The Way of Kings sa-1

by Brandon Sanderson

Kaladin walked, feeling numb. He’d thought that there was nothing more life could do to him, nothing worse than the slave’s brand with a shash, nothing worse than losing all he had to the war, nothing more terrible than failing those he’d sworn to protect.

  It appeared that he’d been wrong. There had been something more they could do to him. One final torment the world had reserved just for Kaladin.

  And it was called Bridge Four.

  7

  Anything Reasonable

  “They are aflame. They burn. They bring the darkness when they come, and so all you can see is that their skin is aflame. Burn, burn, burn….”

  — Collected on Palahishev, 1172, 21 seconds pre-death. Subject was a baker’s apprentice.

  Shallan hurried down the hallway with its burnt-orange colorings, the ceiling and upper walls now stained by the passing of black smoke from Jasnah’s Soulcasting. Hopefully, the paintings on the walls hadn’t been ruined.

  Ahead, a small group of parshmen arrived, bearing rags, buckets, and stepladders to use in wiping off the soot. They bowed to her as she passed, uttering no words. Parshmen could speak, but they rarely did so. Many seemed mute. As a child, she’d found the patterns of their marbled skin beautiful. That had been before her father forbade her to spend any time with the parshmen.

  She turned her mind to her task. How was she going to convince Jasnah Kholin, one of the most powerful women in the world, to change her mind about taking Shallan as a ward? The woman was obviously stubborn; she had spent years resisting the devotaries’ attempts at reconciliation.

  She reentered the broad main cavern, with its lofty stone ceiling and bustling, well-dressed occupants. She felt daunted, but that brief glimpse of the Soulcaster seduced her. Her family, House Davar, had prospered in recent years, coming out of obscurity. This had primarily been because of her father’s skill in politics-he had been hated by many, but his ruthlessness had carried him far. So had the wealth lent by the discovery of several important new marble deposits on Davar lands.

  Shallan had never known enough to be suspicious of that wealth’s origins. Every time the family had exhausted one of its quarries, her father had gone out with his surveyor and discovered a new one. Only after interrogating the surveyor had Shallan and her brothers discovered the truth: Her father, using his forbidden Soulcaster, had been creating new deposits at a careful rate. Not enough to be suspicious. Just enough to give him the money he needed to further his political goals.

  Nobody knew where he’d gotten the fabrial, which she now carried in her safepouch. It was unusable, damaged on the same disastrous evening that her father had died. Don’t think about that, she told herself forcefully.

  They’d had a jeweler repair the broken Soulcaster, but it no longer worked. Their house steward-one of her father’s close confidants, an advisor named Luesh-had been trained to use the device, and he could no longer make it function.

  Her father’s debts and promises were outrageous. Their choices were limited. Her family had some time-perhaps as long as a year-before the missed payments became egregious, and before her father’s absence became obvious. For once, her family’s isolated, backcountry estates were an advantage, providing a reason that communications were being delayed. Her brothers were scrambling, writing letters in her father’s name, making a few appearances and spreading rumors that Brightlord Davar was planning something big.

  All to give her time to make good on her bold plan. Find Jasnah Kholin. Become her ward. Learn where she kept her Soulcaster. Then replace it with the nonfunctional one.

  With the fabrial, they’d be able to make new quarries and restore their wealth. They’d be able to make food to feed their house soldiers. With enough wealth in hand to pay off debts and make bribes, they could announce their father’s death and not suffer destruction.

  Shallan hesitated in the main hallway, considering her next move. What she planned to do was very risky. She’d have to escape without implicating herself in the theft. Though she’d devoted much thought to that, she still didn’t know how she’d manage it. But Jasnah was known to have many enemies. There had to be a way to pin the fabrial’s “breaking” on them instead.

  That step would come later. For now, Shallan had to convince Jasnah to accept her as a ward. All other results were unacceptable.

  Nervously, Shallan held her arms in the sign of need, covered safehand bent across her chest and touching the elbow of her freehand, which was raised with fingers outspread. A woman approached, wearing the well-starched white laced shirt and black skirt that were the universal sign of a master-servant.

