The Cairo Trilogy

by Naguib Mahfouz

  The jovial atmosphere was strange and attractive to Kamal, and he felt very comfortable. The most important thing of all to him was Aisha, who was dressed up more magnificently than he had ever dreamed possible. His mother encouraged him to stay with her so she could keep an eye on him. After a time she changed her mind and was forced, for reasons she had not anticipated, to urge him in a whisper to go find his brothers. One reason was his intense interest in Aisha, now with her dress and the next time with her ornaments. Amina was afraid he would spoil her outfit. Then, too, he let some childishly frank observations slip out concerning some of the ladies present. For example, one time he pointed to a woman from the bridegroom's family and called out to his mother, “Look at the nose of that lady, Mother. Isn't it bigger than Khadija's?”

  When Jalila was singing he had surprised everyone by joining with the troupe in the chorus: “Beautiful dove … where can I find her?” The performer had invited him to sit with the members of her ensemble. In this way and in othershe had attracted a lot of attention, and the women had begun teasing him. His mother was not comfortable with the commotion he was causing. Apprehensive that he might upset some people and worried that he might be admired more than was safe for him, she reluctantly chose to have him leave the room to join the men's party.

  He wandered among the rows of chairs and then stood between Fahmy and Yasin until Sabir had finished singing “You beauty, why are you already in love?” Then Kamal started roving around again. When he passed by the reception room, his curiosity prompted him to have a look inside. He poked hishead in and before he knew it his eyes met his father's. Kamal felt nailed to the spot and unable to turn his eyes away. One of his father's friends, al-Sayyid Muhammad Iffat, saw him and called him. To avoid angering his father, he found himself forced to obey this summons. He approached the man fearfully and reluctantly and stood before him, straight as a ramrod with his arms at his sides, as though a soldier at attention. The man shook his hand and said, “God's will be done… what year in school are you, Uncle?”

  “Third year, fourth section….”

  “Splendid… splendid…. Did you hear Sabir sing?”

  Although the boy was answering Muhammad Iffat, he had been careful from the beginning to answer in a way that would please his father. He did not know how to reply to the last question or at least he hesitated. The man took pity on him and quickly asked, “Don't you like singing?”

  The boy said emphatically, “Certainly not.”

  [t was clear that some of the men present planned to make a joke about this response, the last they would have expected from a person related to Ahmad Abd al-Jawad, but their host cautioned them against it with his eyes, and they kept quiet.

  Then Mr. Muhammad Iffat asked Kamal, “Isn't there something you like to listen to?”

  Looking at his father, Kamal said, “The Holy Qur'an.”

  Expressions of approval were heard and the boy was allowed to depart. Thushe did not get to hear what was said about him behind his back. Al-Sayyid al-Far laughed out loud and commented, “If that's true, the boy's a bastard.”

  Al-Sayyid Ahmad Abd al-Jawad laughed and, pointing to where Kamal had been standing, said, “Have you seen anyone craftier than that son of a bitch, pretending to be pious in front of me? … One time when I got home, I heard him singing bird, you up in the tree.' ”

  Al-Sayyid Ali observed, “Oh, you should have seen him standing between his two brothers and listening to Sabir with his lips moving as he sang along, keeping time perfectly, even better than Ahmad Abd al-Jawad himself.”

  Then Muhammad Iffat addressed an inquiry to al-Sayyid Ahmad: “The important thing is to tell us whether you liked his voice when he sang bird, you up in the tree.'”

  Al-Sayyid Ahmad laughed. Pointing at himself, he said, “He's this lion's cub.”

  Al-Far cried out, “God have mercy on the lioness who gave birth to you.”

  Kamal escaped from the reception room to the alley. He seemed to be awakening from a nightmare. He stood amid the crowd of boys on the street. He soon recovered his spirits and walked along, proud of his new clothes, delighted with his freedom that allowed him to go anywhere he wanted, except for the frightening reception room. There was no one to restrict or supervise him. What a historic night for him! Only one thing troubled his serenity whenever he thought of it. That was Aisha's moving to this house, which they had begun referring to as her home. This move had been accomplished in spite of him, without anyone being able to convince him that it was right or beneficial. He had asked repeatedly how his father could allow it, since he would not allow even the shadow of one of his women to be seen through the crack of a window. The only answer he received was loud laughter. He had asked his mother critically how she could do something so extreme as giving Aisha away. She had told him he would grow up one day and take a girl like her from her father's house, and that she would be escorted to his house with cries of joy.

