retain his royal ferocity? That is the problem the Church attempted; that is the miracle she achieved.
This is what I have called guessing the hidden eccentricities of life. This is knowing that a man’s heart is to the left and not in the middle. This is knowing not only that the earth is round, but knowing exactly where it is flat. Christian doctrine detected the oddities of life. It not only discovered the law, but it foresaw the exceptions. Those underrate Christianity who say that it discovered mercy; any one might discover mercy. In fact every one did. But to discover a plan for being merciful and also severe—that was to anticipate a strange need of human nature. For no one wants to be forgiven for a big sin as if it were a little one. Any one might say that we should be neither quite miserable nor quite happy. But to find out how far one may be quite miserable without making it impossible to be quite happy—that was a discovery in psychology. Any one might say, “Neither swagger nor grovel”; and it would have been a limit. But to say, “Here you can swagger and there you can grovel”—that was an emancipation.
This was the big fact about Christian ethics; the discovery of the new balance. Paganism had been like a pillar of marble, upright because proportioned with symmetry. Christianity was like a huge and ragged and romantic rock, which, though it sways on its pedestal at a touch, yet, because its exaggerated excrescences exactly balance each other, is enthroned there for a thousand years. In a Gothic cathedral the columns were all different, but they were all necessary. Every support seemed an accidental and fantastic support; every buttress was a flying buttress. So in Christendom apparent accidents balanced. Becket wore a hair shirt under his gold and crimson, and there is much to be said for the combination; for Becket got the benefit of the hair shirt while the people in the street got the benefit of the crimson and gold. It is at least better than the manner of the modern millionaire, who has the black and the drab outwardly for others, and the gold next his heart. But the balance was not always in one man’s body as in Becket’s; the balance was often distributed over the whole body of Christendom. Because a man prayed and fasted on the Northern snows, flowers could be flung at his festival in the Southern cities; and because fanatics drank water on the sands of Syria, men could still drink cider in the orchards of England. This is what makes Christendom at once so much more perplexing and so much more interesting than the Pagan empire; just as Amiens Cathedral is not better but more interesting than the Parthenon. If any one wants a modern proof of all this, let him consider the curious fact that, under Christianity, Europe (while remaining a unity) has broken up into individual nations. Patriotism is a perfect example of this deliberate balancing of one emphasis against another emphasis. The instinct of the Pagan empire would have said, “You shall all be Roman citizens, and grow alike; let the German grow less slow and reverent; the Frenchmen less experimental and swift.” But the instinct of Christian Europe says, “Let the German remain slow and reverent, that the Frenchman may the more safely be swift and experimental. We will make an equipoise out of these excesses. The absurdity called Germany shall correct the insanity called France.”
Last and most important, it is exactly this which explains what is so inexplicable to all the modern critics of the history of Christianity. I mean the monstrous wars about small points of theology, the earthquakes of emotion about a gesture or a word. It was only a matter of an inch; but an inch is everything when you are balancing. The Church could not afford to swerve a hair’s breadth on some things if she was to continue her great and daring experiment of the irregular equilibrium. Once let one idea become less powerful and some other idea would become too powerful. It was no flock of sheep the Christian shepherd was leading, but a herd of bulls and tigers, of terrible ideals and devouring doctrines, each one of them strong enough to turn to a false religion and lay waste the world. Remember that the Church went in specifically for dangerous ideas; she was a lion tamer. The idea of birth through a Holy Spirit, of the death of a divine being, of the forgiveness of sins, or the fulfilment of prophecies, are ideas which, any one can see, need but a touch to turn them into something blasphemous or ferocious. The smallest link was let drop by the artificers of the Mediterranean, and the lion of ancestral pessimism burst his chain in the forgotten forests of the north. Of these theological equalisations I have to speak afterwards. Here it is enough to notice that if some small mistake were made in doctrine, huge blunders might be made in human happiness. A sentence phrased wrong about the nature of symbolism would have broken all the best statues in Europe. A slip in the definitions might stop all the dances; might wither all the Christmas trees or break all the Easter eggs. Doctrines had to be defined within strict limits, even in order that man might enjoy general human liberties. The Church had to be careful, if only that the world might be careless.
