The Year's Best Science Fiction, Thirty-Second Annual Collection

by Gardner Dozois

  He’s made her relaxed enough that she doesn’t jump to the worst conclusion. “If you’re thinking of tying me down, that will cost you. And I won’t do that until I know you better.”

  “Nothing like that. Maybe hold you down a little.”

  “That’s fine.”

  He comes up to her and they kiss. His tongue lingers in her mouth and she moans. He backs up, puts his hands on her waist, turning her away from him. “Would you lie down with your face in the pillows?”

  “Of course.” She climbs onto the bed. “Legs up under me or spread out to the corners?”

  “Spread out, please.” His voice is commanding. And he hasn’t stripped yet, not even taken off his Red Sox cap. She’s a little disappointed. Some clients enjoy the obedience more than the sex. There’s not much for her to do. She just hopes he won’t be too rough and leave marks.

  He climbs onto the bed behind her and knee-walks up between her legs. He leans down and grabs a pillow from next to her head. “Very lovely,” he says. “I’m going to hold you down now.”

  She sighs into the bed, the way she knows he’ll like.

  He lays the pillow over the back of her head and pushes down firmly to hold her in place.He takes the gun out of the small of his back, and in one swift motion, sticks the barrel, thick and long with the silencer, into the back of the bustier, and squeezes off two quick shots into her heart. She dies instantly.

  He removes the pillow, stores the gun away. Then he takes a small steel surgical kit out of his jacket pocket, along with a pair of latex gloves. He works efficiently and quickly, cutting with precision and grace. He relaxes when he’s found what he’s looking for—sometimes he picks the wrong girl—not often, but it has happened. He’s careful to wipe off any sweat on his face with his sleeves as he works, and the hat helps to prevent any hair from falling on her. Soon, the task is done.

  He climbs off the bed, takes off the bloody gloves, and leaves them and the surgical kit on the body. He puts on a fresh pair of gloves and moves through the apartment, methodically searching for places where she hid cash: inside the toilet tank, the back of the freezer, the nook above the door of the closet.

  He goes into the kitchen and returns with a large plastic trash bag. He picks up the bloody gloves and the surgical kit and throws them into the bag. Picking up her phone, he presses the button for her voicemail. He deletes all the messages, including the one he had left when he first called her number. There’s not much he can do about the call logs at the phone company, but he cantake advantage of that by leaving his prepaid phone somewhere for the police to find.

  He looks at her again. He’s not sad, not exactly, but he does feel a sense of waste. The girl was pretty and he would have liked to enjoy her first, but that would leave behind too many traces, even with a condom. And he can always pay for another, later. He likes paying for things. Power flows to him when he pays.

  Reaching into the inner pocket of his jacket, he retrieves a sheet of paper, which he carefully unfolds and leaves by the girl’s head.

  He stuffs the trash bag and the money into a small gym bag he found in one of the closets. He leaves quietly, picking up the envelope of cash next to the entrance on the way out.

  * * *

  Because she’s meticulous, Ruth Law runs through the numbers on the spreadsheet one last time, a summary culled from credit card and bank statements, and compares them against the numbers on the tax return. There’s no doubt. The client’s husband has been hiding money from the IRS, and more importantly, from the client.

  Summers in Boston can be brutally hot. But Ruth keeps the air conditioner off in her tiny office above a butcher shop in Chinatown. She’s made a lot of people unhappy over the years, and there’s no reason to make it any easier for them to sneak up on her with the extra noise.

  She takes out her cell phone and starts to dial from memory. She never stores any numbers in the phone. She tells people it’s for safety, but sometimes she wonders if it’s a gesture, however small, of asserting her independence from machines.

  She stops at the sound of someone coming up the stairs. The footfalls are crisp and dainty, probably a woman, probably one with sensible heels. The scanner in the stairway hasn’t been set off by the presence of a weapon, but that doesn’t mean anything—she can kill without a gun or knife, and so can many others.

