Navasky, Victor
Neo-Victorian graphic novel
Newcomes, The (Thackeray)
Newgate Calendar, The
Newgate novel
Nicholas Nickleby (Dickens)
Niépce, Nicéphore
North and South (Gaskell)
Northanger Abbey (Austen)
Official Descriptive and Illustrated Catalogue (ODIC)
Old Bailey novels
Oliphant, Margaret
Oliver Twist (Dickens): connection to Trilby; “Fagin in the Condemned Cell”; graphic novel adaptation of; Household Edition; “The Jew and Morris Bolter Begin to Understand Each Other”; “The Last Chance”; “The Meeting”; “Mr. Bumble and Mrs. Corney Taking Tea”; Nicholas Nickleby; “Oliver Amazed at the Dodger’s Mode of ‘Going to Work’”; “Oliver Asking for More”; “Oliver Introduced to the Respectable Old Gentleman”; “Oliver Plucks up a Spirit”; stage adaptation of
O’Neill, Kevin
Onwhyn, Thomas
Orley Farm (Trollope)
Our Mutual Friend (Dickens)
Papercutz: graphic novel adaptation of Oliver Twist; reboot of Classics Illustrated
Passionate Journey (Masereel)
Past and Present (Egg)
Paterson, Helen: Far from the Madding Crowd; illustrator of Hardy
Patten, Robert: on Cruikshank; on Dickens and serialization; on Pickwick
Paul Pry (Poole)
Pennell, Joseph
Penny Post
Peter Ibbetson (Du Maurier)
Peter Rabbit. See Tale of Peter Rabbit, The
Petrus, Hugo
Phaedrus (Plato)
Phiz. See Browne, Hablot Knight
photography: book illustration akin to photography; development of photography; early Victorian photographers; photographic illustration; photographic methods of reproduction
Pickwick. See Posthumous Papers of the Pickwick Club, The
Pickwick mania: Pickwick-inspired merchandise; popularity of Pickwick; similar nineteenth-century publishing sensations
Pickwick Papers, The. See Posthumous Papers of the Pickwick Club, The
Picture of Dorian Gray, The (Wilde): Graphic Classics adaptation; Marvel adaptation
piecemeal publishing
Pilgrim’s Progress (Bunyan)
Pipe, Jim
Pissarro, Lucien
Plato
Poems (Tennyson, Moxon edition)
Poetry, Pictures, and Popular Publishing: The Illustrated Gift Book and Victorian Visual Culture (Kooistra)
Poole, John
Portrait of a Lady, The (James)
Posthumous Papers of the Pickwick Club, The (Dickens): adaptations of Pickwick; Browne as replacement for Seymour; Buss’s role in Pickwick; Chapman and Hall; dates of publication; “The Discovery of Jingle in the Fleet”; “The Dying Clown”; formula for publishing new fiction; global response to Pickwick; “The Middle-Aged Lady in the Double-Bedded Room”; “Mr. Pickwick Among the Ruins of the Chaise”; “Mr. Pickwick in Chase of his Hat”; “Mr. Pickwick in the Pound”; “Mr. Pickwick Slides”; “Mrs. Bardell Faints in Mr. Pickwick’s Arms”; “Pickwick Advertizer”; Pickwick and commodity culture; Pickwick mania; Pickwick’s character and appearance; plot of; Seymour as illustrator
Posting It: The Victorian Revolution in Letter Writing (Golden)
Post Office: The General Post Office, One Minute to Six; Penny Post; reform via Nicholas Nickleby
Po-Tse
Potter, Beatrix: art training; brother Bertram; drawings of humans versus animals; governess (Annie Carter Moore); on Grahame; on Greenaway; illustrating Chandler Harris; illustrating Lear; illustrating after Tenniel; influence of Caldecott; naturalist artist; “picture-letters”; on the Pre-Raphaelites; rejection at Kew Gardens (leading to book illustration); R. Potter and; The Tale of Mr. Jeremy Fisher; The Tale of Peter Rabbit; The Tale of Squirrel Nutkin; The Tale of Two Bad Mice
Potter, Rupert: art connoisseur; artistic background; relationship with B. Potter; relationship with Millais
Poynter, E. J.
