Borderlands 5

by Unknown

  I got out of the Jeep. The door of the shack was open, and though the moon was temporarily behind a cloud, leaving the woods in darkness, a soft yellowish light spilled from the small rectangular entryway, granting the surrounding brush a disturbing malevolence.

  The last time I had been here, it had been with the fire brigade. That had been scary enough. But now I was all alone, and though part of me wanted to turn tail and run, the part of me that had quit the fire department and vowed never to return to this spot, another more instinctual portion of my brain was urging me forward.

  I’m out of here, I could imagine Rossi saying. But Rossi was not here. No one else was here. And though I didn’t really want to, I walked up to the shack, ducked into the doorway.

  There were candles lighting the hallway that ran the width of the structure, even more candles in the long narrow room that sloped down to the chamber containing the mummified monkey thing.

  God lives there

  Like the doorway to the shack, the entrance to the back chamber was open, as though waiting for me, and I accepted the invitation and stepped inside.

  There were no candles here, but the entire room was suffused with a rosy glow that reminded me of those Victorian prostitute’s lamps with scarves and stockings thrown over them, although there was no lamp in sight and indeed the illumination did not have an identifiable source.

  I stopped just inside the doorway. A naked woman was seated next to the desiccated mummy on a wooden bench that looked older than the earth itself, and there was something about the way she reclined next to the diminutive figure, something about the way her arm was wrapped about its small skeletal shoulder that bespoke intimacy. They’re married, I thought, and the second the idea occurred to me, I knew it was true. She was the wife of that thing. She had always been its intended.

  The woman’s skin was no longer a slimy bluish white. Instead it was the soft peach of a newborn infant, its fresh color emphasized by the mysterious rose lighting of the chamber. She had blond hair like Anna Howell, and her pubic hair was blond, too. Which made the dried blackened features of the creature next to her seem that much more grotesque. The face of that monkey and its hideously gleeful rictus had haunted my nightmares, and I looked now upon that dead parchment skin pulled back from those sharp rotted teeth and felt the same fear I had before. The fear was not tempered by the presence of the foolishly grinning woman next to it. If anything, the juxtaposition of the two was even more frightening.

  The woman nodded at me, wiggling the fingers of her free hand.

  She wasn’t a real person, I had to remind myself. She had sprouted from the panties. I had grown her.

  As I watched, she spread her legs wide, and from the shadowed cleft between her thighs came flowers, an endless bouquet that flowed out like water from a spring, a floral fountain that cascaded over the edge of the chair onto the floor in an almost liquid wave, covering the dirt and the small gray rocks so completely that the floor of the chamber was buried beneath a rainbow of color. I smelled the perfume of my mother, my grandmother, my aunts and cousins, my teachers, every girlfriend I had ever had. The scents of all women were tied up in that olfactory cornucopia, each of the wonderful flowery fragrances triggering memories of the females in my life, and I was momentarily overwhelmed by a nostalgia that was at once happily welcome and profoundly sad.

  The blackened figure had not changed its expression—it couldn’t change its expression—but emotion still emanated from its unmoving form, and the feeling I got from it now was one of gratitude. I had given it a wife, and it was thankful.

  God was no longer alone.

  That was crazy thinking. I knew this wasn’t God. It wasn’t even a god. Yet there was no doubt in my mind that the emotion washing over me was real, and though no words were spoken, no thoughts or images transmitted to me, I suddenly understood that the mummified creature wanted to show its gratitude.

  In my mind, I saw Andre falling to his knees in worshipful adoration, and I thought about what had happened in this room after the lights went out. Once again, I was filled with that permeating sense of evil and doom.

  I knew I should get out of there as quickly as possible, run out of the shack and back to my Jeep, drive back home and never even look at the woods again. But I found myself staring at the flowers still flowing from between the woman’s legs, and my mind was soothed by the emotion spreading outward from her immobile companion.

  God is grateful

  I thought about my empty existence, my boring job and nonexistent lovelife, all of the pointless routines that made up my usual day.