  Ruth deposits her phone noiselessly on the desk and reaches into her drawer to wrap the fingers of her right hand around the reassuring grip of the Glock 19. Only then does she turn slightly to the side to glance at the monitor showing the feed from the security camera mounted over the door.

  She feels very calm. The Regulator is doing its job. There’s no need to release any adrenaline yet.

  The visitor, in her fifties, is in a blue short-sleeve cardigan and white pants. She’s looking around the door for a button for the doorbell. Her hair is so black that it must be dyed. She looks Chinese, holding her thin, petite body in a tight, nervous posture.

  Ruth relaxes and lets go of the gun to push the button to open the door. She stands up and holds out her hand. “What can I do for you?”

  “Are you Ruth Law, the private investigator?” In the woman’s accent Ruth hears traces of Mandarin rather than Cantonese or Fukienese. Probably not well-connected in Chinatown then.

  “I am.”

  The woman looks surprised, as if Ruth isn’t quite who she expected. “Sarah Ding. I thought you were Chinese.”

  As they shake hands Ruth looks Sarah level in the eyes: they’re about the same height, five foot four. Sarah looks well maintained, but her fingers feel cold and thin, like a bird’s claw.

  “I’m half-Chinese,” Ruth says. “My father was Cantonese, second generation; my mother was white. My Cantonese is barely passable, and I never learned Mandarin.”

  Sarah sits down in the armchair across from Ruth’s desk. “But you have an office here.”

  She shrugs. “I’ve made my enemies. A lot of non-Chinese are uncomfortable moving around in Chinatown. They stick out. So it’s safer for me to have my office here. Besides, you can’t beat the rent.”

  Sarah nods wearily. “I need your help with my daughter.” She slides a collapsible file across the desk towards her.

  Ruth sits down but doesn’t reach for the file. “Tell me about her.”

  “Mona was working as an escort. A month ago she was shot and killed in her apartment. The police think it’s a robbery, maybe gang-related, and they have no leads.”

  “It’s a dangerous profession,” Ruth says. “Did you know she was doing it?”

  “No. Mona had some difficulties after college, and we were never as close as … I would have liked. We thought she was doing better the last two years, and she told us she had a job in publishing. It’s difficult to know your child when you can’t be the kind of mother she wants or needs. This country has different rules.”

  Ruth nods. A familiar lament from immigrants. “I’m sorry for your loss. But it’s unlikely I’ll be able to do anything. Most of my cases now are about hidden assets, cheating spouses, insurance fraud, background checks, that sort of thing. Back when I was a member of the force, I did work in Homicide. I know the detectives are quite thorough in murder cases.”

  “They’re not!” Fury and desperation strain and crack her voice. “They think she’s just a Chinese whore, and she died because she was stupid or got involved with a Chinese gang who wouldn’t bother regular people. My husband is so ashamed that he won’t even mention her name. But she’s my daughter, and she’s worth everything I have, and more.”

  Ruth looks at her. She can feel the Regulator suppressing her pity. Pity can lead to bad business decisions.

  “I keep on thinking there was some sign I should have seen, some way to tell her that I loved her that I didn’t know. If only I had been a little less busy, a little more willing to pry and dig and to be hurt by her. I can’t stand the way the detectives talk to me, like I’m wasting their time but they don’
t want to show it.”

  Ruth refrains from explaining that the police detectives are all fitted with Regulators that should make the kind of prejudice she’s implying impossible. The whole point of the Regulator is to make police work under pressure more regular, less dependent on hunches, emotional impulses, appeals to hidden prejudice. If the police are calling it a gang-related act of violence, there are likely good reasons for doing so.

  She says nothing because the woman in front of her is in pain, and guilt and love are so mixed up in her that she thinks paying to find her daughter’s killer will make her feel better about being the kind of mother whose daughter would take up prostitution.

  Her angry, helpless posture reminds Ruth vaguely of something she tries to put out of her mind.

  “Even if I find the killer,” she says, “it won’t make you feel better.”

