Fall of Giants (The Century Trilogy)
Page 18
Bea and the duchess returned to the box during the trio "Ah! Taci, ingiusto core." Everyone seemed to have exhausted the available topics of conversation, for they talked less and listened more. No one spoke to Maud or Walter, or even turned to look at them, and Maud wondered excitedly whether she might take advantage of the situation. Feeling daring, she reached out and furtively took Walter's hand. He smiled, and stroked her fingers with the ball of his thumb. She wished she could kiss him, but that would be foolhardy.
When Zelina sang her aria "Vedrai, carino" in sentimental three-eight time, an irresistible impulse tempted Maud, and as Zerlina pressed Masetto's hand to her heart, Maud laid Walter's hand on her breast. He gave an involuntary gasp, but no one noticed because Masetto was making similar noises, having just been beaten up by the Don.
She turned his hand so that he could feel her nipple with his palm. He loved her breasts, and touched them whenever he could, which was seldom. She wished it were oftener: she loved it. This was another discovery. Other people had stroked them--a doctor, an Anglican priest, an older girl at dancing class, a man in a crowd--and she had been disturbed and at the same time flattered at the thought that she could arouse people's lust, but she had never enjoyed it until now. She glanced at Walter's face and saw that he was staring at the stage, but there was a glint of perspiration on his forehead. She wondered if she was wrong to excite him in this way, when she could not give him satisfaction; but he made no move to withdraw his hand, so she concluded that he liked what she was doing. So did she. But, as always, she wanted more.
What had changed her? She had never been like this. It was him, of course, and the connection she felt with him, an intimacy so intense that she felt she could say anything, do whatever she liked, suppress nothing. What made him so different from every other man who had ever taken a fancy to her? A man such as Lowthie, or even Bing, expected a woman to act like a well-behaved child: to listen respectfully when he was being ponderous, to laugh appreciatively at his wit, to obey when he was masterful, and to give him a kiss whenever he asked. Walter treated her as a grown-up. He did not flirt, or condescend, or show off, and he listened at least as much as he talked.
The music turned sinister as the statue came to life, and the Commendatore stalked into the Don's dining room to a discord that Maud recognized as a diminished seventh. This was the dramatic high point of the opera, and Maud was almost certain no one would look around. Perhaps she could give Walter satisfaction after all, she thought; and the idea made her breathless.
As the trombones blared over the deep bass voice of the Commendatore, she placed her hand on Walter's thigh. She could feel the warmth of his skin through the fine wool of his dress trousers. Still he did not look at her, but she could see that his mouth was open and he was breathing heavily. She slid her hand up his thigh and, as the Don bravely took the Commendatore's hand, she found Walter's stiff penis and grasped it.
She was excited and, at the same time, curious. She had never done this before. She explored it through the fabric of his trousers. It was bigger than she expected and harder, too, more like a piece of wood than a part of the body. How strange, she thought, that such a remarkable physical change should occur just because of a woman's touch. When she was aroused it showed in tiny changes: that almost imperceptible feeling of puffiness, and the dampness inside. For men it was like raising a flag.
She knew what boys did, for she had spied on Fitz when he was fifteen; and now she imitated the action she had seen him perform, the up-and-down movement of the hand, while the Commendatore called upon the Don to repent, and the Don repeatedly refused. Walter was panting, now, but no one could hear because the orchestra was so loud. She was overjoyed that she could please him so much. She watched the backs of the heads of the others in the box, terrified that one of them might look around, but she was too caught up in what she was doing to stop. Walter covered her hand with his own, teaching her how to do it, gripping harder on the downstroke and releasing the pressure on the up, and she imitated what he did. As the Don was dragged into the flames, Walter jerked in his seat. She felt a kind of spasm in his penis--once, twice, and a third time--and then, as the Don died of fright, Walter seemed to slump, exhausted.
Maud suddenly knew that what she had done was completely mad. She quickly withdrew her hand. She flushed with shame. She found she was panting, and tried to breathe normally.
The final ensemble began onstage, and Maud relaxed. She did not know what had possessed her, but she had got away with it. The release of tension made her want to laugh. She suppressed a giggle.
She caught Walter's eye. He was looking at her with adoration. She felt a glow of pleasure. He leaned over and put his lips to her ear. "Thank you," he murmured.
She sighed and said: "It was a pleasure."
CHAPTER SIX
June 1914
At the beginning of June Grigori Peshkov at last had enough money for a ticket to New York. The Vyalov family in St. Petersburg sold him both the ticket and the papers necessary for immigration into the United States, including a letter from Mr. Josef Vyalov in Buffalo promising to give Grigori a job.
Grigori kissed the ticket. He could hardly wait to leave. It was like a dream, and he was afraid he might wake up before the boat sailed. Now that departure was so close, he longed even more for the moment when he would stand on deck and look back to watch Russia disappear over the horizon and out of his life forever.
On the evening before his departure, his friends organized a party.