Pre-Raphaelites: Academy shows; artists turned illustrators; Arts and Crafts movement; The Music Master; Tennyson’s Poems
Pride and Prejudice (Austen): Campfire adaptation of; graphic novel adaptation of; Marvel adaptation of; nineteenth-century illustrated versions of; relationship between graphic novel and source text; Udon Entertainment adaptation of
printing: color printing; copperplate and steel-plate; innovations in; woodblock engraving
print-splitting. See extracting
progress. See Hogarth, William
Pry, Paul (Poole)
Public Libraries Act of 1850
public library system: access to books; decline of serialization due to
publishing: art presses; early forms of publishing; fin de siècle and; gift book; graphic novels for an adult readership; reissuing of caricature-style illustrated books; rise of US publishing; serialization; specialization in; subscription; Victorian bestsellers
Punch: Du Maurier; humor magazine; Leech; parodies; Tenniel
Pyle, Howard
Quarles, Francis
Rackham, Arthur
reading pictures: in graphic novels; in the Victorian period
Reading Victorian Illustration, 1855–1875 (Goldman and Cooke)
realism. See also Millais era
Realizations (Meisel)
Reid, Forrest: criticism of caricaturists; extracting pictures; response to Sixties artists
Reppion, John
Ricketts, Charles
Romola (Eliot)
Rosenberg, Edgar
Rossetti, Christina: collaboration with D. G. Rossetti; compassion for fallen women; on Housman’s illustrations; marketing work for public consumption
Rossetti, Dante Gabriel: Astarte Syriaca; author-illustrator; book illustrator; bookmaking; collaboration with C. Rossetti; Siddal as model; Goblin Market illustrations; “The Maids of Elfen-Mere”; Proserpine
Rowlandson, Thomas: Doctor Syntax; Hogarth’s heir; influence on Dickens and Thackeray; “Money Lenders”
Royal Doulton
Ruskin, John
Sach, Laurence
Sakai, Stan
Sandys, Frederick
Sarzano, Frances
schools of illustration: caricature; fin-de-siècle developments; realism. See also US publishing market
Scott, Sir Walter
Second Tour of Doctor Syntax, The (Combe and Rowlandson)
self-help (self-improvement)
Sense and Sensibility (Austen)
serial: adapted for the stage; advertising in; comic appeal; connection to comics; definition of; importance of illustration in; reputation of
serialization: decline of; at fin de siècle; Pickwick’s importance to; public library system and; rise of
Seymour, Robert: Chapman and Hall; comic Pickwick plates; “The Dying Clown”; establishing Pickwick’s appearance; relations with Dickens; reputation; Sketches by Seymour; suicide
Shepard, Ernest
Sheppard, Jack
Sherard, Robert H.
Showalter, Elaine
Simon, Leslie
Sitwell, Sacheverell
Sixties: Academy-trained artist-illustrators; definition of; style
Sketches by Boz (Dickens)
Sketches by Seymour (Seymour)
Smith, Jessie Willcox
Society for the Diffusion of Useful Knowledge
Songs of Experience (Blake)
Songs of Innocence (Blake)
Southey, Robert
Spender, Nick
Spiegelman, Art
Stanfield, Clarkson
Stanhope, Lord
Steig, Michael
Stevens, Joan
Stevenson, Robert Louis: artistic ability; author of boys’ books; graphic novel adaptation of; map for Treasure Island; serialization of work; single-volume publication of work; Treasure Island
Stoker, Bram
&n
bsp; Stone, Harry
Stone, Marcus: artistry; Our Mutual Friend; relationship with Dickens
subscription publication
Surtees, Robert Smith: Handley Cross; or, Mr. Jorrocks’s Hunt; novelist
Sutherland, John
Svengali: actors interpreting him; connection to Dickens and Cruikshank’s Fagin; illustrations of; mesmerism; notoriety of; resonance in graphic novel adaptations of Oliver Twist
Syddall, J
Tabachnick, Stephen
tableau vivant (tableau and tableaux vivants)
Tale of Peter Rabbit, The (Potter)
Tenniel, John: Alice in Wonderland; The Ingoldsby Legends; innovations for Alice; monocularism; Once a Week; Punch cartoons; refashioning of Carroll’s caricatures; Sixties artist
Tennyson, Alfred Lord: gift books of his poetry; Moxon edition of Poems; view of illustration
Tess of the d’Urbervilles (Hardy): illustrators for; serial publication of; single-volume edition of
Thackeray, William Makepeace: applying to replace Seymour as illustrator of Pickwick; author-illustrator; “Becky’s Second Appearance in the ‘Character of Clytemnestra’”; An Essay on the Genius of George Cruikshank; The Newcomes; on Pickwick; pictorial capital to chapter IV; skill as illustrator; Vanity Fair
Thomson, Hugh
Ticknor, William D.
