The Books of Earthsea: The Complete Illustrated Edition

by Ursula K. Le Guin

  Rereading the book, more than forty years after I wrote it, I wonder about many of its elements. It was the first book I wrote with a woman as the true central character. Tenar’s character and the events of the story came from deep within me, so deep that the subterranean and labyrinthine imagery, and a certain volcanic quality, are hardly to be wondered at. But the darkness, the cruelty, the vengefulness . . . After all, I could have just let them go free—why did I destroy the whole Place of the Tombs with an earthquake? It’s a kind of huge suicide, the Nameless Ones annihilating their temple in a vast spasm of rage. Maybe it was the whole primitive, hateful idea of the feminine as dark, blind, weak, and evil that I saw shaking itself to pieces, imploding, crumbling into wreckage on a desert ground. And I rejoiced to see it fall. I still do.

  Years later, in the last three books of Earthsea, when I was able to continue Tenar’s story and begin to think again about the Old Powers of the Earth, the nature of magic, and the history of Earthsea, both Tenar and I could see all those matters in a different light, under a larger, kinder sky.

  For Elisabeth,

  Caroline,

  and Theodore

  1. THE ROWAN TREE

  2. THE MASTERS OF ROKE

  3. HORT TOWN

  4. MAGELIGHT

  5. SEA DREAMS

  6. LORBANERY

  7. THE MADMAN

  8. THE CHILDREN OF THE OPEN SEA

  9. ORM EMBAR

  10. THE DRAGONS’ RUN

  11. SELIDOR

  12. THE DRY LAND

  13. THE STONE OF PAIN

  AFTERWORD

  CHAPTER 1

  THE ROWAN TREE

  In the court of the fountain the sun of March shone through young leaves of ash and elm, and water leapt and fell through shadow and clear light. About that roofless court stood four high walls of stone. Behind those were rooms and courts, passages, corridors, towers, and at last the heavy outmost walls of the Great House of Roke, which would stand any assault of war or earthquake or the sea itself, being built not only of stone, but of incontestable magic. For Roke is the Isle of the Wise, where the Art Magic is taught; and the Great House is the school and central place of wizardry; and the central place of the House is that small court far within the walls, where the fountain plays and the trees stand in rain or sun or starlight.

  The tree nearest the fountain, a well-grown rowan, had humped and cracked the marble pavement with its roots. Veins of bright green moss filled the cracks, spreading up from the grassy plot around the basin. A boy sat there on the low hump of marble and moss, his gaze following the fall of the fountain’s central jet. He was nearly a man, but still a boy; slender, dressed richly. His face might have been cast in golden bronze, it was so finely molded and so still.

  Behind him, fifteen feet away perhaps, under the trees at the other end of the small central lawn, a man stood, or seemed to stand. It was hard to be certain in that flickering shift of shadow and warm light. Surely he was there, a man in white, standing motionless. As the boy watched the fountain, the man watched the boy. There was no sound or movement but the play of leaves and the play of the water and its continual song.

  The man walked forward. A wind stirred the rowan tree and moved its newly opened leaves. The boy leapt to his feet, lithe and startled. He faced the man and bowed to him. “My Lord Archmage,” he said.

  The man stopped before him, a short, straight, vigorous figure in a hooded cloak of white wool. Above the folds of the laid-down hood his face was reddish-dark, hawk-nosed, seamed on one cheek with old scars. The eyes were bright and fierce. Yet he spoke gently. “It’s a pleasant place to sit, the Court of the Fountain,” he said, and, forestalling the boy’s apology, “You have traveled far and have not rested. Sit down again.”

  He knelt on the white rim of the basin and held out his hand to the ring of glittering drops that fell from the higher bowl of the fountain, letting the water run through his fingers. The boy sat down again on the humped tiles, and for a minute neither spoke.

  “You are the son of the Prince of Enlad and the Enlades,” the Archmage said, “heir of the Principality of Morred. There is no older heritage in all Earthsea, and none fairer. I have seen the orchards of Enlad in the spring, and the golden roofs of Berila. . . . How are you called?”

  “I am called Arren.”

