Serials to Graphic Novels

by Catherine J Golden

  ———. “Walter Scott, Historical Fiction, and the Genesis of the Victorian Illustrated Book.” In The Victorian Illustrated Book. Ed. Richard Maxwell. Charlottesville: UP of Virginia, 2002. 1–51. Print.

  Mayhew, Henry. London Labour and the London Poor. 1851. London: Penguin, 1985. Print.

  McCloud, Scott. Understanding Comics: The Invisible Art. New York: HarperCollins Publishers, 1993. Print.

  McDonald, Louise. “Softening Svengali: Film Transformations of Trilby and Cultural Change.” In George Du Maurier: Illustrator, Author, Critic Beyond Svengali. Ed. Simon Cooke and Paul Goldman. Surrey, UK and Burlington, VT: Ashgate Publishing Ltd., 2016. 231-41. Print.

  McDowell, Marta. Beatrix Potter’s Gardening Life: The Plants and Places That Inspired the Classic Children’s Tales. Portland, OR: Timber Press, 2013. Print.

  McFarland, Ronald E. The Long Life of Evangeline: A History of the Longfellow Poem in Print, in Adaptation and in Popular Culture. Jefferson, NC: McFarland and Co., 2010.

  Meisel, Martin. Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England. Princeton, NJ: Princeton UP, 1983. Print.

  Meyer, Susan. “Antisemitism and Social Critique in Dickens’s ‘Oliver Twist.’” Victorian Literature and Culture 33.1 (2005): 239–52. Print.

  Meyer, Susan E. A Treasury of the Great Children’s Book Illustrators. New York: Harry N. Abrams, 1983. Print.

  Meyers, Janet C. “Performing the Voyage Out: Emigration and the Class Dynamics of Displacement.” Victorian Literature and Culture 29.1 (2001): 129–46. Print.

  Meyrick, Robert. “‘Spoils of the lumber-room’: Early Collectors of Wood-Engraved Illustrations from 1860s Periodicals.” In Reading Victorian Illustration, 1855–1875: Spoils of the Lumber Room. Ed. Paul Goldman and Simon Cooke. Surrey, UK: Ashgate Publishing Ltd., 2012. 179–99. Print.

  Millais, John Everett, illus. The Parables of Our Lord and Saviour Jesus Christ. Engraved by the Brothers Dalziel. New York: Dover, 1975. Print.

  Miller, C. C. Hoyar. George Du Maurier and Others. London: Cassell and Co., 1837. Print.

  Mitchell, Sally. “Broadsides and Chapbooks.” In Victorian Britain: An Encyclopedia. Ed. Sally Mitchell. New York: Garland, 1988. 94–95. Print.

  ———. Daily Life in Victorian England. Westport, CT: Greenwood, 1996. Print.

  ———, ed. Victorian Britain: An Encyclopedia. New York: Garland, 1988. Print.

  Moore, Alan. From Hell. Artwork Eddie Campbell. Marietta, GA: Top Shelf Productions, 2004. Print.

  ———. The League of Extraordinary Gentlemen. 1999–2000. 2002–03. Artwork Kevin O’Neill. Compilation. New York: Vertigo, 2004. Print.

  ———. Watchmen. 1986. Artwork Dave Gibbons. New York: DC Comics, 2014. Print.

  Moore, Leah, and John Reppion, adapts. The Complete Alice in Wonderland. By Lewis Carroll. Artwork Érica Awano. Runnemede, NJ: Dynamite Entertainment, 2009. Print.

  Morris, Frankie. Artist of Wonderland: The Life, Political Cartoons, and Illustrations of Tenniel. Charlottesville: U of Virginia P, 2005. Print.

  “Mr. Dickens’s New Work—Oliver Twist.” The London and Paris Observer 14 (1838): 758–61. Print.

  Muir, Percy. Victorian Illustrated Books. 1971. Revised impression. London: Portman Books, 1985. Print.

  Navasky, Victor S. The Art of Controversy: Political Cartoons and Their Enduring Power. New York: Alfred A. Knopf, 2014. Print.

  “Oliver Twist.” Spectator 11 (24 Nov. 1838): 1114–16. Print.

