Beautiful Boy: A Father's Journey Through His Son's Addiction
Page 2
At breakfast, I stare hard at Nic. The giveaway is his body, vibrating like an idling car. His jaw gyrates and his eyes are darting opals. He makes plans with Jasper and Daisy for after school and gives them gentle hugs, but his voice has a prickly edge.
When Karen and the kids are gone, I say, "Nic, we have to talk."
He eyes me warily. "About?"
"I know you're using again. I can tell."
He glares at me. "What are you talking about? I'm not." His eyes lock onto the floor.
"Then you won't mind being drug-tested."
"Whatever. Fine."
"OK. I want to do it now."
"All right!"
"Get dressed."
"I know I should have called. I'm not using." He almost growls it.
"Let's go."
He hurries to his bedroom. Closes the door. He comes out wearing a Sonic Youth T-shirt and black jeans. One hand is thrust in his pocket, his head is down, his backpack is slung on one shoulder. In his other hand he holds his electric guitar by the neck. "You're right," he says. He pushes past me. "I've been using since I came home. I was using the whole semester." He leaves the house, slamming the door behind him.
I run outside and call after him, but he is gone. After a few stunned moments, I go inside again and enter his bedroom, sitting on his unmade bed. I retrieve a crumpled-up piece of paper under the desk. Nic wrote:
I'm so thin and frail
Don't care, want another rail.
Late that afternoon, Jasper and Daisy burst in, dashing from room to room, before finally stopping and, looking up at me, asking, "Where's Nic?"
I tried everything I could to prevent my son's fall into meth addiction. It would have been no easier to have seen him strung out on heroin or cocaine, but as every parent of a meth addict comes to learn, this drug has a unique, horrific quality. In an interview, Stephan Jenkins, the singer in Third Eye Blind, said that meth makes you feel "bright and shiny." It also makes you paranoid, delusional, destructive, and self-destructive. Then you will do unconscionable things in order to feel bright and shiny again. Nic had been a sensitive, sagacious, exceptionally smart and joyful child, but on meth he became unrecognizable.
Nic always was on the cutting edge of popular trends—in their time, Care Bears, My Little Pony, Transformers, Teenage Mutant Ninja Turtles, Star Wars, Nintendo, Guns N' Roses, grunge, Beck, and many others. He was a trailblazer with meth, too, addicted years before politicians denounced the drug as the worst yet to hit the nation. In the United States, at least twelve million people have tried meth, and it is estimated that more than one and a half million are addicted to it. Worldwide, there are more than thirty-five million users; it is the most abused hard drug, more than heroin and cocaine combined. Nic claimed that he was searching for meth his entire life. "When I tried it for the first time," he said, "that was that."
Our family's story is unique, of course, but it is universal, too, in the way that every tale of addiction resonates with every other one. I learned how similar we all are when I first went to Al-Anon meetings. I resisted going for a long time, but these gatherings, though they often made me weep, strengthened me and assuaged my sense of isolation. I felt slightly less beleaguered. In addition, others' stories prepared me for challenges that would have otherwise blindsided me. They were no panacea, but I was grateful for even the most modest relief and any guidance whatsoever.
I was frantic to try to help Nic, to stop his descent, to save my son. This, mixed with my guilt and worry, consumed me. Since I am a writer, it's probably no surprise that I wrote to try to make some sense of what was happening to me and to Nic, and also to discover a solution, a cure that had eluded me. I obsessively researched this drug, addiction, and treatments. I am not the first writer for whom this work became a bludgeon with which to battle a terrible enemy, as well as an expurgation, a grasping for something (anything) fathomable amid calamity, and an agonizing process by which the brain organizes and regulates experience and emotion that overwhelms it. In the end, my efforts could not rescue Nic. Nor could writing heal me, though it helped.
