Going Interstellar
Page 28
Still, I don’t believe in shielding our human freight from issues bearing on our survival. Therefore, I’ve had Minister T announce the fact of this crisis to everyone up-phase and working. Thankfully, general panic has not ensued. Instead, crew members brainstorm stopgap strategies for conserving fuel, and the monks and nuns in U-Tsang pray and chant. Soon enough, when we begin to brake, everyone will arise again, shake off the fog of hibernizing, and learn the truth about our final approach. Then every deck will teem with ghosts preparing to orbit Guge; to assay the habitable wedges between its sun-stuck face and its bleaker side; and to decide which of the two wedges is better suited to settlement.
Years in transit: 102
Computer Logs of Our Reluctant Dalai Lama, age 27
Captain Xao Songda, our deposed captain, died just twelve hours ago. Although Kyipa celebrated her first birthday last week, the man never laid eyes on her.
Xao’s ‘bed rest’ turned into pathological pacing and harangues unintelligible to anyone ignorant of Mandarin Chinese. These behaviors—symptomatic of an aggressive type of senility unknown to us—our medicos treated with tranks, placebos (foolishly, I guess), experimental diets, and long walks through the commons of Kham Bay. Nothing calmed him or eased the intensity of his gibbering tirades. I had so wanted Kyipa to meet this man (or the avatar of the self preceding this sorry incarnation), but I could not risk exposing her to one of his abusive rants.
It bears stating, though, that everyone aboard Kalachakra, knowing the sacrifices that the captain made for us, forgives him his navigation error. All showed him the honor, courtesy, and patience that he deserved for these sacrifices. Nima Photrang, who assumed his captaincy, believes he and Sakya Gyatso suffered similar personality disintegrations, albeit in different ways. Sakya used Tantric practices to end his life and Xao Songda fell to an Alzheimer’s-like scourge, but the effects of sleep deprival, suppressed anxiety, and overwork ultimately caused their deaths.
Xao created designs for my mandala competition, I think, as a way to decompress from these burdens. During the last hours of his illness, Ian Kilkhor searched his quarters for anything that could help us fathom his disease and preserve our memory of him as the intrepid Tibetan Buddhist who carried us within three lights of our destination. However, Ian returned to me with two hundred hand-drawn sketches and computer-assisted designs for my Palace of Hope mandala.
These “designs” appalled and saddened us. The ones Xao hand-drew resemble big multicolored Rorschach blots, and those stemming from his cyber-design programs look like geometrically askew fever dreams. All are pervaded with interlocking claws, jagged teeth, vermiform bodies, and occluded reptilian eyes. None could serve as a model for the mandala of my envisioning.
“I’m sorry,” Ian said. “The old guy seems to have swallowed the pituitary gland of a Komodo dragon.”
So, given our fuel situation and Captain Xao’s death, I’ve declared a moratorium on mandala-design creation.
Now there is a strong movement afoot—a respectful one—to eject Captain Xao Songda’s corpse into the void, one more human collop for the highballing dark. As I’ve already noted here, we’ve used this procedure many times before, as a practice coincident with Buddha Dharma and, in this case, as one befitting a helmsman of Xao’s stature. But I resist this seeming consensus in favor of a better option: taking the captain to Guge and setting his sinewy body out on an escarpment there, to blacken in its gales and scale in its thaws, our first sacrificial alms to the planet.
One work cycle past, Captain Photrang began to brake the Kalachakra. We are four years out from Gliese 581g, and Kanjur Paljor tells me that, unless a meteorite penetrates our plasma shield or some anomalous disaster befalls us, we will reach our destination. Ian observes that we will coast into planetary orbit like a vehicle with an internal-combustion engine chugging into its pit on fumes.
I don’t fully twig the analogy, but I get its gist. Alleluia! If only time passed more quickly. . . .