It was held at Mishka's, a bar near the Putilov Machine Works. There were a dozen workmates, most of the members of the Bolshevik Discussion Group on Socialism and Atheism, and the girls from the house where Grigori and Lev lived. They were all on strike--half the factories in St. Petersburg were on strike--so no one had much money, but they clubbed together and bought a barrel of beer and some herrings. It was a warm summer evening, and they sat on benches in a patch of waste ground next to the bar.
Grigori was not a great party lover. He would have preferred to spend the evening playing chess. Alcohol made people stupid, and flirting with other men's wives and girlfriends just seemed pointless. His wild-haired friend Konstantin, the chairman of the discussion group, had a row about the strike with aggressive Isaak, the footballer, and they ended up in a shouting match. Big Varya, Konstantin's mother, drank most of a bottle of vodka, punched her husband, and passed out. Lev brought a crowd of friends--men Grigori had never met, and girls he did not want to meet--and they drank all the beer without paying for anything.
Grigori spent the evening staring mournfully at Katerina. She was in a good mood--she loved parties. Her long skirt whirled and her blue-green eyes flashed as she moved around, teasing the men and charming the women, that wide, generous mouth always smiling. Her clothes were old and patched, but she had a wonderful body, the kind of figure Russian men loved, with a full bust and broad hips. Grigori had fallen in love with her on the day he had met her, and he was still in love four months later. But she preferred his brother.
Why? It had nothing to do with looks. The two brothers were so alike that people sometimes mistook one for the other. They were the same height and weight, and could wear each other's clothes. But Lev had charm by the ton. He was unreliable and selfish, and he lived on the edge of the law, but women adored him. Grigori was honest and dependable, a hard worker and a serious thinker, and he was single.
It would be different in the United States. Everything would be different there. American landowners were not allowed to hang their peasants. American police had to put people on trial before punishing them. The government could not even jail socialists. There were no noblemen: everyone was equal, even Jews.
Could it be real? Sometimes America seemed too much of a fantasy, like the stories people told of South Seas islands where beautiful maidens gave their bodies to anyone who asked. But it must be true: thousands of immigrants had written letters home. At the factory a group of revolutionary so
cialists had started a series of lectures on American democracy, but the police had closed them down.
He felt guilty about leaving his brother behind, but it was the best way. "Look after yourself," he said to Lev toward the end of the evening. "I won't be here to get you out of trouble anymore."
"I'll be fine," Lev said carelessly. "You look after yourself."
"I'll send you the money for your ticket. It won't take long on American wages."
"I'll be waiting."
"Don't move house--we could lose touch."
"I'm not going anywhere, big brother."
They had not discussed whether Katerina, too, would eventually come to America. Grigori had left it to Lev to raise the subject, but he had not. Grigori did not know whether to hope or dread that Lev would want to bring her.
Lev took Katerina's arm and said: "We have to go now."
Grigori was surprised. "Where are you off to at this time of night?"
"I'm meeting Trofim."
Trofim was a minor member of the Vyalov family. "Why do you have to see him tonight?"
Lev winked. "Never mind. We'll be back before morning--in plenty of time to take you to Gutuyevsky Island." This was where the transatlantic steamers docked.
"All right," said Grigori. "Don't do anything dangerous," he added, knowing it was pointless.
Lev waved gaily and disappeared.
It was almost midnight. Grigori said his good-byes. Several of his friends wept, but he did not know whether it was from sorrow or just booze. He walked back to the house with some of the girls, and they all kissed him in the hall. Then he went to his room.
His secondhand cardboard suitcase stood on the table. Though small, it was half-empty. He was taking shirts, underwear, and his chess set. He had only one pair of boots. He had not accumulated much in the nine years since his mother died.
Before going to bed, he looked in the cupboard where Lev kept his revolver, a Belgian-made Nagant M1895. He saw, with a sinking feeling, that the gun was not in its usual place.
He unlatched the window so that he would not have to get out of bed to open it when Lev came in.
Lying awake, listening to the familiar thunder of passing trains, he wondered what it would be like, four thousand miles from here. He had lived with Lev all his life, and he had been a substitute mother and father. From tomorrow, he would not know when Lev was out all night and carrying a gun. Would it be a relief, or would he worry more?
As always, Grigori woke at five. His ship sailed at eight, and the dock was an hour's walk. He had plenty of time.
Lev had not come home.
Grigori washed his hands and face. Looking in a broken shard of mirror, he trimmed his mustache and beard with a pair of kitchen scissors. Then he put his best suit on. He would leave his other suit behind for Lev.
He was heating a pan of porridge on the fire when he heard a loud knocking at the door of the house.
It was sure to be bad news. Friends stood outside and shouted; only the authorities knocked. Grigori put on his cap, then stepped into the hall and looked down the staircase. The landlady was admitting two men in the black-and-green uniforms of the police. Looking more carefully, Grigori recognized the podgy moon-shaped face of Mikhail Pinsky and the small ratlike head of his sidekick, Ilya Kozlov.
He thought fast. Obviously someone in the house was suspected of a crime. The likeliest culprit was Lev. Whether it was Lev or another boarder, everyone in the building would be interrogated. The two cops would remember the incident back in February when Grigori had rescued Katerina from them, and they would seize the opportunity of arresting Grigori.
And Grigori would miss his ship.