  The stout woman curtsied. “Brightness?”

  “The Palanaeum,” Shallan said.

  The woman bowed and led Shallan farther into the depths of the long hallway. Most of the women here-servants included-wore their hair bound, and Shallan felt conspicuous with hers loose. The deep red color made her stand out even more.

  Soon, the grand hallway began to slope down steeply. But when the half-hour arrived, she could still hear distant bells ring behind her. Perhaps that was why the people here liked them so much; even in the depths of the Conclave, one could hear the outside world.

  The servant led Shallan to a pair of grand steel doors. The servant bowed and Shallan dismissed her with a nod.

  Shallan couldn’t help but admire the beauty of the doors; their exterior was carved in an intricate geometric pattern with circles and lines and glyphs. It was some kind of chart, half on each door. There was no time to study the details, unfortunately, and she passed them by.

  Beyond the doors was a breathtakingly large room. The sides were of smooth rock and they stretched high; the dim illumination made it impossible to tell just how high, but she saw flickers of distant light. Set into the walls were dozens of small balconies, much like the private box seats of a theater. Soft light shone from many of these. The only sounds were turning pages and faint whispers. Shallan raised her safehand to her breast, feeling dwarfed by the magnificent chamber.

  “Brightness?” a young male master-servant said, approaching. “What do you need?”

  “A new sense of perspective, apparently,” Shallan said absently. “How…”

  “This room is called the Veil,” the servant explained softly. “That which comes before the Palanaeum itself. Both were here when the city was founded. Some think these chambers might have been cut by the Dawnsingers themselves.”

  “Where are the books?”

  “The Palanaeum proper is this way.” The servant gestured, leading her to a set of doors on the other side of the room. Through them, she entered a smaller chamber that was partitioned with walls of thick crystal. Shallan approached the nearest one, feeling it. The crystal’s surface was rough like hewn rock.

  “Soulcast?” she asked.

  The servant nodded. Behind him, another servant passed leading an elderly ardent. Like most ardents, the aged man had a shaved head and a long beard. His simple grey robes were tied with a brown sash. The servant led him around a corner, and Shallan could vaguely make out their shapes on the other side, shadows swimming through the crystal.

  She took a step forward, but her servant cleared his throat. “I will need your chit of admittance, Brightness.”

  “How much does one cost?” Shallan asked hesitantly.

  “A thousand sapphire broams.”

  “So much?”

  “The king’s many hospitals require much upkeep,” the man said apologetically. “The only things Kharbranth has to sell are fish, bells, and information. The first two are hardly unique to us. But the third…well, the Palanaeum has the finest collection of tomes and scrolls on Roshar. More, even, than the Holy Enclave in Valath. At last count, there were over seven hundred thousand separate texts in our archive.”

  Her father had owned exactly eighty-seven books. Shallan had read them all several times over. How much could be contained in seven hundred thousand books? The weight of that much information dazzled her. She found herse
lf hungering to look through those hidden shelves. She could spend months just reading their titles.

  But no. Perhaps once she’d made certain her brothers were safe-once her house’s finances were restored-she could return. Perhaps.

  She felt like she was starving, yet leaving a warm fruit pie uneaten. “Where might I wait?” she asked. “If someone I know is inside.”

  “You may use one of the reading alcoves,” the servant said, relaxing. Perhaps he’d feared that she would make a scene. “No chit is required to sit in one. There are parshman porters who will raise you to the higher levels, if that is what you wish.”

  “Thank you,” Shallan said, turning her back on the Palanaeum. She felt like a child again, locked in her room, not allowed to run through the gardens because of her father’s paranoid fears. “Does Brightness Jasnah have an alcove yet?”

  “I can ask,” the servant said, leading the way back into the Veil, with its distant, unseen ceiling. He hurried off to speak with some others, leaving Shallan standing beside the doorway to the Palanaeum.