This is the thrilling romance of Orthodoxy. People have fallen into a foolish habit of speaking of orthodoxy as something heavy, humdrum, and safe. There never was anything so perilous or so exciting as orthodoxy. It was sanity: and to be sane is more dramatic than to be mad. It was the equilibrium of a man behind madly rushing horses, seeming to stoop this way and to sway that, yet in every attitude having the grace of statuary and the accuracy of arithmetic. The Church in its early days went fierce and fast with any warhorse; yet it is utterly unhistoric to say that she merely went mad along one idea, like a vulgar fanaticism. She swerved to left and right, so exactly as to avoid enormous obstacles. She left on one hand the huge bulk of Arianism, buttressed by all the worldly powers to make Christianity too worldly. The next instant she was swerving to avoid an orientalism, which would have made it too unworldly. The orthodox Church never took the tame course or accepted the conventions; the orthodox Church was never respectable. It would have been easier to have accepted the earthly power of the Arians. It would have been easy, in the Calvinistic seventeenth century, to fall into the bottomless pit of predestination. It is easy to be a madman: it is easy to be a heretic. It is always easy to let the age have its head; the difficult thing is to keep one’s own. It is always easy to be a modernist; as it is easy to be a snob. To have fallen into any of those open traps of error and exaggeration which fashion after fashion and sect after sect set along the historic path of Christendom—that would indeed have been simple. It is always simple to fall; there are an infinity of angles at which one falls, only one at which one stands.
To have fallen into any one of the fads from Gnosticism to Christian Science would indeed have been obvious and tame. But to have avoided them all has been one whirling adventure; and in my vision the heavenly chariot flies thundering through the ages, the dull heresies sprawling and prostrate, the wild truth reeling but erect.
VII. THE ETERNAL REVOLUTION
THE FOLLOWING propositions have been urged: First, that some faith in our life is required even to improve it; second, that some dissatisfaction with things as they are is necessary even in order to be satisfied; third, that to have this necessary content and necessary discontent it is not sufficient to have the obvious equilibrium of the Stoic. For mere resignation has neither the gigantic levity of pleasure nor the superb intolerance of pain. There is a vital objection to the advice merely to grin and bear it. The objection is that if you merely bear it, you do not grin. Greek heroes do not grin: but gargoyles do—because they are Christian. And when a Christian is pleased, he is (in the most exact sense) frightfully pleased; his pleasure is frightful. Christ prophesied the whole of Gothic architecture in that hour when nervous and respectable people (such people as now object to barrel organs) objected to the shouting of the gutter-snipes of Jerusalem. He said, “If these were silent, the very stones would cry out.” Under the impulse of His spirit arose like a clamorous chorus the facades of the mediaeval cathedrals, thronged with shouting faces and open mouths. The prophecy has fulfilled itself: the very stones cry out.
If these things be conceded, though only for argument, we may take up where we left it the thread of the thought of the natural man, called by the Scotch (with regrettable familiarity), “The Old Man.” We can ask the next question so obviously in front of us. Some satisfaction is needed even to make things better. But what do we mean by making things better? Most modern talk on this matter is a mere argument in a circle—that circle which we have already made the symbol of madness and of mere rationalism. Evolution is only good if it produces good; good is only good if it helps evolution. The elephant stands on the tortoise, and the tortoise on the elephant.
Obviously, it will not do to take our ideal from the principle in nature; for the simple reason that (except for some human or divine theory), there is no principle in nature. For instance, the cheap anti-democrat of to-day will tell you solemnly that there is no equality in nature. He is right, but he does not see the logical addendum. There is no equality in nature; also there is no inequality in nature. Inequality, as much as equality, implies a standard of value. To read aristocracy into the anarchy of animals is just as sentimental as to read democracy into it. Both aristocracy and democracy are human ideals: the one saying that all men are valuable, the other that some men are more valuable. But nature does not say that cats are more valuable than mice; nature makes no remark on the subject. She does not even say that the cat is enviable or the mouse pitiable. We think the cat superior because we have (or most of us have) a particular philosophy to the effect that life is better than death. But if the mouse were a German pessimist mouse, he might not think that the cat had beaten him at all. He might think he had beaten the cat by getting to the grave first. Or he might feel that he had actually inflicted frightful punishment on the cat by keeping him alive. Just as a microbe might feel proud of spreading a pestilence, so the pessimistic mouse might exult to think that he was renewing in the cat the torture of conscious existence. It all depends on the philosophy of the mouse. You cannot even say that there is victory or superiority in nature unless you have some doctrine about what things are superior. You cannot even say that the cat scores unless there is a system of scoring. You cannot even say that the cat gets the best of it unless there is some best to be got.