Other writers' work helped, too. Whenever I pulled it of the shelf, Thomas Lynch's book Bodies in Motion and at Rest: On Metaphor and Mortality opened by itself to page 95, the essay "The Way We Are." I read it dozens of times, each time crying a little. With his child passed out on the couch, after arrests and drunk tanks and hospitalizations, Lynch, the undertaker and poet and es sayist, looked at his dear addicted son with sad but lucid resignation, and he wrote: "I want to remember him the way he was, that bright and beaming boy with the blue eyes and the freckles in the photos, holding the walleye on his grandfather's dock, or dressed in his first suit for his sister's grade-school graduation, or sucking his thumb while drawing at the kitchen counter, or playing his first guitar, or posing with the brothers from down the block on his first day of school."
Why does it help to read others' stories? It's not only that misery loves company, because (I learned) misery is too self-absorbed to want much company. Others' experiences did help with my emotional struggle; reading, I felt a little less crazy. And, like the stories I heard at Al-Anon meetings, others' writing served as guides in uncharted waters. Thomas Lynch showed me that it is possible to love a child who is lost, possibly forever.
My writing culminated in an article about our family's experience that I submitted to the New York Times Magazine. I was terrified to invite people into our nightmare, but was compelled to do so. I felt that telling our story would be worthwhile if I could help anyone in the way that Lynch and other writers helped me. I discussed it with Nic and the rest of our family. Though encouraged by them, I was nonetheless nervous about exposing our family to public scrutiny and judgment. But the reaction to the article heartened me and, according to Nic, emboldened him. A book editor contacted him and asked if he was interested in writing a memoir about his experience, one that might inspire other young people struggling with addiction. Nic was eager to tell his story. More significantly, he said that he walked into AA meetings and when friends—or even strangers—made the connection between him and the boy in the article, they offered warm embraces and told him how proud they were of him. He said that it was a powerful affirmation of his hard work in recovery.
I also heard from addicts and their families—their brothers and sisters, children, and other relatives, and, most of all, parents—hundreds of them. A few respondents were critical. One accused me of exploiting Nic for my own purposes. Another, outraged at my description of a period when Nic briefly wore his clothes backward, attacked, "You let him wear backward clothes? No wonder he became an addict." But the great majority of letters were outpourings of compassion, consolation, counsel, and shared grief. Many people seemed to feel that finally someone understood what they were going through. This is the way that misery does love company: People are relieved to learn that they are not alone in their suffering, that they are part of something larger, in this case, a societal plague—an epidemic of children, an epidemic of families. For whatever reason, a stranger's story seemed to give them permission to tell theirs. They felt that I would understand, and I did.
"I am sitting here crying with shaking hands," a man wrote. "Your article was handed to me yesterday at my weekly breakfast of fathers who have lost their children. The man who handed it to me lost his sixteen-year-old son to drugs three years ago."
"Our story is your story," wrote another father. "Different drugs, different cities, different rehabs, but the same story."
And another: "At first, I was simply startled that someone had written my story about my child without my permission. Halfway through the emotional text of very familiar events and manifest conclusions, I realized that the dates of significant incidents were wrong, and thereby had to conclude that other parents may be experiencing the same unimaginable tragedies and loss that I have...
"Insight acquired over a quarter of a century forces me to rewrite the last paragraph: Escaping from his l
atest drug rehab, my son overdosed and nearly died. Sent to a very special program in another city, he stayed sober for almost two years, then began disappearing again, sometimes for months, sometimes years. Having been one of the most brilliant students in the country's highest ranking high school, it took him twenty years to graduate from a mediocre college. And it has taken me just as long to discard my veil of impossible hope and admit that my son either cannot or will not ever stop using drugs. He is now forty years old, on welfare, and resides in a home for adult addicts."
There were so many more, many with unfathomably tragic conclusions. "But the ending of my story is different. My son died last year of an overdose. He was seventeen." Another: "My beautiful daughter is dead. She was fifteen when she overdosed." Another: "My daughter died." Another: "My son is dead." Letters and emails still interrupt my days with haunting reminders of the toll of addiction. My heart tears anew with each of them.
