“Ask Mama”; or, The Richest Commoner in England (Surtees)
Augustyn, Brian
Austen, Jane: Austen mania; Emma; graphic novel adaptations of; life and habits; nineteenth-century illustrated editions; Northanger Abbey; Pride and Prejudice; Regency author; Sense and Sensibility
author-illustrator: in children’s literature; in graphic novels; in the Victorian illustrated book
Awano, Érica
Ballantyne, R. M.
Barham, Richard Harris
Barnaby Rudge (Dickens)
Barnard, Fred: artistic training; Household Edition of Dickens; original illustrations for David Copperfield; refashioning of Browne’s Copperfield illustrations
Barron’s Graphic Classics: adaptation of Jane Eyre; adaptation of Wuthering Heights; classic novel adaptation
Batman Noël (Bermejo): connection to Dickens’s A Christmas Carol; original Victorian-themed graphic novel
Beardsley, Aubrey
Beatrix Potter’s Gardening Life (McDowell)
Beatrix Potter: The V&A Collection (Hobbs and Whalley)
Beckett, Gilbert à
Beer, Gillian
Beerbohm, Max
Bendis, Brian
Benjamin, Walter
Bentley’s Miscellany
Bergson, Henri
Bermejo, Lee
Bewick, Thomas
Bible: fine bindings and illustrated Bibles; importance to literacy; literary references to; prominence in Victorian home; stage prop in illustrations
Blake, William
Bland, David
Bleak House (Dickens)
block book
bookbinding
Book Illustrated: Text, Image, and Culture, 1770–1930 (Golden)
Briggs, Asa
Bristow, Joseph
broadside
Brock, Henry and Charles
Brontë, Charlotte
Brontë, Emily
Brontë sisters: graphic novel adaptations of; psychological and supernatural elements in source texts
Browne, Hablot Knight (pseud. Phiz): assuming post as illustrator of Pickwick; “The Discovery of Jingle in the Fleet”; “The Dying Clown”; “Mr. Pickwick in the Pound”; “Mr. Pickwick Slides”; separation from Dickens
Buchanan-Brown, John
Bulaq Press
Bunyan, John
Burdett-Coutts, Angela
Burne-Jones, Edward
Burningham, Hilary
Burns, John M.
Burrows, Alex
Burstein, Mark
Buss, Robert
Butler, Nancy
Caldecott, Randolph
Campbell, Eddie
Campfire: adaptation of Alice in Wonderland; adaptation of Oliver Twist; adaptation of Pride and Prejudice; classic novel adaptation and
Can You Forgive Her? (Trollope)
caricature-style illustration: akin to tableau (tableaux) style; comic appeal of; criticism of caricature style; defense of caricature style; definition of; popularity of; refashioning of caricature style; in relation to realism; stage adaptation; theatricality of
Carracci, Annibale
Carroll, Lewis: author-illustrator; caricature style; collaboration with Tenniel for Alice in Wonderland; as photographer; real name (Dodgson)
Caxton, William
Cerquiera, David
Chanoinat, Philippe
Chapman and Hall: Household Edition of Dickens; marketing of Pickwick; relations with Dickens; relations with Seymour
Charles Dickens and His Original Illustrators (Cohen)
Charles Dickens and His Publishers (Patten)
Chaucer, Geoffrey
Chesterton, G.K.