  “I don’t care.” Sarah tries to shrug but the American gesture looks awkward and uncertain on her. “My husband thinks I’ve gone crazy. I know how hopeless this is; you’re not the first investigator I’ve spoken to. But a few suggested you because you’re a woman and Chinese, so maybe you care just enough to see something they can’t.”

  She reaches into her purse and retrieves a check, sliding it across the table to put on top of the file. “Here’s eighty thousand dollars. I’ll pay double your daily rate and all expenses. If you use it up, I can get you more.”

  Ruth stares at the check. She thinks about the sorry state of her finances. At forty-nine, how many more chances will she have to set aside some money for when she’ll be too old to do this?

  She still feels calm and completely rational, and she knows that the Regulator is doing its job. She’s sure that she’s making her decision based on costs and benefits and a realistic evaluation of the case, and not because of the hunched over shoulders of Sarah Ding, looking like fragile twin dams holding back a flood of grief.

  “Okay,” she says. “Okay.”

  * * *

  The man’s name isn’t Robert. It’s not Paul or Matt or Barry either. He never uses the name John because jokes like that will only make the girls nervous. A long time ago, before he had been to prison, they had called him the Watcher because he liked to observe and take in a scene, finding the best opportunities and escape routes. He still thinks of himself that way when he’s alone.

  In the room he’s rented at the cheap motel along Route 128, he starts his day by taking a shower to wash off the night sweat.

  This is the fifth motel he’s stayed in during the last month. Any stay longer than a week tends to catch the attention of the people working at the motels. He watches; he does not get watched. Ideally, he supposes he should get away from Boston altogether, but he hasn’t exhausted the city’s possibilities. It doesn’t feel right to leave before he’s seen all he wants to see.

  The Watcher got about sixty thousand dollars in cash from the girl’s apartment, not bad for a day’s work. The girls he picks are intensely aware of the brevity of their careers, and with no bad habits, they pack away money like squirrels preparing for the winter. Since they can’t exactly put it into the bank without raising the suspicion of the IRS, they tuck the money away in stashes in their apartments, ready for him to come along and claim them like found treasure.

  The money is a nice bonus, but not the main attraction.

  He comes out of the shower, dries himself, and wrapped in a towel, sits down to work at the nut he’s trying to crack. It’s a small, silver half-sphere, like half of a walnut. When he had first gotten it, it had been covered in blood and gore, and he had wiped it again and again with paper towels moistened under the motel sink until it gleamed.

  He pries open an access port on the back of the device. Opening his laptop, he plugs one end of a cable into it and the other end into the half-sphere. He starts a program he had paid a good sum of money for and lets it run. It would probably be more efficient for him to leave the program running all the time, but he likes to be there to see the moment the encryption is broken.

  While the program runs, he browses the escort ads. Right now he’s searching for pleasure, not business, so instead of looking for girls like Jasmine, he looks for girls he craves. They’re expensive, but not too expensive, the kind that remind him of the girls he had wanted back in high school: loud, fun, curvaceous now but destined to put on too much weight in a few years, a careless beauty that was all the more desirable because it was fleeting.

  The Watcher knows that only a poor man like he had been at seventeen would bother courting women, trying desperately to make them like him. A man with money, with power, like he is now, can buy what he wants. There’s purity and cleanliness to his desire that he feels is nobler and less deceitful than the desire of poor men. They only wish they could have what he does.

  The program beeps, and he switches back to it.

  Success.

  Images, videos, sound recordings are being downloaded onto the computer.

  The Watcher browses through the pictures and video recordings. The pictures are face shots or shots of money being handed over—he immediately deletes the ones of him.

  But the videos are the best. He settles back and watches the screen flicker, admiring Jasmine’s camerawork.

  He separates the videos and images by client and puts them into folders. It’s tedious work, but he enjoys it.

  * * *

  The first thing Ruth does with the money is to get some badly needed tune-ups. Going after a killer requires that she be in top condition.