  She could run in. Sneak through-

  No. Her brothers teased her for being too timid, but it was not timidity that held her back. There would undoubtedly be guards; bursting in would not only be futile, it would ruin any chance she had of changing Jasnah’s mind.

  Change Jasnah’s mind, prove herself. Considering it made her sick. She hated confrontation. During her youth, she’d felt like a piece of delicate crystalware, locked in a cabinet to be displayed but never touched. The only daughter, the last memory of Brightlord Davar’s beloved wife. It still felt odd to her that she been the one to take charge after…After the incident…After…

  Memories attacked her. Nan Balat bruised, his coat torn. A long, silvery sword in her hand, sharp enough to cut stones as if they were water.

  No, Shallan thought, her back to the stone wall, clutching her satchel. No. Don’t think of the past.

  She sought solace in drawing, raising fingers to her satchel and reaching for her paper and pencils. The servant came back before she had a chance to get them out, however. “Brightness Jasnah Kholin has indeed asked that a reading alcove be set aside for her,” he said. “You may wait there for her, if you wish it.”

  “I do,” Shallan said. “Thank you.”

  The servant led her to a shadowed enclosure, inside of which four parshmen stood upon a sturdy wooden platform. The servant and Shallan stepped onto the platform, and the parshmen pulled ropes that were strung into a pulley above, raising the platform up the stone shaft. The only lights were broam spheres set at each corner of the lift’s ceiling. Amethysts, which had a soft violet light.

  She needed a plan. Jasnah Kholin did not seem the type to change her mind easily. Shallan would have to surprise her, impress her.

  They reached a level about forty feet or so off the ground, and the servant waved for the porters to stop. Shallan followed the master-servant down a dark hallway to one of the small balconies that extended out over the Veil. It was round, like a turret, and had a waist-high stone rim with a wooden railing above that. Other occupied alcoves glowed with different colors from the spheres being used to light them; the darkness of the huge space made them seem to hover in the air.

  This alcove had a long, curving stone desk joined directly into the rim of the balcony. There was a single chair and a gobletlike crystal bowl. Shallan nodded in thanks to the servant, who withdrew, then she pulled out a handful of spheres and dropped them into the bowl, lighting the alcove.

  She sighed, sitting down in the chair and laying her satchel on the desk. She undid the laces on her satchel, busying herself as she tried to think of something-anything-that would persuade Jasnah.

  First, she decided, I need to clear my mind.

  From her satchel she removed a sheaf of thick drawing paper, a set of charcoal pencils of different widths, some brushes and steel pens, ink, and watercolors. Finally, she took out her smaller notebook, bound in codex form, which contained the nature sketches she’d done during her weeks aboard the Wind’s pleasure.

  These were simple things, really, but worth more to her than a chest full of spheres. She took a sheet off the stack, then selected a fine-pointed charcoal pencil, rolling it between her fingers. She closed her eyes and fixed an image in her mind: Kharbranth as she’d memorized it in that moment soon after landing on the docks. Waves surging against the wooden posts, a salty scent to the air, men climbing rigging calling one another with excitement. And the city itself, rising up the hillside, homes stacked atop homes, not a speck of land wasted. Bells, distant, tinkling softly in the air.

  She opened her eyes and began to draw. Her fingers moved on their own, sketching broad lines first. The cracklike valley the city was situated in. The port. Here, squares to be homes, there a slash to mark a switchback of the grand roadway that led up to the Conclave. Slowly, bit by bit, she added detail. Shadows as windows. Lines to fill out the roadways. Hints of people and carts to show the chaos of the thoroughfares.

  She had read of how sculptors worked. Many would take a blank stone block and work it into a vague shape first. Then, they’d work it over again, carving more detail with each pass. It was the same for her in drawing. Broad lines first, then some details, then more, then down to the finest of lines. She had no formal training in pencils; she simply did what felt right.

  The city took shape beneath her fingers. She coaxed it free, line by line, scratch by scratch. What would she do without this? Tension bled from her body, as if released from her fingertips into the pencil.