  Orrinsmith, Lucy. The Drawing-Room; Its Decorations and Furniture. London: Macmillan, 1877. Print.

  Ovenden, Graham, and John Davis, eds. The Illustrators of Alice. New York: St. Martin’s Press, 1972. Print.

  Patten, Robert L. Charles Dickens and His Publishers. Oxford: Oxford UP, 1978. Print.

  ———. Charles Dickens and “Boz”: The Birth of the Industrial-Age Author. Cambridge: Cambridge UP, 2012. Print.

  ———, ed. George Cruikshank: A Revaluation. 1974. Princeton, NJ: Princeton UP, 1992. Print.

  ———. George Cruikshank’s Life, Times, and Art. Vol. 2: 1835-1878. New Brunswick, NJ: Rutgers University Press, 1996. Print.

  ———. “Serial Illustration and Storytelling in David Copperfield.” In The Victorian Illustrated Book. Ed. Richard Maxwell. Charlottesville: U of Virginia P, 2002. 91–128. Print.

  Pease, Donald E., ed. Revisionary Interventions into the Americanist Canon. Durham, NC: Duke UP, 1994. Print.

  Pennell, Joseph. Modern Illustration. London: Bell, 1895. Print.

  Pina, Stephanie Graham. “Pre-Raphaelite Sisterhood.” Web. 23 July 2015. .

  Pipe, Jim, adapt. Wuthering Heights. By Emily Brontë. Artwork Nick Spender. Hauppauge, NY: Barron’s Educational Series, 2009. Print.

  Plato. “Phaedrus.” The Dialogues of Plato, vol. 1, translated into English with Analyses and Introductions by B. Jowett, M.A. in Five Volumes. 3rd ed. rev. and corrected. Transl. Benjamin Jowett. London: Oxford UP, 1892. 391–490. Print.

  Porter, G. R. The Progress of the Nation. London: John Murray, 1847. Print.

  Potter, Beatrix. The Tale of Benjamin Bunny. 1904. Illus. by the author. London: Penguin, 1989. Print.

  ———. The Tale of Mr. Jeremy Fisher. 1906. Illus. by the author. London: Penguin, 1989. Print.

  ———. The Tale of Mrs. Tiggy-Winkle. 1905. Illus. by the author. London: Penguin, 1989. Print.

  ———. The Tale of Peter Rabbit. 1902. Illus. by the author. London: Penguin, 1989. Print.

  ———. The Tale of Squirrel Nutkin. 1903. Illus. by the author. London: Penguin, 1989. Print.

  “The Posthumous Papers of the Pickwick Club, No. 2.” The Satirist (1 May 1836): 138. Print.

  Price, Leah. How to Do Things with Books in Victorian Britain. Princeton, NJ: Princeton UP, 2012. Print.

  Prideaux, William Francis. A Bibliography of the Works of Robert Louis Stevenson. London: Frank Hollings, 1917. Print.

  Purcell, Edward L. “Trilby and Trilby-Mania, The Beginning of the Best Seller System.” The Journal of Popular Culture 11.1 (Summer 1977): 62–76. Print.

  Reed, Sue W. “F. O. C. Darley’s Outline Illustrations.” In The American Illustrated Book in the Nineteenth Century. Ed. Gerald W. R. Ward. Charlottesville: UP of Virginia, 2002. 113–35. Print.

  Reid, Forrest. Illustrators of the Eighteen Sixties: An Illustrated Survey of the Work of 58 British Artists. 1928. New York: Dover Publications, Inc., 1975. Print.

  Review of Wonderland. London Review (29 Dec. 1866). Print.

  Rigby, Elizabeth. Review of Vanity Fair: A Novel Without a Hero. The Quarterly Review (Dec. 1848): 153–62. Print.

  Rosenberg, Edgar. From Shylock to Svengali: Jewish Stereotypes in English Fiction. Stanford: Stanford UP, 1960. Print.

  Rossetti, Christina. Goblin Market and Other Poems. Illus. Dante Gabriel Rossetti. London: Macmillan, 1862. Print.

  Ruskin, John. Art of Old England: Lectures Given in Oxford. 1884. New York: United States Book Co., 1889. Print.

  ———. The Elements of Drawing: In Three Letters to Beginners. London: Smith, Elder, and Co., 1857. Print.

