Trouble Boys
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Grandpaboy, 419, 425
Griffin, Nick, 5–9, 17–18, 224, 400, 414
grunge, 404
Guitar World magazine, 259
Gumprecht, Blake, 112, 142–143
Gun Club, 154, 157
Guns N’ Roses, 341, 350, 420–421
Hafner, Anita. See Stinson, Anita
Hafner, Ernest Martin, 3, 9
Hafner, Eugene, 3, 15
Hafner, Tom, 3, 4–5
Hafner, Virginia Lebens, 3, 9, 30, 31, 226
Haley, Bill, 167
Hallman, Charley, 59–60, 74, 103, 119
Hampton, John, 237, 245
Hardy, Joe, 234, 237, 245
Harold, Jimmy, 126
Harry, Debbie, 61
Hart, Grant, 74, 99
Heartbreakers (Johnny Thunders) 43,52, 69, 70, 81, 95
Heartbreakers (Tom Petty), 344, 345–348, 350, 391
Heilicher, Amos, 60, 171
Helgeson, Greg, 92, 139
Hiatt, John, 382
High Noon Management, 157, 198–201, 213, 221, 223, 228, 246, 252, 259, 261, 264, 265, 268, 276, 279, 283, 285, 286, 288, 314, 315, 323, 325, 328, 344, 356
Hilburn, Robert, 404
Hill, Darren, 406, 432
Hill, Michael, 124–125, 161–162, 169–170, 176, 177, 182–184, 229, 230, 235, 244, 291, 294, 299–301, 304–305, 314, 335, 356, 360, 367, 377–378, 390, 408, 415, 420, 434
Hirsch, Kurt, 262
Hobbib, Gary, 198–201, 207, 219, 223, 280, 292, 325, 356, 370, 372, 373, 377, 388, 390, 407
Hoeger, Mike, 70, 77, 126
Holdship, Bill, 153, 261–262, 276, 334
Holler, John, 38
Hollywood Palace, 172–173
Holmes, Tim, 58
Holt, Jefferson, 361
Holzschuh, Don, 107
Hootenanny, 117–121, 127, 130, 155, 163, 256
Horowitz, Jed, 335
Houston Chronicle, 196
Howe, Steve, 8, 114
Hughes, John, 205, 335
Huls, Max, 244
Hultquist, Linda, 66
Hüsker Dü, 74, 80, 99–102, 125–126, 152, 153, 191, 313
Husney, Owen, 76
Hutchinson, Tad, 274, 276
Hyde, Mary, 192, 278
Hyman, Jeffrey “Joey” (Ramones), 176
Hypstrz, 58, 61
“I Will Dare” single, 134, 138, 143
“I’ll Be You” single and video, 313, 324, 329, 331
Impediments, 47, 50, 51–52
Indigo Girls, 357
Individuals, 125
Irenic Regime, 140
J. Geils Band, 229
Jackson, Al Jr, 381
Jagger, Mick, 182
James, Del, 421
Jane’s Addiction, 313, 377
Jason & the Scorchers, 155, 232, 273
Jefferson’s Cock, 148
Jensen, Kim, 15–16
Jerden, Dave, 228, 313
Jesperson, Alan, 54, 55
Jesperson, Carolyn Fosnes, 54, 55
Jesperson, Chester, 54, 55
Jesperson, Peter
as 13 Engines manager, 392
alcohol and drug abuse, 210, 215, 392–393
childhood, 54–55
as co-founder of Twin/Tone Records, 60
as deejay at the Longhorn, 61–62
discovery of Replacements, 65–66
dismissal from Replacements, 214–215
early interest in music, 55–57
exclusion from recording of Tim, 177
influence in music scene, 63–64
as Oak Folkjokeopus manager, 27, 57
Paul Westerberg and, 88–89, 132, 134
reissue of all Replacement albums, 428
as R.E.M. tour manager, 132–133
Replacements, description of, 69
Replacements, role of in, 87–91
return to music business, 394
“Songs for Slim,” production of, 431
status change after Warner Bros. contract, 198
Tommy Stinson and, 90, 99, 418
Jesters, 231
Jett, Joan, 324
Jodell, Jack, 26
Jodell, Jef, 26–27, 49, 52–53, 64
Johansen, David, 27, 57, 58, 61, 332
Johnson, Chris, 99
Johnson, Eric, 292
Johnson, Gary, 283
Johnson, Jeff, 25, 39
Johnson, Rick, 37, 92
Jones, John Beverly, 304, 305
Jordan, Steve, 357, 362, 376, 381
Juluka, 199
Kane, Abbie, 256–257
Kaplan, Ira, 124–125
Karlen, Neal, 414
Katzman, Terry, 68, 69–70, 72, 74, 100, 102, 107, 409