  “That would be a word in the dialect of your land. What is it in our common speech?”

  The boy said, “Sword.”

  The Archmage nodded. There was silence again, and then the boy said, not boldly, but without timidity, “I had thought the Archmage knew all languages.”

  The man shook his head, watching the fountain.

  “And all names. . . .”

  “All names? Only Segoy who spoke the First Word, raising up the isles from the deep sea, knew all names. To be sure,” and the bright, fierce gaze was on Arren’s face, “if I needed to know your true name, I would know it. But there’s no need. Arren I will call you; and I am Sparrowhawk. Tell me, how was your voyage here?”

  “Too long.”

  “The winds blew ill?”

  “The winds blew fair, but the news I bear is ill, Lord Sparrowhawk.”

  “Tell it, then,” the Archmage said gravely, but like one yielding to a child’s impatience; and while Arren spoke, he looked again at the crystal curtain of water drops falling from the upper basin into the lower, not as if he did not listen, but as if he listened to more than the boy’s words.

  “You know, my lord, that the prince my father is a wizardly man, being of the lineage of Morred, and having spent a year here on Roke in his youth. Some power he has and knowledge, though he seldom uses his arts, being concerned with the ruling and ordering of his realm, the governance of cities and matters of trade. The fleets of our island go out westward, even into the West Reach, trading for sapphires and ox hides and tin, and early this winter a sea captain returned to our city Berila with a tale that came to my father’s ears, so that he had the man sent for and heard him tell it.” The boy spoke quickly, with assurance. He had been trained by civil, courtly people, and did not have the self-consciousness of the young.

  “The sea captain said that on the isle of Narveduen, which is some five hundred miles west of us by the ship lanes, there was no more magic. Spells had no power there, he said, and the words of wizardry were forgotten. My father asked him if it was that all the sorcerers and witches had left that isle, and he answered, ‘No: there were some there who had been sorcerers, but they cast no more spells, not even so much as a charm for kettle-mending or the finding of a lost needle.’ And my father asked, ‘Were not the folk of Narveduen dismayed?’ And the sea captain said again, ‘No, they seemed uncaring.’ And indeed, he said, there was sickness among them, and their autumn harvest had been poor, and still they seemed careless. He said—I was there, when he spoke to the prince—he said, ‘They were like sick men, like a man who has been told he must die within the year, and tells himself it is not true, and he will live forever. They go about,’ he said, ‘without looking at the world.’ When other traders returned, they repeated the tale that Narveduen had become a poor land and had lost the arts of wizardry. But all this was mere tales of the Reach, which are always strange, and only my father gave it much thought.

  “Then in the New Year, in the Festival of the Lambs that we hold in Enlad, when the shepherds’ wives come into the city bringing the firstlings of the flocks, my father named the wizard Root to say the spells of increase over the lambs. But Root came back to our hall distressed and laid his staff down and said, ‘My lord, I cannot say the spells.’ My father questioned him, but he could say only, ‘I have forgotten the words and the patterning.’ So my father went to the marketplace and said the spells himself, and the festival was completed. But I saw him come home to the palace that evening, and he looked grim and weary, and he said to me, ‘I said the words, but I do not know if they had meaning.’ And indeed there’s trouble among the flocks this spring, the ewes dy
ing in birth, and many lambs born dead, and some are . . . deformed.” The boy’s easy, eager voice dropped; he winced as he said the word and swallowed. “I saw some of them,” he said. There was a pause.

  “My father believes that this matter, and the tale of Narveduen, show some evil at work in our part of the world. He desires the counsel of the Wise.”

  “That he sent you proves that his desire is urgent,” said the Archmage. “You are his only son, and the voyage from Enlad to Roke is not short. Is there more to tell?”

  “Only some old wives’ tales from the hills.”

  “What do the old wives say?”

  “That all the fortunes witches read in smoke and water pools tell of ill, and that their love-potions go amiss. But these are people without true wizardry.”

  “Fortune-telling and love-potions are not of much account, but old women are worth listening to. Well, your message will indeed be discussed by the Masters of Roke. But I do not know, Arren, what counsel they may give your father. For Enlad is not the first land from which such tidings have come.”