  ———. Sesame and Lilies. 1865. New York: John B. Alden, Publisher, 1885. Print.

  Sach, Laurence, adapt. Pride and Prejudice: The Graphic Novel. Original Text. By Jane Austen. Artwork Rajesh Nagulakonda. Campfire. New Delhi, Ind.: Kalyani Navyug Media Pvt. Ltd., 2013. Print.

  Sarzano, Frances. Sir John Tenniel. New York: Pelligrini and Cudahy, n.d. Print.

  Seymour, Robert. Sketches by Seymour. 5 vols. London: G. S. Tregear, 1835. Print.

  Shepard, Ernest H. Drawn from Memory. London: Curtis Brown Ltd., 1957. Print.

  Sherard, Robert. “The Author of ‘Trilby.’” The Westminster Budget (13 Dec. 1895): 21–25. Print.

  Showalter, Elaine. A Literature of Their Own. Princeton, NJ: Princeton UP, 1998. Print.

  Siemens, Lloyd. “Annuals and Gift Books.”
In Victorian Britain: An Encyclopedia. Ed. Sally Mitchell. New York: Garland, 1988. 27. Print.

  Simon, Leslie. “Archives of the Interior: Exhibitions of Domesticity in The Pickwick Papers.” Dickens Quarterly 25.1 (March 2008): 23–36. Print.

  Sitwell, Sacheverell. Narrative Pictures: A Survey of English Genre and its Painters. London: B. T. Batsford, 1937. Print.

  Soloway, Richard A. “Population and Demographics.” In Victorian Britain: An Encyclopedia. Ed. Sally Mitchell. New York: Garland, 1988. 617–18. Print.

  Spiegelman, Art. Maus I: A Survivor’s Tale: My Father Bleeds History. Artwork by the author. New York: Pantheon, 1986. Print.

  Spilka, Mark. “On the Enrichment of Poor Monkeys by Myth and Dream; or, How Dickens Rousseauisticized and Pre-Freudianized Victorian Views of Childhood.” In Sexuality and Victorian Literature. Ed. Don Richard Cox. Knoxville, TN: U of T Press, 1984. 161–79. Print.

  Steig, Michael. Dickens and Phiz. Bloomington: Indiana UP, 1978. Print.

  ———. “Dickens, Hablôt Browne, and the Tradition of English Caricature.” Criticism 11.3 (Summer 1969): 219–33. Print.

  Stern, Madeleine, ed. Critical Essays on Louisa May Alcott. Boston: G. K. Hall, 1984. Print.

  Stevens, Joan. “Thackeray’s Pictorial Capitals.” Costerus 2 (1974): 113–40. Print.

  Stevenson, Robert Louis. Treasure Island. 1883. Introd. R. H. W. Dillard. New York: Signet, 1998. Print.

  Stewart, Garrett. “Reading Figures: The Legible Image of Victorian Textuality.” In Victorian Literature and the Victorian Visual Imagination. Ed. Carol T. Christ and John O. Jordan. Berkeley and Los Angeles: U of California P, 1995. 345–67. Print.

  Stone, Harry. Dickens’ Working Notes for His Novels. Chicago: Chicago UP, 1987. Print.

  Stout, Janis P. “The Observant Eye, the Art of Illustration, and Willa Cather’s My Ántonia.” Cather Studies, Vol. 5. Web. 2 July 2013. .

  Surtees, Robert. “Ask Mama”; or, The Richest Commoner in England. Illus. John Leech. London: Bradbury and Evans, 1858. Print.

  ———. Handley Cross; or, Mr. Jorrocks’s Hunt. Illus. John Leech. London: Bradbury and Evans, 1854. Print.

  ———. “Plain or Ringlets?” Illus. John Leech. London: Bradbury and Evans, 1860. Print.

  Sutherland, John. “Does Becky Kill Jos?” In Is Heathcliff a Murderer?: Puzzles in Nineteenth-Century Fiction. New York: Oxford UP, 1996. 66–72. Print.

  ———. “Rochester’s Celestial Telegram.” In Is Heathcliff a Murderer?: Puzzles in Nineteenth-Century Fiction. New York: Oxford UP, 1996. 59–65. Print.