Kaukonen, Jorma, 115
Kay-Bank Studios, 171
Kaye, Lenny, 101
Keene, Tommy, 133, 416, 417, 419
Keller, Marty, 76, 107
“Kids Don’t Follow,” 102–103, 102–105
Kilen, Michael, 19
Kimmet, Ian, 294
King, B. B., 92
Kinison, Sam, 205
Kirby, Edward “Prince Gabe,” 241
Kirsch, Michele, 272–273
Klaers, Hugo, 61
Klein, Howie, 301, 377, 415
Klemz, Steve, 66
Kordosh, John, 153, 261–262
KQRS, Minneapolis, 50, 58, 95
Kramer, Wayne, 80, 81
Krietler, Carleen, 174–175, 181, 185–190, 204, 208–210, 219, 223–226, 250, 317, 319–320, 399–400, 409, 412, 430
Krim, Rick, 267–268, 325, 329
Kristal, Hilly, 166, 167
KROQ, Los Angeles, 261–262, 285
Kurfurst, Gary, 198
Kurth, Anita. See Stinson, Anita
Kurth, Tom, 214, 412, 430
Kusworth, Dave, 183
L7–3, 107
Laffey, Kevin, 173
Lancaster, Jim “Vito,” 232, 238, 245
Largent, Lewis, 261–262, 285
Larson, P. D., 63, 76, 88, 102, 154
Lasley, Mike, 51
Lauer, Mark “Earth,” 174
Leatherwoods, 392–393
Lebowitz, Fran, 322
“The Ledge” single, 235, 242–243, 258, 259
“The Ledge” video, 267–268, 285
Lee, Alvin, 23
Lee, Frank E., 397
Lee, Sara, 361
Lembo, Mike, 198
Lenardi, Jo, 192, 254, 278
Lennon, John, 57, 84
Leonard, Mike, 385, 405, 410–411
Let It Be, 134–140, 143, 155
Let’s Active, 180
Letterman, David, 259
Levy, Joe, 325
Lewis, George, 243
Light, Rob, 283
Lincoln, Cathy, 192
Lindeen, Laurie, 402–403, 421, 432
Linehan, Michael, 329–331
Lipps, Inc., 58
Litt, Scott, 230, 287, 291, 301, 357–358, 367, 405
Lloyd, Tom, 127, 133
Logan, Jack, 394
Lonetree, Tony, 124
Long Ryders, 157
Longhorn nightclub, 39, 49, 53, 61–62, 69, 71
Longo, Robert, 187–188, 222
Lord-Alge, Chris, 314–315, 325
Los Angeles Times, 129, 217, 334, 404
Los Lobos, 153
Loud Fast Rules, 110
Love, Andrew, 244
Loverboy, 172
Lovitz, Jon, 208
Lydon, John, AKA Johnny Rotten, 27, 50, 100, 342, 397
Lynch, Stan, 346
Mack, Bill, 144–145, 146, 148
Macpherson, Casey, 99, 132, 193, 194
Macpherson, Maggie, 395
Madonna, 169, 192, 202, 341
Magellan, Mauro, 274, 368
“Marathon ’80: A New-No-Now Festival,” 63
Marker, Tom, 397
Marr, Johnny, 170
Mars, Chris, early years
Dogbreath, as drummer for,
36–37
drinking, 35
family relationships, 34
physical stance, 44
school, 35
Mars, Chris, personal life
as artist, 35, 140, 290, 423
estrangement from Tommy Stinson, 323
marriage to Sally Schneidkraut, 289–290, 311–312
post-Replacements years, 400–401
Mars, Chris, with Replacements
All Shook Down, opinion of, 368
concern over band finances, 339
decision to stop drinking, 349, 376
departure from Replacements, 378–379
disenchantment with band, 277, 349, 376
limitations as drummer, 306–307, 375–376
motorcycle chase incident, 117–118
as Pappy the Clown, 149
Peter Jesperson and, 90
showcase performance drunkenness, 276
songwriting, 242, 363
Mars, Constance Mary Evans, 34
Mars, James “Jim,” 11, 34, 36
Mars, Johnny, 263, 396
Mars, Leroy Linus, 34, 289
’Mats (nickname for Replacements), 97
Matter magazine, 130, 156
McCabe, Brendan, 278, 328, 333, 429
McCaughey, Scott, 274–276, 285–286
McClellan, Steve, 63, 80, 123, 284, 381
McGowan, David, 114
McKagan, Duff, 420
McKenna, Kristine, 129
McKern, Michael, 225
McLean, Anita. See Stinson, Anita
McLean, Doug, 16–17, 18, 21
Medium Cool, 394, 418
Megadeth, 328
Mekons, 255
Melia, Mary, 205, 259, 321, 325, 326, 339, 374