Meanwhile, I keep Kyipa awake and ignore those misguided ghosts advising me to ease her into grave-cave sleep so that time will pass more quickly for her. Jetsun and I enjoy her far too much to send her down. More important, if she stays up-phase most of the rest of our journey, she will learn and grow; and when we descend to the surface of Guge with her, she will have a sharper mind and better motor skills at five or six than any long-term sleeper of roughly similar age.
Every day, every hour, my excitement intensifies. And our ship plows on.
Years in transit: 106
Computer Logs of Our Reluctant Dalai Lama, age 31
Maintenance preoccupies nearly everyone aboard. In less than a week, our strut-ship will rendezvous with Guge and orbit its oblate sun-locked mass. Then we will make several sequential descents to and returns from “The Land of Snow” aboard our lander, The Yak Butter Express.
Jetsun will serve as shuttle pilot for one of these first excursions and as backup on another. He and others perform daily checks on the vehicle in its hangar harnesses, just as other techs strive to ensure the reliability of every mechanical and human component. Our hopes and anxieties contend. At my urging, the Bodhisattvas of U-Tsang go from place to place assisting in our labors and transmitting positive energy to every bay and to all those at work in them.
Twelve hours after Captain Photrang eased Kalachakra into orbit around Guge, Minister T comes to me to report that Yellow Hat artists in U-Tsang have finished a sand mandala based on a design that they, not I, chose as our most esteemed entry.
Lucinda Gomez, a teen-ager from Amdo Bay, has taken the laurel.
Neddy asked the monks to transport the mandala in its pie-shaped shield to Bhava Park, a commons here in Kham Bay, and they do so. A bird camera in the park transmits the mandala’s image to public screens and to vidped consoles everywhere. Intricate and colorful, it sits on an easel amid a host of tables and happy Kalachakrans. Because we’re celebrating our arrival, I don’t watch on a screen but stand in Bhava Park before the thing itself. Banners and prayer flags abound. I seize Kyipa’s hand and approach the easel. I congratulate the excited Lucinda Gomez and all the artist monks, and also speak to many onlookers, who attend smilingly to my words.
The Yellow Hats chant verses of consecration that affirm their fulfillment of my charge and then extend to everyone the blessings of Hope and Community implicit in the mandala’s labyrinthine central Palace. Kyipa, now almost six, touches the bottom of the encased mandala.
“This is the prettiest,” she says.
She has never before seen a finished mandala in its full artifactual glory.
Then the artist monks start to carry the shield from its easel to a tabletop, there to insert narrow tubes into it and send the mandala’s fixed grains flying with focused blasts of air—to symbolize, as tradition dictates, the primacy of impermanence in our lives. But before they reach the table, I lift my hand.
“We won’t destroy this sand mandala,” I declare, “until we’ve established a viable settlement on Guge.”
And everyone around us in Bhava Park cheers. The monks restore the mandala to its easel, a ton of colored confetti drops from suspended bins above us, music plays, and people sing, dance, eat, laugh, and mingle.
Kyipa, holding her hands up to the drifting paper and plastic flakes, beams at me ecstatically.
In our shuttle-cum-lander, we glide from the belly of Kham Bay toward Gliese 581g, better known to all aboard the Kalachakra as Guge, “The Land of Snow.”
From here, the amiable dwarf star about which Guge swings resembles the yolk of a colossal fried egg, more reddish than yellow-orange, with a misty orange corona about it like the egg’s congealed albumin. I’ve made it sound ugly, but Gliese 581 looks edible to me and quickly trips my hunger to reach the planet below.
As for Guge, it gleams beneath us like an old coin.
In our first week on its surface, we have already built a tent camp in one of the stabilized climate zones of the nearside termina
tor. Across the tall visible arc of that terminator, the planet shows itself marbled by a bluish and slate-gray crust marked by fingerlike snowfields and glacier sheets.
On the ground, our people call their base camp Lhasa and the rugged territory all about it New Tibet. In response to this naming and to the alacrity with which our fellow Kalachakrans adopted it, Minister Trungpa wept openly.