children’s literature: author-illustrators of; growth over the nineteenth century; leading illustrators of; role of illustration in
Christmas Carol, A (Dickens): graphic novel adaptation of; John Leech’s illustrations; popular holiday gift
cinematography: impact on serial fiction; Meliès and
Classical Comics: adaptation of A Christmas Carol; adaptation of Jane Eyre; adaptation of Wuthering Heights; Original Text; Quick Text American; Quick Text British
Classics Illustrated: Kanter and; publisher’s original name. See also Kanter, Albert
Cleere, Eileen
Clytemnestra (Guérin)
Coburn, Alvin Langdon
Cohen, Deborah
Cohen, Jane R.: on Pickwick; on rise and decline of illustrated book
Cohen, Morton
Coleridge, Samuel Taylor
Collins, Mike
Combe, William
Comedy, Caricature and the Social Order, 1820–50 (Maidment)
comics: Classics Illustrated (Classical Comics); connection to serials; criticism and defense of comics; father of modern comics (Rodolphe Töpffer); relation to graphic novel
Comics and Sequential Art (Eisner)
commodity culture: multiple versions of a popular title; putting objects on display; stimulating the rise of the illustrated book. See also material culture
Cook, Eliza
Cooke, Simon: on caricature; on Du Maurier; on the illustrated book; on Sixties artists
Corzine, Amy
Coutts, Henry
Crane, Walter
Cranford (Gaskell)
Crimean War
Cruikshank, George: artistic importance; artistic limitations; caricaturist; claim of authorship of Ainsworth’s and Dickens’s works; connection to Thackeray; “Fagin in the Condemned Cell”; The Ingoldsby Legends; Jack Sheppard, “The Jew and Morris Bolter Begin to Understand Each Other”; “The Last Chance”; “The Meeting”; “Oliver Amazed at the Dodger’s Mode of ‘Going to Work’”; “Oliver Asking for More”; “Oliver Introduced to the Respectable Old Gentleman”; Oliver Twist; plates for Life in London (with R. Cruikshank); Points of Humour
Cruikshank, Isaac
Cruikshank, (Isaac) Robert: caricaturist; “Hot Work in China”; plates for Life in London (with G. Cruikshank)
Cruikshank-Phiz era (1830–55)
Crystal Palace. See also Great Exhibition of 1851
Daily Life in Victorian England (Mitchell)
Dalziel brothers, George and Edward: The Brothers Dalziel; D. G. Rossetti’s criticism of; role as engravers; role as illustrator (E. Dalziel); role as publisher; The Victorian Era Exhibition and
Dark Horse
Darley, F. O. C.
Darton, Harvey
Dauvillier, Loïc
David Copperfield (Dickens): Browne’s illustrations; Dickens’s favorite book; Household Edition with Barnard’s illustrations; “Traddles and I, in Conference with the Misses Spenlow”
DC Comics: Batman Noël; classic novel adaptation
“Defining Illustration Studies: Towards a New Academic Discipline” (Goldman)
Deloye, Olivier
Denslow, W. W.
Dickens, Charles: Angela Burdett-Coutts and; Barnaby Rudge; Bleak House; A Christmas Carol; David Copperfield; Dombey and Son; Hogarth and; Household Edition of Dickens; The Mystery of Edwin Drood and; Nicholas Nickleby; Oliver Twist; Our Mutual Friend; The Pickwick Papers; scandal with Cruikshank; scandal with Seymour; Sketches by Boz
Dickens Picture-Book, The (Hammerton)
Dickens’s Dream (Buss)
Dictionary (Johnson)
Dispossession (Trollope and Grennan): adaptation of John Caldigate; Courir de lièvres and; reception in the Francophone world
Dodgson, Charles Lutwidge. See Carroll, Lewis
Dombey and Son (Dickens)
Doyle, Richard: as a caricaturist; illustrations for Thackeray’s The Newcomes
Du Maurier, George: artistic training; association with Harper’s; author-illustrator; career as illustrator; History of Henry Esmond; “The Illustrating of Books From the Serious Artist’s Point of View, I and II”; influence of the caricaturists on; loss of vision; The Martian; Peter Ibbetson; praise of the caricaturists; Punch career; Sixties artist; Svengali (his most famous ch
aracter); Trilby; Trilby-mania; Wives and Daughters
Dürer, Albrecht
Dynamite Entertainment: classic novel adaptation; The Complete Alice in Wonderland; publishing format
Early Victorian Illustrated Books: Britain, France and Germany (Buchanan-Brown)
Eastlake, Charles
Egan, Pierce
Egg, Augustus
Eisner, Will: author-illustrator; Comics and Sequential Art; A Contract with God, and Other Tenement Stories; Eisner awards; Fagin the Jew; father of the graphic novel; Graphic Storytelling and Visual Narrative; popularizing the term “graphic novel”; The Spirit
Eliot, George: The Mill on the Floss; Romola
Eliot, Simon
Ellis, Robert
Engen, Rodney
English Common Reader, The (Altick)
English Illustration: ‘The Sixties,’ 1855–70 (White)
Emma (Austen)
Eragny Press
Ernst, Max
Essay on the Genius of George Cruikshank, An (Thackeray)
Evans, Mary Ann. See Eliot, George
Everitt, Graham
extracting. See also Reid, Forrest; White, Gleeson
Fagin the Jew (Eisner): connection to Oliver Twist; Dickens’s correspondence with Davis on anti-Semitism; response to Dickens’s Jewish stereotype; response to The Spirit; revision of Cruikshank’s conception of Fagin
Far from the Madding Crowd (Hardy)
fascicle
Feltes, N. N.