  Tabachnick, Stephen E. “The Graphic Novel and the Age of Transition: A Survey and Analysis.” English Literature in Transition 53.1 (2010): 3–28. Print.

  ———, ed. Teaching the Graphic Novel. New York: MLA, 2009. Print.

  Taylor, Judy. Beatrix Potter: Artist, Storyteller and Countrywoman. London: Frederick Warne and Co., 1986. Print.

  Tennyson, Alfred Lord. Poems. London: Moxon, 1857. Print.

  Terry, R. C. Introd. to John Caldigate. By Anthony Trollope. London: Folio Society, 1995. xi–xviii. Print.

  Thackeray, William Makepeace. An Essay On the Genius of George Cruikshank. London: Henry Hooper, 1840. Print.

  ———. The History of Henry Esmond. 1852. Illus. George Du Maurier. London: J. M. Dent and Co; New York: E. P. Dutton and Co., 1906. Print.

  ———. The Newcomes, Memoirs of a Most Respectable Family. Ed. A. Pendennis, Esq, pseud. Illus. Richard Doyle. 2 vols. London: Bradbury and Evans, 1854, 1855. Print.

  ———. The Paris Sketch Book of Mr. M. A. Titmarsh. 1840. Illus. by the author. New York: Charles Scribner’s Sons, 1904. Print.

  ———. The Rose and the Ring. 1855. Illus. by the author. New York: Pierpont Morgan Library, 1947. Print.

  ———. Vanity Fair: A Novel Without a Hero. 1848. Illus. by the author. 3 vols. New York: Charles Scribner’s Sons, 1903. Print.

  ———. Vanity Fair: A Novel Without a Hero. Ed. John Sutherland. Introd. John Sutherland. Illus. and pref. by the author. Oxford: Oxford UP, 1983. Print.

  ———. The Virginians: A Tale of the Last Century. Illus. by the author. 2 vols. London: Bradbury and Evans, 1858, 1859. Print.

  Thomas, Deborah A. “Thackeray, Capital Punishment, and the Demise of Jos Sedley.” Victorian Literature and Culture 33.1 (2005): 1–20. Print.

  Thomas, Roy, adapt. The Picture of Dorian Gray. By Oscar Wilde. Artwork Sebastian Fiumara. New York: Marvel, 2008. Print.

  Trollope, Anthony. John Caldigate. 1879. Introd. R. C. Terry. Illus. Francis Mosley. London: Folio Society, 1995. Print.

  ———. Kept in the Dark. 1882. Illus. John Everett Millais. New York: Dover, 1978. Print.

  ———. Orley Farm. 1862. Illus. John Everett Millais. New York: Dover, 1981. Print.

  ———. Rachel Ray. 1863. Illus. John Everett Millais. New York: Oxford UP, 2009. Print.

  ———. The Small House at Allington. 1864. Illus. John Everett Millais. New York: Penguin, 1991. Print.

  Twain, Mark. Adventures of Huckleberry Finn. 1885. Ed. Shelley Fisher Fishkin. Illus. E. W. Kemble. New York: Oxford UP, 1996. Print.

  ———. The Adventures of Tom Sawyer. 1876. Ed. Shelley Fisher Fishkin. Illus. True Williams. New York: Oxford UP, 1996. Print.

  Van Ghent, Dorothy. “On Pride and Prejudice.” In The English Novel, Form and Function. New York: Holt Rinehart and Winston, 1953. 105–23. Print.

  Van Ness, Sara J. Watchmen as Literature: A Critical Study of the Graphic Novel. Jefferson, NC: McFarland and Co., Inc., 2010. Print.

  “Vanity Fair—A Novel Without a Hero.” The North American Review 100.207 (Apr. 1865): 626. Print.

  Varnum, Robin, and Christina Gibbons. The Language of Comics: Word and Image. Jackson: UP of Mississippi, 2007. Print.

  Vaughn, John. “Victorian Children in Their Picture Books.” In A History of Book Illustration: 29 Points of View. Ed. Bill Katz. Metuchen, NJ: Scarecrow Press, 1994. 618–25. Print.

  Veblen, Thorstein. The Theory of the Leisure Class: An Economic Study of Institutions. 1899. New York: Macmillan, 2012. Web. 18 Dec. 2014. .