  Arren’s trip from the north, down past the great isle Havnor and through the Inmost Sea to Roke, was his first voyage. Only in these last few weeks had he seen lands that were not his own homeland, become aware of distance and diversity, and recognized that there was a great world beyond the pleasant hills of Enlad, and many people in it. He was not yet used to thinking widely, and so it was a while before he understood. “Where else?” he asked then, a little dismayed. For he had hoped to bring a prompt cure home to Enlad.

  “In the South Reach, first. Latterly even in the south of the Archipelago, in Wathort. There is no more magic done in Wathort, men say. It is hard to be sure. That land has long been rebellious and piratical, and to hear a Southern trader is to hear a liar, as they say. Yet the story is always the same: the springs of wizardry have run dry.”

  “But here on Roke—”

  “Here on Roke we have felt nothing of this. We are defended here from storm and change and all ill chance. Too well defended, perhaps. Prince, what will you do now?”

  “I shall go back to Enlad when I can bring my father some clear word of the nature of this evil and of its remedy.”

  Once more the Archmage looked at him, and this time, for all his training, Arren looked away. He did not know why, for there was nothing unkind in the gaze of those dark eyes. They were impartial, calm, compassionate.

  All in Enlad looked up to his father, and he was his father’s son. No man had ever looked at him thus, not as Arren, Prince of Enlad, son of the Ruling Prince, but as Arren alone. He did not like to think that he feared the Archmage’s gaze, but he could not meet it. It seemed to enlarge the world yet again around him, and now not only Enlad sank to insignificance, but he himself, so that in the eyes of the Archmage he was only a small figure, very small, in a vast scene of sea-girt lands over which hung darkness.

  He sat picking at the vivid moss that grew in the cracks of the marble flagstones, and presently he said, hearing his voice, which had deepened only in the last couple of years, sound thin and husky: “And I shall do as you bid me.”

  “Your duty is to your father, not to me,” the Archmage said.

  His eyes were still on Arren, and now the boy looked up. As he had made his act of submission he had forgotten himself, and now he saw the Archmage: the greatest wizard of all Earthsea, the man who had capped the Black Well of Fundaur and won the Ring of Erreth-Akbe from the Tombs of Atuan and built the deep-founded sea wall of Nepp; the sailor who knew the seas from Astowell to Selidor; the only living Dragonlord. There he knelt beside a fountain, a short man and not young, a quiet-voiced man, with eyes as deep as evening.

  Arren scrambled up from sitting and knelt down formally on both knees, all in haste. “My lord,” he said, stammering, “let me serve you!”

  His self-assurance was gone, his face was flushed, his voice shook.

  At his hip he wore a sword in a sheath of new leather figured with inlay of red and gold; but the sword itself was plain, with a worn cross-hilt of silvered bronze. This he drew forth, all in haste, and offered the hilt to the Archmage, as a liegeman to his prince.

  The Archmage did not put out his hand to touch the sword hilt. He looked at it and at Arren. “That is yours, not mine,” he said. “And you are no man’s servant.”

  “But my father said that I might stay on Roke until I learned what this evil is and maybe some mastery—I have no skill, I don’t think I have any power, but there were mages among my forefathers—if I might in some way learn to be of use to you—”

  “Before your ancestors were mages,” the Archmage said, “they were kings.”

  He stood up and came with silent, vigorous step to Arren, and taking the boy’s hand made him rise. “I thank you for your offer of service, and though I do not accept it now, yet I may, when we have taken counsel on these matters. The offer of a generous spirit is not one to refuse lightly. Nor is the sword of the son of Morred to be lightly turned aside! . . . Now go. The lad who brought you here will see that you eat and bathe and rest. Go on,” and he pushed Arren lightly between the shoulder blades, a familiarity no one had ever taken before, and which the young prince would have resented from anyone else; but he felt the Archmage’s touch as a thrill of glory. For Arren had fallen in love.