  I considered several possibilities. Then made a wish.

  The feeling imparted to me now from the desiccated monkey was one of approbation, but when I looked at the mismatched faces of the couple on the bench I felt colder than I ever had in my life. The fear was back, stronger than ever, and I knew instantly and with utter certainty that I had just made a huge mistake, the biggest mistake of my life. My first impulse was to try and take it back, to drop to my knees and beg for another chance, a do-over. But I knew that was not possible.

  I thought for a moment, then picked up a flower that smelled like my mother, turned away, and walked out of the chamber, out of the shack, into the darkness, tears streaming down my face.

  And as I headed toward the spot where I’d parked the Jeep, I wondered what went through Andre’s mind at the second he pulled the trigger.

  Infliction

  JOHN MCILVEEN

  Writer and bookseller John McIlveen lives out his days in a house full of women. Knowing this, it should not surprise you that he’s been able to create a story which captures such a striking range of human emotion. However, that does not keep “Infliction” from being a truly disturbing tale.

  How do you judge a scar? They are all different.

  They are not prejudice. A ten-pound infant or a ten-ton boulder can scar, or be scarred. In my forty-nine years, I have scarred and been scarred. The knowledge is now more a part of me than my own callous heart.

  My oldest one had nearly healed. I had cast off my demon; exorcised from a thirty-year addiction to the bottle. Any bottle, as long as it held the spirit of numbness within.

  I walked proudly, with my chin high and my nose in the air, swaggering with the arrogance of a winner, but I wanted to be victor in more than the conquest of alcohol, that merely a battle in the war for my soul.

  It has been over seven months since I last surrendered to the drink … not so well with the guilt.

  I have destroyed my family.

  It has been four years since Suzi, my only child, ran away. Two years since my wife Tippi stepped off the Hampton Beach jetty, freely surrendering herself to the icy midnight waters of the Atlantic Ocean.

  Tippi …

  She was a study of smoothness, a classic Japanese beauty. As exquisite as a Monet brushstroke, the way she moved, the way she spoke, the way she loved … and the way she died. In one liquid moment, pouring from my life, like mercury, into the Atlantic.

  They found her drowned body the following morning, lying on the beach like a gift from the early morning tide. I was at home, unaware; drowning in my own intoxicated death. Too drunk to realize—or care—about her absence from our bed. Unknowing that my only bond to normality was lying not even a mile from where I lay. All her pain and regrets—all her scars—were given up, transposed by water with her last living breath. I attended Tippi’s funeral the same way I attended my life, from behind an inebriated gauze curtain. I remember little of the ceremony, but the people with accusation in their eyes will remain with me. Through common respect, while compassionately patting me on the back and emitting a stream of kind words, they tried to hide the blame, but it was like covering an alligator with a bath towel. Regardless of how well they covered it, parts would always show, fully emerging to lash out if I came too near.

  Your fault, the alligator would say. You failed her.

  Tippi, of course, would have s
een it as her failure, not mine. That was her way. That was her gift and her curse. I see now that when we met I became her personal venture, her mission of mercy. I know she loved me … her passion was pathos.

  Suzi’s running away was the end for Tippi. She saw it as her final failure; the big push that ultimately and literally drove her over the edge. We knew where Suzi was, though the truth was almost laughable. The idea of a fifteen-year-old girl joining a traveling circus seemed ludicrous, like a plot straight from a child’s book or movie. Tippi searched for two years, while I submerged myself deeper in drunkenness. Then Tippi escaped.

  I found myself in an empty house. Tippi and Suzi were gone and I was suddenly alone to fend for myself. I was an abandoned infant; everything was new and estranged. I hadn’t cooked a meal in over twenty years.

  The only child of parents who passed away over a decade earlier, I was left with only two companions, alcohol and guilt. Both ate away at my insides, a violent river eroding the walls of my health and sanity.

