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A Very British Murder

Page 25

by Lucy Worsley

servants

  depiction of in detective fiction 270–1

  Sharp, Alan 192

  Shaw, Joseph T. 280

  Shelley, Mary

  Frankenstein 46

  Showalter, Elaine 177

  Sickert, Walter 193

  skin book 100

  Smethurst, Thomas 137

  Smith, Madeleine 140–6, 143, 149, 150

  Society of Connoisseurs in Murder 16

  Somerville, Alexander

  Eliza Grimwood 83–4

  stage, recreating murders on 103–11

  Stevenson, Robert Louis

  The Strange Case of Dr Jekyll and Mr Hyde 188–90

  Strachey, Lytton

  Eminent Victorians 76

  Strand Magazine 225, 227

  Stratton, Alfred 207

  strychnine 133, 135

  Summerscale, Kate 155, 159

  The Suspicions of Mr Whicher 157

  Sûreté (French Security Brigade) 207, 208

  Sutherland, John 169, 171

  Sweeney Todd 74–5

  Symons, Julian 254n 267–8, 271

  Tabram, Martha 189

  Taylor, Alfred Swaine 134–5, 136–7, 201, 202

  Taylor, John Russell 287

  Thames Police 20, 25, 31–2, 36

  Thames Police Museum 32

  theatre, Victorian 107–11

  Theatres Act (1843) 107

  Theatres Royal 107

  thief-taker 33–4

  Thompson, Edith 283–5

  Thompson, Frederick 291

  Thompson-Bywaters case 283, 284–5

  thriller genre 273, 289, 292

  Thurtell, John 46–9, 50

  Tichborne Claimant 170

  Tiller-Clowes Company 104, 105

  Times Literary Supplement 76

  Times, The 43, 47, 117, 129

  Titterton, W.R. 61

  toxicologists 135–6

  Turner, John 26

  Tussaud, John Theodore 61

  Tussaud, Marie (née Grosholtz) 51, 53, 56–62, see also Madame Tussauds

  Unwin, John 36

  Vance, Philo (fictional detective) 269–70

  Vane, Harriet (fictional character) 253

  Victoria & Albert Museum 104

  Victoria Theatre 108

  Vidocq, Eugène François 207, 208–9

  Wagner, E.J. 203

  Wallace, Edgar 223–4, 273

  Wallace, Julia 261–3

  Wallace, William Herbert 261–3

  Wapping 20–1

  watchmen 33, 35–6

  Waters, Sarah

  Fingersmith 177

  Watson, Colin 268

  Snobbery With Violence 268

  Watson, Dr (fictional character) 199–200, 201, 204, 260

  waxworks

  anatomical 55

  exhibitions of 55–6

  and French Revolution 56–7

  of kings and queen 54–5

  see also Madame Tussauds

  Weare, William 47

  Westminster Abbey 53–4

  Whicher, Jack 154–5, 157, 158–9, 160, 161, 292

  White, Bill 252

  Whorton, James 128

  Wild, Jonathan 34–5

  Wilde, Oscar

  The Picture of Dorian Grey 189

  Williams, John 22–3, 25, 27–9, 27, 32, 90, 127, 291

  Williams, Ralph Vaughan 96

  Williamson, John and Elizabeth 25–6

  Wilson, Edmund 224, 268, 274–5

  Wimsey, Lord Peter (fictional character) 253, 271, 272, 349, 349–51, 349

  women 230

  as poisoners 140–50

  as police officers/detectives 218–19

  Wood, Ellen

  East Lynne 177

  Wordsworth, Catherine 13

  Wordsworth, William 10, 13

  Wright, Willard Huntington Wright (S.S. Van Dine) 269–70

  Wyles, Lillian 219

  yellowback 215–16

  Acknowledgements

  I would like to express my sincere thanks to Judith Flanders, whose The Invention of Murder greatly influenced my own, and the BBC’s, approach to the subject. She was the consultant for the TV series and provided us with a key interview. I would also like to thank everyone on the ‘Murder team’ at BBC Bristol: Michael Poole, Alastair Laurence, Gerry Dawson, Rachel Jardine, Matthew Thomas, Chloe Penman, Jo Verity, Michelle Soldani, Fred Fabre, Kinita Echeverria, Michael Robinson, Paul Nathan, Simon Pinkerton, James Harrison, Glenn Rainton, Natasha Martin and Deborah Williams, and to our commissioner, Mark Bell. Likewise, at BBC Books, I’m awfully grateful to Albert De Petrillo, Kate Fox, Claire Scott, Richard Collins, Sarah Chatwin and all their colleagues. I have been a happy client at Felicity Bryan Associates for nearly a decade now, and am indebted especially Felicity herself and to Michele Topham. I dedicate this book with love to Mark Hines, who will be glad when we no longer need share our house with a horde of murderers.