Melody Maker newspaper, 272, 279, 389
Memphis music scene, 231, 236
Mercury Records, 58, 103, 142
Merlis, Bob, 325
“Merry Go Round” video, 376–377
Metallica, 298
Michaels, Lorne, 202–203, 207, 208, 408
Micheau, Shawn, 51
Miller, Debby, 76, 153
Mills, Mike, 130–131
Minehan, Dave, 406, 432
Minneapolis, Minnesota, music scene in, 57–59, 61–64
Minneapolis Star, 63, 76
Minnesota Daily, 70, 77, 115, 125–126, 139, 188
Model Prisoners, 269–270
Moore, Scotty, 249
Morley, Pat, 110
Morris, Chris, 128, 153, 383–384, 415
Morrison, Sterling, 196
Morrissey, 170
Morrow, Glenn, 125
Mothers of Invention, 62
Mötley Crüe, 384
Motörhead, 100, 328–329
Mould, Bob, 74, 80, 99–102, 107, 117
Mrs. Frubbs, 248
MTV, 96, 137, 217, 267–268, 274, 285, 325, 329, 340, 349, 407
Mueller, Karl, 110, 425
Murphy, Dan, 110, 119, 357
Murphy, Eddie, 202
Musician magazine, 260, 267, 307, 326, 374, 375
NAH Music, 104
Napolitano, Johnette, 361
Nathan, Syd, 168
Natkin, Paul, 322
Neighborhood, 380
New Beale Street Sheiks, 231
New Musical Express (newspaper), 60, 217, 272
New Order, 209
New York Dolls, 27, 43, 48, 58, 83, 92, 176, 229, 332
New York Rocker, 60, 95, 124, 125, 162
New York Times, 147, 222, 279, 333, 429
Newman, Todd, 392
Newsday, 147
Nicollet Studios, 171, 176, 177, 181, 182, 184
Nimmity, Anna, 411–412
Nirvana, 314, 404, 422
Noonan, Tom, 168
Norvell, Victoria, 215
Norrell, Clif, 365
Norton, Greg, 74, 99
NRBQ, 90, 103, 118, 145, 198, 274, 283
Oar Folkjokeopus (record store), 27, 37, 53, 57, 68, 69, 79, 89, 96, 124, 132
Oates, John, 341
O’Brien, Brendan, 415
Ocasek, Ric, 152
Oh-OK, 180
Oldham, Andrew Loog, 56
Olson, Andrea “Andi,” 32–33, 36
Olson, Curtis, 30–32
O’Reagan, Tim, 393
Osgood, Chris, 58, 59–60, 73, 76, 112–113, 256
Ostin, Michael, 162, 291–292
Ostin, Mo, 169, 203, 326–327, 415
Otis, the van, 144–145
Our Band Could Be Your Life (Azerrad), 189
Ousley, Jeff, 396–397
Overtones, 380
Ovitz, Michael, 283, 284
Owens, Mike, 60, 225
Painkillers, 425
Paisley Park Studios, 314, 377
Palladin, Patti, 332–333
Palmer, Robert, 338
Panebianco, Julie, 127, 156, 192, 206, 222, 278, 294, 306, 312, 325, 326, 357, 419
Pareles, Jon, 222, 279
Parsons, Gram, 62
Patrick, Kevin, 11, 36, 38
Pearlman, Sandy, 155, 229
Pellagalli, Bruno, 25
Pellerin, Jean, 324
Penn, Dan, 244
Penn, Michael, 292
People magazine, 375
Perell, Tim, 294, 296, 297
Perfect, 418, 420
Perry, John, 247
Personals, 249
Petty, Tom, 273, 274, 344–347, 348, 350–351, 401
Philips, Dave, 418
Phillip, Liz, 156
Picardo, Michelle, 320
Pierce, Jeffrey Lee, 154
Pioneer Press, 76, 125, 247, 410
Pirner, Dave, 107, 110–111, 357
Playboy magazine, 127, 307
Pleased to Meet Me, 236–241, 243–245, 258–260, 271–273, 286
Podell, Doug, 95
Police, 61, 132
Poling, Chan, 60, 61, 62, 73, 106, 138
Pond, Steve, 330
Pop, Iggy, 26, 61, 237, 432
Pope, Bill, 216, 267
Posies, 382
Postlethwaite, David, 246
Premiere Talent Agency, 284, 348
Pretenders, 169, 203, 223
Price, Rick, 274
Prince, 58, 76, 152, 153, 192, 314
Procol Harum, 62–63
Proudfoot, Andy, 218–220, 221
Q magazine, 273
Rabid, Jack, 126
Raburn, Rick, 239
Radio & Records magazine, 331
Ralbovsky, Steve, 155, 161, 172
Ramones, 27, 38, 39, 43, 57, 59, 69, 71, 91, 100, 168, 175–176, 198, 223, 284, 335, 433
Ranieri, Donna, 360
Red Wedge, 217
