Moon-Face and Other Stories

by Jack London

  “Never mind that,” he interrupted my congratulations. “I’ve something better for you to do.”

  While he talked he began to strip, and when he stood naked before me he thrust a pot and brush into my hand and said, “Here, give me a coat of this.”

  It was an oily, shellac-like stuff, which spread quickly and easily over the skin and dried immediately.

  “Merely preliminary and precautionary,” he explained when I had finished; “but now for the real stuff.”

  I picked up another pot he indicated, and glanced inside, but could see nothing.

  “It’s empty,” I said.

  “Stick your finger in it.”

  I obeyed, and was aware of a sensation of cool moistness. On withdrawing my hand I glanced at the forefinger, the one I had immersed, but it had disappeared. I moved and knew from the alternate tension and relaxation of the muscles that I moved it, but it defied my sense of sight. To all appearances I had been shorn of a finger; nor could I get any visual impression of it till I extended it under the skylight and saw its shadow plainly blotted on the floor.

  Lloyd chuckled. “Now spread it on, and keep your eyes open.”

  I dipped the brush into the seemingly empty pot, and gave him a long stroke across his chest. With the passage of the brush the living flesh disappeared from beneath. I covered his right leg, and he was a one-legged man defying all laws of gravitation. And so, stroke by stroke, member by member, I painted Lloyd Inwood into nothingness. It was a creepy experience, and I was glad when naught remained in sight but his burning black eyes, poised apparently unsupported in mid-air.

  “I have a refined and harmless solution for them,” he said. “A fine spray with an air-brush, and presto! I am not.”

  This deftly accomplished, he said, “Now I shall move about, and do you tell me what sensations you experience.”

  “In the first place, I cannot see you,” I said, and I could hear his gleeful laugh from the midst of the emptiness. “Of course,” I continued, “you cannot escape your shadow, but that was to be expected. When you pass between my eye and an object, the object disappears, but so unusual and incomprehensible is its disappearance that it seems to me as though my eyes had blurred. When you move rapidly, I experience a bewildering succession of blurs. The blurring sensation makes my eyes ache and my brain tired.”

  “Have you any other warnings of my presence?” he asked.

  “No, and yes,” I answered. “When you are near me I have feelings similar to those produced by dank warehouses, gloomy crypts, and deep mines. And as sailors feel the loom of the land on dark nights, so I think I feel the loom of your body. But it is all very vague and intangible.”

  Long we talked that last morning in his laboratory; and when I turned to go, he put his unseen hand in mine with nervous grip, and said, “Now I shall conquer the world!” And I could not dare to tell him of Paul Tichlorne’s equal success.

  At home I found a note from Paul, asking me to come up immediately, and it was high noon when I came spinning up the driveway on my wheel. Paul called me from the tennis court, and I dismounted and went over. But the court was empty. As I stood there, gaping open-mouthed, a tennis ball struck me on the arm, and as I turned about, another whizzed past my ear. For aught I could see of my assailant, they came whirling at me from out of space, and right well was I peppered with them. But when the balls already flung at me began to come back for a second whack, I realized the situation. Seizing a racquet and keeping my eyes open, I quickly saw a rainbow flash appearing and disappearing and darting over the ground. I took out after it, and when I laid the racquet upon it for a half-dozen stout blows, Paul’s voice rang out:

  “Enough! Enough! Oh! Ouch! Stop! You’re landing on my naked skin, you know! Ow! O-w-w! I’ll be good! I’ll be good! I only wanted you to see my metamorphosis,” he said ruefully, and I imagined he was rubbing his hurts.

  A few minutes later we were playing tennis—a handicap on my part, for I could have no knowledge of his position save when all the angles between himself, the sun, and me, were in proper conjunction. Then he flashed, and only then. But the flashes were more brilliant than the rainbow—purest blue, most delicate violet, brightest yellow, and all the intermediary shades, with the scintillant brilliancy of the diamond, dazzling, blinding, iridescent.