  Thanks, finally, to the readers and other history-lovers who constantly contact me through my website. You’re almost always a source of good cheer and encouragement. In the words of the oath of the Detection Club: ‘May your only problems be fictional and of your own devising, and may many years pass before you write, for the last time, The End.’

  Picture Credits

  The page references in this section correspond to the printed edition from which this ebook was created.

  Alamy: Plate 12 (top); BBC Bristol: /Chloe Penman Plate 7 (bottom), Plate 14 (bottom), Plate 15 (all), /Matt Thomas Plate 14 (top); Bettmann/Corbis: 237, Plate 5 (bottom); Bodleian Library, University of Oxford: 247, Plate 5 (top), Plate 13; Bonhams: Plate 7 (top); Bridgeman Art Library: Plate 8 (bottom); British Library: Plate 9 (top), Plate 11 (bottom right); City of London Police Museum: Plate 1 (bottom); Getty Images: /Hulton Archive 59, 147, 154, Plate 2 (top); /Time Life Pictures/Mansell 165, Plate 12 (bottom), /Kurt Hutton/Picture Post 8 (top); Jennifer Carnell: 183; The Kobal Collection: /ITV Global Plate 16 (top), /Bip Plate 16 (bottom); ©IPC+ Syndication: 249; Library of Congress: Plate 11 (top); Lucy Worsley: 12, Plate 10 (top); Madame Tussauds London: 121, Plate 4; Mary Evans Picture Library: 180, Plate 2 (bottom), Plate 3 (top); Peter Harris: Plate 10 (bottom); Royal Pavilion and Museums, Brighton & Hove: Plate 3 (bottom); St Edmundsbury Borough Council: 95, 100, Plate 6; Tower Hamlets Local History Library and Archives: 27, Plate 1 (top); Topfoto: 239, /Museum of London/HIP 81; Trustees of the William Salt Library, Stafford (reproduced by permission): 131, plate 8 (bottom); Wellcome Library: 133; Wikicommons: 143; Yale Beinecke Rare Book & Manuscript Library: Plate 11 (bottom left).

  Author photo: BBC Bristol/Chloe Penman

  This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorized distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

  Version 1.0

  Epub ISBN 9781448142002

  www.randomhouse.co.uk

  This book is published to accompany the television series entitled A Very British Murder, first broadcast on BBC4 in 2013.

  Executive Producer: Michael Poole

  Series Producer: Alastair Laurence

  Directors: Gerry Dawson (Ep. 1); Rachel Jardine (Ep. 2); Matt Thomas (Ep. 3)

  Researcher: Chloe Penman

  1 3 5 7 9 10 8 6 4 2

  Published in 2013 by BBC Books, an imprint of Ebury Publishing.

  A Random House Group Company.

  Text © Lucy Worsley 2013

  Lucy Worsley has asserted her right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988

  All rights reserved. No part of this publication may be reproduced, stored in a retr
ieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner.

  The Random House Group Limited Reg. No. 954009

  Addresses for companies within the Random House Group can be found at www.randomhouse.co.uk

  A CIP catalogue record for this book is available from the British Library.

  Hardback ISBN: 9781849906340

  Commissioning editor: Albert DePetrillo

  Project editor: Kate Fox

  Copy editor: Richard Collins

  Designer: Seagull Design

  Production: Phil Spencer

  To buy books by your favourite authors and register for offers visit www.randomhouse.co.uk

 

 

 


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