I kept writing and, through the painstaking process, had some success viewing our experience in a way that made sense to me—as much sense as is possible to make of addiction. It led to this book. When I transformed my random and raw words into sentences, sentences into paragraphs, and paragraphs into chapters, a semblance of order and sanity appeared where there had been only chaos and insanity. As with the Times article, it scares me to publish our story. But with the continued encouragement of the principals, I go forward. There's no shortage of compelling memoirs by addicts, and the best of them offer revelations for anybody who loves one. I hope Nic's book will become a compelling addition. And yet—with rare exceptions, such as Lynch's essay—we have not heard from those who love them. Anyone who has lived through it, or those who are now living through it, knows that caring about an addict is as complex and fraught and debilitating as addiction itself. At my worst, I even resented Nic because an addict, at least when high, has a momentary respite from his suffering. There is no similar relief for parents or children or husbands or wives or others who love them.
Nic used drugs on and off for more than a decade, and in that time I think I have felt and thought and done almost everything an addict's parent can feel and think and do. Even now, I know that there's no single right answer, nor even a clear road map, for families of the addicted. However, in our story, I hope that there may be some solace, some guidance, and, if nothing else, some company. I also hope that people can catch a glimpse of something that seems impossible during many stages of a loved one's addiction. Nietzsche is often quoted for having said, "That which does not kill us makes us stronger." This is absolutely true for family members of an addict. Not only am I still standing, but I know more and feel more than I once thought was possible.
In telling our story, I resisted the temptation to foreshadow, because it would be disingenuous—and a disservice to anyone going through this—to suggest that one can anticipate how things will unfold. I never knew what the next day would bring.
I've strived to honestly include the major events that shaped Nic and our family—the good and the appalling. Much of it makes me cringe. I am aghast at so much of what I did and, equally, what I did not do. Even as all the experts kindly tell the parents of addicts, "You didn't cause it," I have not let myself off the hook. I often feel as if I completely failed my son. In admitting this, I am not looking for sympathy or absolution, but instead stating a truth that will be recognized by most parents who have been through this.
Someone who heard my story expressed bafflement that Nic would become addicted, saying, "But your family doesn't seem dysfunctional." We are dysfunctional—as dysfunctional as every other family I know. Sometimes more so, sometimes less so. I'm not sure if I know any "functional" families, if functional means a family without difficult times and members who don't have a full range of problems. Like addicts themselves, the families of addicts are everything you would expect and everything you wouldn't. Addicts come from broken and intact homes. They are longtime losers and great successes. We often heard in lectures or Al-Anon meetings or AA meetings of the intelligent and charming men and women who bewilder those around them when they wind up in the gutter. "You're too good a man to do this to yourself," a doctor tells an alcoholic in a Fitzgerald story. Many, many people who have known Nic well have expressed similar sentiments. One said, "He is the last person I could picture this happening to. Not Nic. He's too solid and too smart."
I also know that parents have discretionary recall, blocking out everything that contradicts our carefully edited recollections—an understandable attempt to dodge blame. Conversely, children often fixate on the indelibly painful memories, because they have made stronger impressions. I hope that I am not indulging in parental revisionism when I say that in spite of my divorce from Nic's mother, in spite of our draconian long-distance custody arrangement, and in spite of all of my shortcomings and mistakes, much of Nic's early years was charmed. Nic confirms this, but maybe he is just being kind.
This rehashing in order to make sense of something that cannot be made sense of is common in the families of addicts, but it's not all we do. We deny the severity of our loved one's problem, not because we are naive, but because we can't know. Even for those who, unlike me, never used drugs, it's an incontrovertible fact that many—more than half of all children—will try them. For some of those, drugs will have no major negative impact on their lives. For others, however, the outcome will be catastrophic. We parents do everything we can and consult every expert and sometimes it's not enough. Only after the fact do we know that we didn't do enough or what we did do was wrong. Addicts are in denial and their families are in it with them because often the truth is too inconceivable, too painful, and too terrifying. But denial, however common, is dangerous. I wish someone had shaken me and said, "Intervene while you can before it's too late." It may not have made a difference, but I don't know. No one shook me and said it. Even if someone had, I may not have been able to hear it. Maybe I had to learn the hard way.