I find I like the man. Indeed, I go down for my first visit to the surface with his blessing. (Simon, my father, already bivouacs there, to investigate ways to grow barley, winter wheat, and other grains in the thin air and cold temperatures.) Kyipa, of course, remains for now on our orbiting strut-ship—in Neddy’s stateroom, which he now shares openly with the child’s grandmother, Karen Bryn Bonfils. Neddy and Karen Bryn dote on my daughter shamefully.
Our descent to Lhasa won’t take long, but, along with many others in this second wave of pioneers, I deliberately drop into a meditative trance. I focus on a photograph that Neddy gave me after the mandala ceremony at the arrival celebration, and I recall his words as he presented it.
“Soon after you became a teenager, Greta, I started to doubt your commitment to the Dharma and your ability to stick.”
“How tactful of you to wait till now to tell me,” I said, smiling.
“But I never lost a deeper layer of faith. Today, I can say that all my unspoken doubt has burned off like a summer meadow mist.” He gave me the worn photo—not a hardened d-cube—that now engages my attention.
In it, a Tibetan boy of eight or nine faces the viewer with a broad smile. He holds before him, also facing the viewer, a baby girl with rosy cheeks and eyes so familiar that I tear up in consternation and joy. The eyes belong to my predecessor’s infant sister, who didn’t live long after the capturing of this image.
The eyes also belong to Kyipa.
I meditate on this conundrum, richly. Soon, after all, the Yak Butter Express will set down in New Tibet.
STARSHIP WITH
24 DROP TANKS
(mid-flight configuration)
Figure 4. The Kalachakra is an anti-hydrogen powered starship that sheds its fuel tanks and radiators—required to keep the antihydrogen cold—during flight. (Image courtesy of Geoff Landis.)
SOLAR AND BEAMED
ENERGY SAILS
Les Johnson
Les Johnson’s concern for the human future is readily apparent. He has written widely about the subject, suggesting high-tech methods for preserving the environment while we solve the global energy problem, especially in his collaboration with fellow physicist Gregory Matloff and one-time NASA artist C Bangs to produce Paradise Regained ( 2010). The same trio gave us a survival handbook to take along when we begin our conquest of space, Living off the Land in Space (2007). With Matloff and Giovanni Vulpetti, Johnson suggests in Solar Sails (2008) a novel method for expanding through and possibly beyond the solar system. He has also collaborated with physicist Travis Taylor to write Back to the Moon, a novel in which the United States’ return visit, engineered by a future NASA, becomes a desperate rescue effort for a stranded Chinese mission.
When we speculate about traveling to the stars, we tend to think in terms of giant nuclear-powered rocket engines. And, admittedly, if we succeed in making the journey, they may indeed prove to be the key. But not necessarily. In fact, Johnson suggests that softer power may be the ultimate answer. Sailing vessels showed the way for early exploration on the world’s oceans. Their days may not be over.
Johnson is a physicist, the Deputy Manager for the Advanced Concepts Office at the NASA George C. Marshall Space Flight Center in Huntsville, Alabama,. and one of the editors of this book.
***
We can’t feel it, but the light from the Sun is pushing on us. It’s a small push, less than an ounce per square football field. Whenever we are in sunlight, or any light, we are being pushed. This solar pressure is much smaller than the other forces we experience in our everyday lives. The force of the wind from the room air conditioner vent is far stronger than the force we experience in full sunlight. It is so small that very sensitive instruments are required to measure it. And it can only be measured in a vacuum because the various forces around us will otherwise swamp the effect. But solar pressure is real, it is constant, and it can be used to propel a spacecraft to incredible speeds.
About four hundred years ago, Johannes Kepler observed that the tail of a comet appeared to be created by some sort of cosmic breeze and postulated that this breeze could be used to move ships in space in a manner similar to which the sailing ships of his day were propelled by wind. While Kepler was wrong about the nature of these cosmic winds, he was correct in his observation that something coming from the Sun, which we now know is sunlight itself, can be used to move a spacecraft.