  Kamal had asked Aisha if she was really happy about leaving them. She had said no, but the trousseau had been carried to the stranger's house. Aisha, whose place on the cup was Kamal's favorite, had followed her trousseau. Although it was true that the present festivities were helping him forget thingshe had thought he would be unable to forget even for a moment, sorrow veiled h is cheerful heart like a small cloud passing in front of the moon on a clear night.

  It was interesting that his pleasure in the singing that night surpassed his other pleasures, like playing with the boys, observing the women and the men having a good time, or even eating the “palace” bread pudding and the fancy gelatin dessert at supper. All the men and women who noticed him were astonished at the serious interest he took in listening to Jalila and Sabir. It seemed unusual for a child his age, but no one in his family who knew his background in music as Aisha's student was surprised. He had a fine voice, which was considered second in the family only to Aisha's, although their father's voice, which they had only heard screaming, was the best of all. Kamal listened for a long time to both JaLla and Sabir. He found to his surprise that he preferred the singing of the male vocalist and the music of his troupe. They made a greater impact on hisheart. Some lines from their songs stuck in his memory, like “Why are you in love? … Because that's the way it is”. After the night of the wedding, he frequently repeated these lines in the hyacinth bean and jasmine bower on the roof of their home.

  Amina and Khadija also enjoyed some of the same delights and freedom as Kamal. Like him, neither of them had ever witnessed an evening so filled with fellowship, music, and merriment. Amina was especially delighted by the attention and flattery she received as mother of the bride, since she had never before been afforded either. Even Khadija's grief disappeared in the festive lights just as the gloom of night gives way to morning's radiance. She forgot her sorrows under the influence of soft laughter, sweet tunes, aid pleasant conversation. It was all the easier for her to forget, because she had a new sorrow, an innocent one that arose from her feeling of regret over Aisha's imminent departure. This feeling engendered sincere love and affection. Her former sorrows were obscured by this new one, just as feelings of animosity may be obliterated by generosity. Similarly, a person who both loves and hates someone may find that the sorrow of parting obscures the hatred, leaving only the love. Moreover, Khadija felt a new confidence in herself from appearing with makeup and fine clothes that attracted the attention of some of the women, who praised her enthusiastically. Their praise filled her with hope and dreams and provided her some happy moments.

  Yasin and Fahmy sat side by side, alternately chatting and listening to the music. Khalil Shawkat, the bridegroom, joined them from time to time, whenever he had a break from the duties of his enjoyable but taxing evening. In spite of the atmosphere of celebration and delight, Yasin was rather anxious. There was a lingering, vacant look in his eyes. He would ask himself occasionally whether it would be all right for him to quench his thirst, if only with a glass or two of wine. For that reason,
he leaned toward their friend Khalil Shawkat and whispered, “Rescue me before the whole evening is lost.”

  The young man reassured him with a wink of his eye and said, “I've set aside a table in a private room for friends like you.”

  Yasin was cheered by that, and his interest in conversation, jokes, and music revived. He did not intend to get drunk, for in a place like this, overflowing with family and acquaintances, even a little wine had to be considered a great victory. Although his father was secluded in the reception room, he was not far away. Yasin's penetration of his father's secrets did not shake the man's traditional authority over him. Al-Sayyid Ahmad continued to occupy hisheavily fortified stronghold of awe and reverence, and Yasin had not stirred from his own position of obedience and veneration. He had not even thought of revealing his father's secret, which he had discovered surreptitiously, to anyone, not even to Fahmy. For all these reasons, Yasin was at first satisfied with a glass or two with which to cajole his unruly appetite. It would help prepare him to enjoy the merriment, conversations, music, and other pleasures that lost their savor for him without wine.