We cannot, then, get the ideal itself from nature, and as we follow here the first and natural speculation, we will leave out (for the present) the idea of getting it from God. We must have our own vision. But the attempts of most moderns to express it are highly vague.
Some fall back simply on the clock: they talk as if mere passage through time brought some superiority; so that even a man of the first mental calibre carelessly uses the phrase that human morality is never up to date. How can anything be up to date?—a date has no character. How can one say that Christmas celebrations are not suitable to the twenty-fifth of a month? What the writer meant, of course, was that the majority is behind his favourite minority—or in front of it. Other vague modern people take refuge in material metaphors; in fact, this is the chief mark of vague modern people. Not daring to define their doctrine of what is good, they use physical figures of speech without stint or shame, and, what is worst of all, seem to think these cheap analogies are exquisitely spiritual and superior to the old morality. Thus they think it intellectual to talk about things being “high.” It is at least the reverse of intellectual; it is a mere phrase from a steeple or a weathercock. “Tommy was a good boy” is a pure philosophical statement, worthy of Plato or Aquinas. “Tommy lived the higher life” is a gross metaphor from a ten-foot rule.
This, incidentally, is almost the whole weakness of Nietzsche, whom some are representing as a bold and strong thinker. No one will deny that he was a poetical and suggestive thinker; but he was quite the reverse of strong. He was not at all bold. He never put his own meaning before himself in bald abstract words: as did Aristotle and Calvin, and even Karl Marx, the hard, fearless men of thought. Nietzsche always escaped a question by a physical metaphor, like a cheery minor poet. He said, “beyond good and evil,” because he had not the courage to say, “more good than good and evil,” or, “more evil than good and evil.” Had he faced his thought without metaphors, he would have seen that it was nonsense. So, when he describes his hero, he does not dare to say, “the purer man,” or “the happier man,” or “the sadder man,” for all these are ideas; and ideas are alarming. He says “the upper man,” or “over man,” a physical metaphor from acrobats or alpine climbers. Nietzsche is truly a very timid thinker. He does not really know in the least what sort of man he wants evolution to produce. And if he does not know, certainly the ordinary evolutionists, who talk about things being “higher,” do not know either.
Then again, some people fall back on sheer submission and sitting still. Nature is going to do something some day; nobody knows what, and nobody knows when. We have no reason for acting, and no reason for not acting. If anything happens it is right: if anything is prevented it was wrong. Again, some people try to anticipate nature by doing something, by doing anything. Because we may possibly grow wings they cut off their legs. Yet nature may be trying to make them centipedes for all they know.
Lastly, there is a fourth class of people who take whatever it is that they happen to want, and say that that is the ultimate aim of evolution. And these are the only sensible people. This is the only really healthy way with the word evolution, to work for what you want, and to call that evolution. The only intelligible sense that progress or advance can have among men, is that we have a definite vision, and that we wish to make the whole world like that vision. If you like to put it so, the essence of the doctrine is that what we have around us is the mere method and preparation for something that we have to create. This is not a world, but rather the material for a world. God has given us not so much the colours of a picture as the colours of a palette. But he has also given us a subject, a model, a fixed vision. We must be clear about what we want to paint. This adds a further principle to our previous list of principles. We have said we must be fond of this world, even in order to change it. We now add that we must be fond of another world (real or imaginary) in order to have something to change it to.
We need not debate about the mere words evolution or progress: personally I prefer to call it reform. For reform implies form. It implies that we are trying to shape the world in a particular image; to make it something that we see already in our minds. Evolution is a metaphor from mere automatic unrolling. Progress is a metaphor from merely walking along a road—very likely the wrong road. But reform is a m
etaphor for reasonable and determined men: it means that we see a certain thing out of shape and we mean to put it into shape. And we know what shape.
Now here comes in the whole collapse and huge blunder of our age. We have mixed up two different things, two opposite things. Progress should mean that we are always changing the world to suit the vision. Progress does mean (just now) that we are always changing the vision. It should mean that we are slow but sure in bringing justice and mercy among men: it does mean that we are very swift in doubting the desirability of justice and mercy: a wild page from any Prussian sophist makes men doubt it. Progress should mean that we are always walking towards the New Jerusalem. It does mean that the New Jerusalem is always walking away from us. We are not altering the real to suit the ideal. We are altering the ideal: it is easier.