  Bob Lynch was a large but gracious man whose generous heart was his own tormentor. He owned the garage where I had worked since my teens, though a lesser man would have fired me years earlier. He found me, nearly a year and a half after Tippi’s funeral, lying on my bedroom floor, holding a bottle like a lost lover. He saw a broken man swimming in a sea of empty bottles and his own waste, drowning, yet clinging to the shards of a shattered life. I had not shown up for work in three days.

  Bob signed me into Hawthorne House, a local rehabilitation center, and told them he would pay the bill as long as they did not release me until I was cured. Bob was another love neglected by my weakness.

  He bestowed the unconditional love of a brother, owing nothing, asking nothing, and getting nothing in return, except a barely adequate mechanic with a life full of troubles.

  I signed myself out the next morning with every intention of returning to my comfortable oblivion, nestled between the familiar sheets of guilt and drunkenness. I wanted to drink myself back to the muted memories of a woman who gave me everything. I wanted to return to my gullible drunken form where I could convince myself of happiness and of times that had never existed.

  All of that changed with three words. What Tippi could not do with twenty-five years of love and begging, one young woman achieved with three words. Sobriety is a wonderful hearing aid.

  I was drawn by the sobs of a teenager who sat in the rehab lobby. She was aged by her addiction, but I figured her between fifteen and eighteen. Her blonde hair was stringy and dirty, and her eyes, sunken and ringed with the mascara of a drug addict. She stared at the floor tolerating the overplayed sympathy from an attendant.

  “I don’t matter”, she said through her tears. Her desperation was a throat clutching smoke that filled the room, seeping through the cracks of soberness in a broken man’s armor. The aid tried to convince her otherwise, looking uncomfortable while her eyes scanned the lobby for help. She wore her inexperience like a flamboyant hat.

  The girl looked at me, and I saw eyes that I had thought of too seldom in the last four years—in the last nineteen years. In their carved-out depths I read things seldom found in eyes of someone six times her senior. There was pain, rebellion, fear, blame, loneliness, rejection, and beneath it all, unfathomable to me, love. It was illogical. It didn’t belong there! It stood singular, a rose in a field of weeds, begging for attention. How could this child still find room for love? For possibly the first time in my adult life, I wanted to cry.

  How could I have been so blind? How could I have been so heartless? Though this girl did not look anything like my Suzi, the connection was there. At that moment I vowed to find her so I could tell her that she now mattered. That I was sorry that fate burdened her with a father who was so narrow—so careless—that he would allow the two finest things in his life to slide through his numbed hands, without even the flattery of an attempted grasp.

  I would have given my life, right then, just to feel Suzi in my arms. To kiss her face and hear her say, I love you dad. I forgive you. To embrace my daughter, the only link to Tippi and the remnants of a life that could have been so good, if not for my ignorance. Perhaps there was still a chance for forgiveness through Suzi.

  I went home that evening and poured every trace of alcohol down the toilet. I dumped my after shave, rubbing alcohol and cooking sherry, bidding farewell to my lifelong mistress, and turned my back before she could seduce me again. For two days, I cleaned my home with a vehemence I could not recall ever having. I scrubbed the floors and the walls, behind the refrigerator, stove, washer and dryer. I washed the curtains, sheets and lampshades, and scoured every surface. I wanted to remove any evidence of myself from the house for fear that the ghosts and demons of my past would haunt the next residents and betray my secrets. The house sold easily after only three weeks on the market, understandably so for such a fine home. A proud manor for which I could claim no credit; I had inherited it. Any personality shown on or within its walls was the works of Tippi or my parents. I was ashamed to accept money for it.

  I sold it for $125,000 with furnishings, much to the displeasure of my confounded real estate agent. The house was appraised at $169,000. Bob Lynch cried when I told him I was leaving, though the revelation didn’t really surprise him. Like a parent who loses a rebellious child, there is still love and pity. It still hurts.

  I couldn’t answer his questions of where I was going, or why. They were answers I didn’t have. I simply told him that I had dropped my heart four years ago, and that I needed to find it. I said no when he offered me money.