  She lost track of time as she worked. Sometimes she felt like she was entering a trance, everything else fading. Her fingers almost seemed to draw of their own accord. It was so much easier to think while drawing.

  Before too long, she had copied her Memory onto the page. She held up the sheet, satisfied, relaxed, her mind clear. The memorized image of Kharbranth was gone from her head; she’d released it into her sketch. There was a sense of relaxation to that too. As if her mind was put under tension holding Memories until they could be used.

  She did Yalb next, standing shirtless in his vest and gesturing to the short porter who had pulled her up to the Conclave. She smiled as she worked, remembering Yalb’s affable voice. He’d likely returned to the Wind’s Pleasure by now. Had it been two hours? Probably.

  She was always more excited by drawing animals and people than she was by drawing things. There was something energizing about putting a living creature onto the page. A city was lines and boxes, but a person was circles and curves. Could she get that smirk on Yalb’s face right? Could she show his lazy contentedness, the way he would flirt with a woman far above his station? And the porter, with his thin fingers and sandaled feet, his long coat and baggy pants. His strange language, his keen eyes, his plan to increase his tip by offering not just a ride, but a tour.

  When she drew, she didn’t feel as if she worked with only charcoal and paper. In drawing a portrait, her medium was the soul itself. There were plants from which one could remove a tiny cutting-a leaf, or a bit of stem-then plant it and grow a duplicate. When she collected a Memory of a person, she was snipping free a bud of their soul, and she cultivated and grew it on the page. Charcoal for sinew, paper pulp for bone, ink for blood, the paper’s texture for skin. She fell into a rhythm, a cadence, the scratching of her pencil like the sound of breathing from those she depicted.

  Creationspren began to gather around her pad, looking at her work. Like other spren, they were said to always be around, but usually invisible. Sometimes you attracted them. Sometimes you didn’t. With drawing, skill seemed to make a difference.

  Creationspren were of medium size, as tall as one of her fingers, and they glowed with a faint silvery light. They transformed perpetually, taking new shapes. Usually the shapes were things they had seen recently. An urn, a person, a table, a wheel, a nail. Always of the same silvery color, always the same diminutive height. They imitated shapes exactly, but moved them i
n strange ways. A table would roll like a wheel, an urn would shatter and repair itself.

  Her drawing gathered about a half-dozen of them, pulling them by her act of creation just as a bright fire would draw flamespren. She’d learned to ignore them. They weren’t substantial-if she moved her arm through one, its figure would smear like scattered sand, then reform. She never felt a thing when touching one.

  Eventually, she held up the page, satisfied. It depicted Yalb and the porter in detail, with hints of the busy city behind. She’d gotten their eyes right. That was the most important. Each of the Ten Essences had an analogous part of the human body-blood for liquid, hair for wood, and so forth. The eyes were associated with crystal and glass. The windows into a person’s mind and spirit.

  She set the page aside. Some men collected trophies. Others collected weapons or shields. Many collected spheres.

  Shallan collected people. People, and interesting creatures. Perhaps it was because she’d spent so much of her youth in a virtual prison. She’d developed the habit of memorizing faces, then drawing them later, after her father had discovered her sketching the gardeners. His daughter? Drawing pictures of darkeyes? He’d been furious with her-one of the infrequent times he’d directed his infamous temper at his daughter.

  After that, she’d done drawings of people only when in private, instead using her open drawing times to sketch the insects, crustaceans, and plants of the manor gardens. Her father hadn’t minded this-zoology and botany were proper feminine pursuits-and had encouraged her to choose natural history as her Calling.

  She took out a third blank sheet. It seemed to beg her to fill it. A blank page was nothing but potential, pointless until it was used. Like a fully infused sphere cloistered inside a pouch, prevented from making its light useful.

  Fill me.

  The creationspren gathered around the page. They were still, as if curious, anticipatory. Shallan closed her eyes and imagined Jasnah Kholin, standing before the blocked door, the Soulcaster glowing on her hand. The hallway hushed, save for a child’s sniffles. Attendants holding their breath. An anxious king. A still reverence.