The Far Side of the Dollar la-12

by Ross Macdonald

  He seemed surprised that anybody should want him. `Is it about a job?'

  He asked the question with a kind of hollow hopefulness that answered itself in the negative.

  `No, but I want to talk to you about something important, Mr. Jackman.'

  He caught the `mister' and inclined his head in acknowledgement. `All right.'

  `May I come in? My name is Lew Archer. I'm a private detective.'

  `I dunno, the place is a mess. With the wife working all day - but come on in.'

  He backed into his apartment, as if he was afraid to expose his flank. It consisted of one large room, which might once have been the drawing room of the house. It still had its fine proportions, but the lofty ceiling was scabbed and watermarked, the windows hung with torn curtains. A cardboard wardrobe, a gas plate behind a screen, stood against the inner wall. Run-down furniture, including an unmade double bed in one corner, cluttered the bare wooden floor. On a table beside the bed, a small television set was reeling off the disasters of the day in crisp elocutionary sentences.

  Jackman switched it off, picked up a smoking cigarette from the lid of a coffee can on the table, and sat on the edge of the bed. It wasn't a marihuana cigarette. He was completely still and silent, waiting for me to explain myself. I sat down facing him.

  `I'm looking for Tom Hillman.'

  He gave me a swift glance that had fear in it, then busied himself putting out his cigarette. He dropped the butt into the pocket of his shirt.

  `I didn't know he was missing.'

  `He is.'

  `That's too bad. What would make you think that he was here?'

  He looked around the room with wide unblinking eyes. `Did Mr. Hillman send you?'

  `No.'

  He didn't believe me. `I just wondered. My Hillman has been on my back.'

  'Why?'

  `I interested myself in his boy,' he said carefully.

  `In what way?'

  `Personally.'

  He turned his hands palms upward on his knees. `I heard him doodling on the piano at the beach club. That was one day last spring. I did a little doodling of my own. Piano isn't my instrument, but he got interested in some chords I showed him. That made me a bad influence.'

  `Were you?'

  `Mr. Hillman thought so. He got me fired from the beach club. He didn't want his precious boy messing with the likes of me.'

  His upturned hands lay like helpless pink-bellied animals on their backs. `If Mr. Hillman didn't send you, who did?'

  `A man named Dr Sponti.'

  I thought the name would mean nothing to him, but he gave me another of his quick fearful looks. `Sponti? You mean-?'

  He fell silent.

  `Go on, Mr. Jackman. Tell me what I mean.'

  He huddled down into himself, like a man slumping into sudden old age. He let his speech deteriorate: `I wouldn't know nothin' about nothin', mister.'

  He opened his mouth in an idiotic smile that showed no teeth.

  `I think you know a good deal. I think I'll sit here until you tell me some of it.'

  `That's your privilege,' he said, although it wasn't.

  He took the butt out of his shirt pocket and lit it with a kitchen match. He dropped the distorted black match-end into the coffee lid. We looked at each other through smoke that drifted like ectoplasm from his mouth.

  `You know Dr Sponti, do you?'

  `I've heard the name,' Jackman said.

  `Have you seen Tom Hillman in the last two days?'

  He shook his head, but his eyes stayed on my face in a certain way, as if he was expecting to be challenged.

  `Where have you heard Sponti's name?'

  `A relative of mine. She used to work in the kitchen at LPS. He said with irony: `That makes me an accessory, I guess.'

  `Accessory to what?'

  `Any crime in the book. I wouldn't even have to know what happened, would I?'

  He doused his butt in a carefully restricted show of anger.

  `That sort of talk gets us nowhere.'

  `Where does your sort of talk get us? Anything I tell you is evidence against me, isn't it?'

  `You talk like a man with a record.'

  `I've had my troubles.' He added after a long silence: `I'm sorry Tommy Hillman is having his.'

  `You seem to be fond of him.'

  `We took to each other.' He threw the line away.

  `I wish you'd tell me more about him. That's really what I came here for.'

  My words sounded slightly false. I was suspicious of Jackman, and he knew it. He was a watcher and a subtle listener.

  `Now I got a different idea,' he said. `I got the idea you're after Tommy to put him back in the LP School. Correct me if I'm wrong.'

  `You're wrong.'

  `I don't believe you.'

  He was watching my hands to see if I might hit him. There were marks on his face where he had been hit before. `No offense, but I don't believe you, mister-'

  I repeated my name. `Do you know where Tommy is?'

  `No. I do know this. If Mr. Hillman put him in the L P School, he's better off on the loose than going home. His father had no right to do it to him.'

  `So I've been told.'

  `Who told you?'