  My search for Suzi was rooted in the shallow and dry dirt of optimism. The prospect of her being with the circus four years later was paper thin, but substantial enough for hope. Perhaps someone would remember the girl I forgot.

  Finding the name of the circus was similar to searching for bugs under rocks, you flip one, and then move to another, knowing that eventually it will turn up. I found an ad in the Portsmouth Herald archives from four years earlier, trumpeting the arrival of Dunn & Barlow’s Magnificent World Fair.

  A traveling circus moves like butterfly. It flutters erratically on an inconclusive path, leaving little clue of where it’s been, and even less of where it’s going. Hampton Beach town records showed nothing except a statement for the land that Dunn & Barlow’s had leased. Like the butterfly, they arrived, left, and never returned. No information was available beyond that.

  Bud Martin has a good memory. He owns The Sand Dollar, a diner located across the boulevard from the Hampton Beach State Park, the land Dunn & Barlow’s had rented. Bud’s the talkative sort with plenty of nothing to say, and shares his wisdom with the flip of a burger. He serves an abundance of both for your dollar. He recalled the circus, but remembered no names. He said it’s better that way. However, he remembered a conversation about a town in Vermont called Woodstock, then spoke of a concert he attended many years ago with the same name.

  For more than three months I followed such leads, a man and his Cutlass, tracking baseless clues across the country like a cat chasing a string. I zigzagged across America with my life possessions jammed in the trunk. My conviction and hopefulness died a little more with every dead-end, but in Sarasota, Florida, at 3:00 a.m. in a sleepy cafe, I met a nosy truck driver named Kennedy who overheard my inquiries. He shared a great story with me.

  He said that when you live on the road, lonely hour after hour, billboards play a weighty role. They break the monotony of the blacktop, since they are one of very few things in a long-hauler’s life that change with any regularity.

  Dunn & Barlow’s was a name familiar to both the trucker and billboards. Like the truck driver, traveling circuses are nomads, night gypsies that move by the light of the moon. They occasionally cross paths on the dreary road. Kennedy recently saw the name in Pennsylvania, somewhere on route 80, he said.

  Twenty hours later I stood at the edge of a large field in Moon Township, Pennsylvania, staring at the twin yel
low peaks of Dunn & Barlow’s Magnificent World Fair’s main tent. My vision swam in the heat of a treacherous June afternoon, causing the sight to ripple lazily in the golden pasture. My heart yearned to run onto the fairway, calling for Suzi; needing the truth. My heart feared the truth.

  I walked tentatively, following the crushed grass of the tire-hammered path. Children dashed excitedly by, reveling in the vow of the big top. I envied their enthusiasm and faith, and their naiveté.

  A profusion of smells, sweltering and concentrated, escorted me onto the concourse. Italian sausage, hay, freshly cut wood, animal waste, and new paint merged and hit me with long forgotten memories of days when I too ran with reckless abandon, and little more to worry about than length of wait at the main event.

  The bazaar was alive with noise, the screams of excited children, a pitchman’s banter, and the mechanical whir of the rides. Over the loudspeakers, the voice of W.C. Fields promised a night of wonders beyond belief and miracles every half-hour. I wandered the park hoping for providence, the hand of an angel to steer me along.

  Suzi smiled at me from the photo I held. Her face glowed, a paradox between teenage awkwardness and newfound sexuality. Her eyes sparkled with rebel enthusiasm, but they held a darkness that was barely at bay, a frog in a child’s hand struggling for freedom, burrowing for the first opening large enough to allow escape. She had found that hole.

  Physically, she was an Americanized version of her mother, a bolder and more solid reproduction. Like her mother’s, her hair was black silk, so lustrous it appeared blue. She had the same almond eyes staring deliciously from above high, sharp cheekbones. The only visual difference being that Suzi was six inches taller and twenty-five pounds heavier. She had the body of the All-American girl.

  Tippi had carefully chosen the name Suzi, because it and the girl smacked of both Japan and America; you would never be sure without asking.