Fildes, Luke
fin-de-siècle illustration
Finger, Bill
Fisher, Judith
Fleet Prison
Forster, E.M.
Forster, John
Framley Parsonage (Trollope)
Frith, William Powell
Furniss, Harry
Gaiman, Neil
Gardham, Julie
Gaskell, Elizabeth: Cranford; Mary Barton; North and South; Wives and Daughters
General Post Office, One Minute to Six, The (Hicks). See also Post Office
George III (King of England)
George Cruikshank’s Life, Times, and Art, Vol. II (Patten)
George Du Maurier (Kelly)
Gibbons, Dave
gift book
Gillray, James
Gilpin, William
Gleyre, Charles
glyphography
Goblin Market (C. Rossetti and D. G. Rossetti)
God’s Man (Ward)
Golden, Catherine: “Beatrix Potter: Naturalist Artist”; Book Illustrated: Text, Image, and Culture, 1770–1930; Images of the Woman Reader in Victorian British and American Fiction; Posting It: The Victorian Revolution in Letter Writing; “Turning Literature into Life: The Romantic Fiction of George Du Maurier”
Goldman, Paul: on caricature; on Du Maurier; on illustration studies; on Millais; on Sixties artists
Gombrich, E. H. and E. Kris
“Good Samaritan, The” (Millais)
Grahame, Kenneth
Graphic Canon, The (Kick)
graphic classic: definition of; heir of the Victorian illustrated book; publishers of graphic classics
graphic novel: author-illustrators; collaboration between adapters and artists; comics; definition of; Eisner (father of the graphic novel); features of; popularity in Francophone world; similarities to the Victorian illustrated book; vocabulary of
graphic satire and caricature
Gravett, Paul
Great Exhibition of 1851: C. Brontë’s view of; consumer culture; Crystal Palace; importance of; Official Descriptive and Illustrated Catalogue; photography in; popularity across social classes; Prince Albert and; Queen Victoria and. See also Crystal Palace
Great Exhibition of the Works of Industry of all Nations 1851. Official Descriptive and Illustrated Catalogue. By Authority of the Royal Commission. In Three Volumes. See Official Descriptive and Illustrated Catalogue
Greenaway, Kate
Grennan, Simon
Guérin, Pierre-Narcisse
Gutenberg, Johannes
Haggard, Rider
Hammerton, J. A.
Hancher, Michael
Hardy, Thomas: Far from the Madding Crowd; illustrated works; single-volume publication; Tess of the D’Urbervilles
Harper & Brothers
Harper’s New Monthly Magazine
Harthan, Jonathan
Harvey, John Robert: on Browne; on Cruikshank; on Du Maurier; on illustration and the modern novel; on Pickwick; on Thackeray; on Victorian illustration
Heer, Janet
Helfand, Lewis
Heller, Deborah
Helsinger, Elizabeth
Henty, G. E.
Herkomer, Hubert von
Hicks, George Elgar: artist of contemporary life; General Post Office, One Minute to Six
High Victorian era
Hill, Jonathan
Hill, Richard
History of Book Illustration, A (Bland)
History of the Comic Strip, Vol. II, The: The Nineteenth Century (Kunzle)
History of the Illustrated Book, The: The Western Tradition (Harthan)
History of the Writings of Beatrix Potter (Linder)
Hobbs, Anne
Hogarth, Catherine
Hogarth, William: graphic satire and caricature; heirs (Gillray, Rowlandson, Cruikshank); importance of; Industry and Idleness; Marriage à la Mode; influence on Ainsworth and Cruikshank; The Rake’s Progress
Horace
Houghton, Walter
Household Edition of Dickens: Academy-trained artists; Barnard as illustrator of David Copperfield; Mahoney as illustrator of Oliver Twist; popularity of; publication formats
Household Gods (Cohen)
Housman, Laurence
Hughes, Arthur
Hughes, Linda K.
