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Murder a la Richelieu (American Queens of Crime Book 2)

Page 25

by Anita Blackmon


  I knitted my brows at him. “The daughter must be about twenty-two now,” I murmured, still thinking aloud.

  He gave me an odd glance. “Didn’t you know that Gloria Canby died last fall?” he asked.

  I got the feeling that he was watching me closely.

  “Died!” I exclaimed. “And so young. What a pity!”

  “Perhaps,” he said with an ugly twist to his voice.

  I gave him a scathing glance. “Are you one of those bolshevists who envy a capitalist everything, even his innocent children?” I demanded.

  He shrugged his shoulders. “Thank God I’ve outgrown that rash,” he said, “and God knows nobody envied Thomas Canby his daughter.”

  At this moment the power magnate’s long maroon car passed us again with another indignant flirt of loose gravel. “Apparently Mr Thomas Canby is in a hurry,” I remarked dryly.

  Chet Keith nodded, then smothered a sharp exclamation. The machine ahead had stopped so abruptly, it was all our driver could do not to pitch directly into it. For a moment both cars hung sickeningly on the edge of the bluff, and I felt as if my stomach had turned a somersault.

  “What the hell!” exclaimed Chet Keith. “Sorry,” he muttered with a perfunctory glance at me as he swung out of the bus.

  The Canby chauffeur, a wiry, muscular-looking man in livery, had also leaped to the ground. They were joined by the bus driver. All seemed to be staring intently at something just around the short curve in front of us. I could see Thomas Canby craning his long thin neck from the back seat of the limousine. I suppose they expected me to have no natural curiosity. At any rate Chet Keith gave me an impatient glance when I crawled out of the bus and walked toward them.

  “You might as well go back,” he said curtly. “It’s just a rock in the road.”

  “I can see that for myself,” I retorted in a tart voice.

  There was a large boulder lying on the inside of the curve. It seemed to have fallen from the side of the mountain just above, where there was a gaping hole of loosened earth and gravel.

  “We’ll have it out of the way in a jiffy,” murmured the chauffeur, “if you’ll lend me a hand, brother.”

  He glanced at the bus driver, who was scratching his head.

  “Funny what made that rock fall,” he muttered.

  Chet Keith again shrugged his shoulders. “Wouldn’t have been so funny if either of us had hit it going round that curve,” he said.

  I shuddered and glanced away from the sheer drop at the edge of the precipice to our left.

  “You’d think on such a road they’d take precautions against things like this,” I remarked.

  The bus driver was still scratching his head. “That’s what makes it funny,” he said. “They do.”

  The utility magnate spoke for the first time. “Can’t you clear that rock away, Jay?” he asked in a testy voice.

  The chauffeur touched his cap. “Watch me,” he said.

  He and the driver fell to and with considerable heaving and panting shifted the boulder off to the side of the road. Chet Keith did not lend a hand. Instead he climbed up the side of the mountain and stood looking down with a frown at the hole from which the rock had fallen. He was still there when the maroon car went on its way. The bus driver had gone back to his own machine, where he tooted his horn several times to attract our attention. I had not returned to the bus either. I was watching Chet Keith. He gave a start when he saw me staring up at him.

  “Wind must have blown it over,” he said, giving me what I regarded as a distinctly shifty glance.

  “Except that there has been no wind all afternoon,” I replied.

  He frowned and tried to slip something into his pocket which he had picked up from a clump of withered grass at his feet.

  “Accidents will happen,” he murmured.

  “I wouldn’t call it an accident if a cold chisel had been employed to dig a rock loose,” I said with a sniff.

  He looked at me as if he would have enjoyed wringing my neck, but he produced the object which he had attempted to secrete in his pocket without my seeing it. It was a cold chisel. Bits of gravel and clay still clung to its side.

  “It’s probably been lying here for weeks,” he observed in a defiant manner.

  “That’s why it’s all rusty,” I commented with elaborate sarcasm.

  The cold chisel was not rusted. It looked bright and new.

  “You don’t miss much, do you?” inquired Chet Keith.

  This time it was I who reached up and plucked something from a clump of withered grass clinging to the side of the mountain.

  “Not a great deal,” I said and would have pocketed my discovery without another word, but he caught my wrist and held it.

  “A woman!” he exclaimed.

  I nodded. “Looks as if.”

  The object which I was holding was a hairpin, an amber-coloured hairpin made of cheap celluloid.

  “Jees,” he said softly and then grinned. “Any reason why somebody at Lebeau Inn should crave to see you reach a sudden end?”

  I thought of Ella and shook my head. “If I should have been taken down with a mild case of poison ivy it might not have been unwelcome, but” – I took another shuddering glance at the bluff on our other side – “nothing like this.”

  “I wasn’t expecting to be met with a brass band either,” he admitted with his cocksure grin. “However, as you say, murder is a cat of another odour.”

  I caught my breath. “Murder!”

  He gave me a sharp glance. “The real question before the house is: Who tried to send Thomas Canby to kingdom come?”

  I gasped, but he was already walking toward the bus and, feeling suddenly infirm in the region of my knees, I followed.

  This edition published 2015 by Pepik Books, Blake House, 18 Blake Street, York, YO1 8QH

  Copyright © 2015 Pepik Books

  Murder à la Richelieu by Anita Blackmon (1893-1943) was first published in 1937.

  Published by Pepik Books (www.pepikbooks.com) as part of the Lost Crime Classics collection.

  www.lostcrimeclassics.com

  All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise be reproduced, lent, re-sold, hired out or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser.

 

 

 


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