The dreadful thought paralyzed him. To miss the ship! After all the saving and waiting and longing for this day. No, he thought; no, I won't let it happen.
He ducked back into his room as the two policemen started up the stairs. It would be no use to plead with them--quite the reverse: if Pinsky discovered that Grigori was about to emigrate he would take even more pleasure in keeping him incarcerated. Grigori would not even have a chance to cash his ticket and get the money back. All those years of saving would be wasted.
He had to flee.
He scanned the tiny room frantically. It had one door and one window. He would have to go out the way Lev came in at night. He looked out: the backyard was empty. The St. Petersburg police were brutal, but no one had ever accused them of being smart, and it had not occurred to Pinsky and Kozlov to cover the rear of the house. Perhaps they knew there was no exit from the yard except across the railway--but a railway line was not much of a barrier to a desperate man.
Grigori heard shouts and cries from the girls' room next door: the police had gone there first.
He patted the breast of his jacket. His ticket, papers, and money were in his pocket. All the rest of his worldly possessions were already packed in the cardboard suitcase.
Picking up his suitcase, he leaned as far as he could out of the window. He held the case out and threw it. It landed flat and seemed undamaged.
The door of his room burst open.
Grigori put his legs through the window, sat on the sill for a split second, then jumped to the roof of the washhouse. His feet slipped on the tiles and he sat down hard. He slid down the sloping roof to the gutter. He heard a shout behind him but he did not look back. He jumped from the washhouse roof to the ground and landed unhurt.
He picked up his suitcase and ran.
A shot rang out, scaring him into running faster. Most policemen could not hit the Winter Palace from three yards, but accidents sometimes happened. He scrambled up the railway embankment, conscious that as he climbed to the level of the window he was becoming an easier target. He heard the distinctive thud-and-gasp of a railway engine and looked to his right to see a goods train approaching fast. There was another shot, and he sensed a thump somewhere, but he felt no pain, and guessed the slug had hit his suitcase. He reached the top of the embankment, knowing his body was now outlined against the clear morning sky. The train was a few yards away. The driver sounded his klaxon loud and long. A third shot rang out. Grigori threw himself across the line just ahead of the train.
The locomotive howled past him, steel wheels clashing with steel rails, steam trailing as the klaxon faded. Grigori scrambled to his feet. Now he was shielded from gunfire by a train of open trucks loaded with coal. He ran across the remaining tracks. As the last of the coal wagons passed, he descended the far embankment and walked through the yard of a small factory into the street.
He looked at his suitcase. There was a bullet hole in one edge. It had been a near miss.
He walked briskly, catching his breath, and asked himself what he should do next. Now that he was safe--at least for the moment--he began to worry about his brother. He needed to know whether Lev was in trouble, and if so what kind.
He decided to start in the last place he had seen Lev, which was Mishka's Bar.
As he headed for the bar, he felt nervous about being spotted. It would be bad luck, but it was not impossible: Pinsky might be roaming the streets. He pulled his cap down over his forehead, not really believing it would disguise his identity. He came across some workers heading for the docks and attached himself to the group, but with his suitcase he did not look as if he belonged.
However, he reached Mishka's without incident. The bar was furnished with homemade wooden benches and tables. It smelled of last night's beer and tobacco smoke. In the morning Mishka served bread and tea to people who had nowhere at home to make breakfast, but business was slow because of the strike, and the place was almost empty.
Grigori intended to ask Mishka if he knew where Lev had been headed when he left, but before he could do so he saw Katerina. She looked as if she had been up all night. Her blue-green eyes were bloodshot, her fair hair was awry, and her skirt was crumpled and stained. She was visibly distressed, with shaking hands and tear streaks on her grimy cheeks. Yet that made her more beautiful to Grig
ori, and he longed to take her in his arms and comfort her. Since he could not, he would do the next best thing, and come to her aid. "What's happened?" he said. "What's the matter?"
"Thank God you're here," she said. "The police are after Lev."
Grigori groaned. So his brother was in trouble--today of all days. "What has he done?" Grigori did not bother to consider the possibility that Lev was innocent.
"There was a mess-up last night. We were supposed to unload some cigarettes from a barge." They would be stolen cigarettes, Grigori assumed. Katerina went on: "Lev paid for them, then the bargeman said it wasn't enough money, and there was an argument. Someone started shooting. Lev fired back, then we ran away."
"Thank heaven neither of you got hurt!"
"Now we don't have the cigarettes or the money."
"What a mess." Grigori looked at the clock over the bar. It was a quarter past six. He still had plenty of time. "Let's sit down. Do you want some tea?" He beckoned to Mishka and asked for two glasses of tea.
"Thank you," said Katerina. "Lev thinks one of the wounded must have talked to the police. Now they're after him."
"And you?"
"I'm all right, no one knows my name."
Grigori nodded. "So what we have to do is keep Lev out of the hands of the police. He'll have to lie low for a week or so, then slip out of St. Petersburg."
"He hasn't got any money."
"Of course not." Lev never had any money for essentials, though he could always buy drinks, place a bet, and entertain girls. "I can give him something." Grigori would have to dip into the money he had saved for the journey. "Where is he?"