  She does not like to carry a gun when she’s on the job. A man in a sport coat with a gun concealed under it can blend into almost any situation, but a woman wearing the kind of clothes that would hide a gun would often stick out like a sore thumb. Keeping a gun in a purse is a terrible idea. It creates a false sense of security, but a purse can be easily snatched away and then she would be disarmed.

  She’s fit and strong for her age, but her opponents are almost always taller and heavier and stronger. She’s learned to compensate for these disadvantages by being more alert and by striking earlier.

  But it’s still not enough.

  She goes to her doctor. Not the one on her HMO card.

  Doctor B had earned his degree in another country and then had to leave home forever because he pissed off the wrong people. Instead of doing a second residency and becoming licensed here, which would have made him easily traceable, he had decided to simply keep on practicing medicine on his own. He would do things doctors who cared about their licenses wouldn’t do. He would take patients they wouldn’t touch.

  “It’s been a while,” Doctor B says.

  “Check over everything,” she tells him. “And replace what needs replacement.”

  “Rich uncle die?”

  “I’m going on a hunt.”

  Doctor B nods and puts her under.

  He checks the pneumatic pistons in her legs, the replacement composite tendons in her shoulders and arms, the power cells and artificial muscles in her arms, the reinforced finger bones. He recharges what needs to be recharged. He examines the results of the calcium-deposition treatments (a counter to the fragility of her bones, an unfortunate side effect of her Asian heritage), and makes adjustments to her Regulator so that she can keep it on for longer.

  “Like new,” he tells her. And she pays.

  * * *

  Next, Ruth looks through the file Sarah brought.

  There are photographs: the prom, high school graduation, vacations with friends, college commencement. She notes the name of the school without surprise or sorrow even though Jess had dreamed of going there as well. The Regulator, as always, keeps her equanimous, receptive to information, only useful information.

  The last family photo Sarah selected was taken at Mona’s twenty-fourth birthday earlier in the year. Ruth examines it carefully. In the picture, Mona is seated between Sarah and her husband, her arms around her parents in a gesture of careless joy. There’s no hint of the secret she
was keeping from them, and no sign, as far as Ruth can tell, of bruises, drugs, or other indications that life was slipping out of her control.

  Sarah had chosen the photos with care. The pictures are designed to fill in Mona’s life, to make people care for her. But she didn’t need to do that. Ruth would have given it the same amount of effort even if she knew nothing about the girl’s life. She’s a professional.

  There’s a copy of the police report and the autopsy results. The report mostly confirms what Ruth has already guessed: no sign of drugs in Mona’s systems, no forced entry, no indication there was a struggle. There was pepper spray in the drawer of the nightstand, but it hadn’t been used. Forensics had vacuumed the scene and the hair and skin cells of dozens, maybe hundreds, of men had turned up, guaranteeing that no useful leads will result.

  Mona had been killed with two shots through the heart, and then her body had been mutilated, with her eyes removed. She hadn’t been sexually assaulted. The apartment had been ransacked of cash and valuables.

  Ruth sits up. The method of killing is odd. If the killer had intended to mutilate her face anyway, there was no reason to not shoot her in the back of the head, a cleaner, surer method of execution.

  A note was found at the scene in Chinese, which declared that Mona had been punished for her sins. Ruth can’t read Chinese but she assumes the police translation is accurate. The police had also pulled Mona’s phone records. There were a fewnumbers whose cell tower data showed their owners had been to Mona’s place that day. The only one without an alibi was a prepaid phone without a registered owner. The police had tracked it down in Chinatown, hidden in a dumpster. They hadn’t been able to get any further.

  A rather sloppy kill, Ruth thinks, if the gangs did it.

  Sarah had also provided printouts of Mona’s escort ads. Mona had used several aliases: Jasmine, Akiko, Sinn. Most of the pictures are of her in lingerie, a few in cocktail dresses. The shots are framed to emphasize her body: a side view of her breasts half-veiled in lace, a back view of her buttocks, lounging on the bed with her hand over her hip. Shots of her face have black bars over her eyes to provide some measure of anonymity.