  Unlike Yasin, Fahmy did not find and doubted he ever would find anything to quench his thirst. His grief had been aroused unexpectedly by the arrival of the bride. He had gone with the bridegroom and Yasin to welcome her with a carefree heart. Then he had seen Maryam walking directly behind the bride. Her mouth was resplendent with a smile of greeting for everyone. Distracted by the trills of joy and the roses, she did not notice him. Her silk veil was so sheer that the clear complexion of her face was visible. He had folio wed her with his eyes, hisheart pounding, until she disappeared behind the door to the women's quarters. He returned to his seat as shaken as a skiff suddenly caught in a violent storm. Before he saw her, he had been calm, apparently distracted enough by conversation to have forgotten everything. In fact, long periods would pass when he was in this oblivious, forgetful state, while hisheart became a reservoir for his suffering. The moment a thought occurred to him, a memory stirred, someone mentioned her name, or anything similar happened, bisheart would throb with pain and exude one grief after another. It was like a decayed tooth with an inflamed gum. For a time the toothache may die down until the tooth presses against a morsel of food or touches a solid object. Then the pain erupts. Thus Fahmy's love would beat against his ribs from the inside as though craving a breath of air, shouting at the top of its lungs that it was still a prisoner. No amount of consolation or forgetfulness had set it free.

  He often hoped she would remain invisible to other suitors until he could get established as a free man, acting and deciding his own fate. As days, weeks, and months passed without a suitor asking for her hand, it seemed his wish had been granted, but he did not enjoy any real peace of mind. He was prey to anxiety and fear, which took turns, time and again, ruffling his serenity, spoiling his dreams, and conjuring up for him many different types of pain and jealousy, which although imaginary were no less ferocious and cruel than if his fears had been realized. Even this desire itself and the delay in the occurrence of the misfortune became incentives for more anxiety and fear and consequently for pain and jealousy. Whenever his torment was severe, he wished the calamity would take place so he could receive his share of grief all in one blow. Perhaps afterward, through his despair, he could attain the tranquillity and repose he had not been able to achieve through his pipe dreams.

  He could not yield to his emotions at a musical soiree where he was surrounded by the looks of friends and relatives. Yet the impact the sight of Maryam had made on him as she walked behind his sister could not pass without provoking some noticeable reaction. Since Fahmy was not able to brood about his soiTows or reveal his hidden emotions, he softened their impact by going to the other extreme. He talked, laughed, and pretended to be blissfully happy, but whenever he had even a moment to himself, he felt deep inside the alienation of hisheart from every-thing around him. With the passing of time he realized that the sight of Maryam walking in the bridal court had aroused his love the way a sudden racket decisively arouses an anxious person with a tendency toward insomnia. For that evening at least, Fahmy would be unable to enjoy any peace of mind. Nothing happening around him would be able to remove from his mind her image or the smile with which she responded to the warm welcome composed of trills of joy and roses. It was a pure, sweet smile, suggestive of a carefree heart aspiring to calm and happiness. It was a smile that seemed too pretty ever to be replaced by a grimace of pain. The sight of her ripped into hisheart, disclosing to him that only he was suffering. He alone bore his troubles. But had he not been laughing boisterously just now and moving hishead to the music as though he was happy and glad? Was it not possible that someone looking at him might be deceived and think the same thing of him that he did of her? He derived some consolation from that thought but was no more convinced than a typhoid patient who asks himself, “Isn't it likely that I'll recover the way so-and-so did?”

  Fahmy remembered her message Kamal had brought him some months before: “Tell him that she won't know what to do if a suitor asks to marry her during this long period of waiting”. He asked himself, as he had tens of times before, whether any emotion lay behind those words? Indeed, no man, no matter how obstinate, could blame her for a single one of them. Nor could he overlook the good sense and wisdom they contained. Yet, for this very reason, he felt powerless against them and hated them. Good sense and wisdom are seldom happy with the impetuousness of emotion, which characteristically knows no limits.