Like many in my straits, I became addicted to my child's addiction. When it preoccupied me, even at the expense of my responsibilities to my wife and other children, I justified it. I thought, How can a parent not be consumed by his child's life-or-death struggle? But I learned that my preoccupation with Nic didn't help him and may have harmed him. Or maybe it was irrelevant to him. However, it surely harmed the rest of my family—and me. Along with this, I learned another lesson, a soul-shaking one: our children live or die with or without us. No matter what we do, no matter how we agonize or obsess, we cannot choose for our children whether they live or die. It is a devastating realization, but also liberating. I finally chose life for myself. I chose the perilous but essential path that allows me to accept that Nic will decide for himself how—and whether—he will live his life.
As I said, I don't absolve myself, and meanwhile, I still struggle with how much I can absolve Nic. He is brilliant and wonderful and charismatic and loving when he's not using, but like every addict I have ever heard of, he becomes a stranger when he is, distant and foolish and self-destructive and broken and dangerous. I have struggled to reconcile these two people. Whatever the cause—a genetic predisposition, the divorce, my drug history, my overprotectiveness, my failure to protect him, my leniency, my harshness, my immaturity, all of these—Nic's addiction seemed to have had a life of its own. I have tried to reveal how insidiously addiction creeps into a family and takes over. So many times in the past decade I made mistakes out of ignorance, hope, or fear. I've tried to recount them all as and when they happened, in the hope that readers will recognize a wrong path before they take it. If they don't, however, I hope they may realize that it is a path they can't blame themselves for having taken.
When my child was born, it was impossible to imagine that he would suffer in the ways that Nic has suffered. Parents want only good things for their children. I was a typical parent who felt that this could not happen to us—not to my son. But though Nic is unique, he is every child. He could be yours.
The
reader should know that I have changed a few names and details in the book to obscure the identities of some of the people herein. I begin when Nic was born. The birth of a child is, for many if not every family, a transformative event of joy and optimism. It was for us.
PART I
Stay up late
I have a daughter who reminds me too much of what I used to be, full of love and joy, kissing every person she meets because everyone is good and will do her no harm. And that terrifies me to the point to where I can barely function.
—KURT COBAIN, in his suicide note
1
My wife, Vicki, and I live in Berkeley in a whitewashed clapboard bungalow built in the 1920s, hidden from the street behind a wall of black bamboo. It is 1982, a summer of waiting. Everything else—work, social engagements—is biding time. Our baby is due in July.
An ultrasound identifies him as a him. We prepare for his arrival. We paint and decorate a nursery, furnishing it with a white crib, light-blue dresser, bookshelves stocked with Maurice Sendak and Dr. Seuss, and, sitting sentinel on either side of the doorway, a pair of enormous stuffed panda bears, early baby gifts from a friend. Another friend has loaned us a family heirloom, a buttery yellow cradle in the shape of a new moon. It hangs from a chain in the corner of the living room, appearing to float above San Francisco, which glitters in the distance.
Vicki's contractions begin after midnight on the morning of July 20. As we have been instructed to do in our Lamaze class, we clock the intervals between them. It is time. We drive to the hospital.
Nic is born at dawn—our beautiful boy.
We are enraptured by our child. We willingly forsake sleep. We soothe his crying. We sing him lullabies. We fall into a languorous altered state, a dreamy contentment that would have appalled us had it befallen any of our friends. (Indeed, many of our friends are appalled.) Life is accompanied by a soundtrack of Pete Seeger, the Limelighters, and Raffi, whose songs, played over and over and over and over and over and over and over, would crack any criminal into confessing after other forms of torture fail. Sometimes we just stare at the baby's tiny grasping hands and luminous, exuberant eyes.