  `One of the women on the staff there. She said Tom wasn't disturbed in her opinion, and didn't belong in the school. Tom seemed to agree with her. He broke out Saturday night.'

  `Good.'

  `Not so good. At least he was safe there.'

  `He's safe,' Jackman said, and quickly regretted saying it. He opened his mouth in its senseless toothless smile, a tragic mask pretending to be comic.

  `Where is he then?'

  Jackman shrugged his thin shoulders. `I told you before and I'll tell you again, I don't know.'

  `How did you know that he was on the loose?'

  `Sponti wouldn't send you to me otherwise.'

  `You're quick on the uptake.'

  `I have to pick up what I can,' he said. `You talk a lot without saying much.'

  `You say even less. But you'll talk, Sam.'

  He rose in a quick jerky movement and went to the door. I thought he was going to tell me to leave, but he didn't. He stood against the closed door in the attitude of a man facing a rifle squad.

  `What do you expect me to do?' he cried. `Put my neck in the noose so Hillman can hang me?'

  I walked toward him.

  `Stay away from me!' The fear in his eyes was burning brightly, feeding on a long fuse of experience. He lifted one crooked arm to shield his head. `Don't touch me!'

  `Calm down. That's hysterical talk, about a noose.'

  `It's a hysterical world. I lost my job for teaching his kid some music. Now Hillman is raising the ante. What's the rap this time?'

  `There is no rap if the boy is safe. You said he was. Didn't you?'

  No answer, but he looked at me under his arm. He had tears in his eyes.

  `For God's sake, Sam, we ought to be able to get together on this. You like the boy, you don't want anything bad to happen to him. That's all I have in mind.'

  `There's bad and bad.'

  But he lowered his defensive arm and kept on studying my face.

  `I know there's bad and bad,' I said. `The line between them isn't straight and narrow. The difference between them isn't black and white. I know you favor Tom against his father. You don't want him cut off from you or your kind of music. And you think I want to drag him back to a school where he doesn't belong.'

  `Aren't you?'

  `I'm trying to save his life. I think you can help me.'

  `How?'

  `Let's sit down again and talk quietly the way we were. Come on. And stop seeing Hillman when you look at me.'

  Jackman returned to the bed and I sat near him.

  `Well, Sam, have you seen him in the last two days?'

  `See who? Mr. Hillman?'

  `Don't go into the idiot act again. You're an intelligent man. Just answer my question.'

  `Before I do,
will you answer one of mine?'

  `If I possibly can.'

  `When you say you're trying to save his life, you mean save him from bad influences, don't you, put him back in Squares-ville with all the other squares?'

  `Worse things can happen to a boy.'

  `You didn't answer my question.'

  `You could have asked a better one. I mean save him from death. He's in the hands of people who may or may not decide to kill him, depending on how the impulse takes them. Am I telling you anything you don't know?'

  `You sure are, man.'

  His voice was sincere, and his eyes filled up with compunction. But he and I could talk for a year, and he would still be holding something back. Among the things he was holding back was the fact that he didn't believe me.

  `Why don't you believe me, Sam?'

  `I didn't say that.'

  `You don't have to. You're acting it out, by sitting on the information you have.'

  `I ain't sitting' on nothin', 'ceptin' this here old raunchy bed,' he said in broad angry parody.

  `Now I know you are. I've got an ear for certain things, the way you've got an ear for music. You play the trombone, don't you?'

  `Yeah.' He looked surprised.

  `I hear you blow well.'

  `Don't flatter me. I ain't no J.C. Higginbotham.'

  `And I ain't no Sherlock Holmes. But sooner or later you're going to tell me when you saw Tommy Hillman last. You're not going to sit on your raunchy ole bed and wait for the television to inform you that they found Tommy's body in a ditch.'

  `Did they?'

  `Not yet. It could happen tonight. When did you see him?'

  He drew a deep breath. `Yesterday. He was okay.'

  `Did he come here?'

  `No sir. He never has. He stopped in at The Barroom Floor yesterday afternoon. He came in the back way and only stayed five minutes.'

  `What was he wearing?'

  `Slacks and a black sweater. He told me once his mother knitted that sweater for him.'

  `Did you talk to him yesterday afternoon?'

  `I played him a special riff and he came up and thanked me. That was all. I didn't know he was on the run. Shucks, he even had his girl friend with him.'

  'Stella?'

  `The other one. The older one.'

  `What's her name?'

  `He never told me. I only seen her once or twice before that. Tommy knew I wouldn't approve of him squiring her around. She's practically old enough to be his mother.'

  `Can you describe her?'