  Fahmy returned to the present, to the musical evening, and his raging love. It was not merely the sight of her that had rocked him so violently. Perhaps seeing her for the first time in a new place had done it. She had been here in the courtyard of the Shawkat residence, far removed from his house. He had never seen her in any other area before. For her to remain put in the old location established her in the mechanical daily routine, whereas her sudden appearance in a new place re-created her before his eyes and gave her a new existence in his consciousness, which in turn reawakened her original, latent presence in his mind. Both old and new visions of her had joined together to create this violent jolt. Moreover, her former existence linked to his house was separated from him by a wall of despair created by the stern rules of his family. Here, far removed from that house, her new existence was attended by a feeling of freedom and liberation as well as a spirit of parade and vivacity unknown to him. Her new existence was in the context of a wedding and thoughts of love and union. All of these circumstanceshelped to free her from her confinement atop a pedestal. Now hisheart could see her as a possible goal. She seemed to be telling him, “Look where I am now. Just one more step and you'll find me in your arms”. This hope soon collided with the thorny reality, helping create his violent jolt. Perhaps the sight of her in this new location also worked to establish her even more firmly in his soul, embed her in his life, and fix her in his memories. Images penetrate more deeply into us when th ey are associated with the different places we know from our experiences. Previously Maryam was associated with the roof of his house, the arbor of hyacinth beans and jasmine, Kamal, listening to his English lesson, the coffee hour, and talking to his mother in the study, and the message Kamal brought back from her. Henceforth she would be associated with Sugar Street, the courtyard of the Shawkat residence, the evening's musical entertainment, the singing of Sabir, Aisha's wedding procession, and everything else that was crowding in through his senses. Such a transformation could not occur without adding to the violent shock that had stunned him.

  During one of Sabir's intermissions, the voice of the female vocalist happened to carry through the windows overlooking the courtyard so the men could hear her. She was singing “My lover's departed”. Fahmy set about listening eagerly and with enormous interest. He concentrated all of his attention on absorbing the music, not because he particularly liked Jalila's voice, but because he thought Maryam would be listening to her at that moment. The lyrics would be speaking to
both of them at the same time. Jalila united the two of them in a single experience of listening and possibly of feeling. She had created an occasion for their spirits to meet. All of these considerations made him revere her voice and love her song. He wished to share this one sensation with Maryam. He tried for a long time to get through to her soul by retreating deep into himself. He sought to contact the vibrations of her reactions, by following his own. Notwithstanding the distance and the thick walls separating them, he wished to live for a few moments inside her essence. To accomplish this, he attempted to determine from the lyrics the effect they would have on his beloved's soul. What would her response be to “My lover's departed” or “It's a long time since he sent me a letter”? Had she been lost in a sea of memories? Had not at least one of those waves slipped away to reveal his face? Had not her heart felt a stabbing pain or a piercing grief? Or was she in such a daze throughout that she saw nothing in the song but enjoyable music?

  Fahmy imagined her listening attentively to the music, free of her veil, parading her vitality, or her mouth parted in a smile like the one he had glimpsed when she arrived, which had upset him since he had inferred from it that she had forgotten him. She might be talking to one of his sisters as she frequently enjoyed doing. He envied his sisters that privilege, which would daze him to the point of panic, whereas they regarded it as an ordinary conversation like any they conducted with girls in the neighborhood. Indeed, he had frequently been amazed by his sisters' attitude toward her, not because they took an interest in her, for they did love her, but because they loved her exactly the same way they did the other girls in the neighborhood, as though she was just some girl. How could they greet her without getting flustered and do it in an ordinary manner, the way he greeted any passing girl or his fellow law students? How could they talk about her and say, “Maryam said this” or “Maryam did that” and pronounce the name like any other one, Umm Hanafi, for example? Hers was a name he had only pronounced once or twice in someone else's presence. Then he had been amazed by its impact on him. When he was alone, he would only repeat her name as though it were one of the venerable names of Muslim saints engraved in his imagination along with the ornamentation provided by legends. These were nameshe would not pronounce without immediately adding one of the appropriate religious formulas: “May God be pleased with him” or “Peace on him”. How could he explain that not merely the name but even Maryam herself lacked any magic or sanctity for his sisters?