  But in the midst of our play I felt a sudden cold chill, reminding me of deep mines and gloomy crypts, such a chill as I had experienced that very morning. The next moment, close to the net, I saw a ball rebound in mid-air and empty space, and at the same instant, a score of feet away, Paul Tichlorne emitted a rainbow flash. It could not be he from whom the ball had rebounded, and with sickening dread I realized that Lloyd Inwood had come upon the scene. To make sure, I looked for his shadow, and there it was, a shapeless blotch the girth of his body, (the sun was overhead), moving along the ground. I remembered his threat, and felt sure that all the long years of rivalry were about to culminate in uncanny battle.

  I cried a warning to Paul, and heard a snarl as of a wild beast, and an answering snarl. I saw the dark blotch move swiftly across the court, and a brilliant burst of vari-colored light moving with equal swiftness to meet it; and then shadow and flash came together and there was the sound of unseen blows. The net went down before my frightened eyes. I sprang toward the fighters, crying:

  “For God’s sake!”

  But their locked bodies smote against my knees, and I was overthrown.

  “You keep out of this, old man!”! heard the voice of Lloyd Inwood from out of the emptiness. And then Paul’s voice crying, “Yes, we’ve had enough of peacemaking!”

  From the sound of their voices I knew they had separated. I could not locate Paul, and so approached the shadow that represented Lloyd. But from the other side came a stunning blow on the point of my jaw, and I heard Paul scream angrily, “Now will you keep away?”

  Then they came together again, the impact of their blows, their groans and gasps, and the swift flashings and shadow-movings telling plainly of the deadliness of the struggle.

  I shouted for help, and Gaffer Bedshaw came running into the court. I could see, as he approached, that he was looking at me strangely, but he collided with the combatants and was hurled headlong to the ground. With despairing shriek and a cry of “O Lord, I’ve got ‘em!” he sprang to his feet and tore madly out of the court.

  I could do nothing, so I sat up, fascinated and powerless, and watched the struggle. The noonday sun beat down with dazzling brightness on the naked tennis court. And it was naked. All I could see was the blotch of shadow and the rainbow flashes, the dust rising from the invisible feet, the earth tearing up from beneath the straining foot-grips, and the wire screen bulge once or twice as their bodies hurled against it. That was all, and after a time even that ceased. There were no more flashes, and the shadow had become long and stationary; and I remembered their set boyish faces when they clung to the roots in the deep coolness of the pool.

  They found me an hour afterward. Some inkling of what had happened got to the servants and they quitted the Tichlorne service in a body. Gaffer Bedshaw never recovered from the second shock he received, and is confined in a madhouse, hopelessly incurable. The secrets of their marvellous discoveries died with Paul and Lloyd, both laboratories being destroyed by grief-stricken relatives. As for myself, I no longer care for chemical research, and science is a tabooed topic in my household. I have returned to my roses. Nature’s colors are good enough for me.

  ALL GOLD CANYON

  IT was the green heart of the canyon, where the walls swerved back from the rigid plan and relieved their harshness of line by making a little sheltered nook and filling it to the brim with sweetness and roundness and softness. Here all things rested. Even the narrow stream ceased its turbulent down-rush long enough to form a quiet pool. Knee-deep in the water, with drooping head and half-shut eyes, drowsed a red-coated, many-antlered buck.

  On one side, beginning at the very lip of the pool, was a tiny
meadow, a cool, resilient surface of green that extended to the base of the frowning wall. Beyond the pool a gentle slope of earth ran up and up to meet the opposing wall. Fine grass covered the slope—grass that was spangled with flowers, with here and there patches of color, orange and purple and golden. Below, the canyon was shut in. There was no view. The walls leaned together abruptly and the canyon ended in a chaos of rocks, moss-covered and hidden by a green screen of vines and creepers and boughs of trees. Up the canyon rose far hills and peaks, the big foothills, pine-covered and remote. And far beyond, like clouds upon the border of the slay, towered minarets of white, where the Sierra’s eternal snows flashed austerely the blazes of the sun.