Reed, Jimmy, 248
Reed, Lou, 368, 380
Reflex Records, 100
Regis, George, 160–161, 165, 166, 167, 172, 198, 214, 265, 357, 376, 422
Regis, Joe, 420
Reid, Terry, 90, 364–365
Reigstad, Ray, 174, 175, 177, 210, 224, 268–269, 317–319, 400
Reinhardt, Django, 25
Reipas, John, 174, 175, 210, 317
R.E.M., 130–132, 153, 156–157, 177, 195, 229, 230, 244, 259, 287–288, 301, 312, 313, 325, 327, 357, 415–416
Replacements
alcohol and drug abuse, 72, 82, 83, 102, 109–110, 114, 131, 144, 146–147, 189, 213, 218, 349, 367
All for Nothing/Nothing for All compilation album, 420
Bob Stinson’s behavior, concern about, 204, 223–224
Boink! compilation album, 217
Boston fans, 126–127
champagne incident, 189
comparison with other bands, 71–72, 73, 100–102, 126
conflict over control of band, 84
demo recordings, 64–65
destructive behavior, 150, 195–196, 208, 211–212, 218–219
dichotomy of, 274, 277
as Dogbreath and Impediments, 52
ejection from sober-house gig, 67–68
Europe
tour, 1986, 217–220
fans’ identification with drinking and dissolute behavior, 114–115
first performance, 52–53
as Gary and the Boners, 165
guitar-smashing incident, 85
at Hollywood Palace, 172–173
Hootenanny, 117–121, 127, 130, 155, 163, 256
Hüsker Dü, competition with, 99–102, 126
“I Will Dare” single, 134, 138, 143
inability to replicate performances, 83–84
Jesperson’s role in, 87–91
“Kids Don’t Follow,” 102–103, 102–105
“The Ledge” single, 258–259
Let It Be, 134–140, 143, 155
life on the road, 144–146
Longhorn, first gig at, 69–70
loudness, reputation for, 72
“magic slacks,” 145
major label search, 161–162
marriages, 282–283
mental health issues, 158
music video, 96, 216–217
New York City appearances, 124–126
onstage apparel, 70–71, 113
as opening act, 69, 73, 100, 102, 107, 124, 128, 321, 344, 391
Otis, the van, 144–145
as “power trash,” 91–92
press coverage of (See specific publications)
Prince, admiration for, 152–153
“pussy set,” 102, 149
reissue of all albums, 428
resentment of, 74
as Rolling Stone’s 1986 “Hot Band,” 221
on Saturday Night Live, 202–208
search for Bob Stinson’s replacement, 246–247
as sideshowcircus act, 85, 147
Sire Records contract, 172
Sorry Ma, Forgot to Take Out the Trash, 81–84, 91–92, 155
Soul Asylum, association with, 110–111
stealing master tapes from Twin/Tone, 256–257
Stink, 102–103, 105–107, 155, 256
Tim, 177–184, 187, 193–197, 203, 209
Twin/Tone, contract dispute with, 103–105
Village Voice cover story, 165
Warner Bros., association with, 172–173, 191–192, 198, 200, 209, 213, 224
in Washington, DC, 133
West Coast tour, 1983, 129
“Within Your Reach,” 116
women’s attraction to, 96–98
writers and critics, attention from, 76–78
See also High Noon Management
Replacements, after Bob’s departure
“Achin’ to Be” video, 349
alcohol and drug abuse, 236, 238, 278–281
“Alex Chilton” single, 285
American tour, 1987, 278
at Bearsville Studios, 295–299
destructive behavior, 297–298, 332, 342–343
dichotomy of, 274
dissension among band members, 338–339
dual existence of, 332
European tour, 1991, 389–390
eyebrow shaving, 285–286
fans, treatment of, 386–387
fear and anxiety, 230, 234, 239, 294
final concert, 395–398
Gary Hobbib, relationship with, 264–265
Grammy Award nomination, 1991, 389
“I’ll Be You” single and video, 313, 324, 329, 331, 339