An earthly sail moves a ship by transferring the momentum of the wind to the ship by reflecting it from a sail. The force exerted on the sail pushes the ship, causing it to move. In physics, momentum is defined as the product of mass times velocity. Lots and lots of air molecules, each having mass and some velocity, reflect from a sail and transfer their momentum to it. The ship then begins to move, its momentum coming from the wind.
In 1923, the physicist Arthur Compton observed that photons (particles of light) have momentum even though they have no rest mass. In other words, these massless particles that we call light have momentum even though they would have no mass if we could catch one and slow it down to weigh it. This is yet another weird property of light—but one that will be very useful for taking us to the stars.
Imagine a large, very thin, lightweight and very highly reflective sail deployed in space for the sole purpose of reflecting sunlight. We’ve just imagined a solar sail and they are far from imaginary. Solar sails reflect sunlight, transferring the tiny momentum of each reflected photon to the sail, causing the sail to move. The force is tiny. At the Earth’s distance from the Sun (ninety-three million miles), the force from sunlight is about five pounds per square mile. In other words, we’d have to have a sail area of one square mile to feel five pounds of force. For comparison, just one of the Space Shuttle’s main engines produces about five hundred thousand pounds of thrust. The primary difference is that the shuttle’s engines can only produce this thrust for a very short period of time before running out of fuel while a solar sail can produce thrust as long as it remains in sunlight. And since the distances involved in space travel are so large, the sail will remain in sunlight for a very long time no matter its destination.
In this case, the space shuttle engine is the hare and the solar sail is the tortoise. Chemical rockets will never take us to the stars, but solar sails might. It is important to note that while solar sails may one day take us to Alpha Centauri, they will never get us off the surface of the Earth. To lift from the surface of the Earth, we need a propulsion system that can produce more thrust than the rocket weighs. Chemical rockets are capable of producing these high thrust levels; solar sails cannot.
Before we start building our solar sail-propelled starship, we need to discuss a few more critical issues that will affect our design. First of all, the sail will still be subject to Newton’s Second Law, which states, “a body of mass (m) subject to a force (F) undergoes an acceleration a that has the same direction as the force and a magnitude that is directly proportional to the force and inversely proportional to the mass.” In other words, to get a mass to accelerate, we need to apply a force. In order to get the accelerations needed to achieve very high speeds, such as those required for interstellar travel, we need a large force or a small mass, or in this case, we need both.
Newton’s Second Law requires our solar sail design to be very large so the sail can capture as much sunlight as possible in order maximize solar photon thrust. It also requires us to use very lightweight materials so that we can make our ship as low mass as possible. The sail must also be highly reflective so that we can capture as much momentum from each photon as possible.
Is there anything w
e can do to increase the force acting on the sail from the sunlight? Even though we have the benefit of time, five pounds of thrust per square mile is ridiculously small. We would require a sail almost one hundred thousand square miles in area to equal the thrust produced by one space shuttle engine. Such a sail would have roughly the same surface area as Alabama and Mississippi combined! Surely we can do something to increase our thrust so that we can make a smaller sail.
It turns out that another interesting fact about sunlight allows us to do just this. We can dramatically increase the force acting on the solar sail by flying closer to the Sun thanks to a property of sunlight called The Inverse Square Law. According to this law, if we move an object twice the distance from the light source, it will receive only one quarter of the illumination. Two times the distance (2) means one-fourth (¼) the illumination—two squared is four. If we move out to four times the distance from the Sun, the illumination drops to one sixteenth of the previous amount—four squared is sixteen. Less illumination translates directly into less force. Fortunately, we can use this geometric property to our benefit by moving closer to the Sun. If we reduce the distance to ½ its previous value, we get four (4) times the force. If we reduce it to one fourth, then we get sixteen times the force. And if we get sixteen times the force per square mile, then we can reduce the overall surface area of the sail by the same factor. And when we are talking about sails the size of US states, a factor of sixteen is significant.