  There was no dust in the canyon. The leaves and flowers were clean and virginal. The grass was young velvet. Over the pool three cottonwoods sent their scurvy fluffs fluttering down the quiet air. On the slope the blossoms of the wine-wooded manzanita filled the air with springtime odors, while the leaves, wise with experience, were already beginning their vertical twist against the coming aridity of summer. In the open spaces on the slope, beyond the farthest shadow-reach of the manzanita, poised the mariposa lilies, like so many flights of jewelled moths suddenly arrested and on the verge of trembling into flight again. Here and there that woods harlequin, the madrone, permitting itself to be caught in the act of changing its pea-green trunk to madder-red, breathed its fragrance into the air from great clusters of waxen bells. Creamy white were these bells, shaped like lilies-of-the-valley, with the sweetness of perfume that is of the springtime.

  There was not a sigh of wind. The air was drowsy with its weight of perfume. It was a sweetness that would have been cloying had the air been heavy and humid. But the air was sharp and thin. It was as starlight transmuted into atmosphere, shot through and warmed by sunshine, and flower-drenched with sweetness.

  An occasional butterfly drifted in and out through the patches of light and shade. And from all about rose the low and sleepy hum of mountain bees—feasting Sybarites that jostled one another good-naturedly at the board, nor found time for rough discourtesy. So quietly did the little stream drip and ripple its way through the canyon that it spoke only in faint and occasional gurgles. The voice of the stream was as a drowsy whisper, ever interrupted by dozings and silences, ever lifted again in the awakenings.

  The motion of all things was a drifting in the heart of the canyon. Sunshine and butterflies drifted in and out among the trees. The hum of the bees and the whisper of the stream were a drifting of sound. And the drifting sound and drifting color seemed to weave together in the making of a delicate and intangible fabric which was the spirit of the place. It was a spirit of peace that was not of death, but of smooth-pulsing life, of quietude that was not silence, of movement that was not action, of repose that was quick with existence without being violent with struggle and travail. The spirit of the place was the spirit of the peace of the living, somnolent with the easement and content of prosperity, and undisturbed by rumors of far wars.

  The red-coated, many-antlered buck acknowledged the lordship of the spirit of the place and dozed knee-deep in the cool, shaded pool. There seemed no flies to vex him and he was languid with rest. Sometimes his ears moved when the stream awoke and whispered; but they moved lazily, with, foreknowledge that it was merely the stream grown garrulous at discovery that it had slept.

  But there came a time when the buck’s ears lifted and tensed with swift eagerness for sound. His head was turned down the canyon. His sensitive, quivering nostrils scented the air. His eyes could not pierce the green screen through which the stream rippled away, but to his ears came the voice of a man. It was a steady, monotonous, singsong voice. Once the buck heard the harsh clash of metal upon rock. At the sound he snorted with a sudden start that jerked him through the air from water to meadow, and his feet sank into the young velvet, while he pricked his ears and again scented the air. Then he stole across the tiny meadow, pausing once and again to listen, and faded away out of the canyon like a wraith, soft-footed and without sound.

  The clash of steel-shod soles against the rocks began to be heard, and the man’s voice grew louder. It was raised in a sort of chant and became distinct with nearness, so that the words could be heard:

  “Turn around an’ tu’n yo’ face Untoe them sweet hills of grace (D’ pow’rs of sin yo’ am scornin’!). Look about an’ look aroun’, Fling yo’ sin-pack on d’ groun’ (Yo’ will meet wid d’ Lord in d’ mornin’!).”

  A sound of scrambling accompanied the song, and the spirit of the place fled away on the heels of the red-coated buck. The green screen was burst asunder, and a man peered out at the meadow and the pool and the sloping sidehill. He was a deliberate sort of man. He took in the scene with one embracing glance, then ran his eyes over the details to verify the general impression. Then, and not until then, did he open his mouth in vivid and solemn approval:

  “Smoke of life an’ snakes of purgatory! Will you just look at that! Wood an’ water an’ grass an’ a sidehill! A pocket-hunter’s delight an’ a cayuse’s paradise! Cool green for tired eyes! Pink pills for pale people ain’t in it. A secret pasture for prospectors and a resting-place for tired burros, by damn!”