Hunt, William Holman
IDW
Illustrated Book, The (Weitenkampf)
Illustrated London News, The
“Illustrating of Books from the Serious Artist’s Point of View, I and II, The” (Du Maurier)
illustration: author-illustrator; caricature-style; definitions of; fin-de-siècle developments; history prior to 1830s; realism
Illustrators of the Eighteen-Sixties (Reid)
Industrial Revolution
Ingelow, Jean
Jack Sheppard (Ainsworth): bestseller; biography of Sheppard; Cruikshank’s illustrations in; Newgate novel; Oliver Twist and; serialization of; theatrical adaptations
Jackson, Arlene
James, Henry: “The Art of Fiction”; on Cruikshank; on Du Maurier; photographic frontispieces and; The Portrait of a Lady; A Small Boy and Others; view of book illustration
Jane Eyre (C. Brontë): Eichenberg’s illustrations; graphic novel adaptation; source text
John Caldigate (Trollope): connection to Barnaby Rudge; graphic novel adaptation (Dispossession); illustrations by Grennan; illustrations by Mosley; plot of
Johnson, Dan
Johnson, E. Borough
Kane, Bob
Kanter, Albert Lewis: biography of; Classics Illustrated. See also Classics Illustrated
Kaufman, Richard Frederick
Kelly, Richard: on Carroll; on Du Maurier
Kelmscott Press
Kemble, E. W.
Kerker, Milton
Kick, Russ
Kieth, Sam
King, Stacy
Kipling, Rudyard
Knight, Charles
Kooistra, Lorraine Janzen: The Artist as Critic; Christina Rossetti and Illustration; Poetry, Pictures, and Popular Publishing
Kriegel, Lara
Kunzle, David
Landow, George
Lane, Lauriat
Lane, Margaret
Laocoön and His Sons (Lessing)
League of Extraordinary Gentlemen, The (Moore and O’Neill)
Lear, Edward
Lear, Linda
Leech, John: caricature-style illustrator; A Christmas Carol; The Ingoldsby Legends; re
lationship with Du Maurier; relationship with Surtees
Leighton, Frederick
leisure time
Lemire, Jeff
lending library. See also Mudie’s Select Library
Lessing, Gotthold Ephraim
Levine, David
Library Jokes and Jottings (Coutts)
Life in London (Egan and G. and R. Cruikshank)
Linder, Leslie: The Art of Beatrix Potter (with E. Linder); A History of the Writings of Beatrix Potter; The Journal of Beatrix Potter
literacy: the Bible’s role in; education and; nineteenth-century literacy rates; Penny Cyclopaedia and Penny Magazine to promote; Penny Post as stimulus for; reading pictures; serialization as stimulus for; Society for the Diffusion of Useful Knowledge
Lovell-Smith, Rose
Lund, Michael
Macrone, John
Mahoney, James: artistic background; original illustrations for Oliver Twist; relation to graphic novel adaptations of Oliver Twist; refashioning of Cruikshank’s illustrations for Oliver Twist
Maidment, Brian
Malory, Sir Thomas
manga
Martian, The (Du Maurier)
Marvel Comics: adaptation of Austen; adaptation of Austen’s Pride and Prejudice; adaptation of the classics
Mary Barton (Gaskell)
Masereel, Frans
material culture
Maxwell, Richard: on Scott; on the Victorian illustrated book
McCloud, Scott
Meade, L. T.
Meisel, Martin
Méliès, George
Mesmer, Franz Anton
mesmerism. See also Mesmer, Franz; Svengali
Meyer, Susan
Meyer, Susan E.
Meyers, Janet
Meyrick, Robert
Millais era (1855–75)
Millais, John Everett: B. Potter and; Dalziels and; “The Good Samaritan” and other parables; fame as an artist; illustrator of Trollope; Millais era; Music Master; Orley Farm; prolific book illustrator; R. Potter and; Sixties artist-illustrator; skill in drawing women; Tennyson’s Poems (Moxon edition). See also Millais era; Millais school
Millais school (1855–75)
Mitchell, Sally
Modern Illustration (Pennell)
Modes of Production of Victorian Novels (Feltes)
Moore, Alan: collaboration with Gibbons; From Hell; League of Extraordinary Gentlemen; The Watchmen
Moore, Annie Carter. See also Potter, Beatrix
Moore, Leah
Morris, Frankie
Morris, William: Arts and Crafts movement; Kelmscott Press
Moser, Barry
Mosley, Francis
Mudie’s Select Library
Muir, Percy
Mulready, William
Music Master, The (Allingham)
Nagulakonda, Rajesh: Alice in Wonderland illustrations; Oliver Twist illustrations; Pride and Prejudice illustrations
Serials to Graphic Novels Page 38