Tillotson, Kathleen
Töpffer, Rodolphe
Tours of Dr. Syntax (Combe and Rowlandson)
Treasure Island (Stevenson)
Treasury of the Great Children’s Book Illustrators, A (Meyer)
Trilby (Du Maurier): connection to Oliver Twist; connection to Vanity Fair; film versions of; “An Incubus”; “‘Et Maintenant Dors, Ma Mignonne!’”; mesmerism in; stage productions of; Trilby-mania
Trilby-mania
Trollope, Anthony: authorship; Dispossession; 2013–08; John Caldigate; Millais’s illustrations for
Twain, Mark: illustrations by Kemble; illustrations by Williams; subscription publication of Tom Sawyer and Huckleberry Finn
Udon Entertainment: adaptation of Pride and Prejudice; expansion of literary classics line
Understanding Comics (McCloud)
Urania Cottage
US publishing market: Alcott; Du Maurier; Longfellow; rise of illustrated fiction; Stowe; subscription publication; Twain
ut pictura poesis
Vale Press
Vanity Fair (Thackeray): “Becky’s Second Appearance in the ‘Character of Clytemnestra’”; pictorial capital to chapter IV; “Rebecca’s Farewell”
Victoria (Queen of England): involvement in Great Exhibition; photography of; response to Oliver Twist
Victorian Frame of Mind, The (Houghton)
Victorian Illustrated Book, The (Maxwell)
Victorian Novelists and Their Illustrators (Harvey)
Victorian Serial, The (Hughes and Lund)
Victorian Things (Briggs)
Vorachek, Laura
Walker, Fred
Ward, David
Ward, Lynd
Webb, Philip
Wehrschmidt, Daniel A.
Weiner, Steven
Weitenkampf, Franz
Whalley, Joyce Irene
Whistler, James McNeil
White, Gleeson: criticism of caricaturists; extracting pictures; response to Sixties artists
Wilde, Oscar: graphic novel adaptations of The Picture of Dorian Gray; source text of The Picture of Dorian Gray
Wilkie, David
William IV (King of England)
Williams, True
Wilson, A. N.
Wilson, Edmund
Wilson, Seán Michael
Wives and Daughters (Gaskell)
woodblock
Woolf, Virginia
Wordsworth, William
“Work of Art in the Age of Mechanical Reproduction, The” (Benjamin)
writing desk: commodity culture; in David Copperfield; indications of class and gender; mass production of
Wuthering Heights (E. Brontë): Barron’s adaptation of; Classical Comics adaptation of; source text
Wyeth, N. C.
xylographica
Yellow Book, The
Yoe, Craig
Yonge, Charlotte Mary
Zemka, Sue
CATHERINE J. GOLDEN, professor of English and the Tisch Chair in Arts and Letters at Skidmore College, is author of numerous books, including Posting It: The Victorian Revolution in Letter Writing and Images of the Woman Reader in Victorian British and American Fiction. She is also the editor or coeditor of five additional books on topics ranging from Charlotte Perkins Gilman to Victorian illustration, literature, and culture.
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