  He had been an active boy, delighting in games, taking pride and pleasure in the skills of body and mind, apt at his duties of ceremony and governing, which were neither light nor simple. Yet he had never given himself entirely to anything. All had come easily to him, and he had done all easily; it had all been a game, and he had played at loving. But now the depths of him were wakened, not by a game or dream, but by honor, danger, wisdom, by a scarred face and a quiet voice and a dark hand holding, careless of its power, the staff of yew that bore near the grip, in silver set in the black wood, the Lost Rune of the Kings.

  So the first step out of childhood is made all at once, without looking before or behind, without caution, and nothing held in reserve.

  Forgetting courtly farewells he hurried to the doorway, awkward, radiant, obedient. And Ged the Archmage watched him go.

  Ged stood awhile by the fountain under the ash tree, then raised his face to the sunwashed sky. “A gentle messenger for bad news,” he said half-aloud, as if talking to the fountain. It did not listen, but went on talking in its own silver tongue, and he listened to it awhile. Then, going to another doorway, which Arren had not seen, and which indeed very few eyes would have seen no matter how close they looked, he said, “Master Doorkeeper.”

  A little man of no age appeared. Young he was not, so that one had to call him old, but the word did not suit him. His face was dry and colored like ivory, and he had a pleasant smile that made long curves in his cheeks. “What’s the matter, Ged?” said he.

  For they were alone, and he was one of the seven persons in the world who knew the Archmage’s name. The others were the Master Namer of Roke; and Ogion the Silent, the wizard of Re Albi, who long ago on the mountain of Gont had given Ged that name; and the White Lady of Gont, Tenar of the Ring; and a village wizard in Iffish called Vetch; and in Iffish again, a house-carpenter’s wife, mother of three girls, ignorant of all sorcery but wise in other things, who was called Yarrow; and finally, on the other side of Earthsea, in the farthest west, two dragons: Orm Embar and Kalessin.

  “We should meet tonight,” the Archmage said. “I’ll go to the Patterner. And I’ll send to Kurremkarmerruk, so that he’ll put his lists away and let his students rest one evening and come to us, if not in flesh. Will you see to the others?”

  “Aye,” said the Doorkeeper, smiling, and was gone; and the Archmage also was gone; and the fountain talked to itself all serene and never ceasing in the sunlight of early spring.

  Somewhere to the west of the Great House of Roke, and often somewhat south of it, the Immanent Grove is usually to be seen. There is no place for it on maps, and there is no way to it except for those who k
now the way to it. But even novices and townsfolk and farmers can see it, always at a certain distance, a wood of high trees whose leaves have a hint of gold in their greenness even in the spring. And they consider—the novices, the townsfolk, the farmers—that the Grove moves about in a mystifying manner. But in this they are mistaken, for the Grove does not move. Its roots are the roots of being. It is all the rest that moves.

  Ged walked over the fields from the Great House. He took off his white cloak, for the sun was at noon. A farmer plowing a brown hillside raised his hand in salute, and Ged replied the same way. Small birds went up into the air and sang. The sparkweed was just coming into flower in the fallows and beside the roads. Far up, a hawk cut a wide arc on the sky. Ged glanced up, and raised his hand again. Down shot the bird in a rush of windy feathers, and stooped straight to the offered wrist, gripping with yellow claws. It was no sparrowhawk but a big Ender-falcon of Roke, a white-and-brown-barred fishing hawk. It looked sidelong at the Archmage with one round, bright-gold eye, then clashed its hooked beak and stared at him straight on with both round, bright-gold eyes. “Fearless,” the Archmage said to it in the tongue of the Making.

  The big hawk beat its wings and gripped with its talons, gazing at him.

  “Go then, brother, fearless one.”

  The farmer, away off on the hillside under the bright sky, had stopped to watch. Once last autumn he had watched the Archmage take a wild bird on his wrist, and then in the next moment had seen no man, but two hawks mounting on the wind.

  This time they parted as the farmer watched: the bird to the high air, the man walking on across the muddy fields.

  He came to the path that led to the Immanent Grove, a path that led always straight and direct no matter how time and the world bent awry about it, and following it came soon into the shadow of the trees.