  Versaci, Rocco. The Book Contains Graphic Language: Comics as Literature. New York: Continuum, 2007. Print.

  Victoria, Queen. “Diaries 1838–9.” In Dickens: The Critical Heritage. Ed. Philip Collins. London: Routledge and Kegan Paul, 1971. 44. Print.

  The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 1 May 2012–9 Jan. 2015.

  Vogler, Richard. The Graphic Works of George Cruikshank. New York: Dover Publications, 1979. Print.

  Vorachek, Laura. “Mesmerists and Other Meddlers: Social Darwinism, Degeneration, and Eugenics in Trilby.” Victorian Literature and Culture 37.1 (2009): 197–215. Print.

  Ward, David. “First Library of the People Marks 150 Busy Years.” The Guardian, 17 Sept. 2002. Web. 14 July 2015. .

  Ward, Gerald W. R., ed. The American Illustrated Book in the Nineteenth Century. Charlottesville: UP of Virginia, 2002. Print.

  Ward, Lynd. God’s Man. New York: Cape and Smith, 1929. Print.

  Weatherwax, Annie. “Graphic Lit ‘The Graphic Canon,’ Edited by Russ Kick.” The New York Times. Sunday Book Review. Web. 30 Nov. 2012. .

  Weiner, Stephen. Faster Than a Speeding Bullet: The Rise of the Graphic Novel. Introd. Will Eisner. New York: Nantier Beall Minoustchine, 2003. Print.

  Weitenkampf, Franz. The Illustrated Book. Boston: Harvard UP, 1938. Print.

  White, Gleeson. English Illustration, ‘The Sixties’: 1855–70. 1897. Bath, UK: Kingsmead Reprints, 1970. Print.

  Williams, Andy. “Advertising and Fiction in The Pickwick Papers.” Victorian Literature and Culture 38 (20
10): 319–35. Print.

  Wilson, A. N. The Victorians. New York and London: Norton, 2003. Print.

  Wilson, Edmund. A Piece of My Mind. New York: Farrar, Straus and Cudahy, 1956. Print.

  Wilson, Seán Michael, adapt. A Christmas Carol: The Graphic Novel. Original Text. By

  Charles Dickens. Artwork Mike Collins. Birmingham, UK: Classical Comics, Ltd., 2008. Print.

  ———, adapt. Wuthering Heights: The Graphic Novel. Original Text. By Emily Brontë. Artwork John M. Burns. Litchborough, UK: Classical Comics, Ltd., 2011. Print.

  Yoe, Craig, ed. Alice in Comicland. Introd. Mark Burstein. San Diego: IDW Publishing, 2014. Print.

  Zemka, Sue. “The Death of Nancy ‘Sikes,’ 1838–1912.” Representations 110.1 (Spring 2010): 29–57. Print.

  Index

  The index that appeared in the print version of this title was intentionally removed from the eBook. Please use the search function on your eReading device to search for terms of interest. For your reference, the terms that appear in the print index are listed below.

  Ainsworth, William Harrison: Cruikshank and; Dickens and; Jack Sheppard; style of writing

  Albert, Prince of Wales

  Alcott, Louisa May

  Alice’s Adventures in Wonderland (Carroll). See Alice in Wonderland

  Alice’s Adventures Under Ground (Carroll)

  Alice in Wonderland (Carroll): graphic novel adaptation of; relationship to Underground; social caricature in; stage adaptation; Tenniel’s refashioning of Carroll’s caricatures; Tenniel’s skill in drawing animals

  Alice Through the Looking-Glass (Carroll): Dynamite graphic novel adaptation; as source text

  Allingham, Philip: in praise of the realists; on the caricaturists; on the decline of the illustrated book; on Du Maurier; on Mahoney’s illustrations

  Allingham, William: “The Maids of Elfin-Mere”; Millais and

  Almar, George

  Altick, Richard

  Archibald, Diana

  Ars Poetica (Horace)

  Art of Beatrix Potter, The (L. Linder and E. Linder)

  Art of Controversy, The (Navasky)

  Artist of Wonderland (Morris)

  artists’ books

  Arts and Crafts movement