  `She's a bottle blonde, with a lot of hair, you know how they're wearing it now.'

  He swept his hand up from his wrinkled forehead. `Blue eyes, with a lot of eye shadow. It's hard to tell what she looks like under all that makeup.'

  I got out my notebook and made some notes. `What's her background?'

  `Show business, maybe. Like I say, I never talked to her. But she has the looks.'

  `I gather she's attractive.'

  `She appears to be to Tom. I guess she's his first. A lot of young boys start out with an older woman. But,' he added under his breath, `he could do better than that.'

  `How old is she?'

  `Thirty, anyway. She didn't show me her birth certificate. She dresses younger-skirts up over her knees. She isn't a big girl, and maybe in some lights she can get away with the youth act.'

  `What was she wearing yesterday?'

  `A dark dress, blue satin or something like that, with sequins on it, a neckline down to here.'

  He touched his solar plexus. `It grieved me to see Tom with his arm around her.'

  `How did she seem to feel about him?'

  `You're asking me more than I can answer. He's a good-looking boy, and she makes a show of affection. But I don't need X-ray eyes to know what is in her mind.'

  `Would she be a hustler?'

  `Could be.'

  `Did you ever see her with any other man?'

  `I never did. I only saw her once or twice with Tom.'

  `Once, or twice?'

  He ruminated. `Twice before yesterday. The first time was two weeks ago yesterday. That was a Sunday, he brought her to our jam session that afternoon. The woman had been drinking and first she wanted to sing and then she wanted to dance. We don't allow dancing at these sessions, you have to pay cabaret tax. Somebody told her that and she got mad and towed the boy away.'

  `Who told her not to dance?'

  `I disremember. One of the cats sitting around, I guess, they object to dancing. The music we play Sundays isn't to dance to, anyway. It's more to the glory of God,' he said surprisingly.

  `What about the second time you saw her?'

  He hesitated, thinking. `That was ten nights ago, on a Friday. They came in around midnight and had a sandwich. I drifted by their table, at the break, but Tom didn't introduce me or ask me to sit down. Which was all right with me. They seemed to have things to talk about.'

  `Did you overhear any part of their conversation?'

  `I did.'

  His face hardened. `She needed money, she was telling him, money to get away from her husband.'

  `You're sure you heard that?'

  `Sure as I'm sitting here.'

  `What was Tom's attitude?'

  `Looked to me like he was fascinated.'

  `Had he been drinking?'

  `She was. He didn't drink. They don't serve drinks to minors at the Floor. No sir. She had him hyped on something worse than drink.'

  `Drugs?'

  `You know what I mean.'

  His hands molded a woman's figure in the air.

  `You used the word "hyped."

  `It was just a manner of speaking,' he said nervously, rubbing his upper arm through the shirt sleeve.

  `Are you on the needle?'

  `No sir. I'm on the TV,' he said with a sudden downward smile.

  `Show me your arms.'

  `I don't have to. You got no right.'

  `I want to test your veracity. Okay?'

  He unbuttoned his cuffs and pushed his sleeves up his thin yellow arms. The pitted scars in them were old and dry.

  `I got out of Lexington seven years ago,' he said, `and I haven't fallen since, I thank the good Lord.'

  He touched his scars with a kind of reverence. They were like tiny extinct volcanoes in his flesh. He covered them up.

  `You're doing all right, Mr. Jackman. With your background, you'd probably know if Tom was on drugs.'

  I probably would. He wasn't. More than once I lectured him on the subject. Musicians have their temptations. But he took my lectures to heart.'

  He shifted his hand to the region of his heart. `I ought to of lectured him on the subject of women.'

  `I never heard that it did much good. Did you ever see Tom and the blonde with anyone else?'

  `No.'

  'Did he introduce her to anyone?'

  `I doubt it. He was keeping her to himself. Showing her off, but keeping her to himself.'

  `You don't have any idea what her name is?'

  `No. I don't.'

  I got up and thanked him. `I'm sorry if I gave you a rough time.'

  `I've had rougher.'

  7

  DACK'S AUTO COURT was on the edge of the city, in a rather rundown suburb named Ocean View. The twelve or fifteen cottages of the court lay on the flat top of a bluff, below the highway and above the sea. They were made of concrete block and painted an unnatural green. Three or four cars, none of them recent models, were parked on the muddy gravel.

  The rain had let up and fresh yellow light slanted in from a hole in the west, as if to provide a special revelation of the ugliness of Dack's Auto Court. Above the hutch marked `Office', a single ragged palm tree leaned against the light. I parked beside it and went in.

  A hand-painted card taped to the counter instructed me to `Ring for Proprietor.'