  He was a sandy-complexioned man in whose face geniality and humor seemed the salient characteristics. It was a mobile face, quick-changing to inward mood and thought. Thinking was in him a visible process. Ideas chased across his face like wind-flaws across the surface of a lake. His hair, sparse and unkempt of growth, was as indeterminate and colorless as his complexion. It would seem that all the color of his frame had gone into his eyes, for they were startlingly blue. Also, they were laughing and merry eyes, within them much of the naivete and wonder of the child; and yet, in an unassertive way. they contained much of calm self-reliance and strength of purpose founded upon self-experience and experience of the world.

  >From out the screen of vines and creepers he flung ahead of him a miner’s pick and shovel and gold-pan. Then he crawled out himself into the open. He was clad in faded overalls and black cotton shirt, with hobnailed brogans on his feet, and on his head a hat whose shapelessness and stains advertised the rough usage of wind and rain and sun and camp-smoke. He stood erect, seeing wide-eyed the secrecy of the scene and sensuously inhaling the warm, sweet breath of the canyon-garden through nostrils that dilated and quivered with delight. His eyes narrowed to laughing slits of blue, his face wreathed itself in joy, and his mouth curled in a smile as he cried aloud:

  “Jumping dandelions and happy hollyhocks, but that smells good to me! Talk about your attar o’ roses an’ cologne factories! They ain’t in it!”

  He had the habit of soliloquy. His quick-changing facial expressions might tell every thought and mood, but the tongue, perforce, ran hard after, repeating, like a second Boswell.

  The man lay down on the lip of the pool and drank long and deep of its water. “Tastes good to me,” he murmured, lifting his head and gazing across the pool at the sidehill, while he wiped his mouth with the back of his hand. The sidehill attracted his attention. Still lying on his stomach, he studied the hill formation long and carefully. It was a practised eye that travelled up the slope to the crumbling canyon-wall and back and down again to the edge of the pool. He scrambled to his feet and favored the sidehill with a second survey.

  “Looks good to me,” he concluded, picking up his pick and shovel and gold-pan.

  He crossed the stream below the pool, stepping agilely from stone to stone. Where the sidehill touched the water he dug up a shovelful of dirt and put it into the gold-pan. He squatted down, holding the pan in his two hands, and partly immersing it in the stream. Then he imparted to the pan a deft circular motion that sent the water sluicing in and out through the dirt and gravel. The larger and the lighter particles worked to the surface, and these, by a skilful dipping movement of the pan, he spilled out and over the edge. Occasionally, to expedite matters, he rested the pan and with his fingers raked out the large pebbles and pieces o
f rock.

  The contents of the pan diminished rapidly until only fine dirt and the smallest bits of gravel remained. At this stage he began to work very deliberately and carefully. It was fine washing, and he washed fine and finer, with a keen scrutiny and delicate and fastidious touch. At last the pan seemed empty of everything but water; but with a quick semicircular flirt that sent the water flying over the shallow rim into the stream, he disclosed a layer of black sand on the bottom of the pan. So thin was this layer that it was like a streak of paint. He examined it closely. In the midst of it was a tiny golden speck. He dribbled a little water in over the depressed edge of the pan. With a quick flirt he sent the water sluicing across the bottom, turning the grains of black sand over and over A second tiny golden speck rewarded his effort.

  The washing had now become very fine—fine beyond all need of ordinary placer-mining. He worked the black sand, a small portion at a time, up the shallow rim of the pan. Each small portion he examined sharply, so that his eyes saw every grain of it before he allowed it to slide over the edge and away. Jealously, bit by bit, he let the black sand slip away. A golden speck, no larger than a pin-point, appeared on the rim, and by his manipulation of the riveter it returned to the bottom of tile pan. And in such fashion another speck was disclosed, and another. Great was his care of them. Like a shepherd he herded his flock of golden specks so that not one should be lost. At last, of the pan of dirt nothing remained but his golden herd. He counted it, and then, after all his labor, sent it flying out of the pan with one final swirl of water.

  But his blue eyes were shining with desire as he rose to his feet. “Seven,” he muttered aloud, asserting the sum of the specks for which he had toiled so hard and which he had so wantonly thrown away. “Seven,” he repeated, with the emphasis of one trying to impress a number on his memory.