Instruments of Darkness
Page 1
Table of Contents
Title Page
Copyright Page
Dedication
Acknowledgements
PART I
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
PART II
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
PART III
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
PART IV
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
PART V
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
PART VI
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
IN CONCLUSION
EPILOGUE
HISTORICAL NOTE
VIKING
Published by the Penguin Group
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. · Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) · Penguin Books Ltd, 80 Strand, London WC2R 0RL, England · Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) · Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) · Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India · Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) · Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa
Copyright © Imogen Robertson, 2009
All rights reserved
Publisher’s Note
This is a work offiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA
Robertson, Imogen, 1973-
Instruments of darkness / Imogen Robertson.
p. cm.
eISBN : 978-1-101-47576-8
1. Women-Fiction. 2. Anatomists-Fiction. 3. Sussex (England)-History-18th
century-Fiction. 4. Suspense fiction. I. Title.
PR6118.O2376I57 2011
823’.92-dc22 2010033777
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
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For the Family
ACKNOWLEDGMENTS
To the following all my thanks: to Ros Taylor and Rachel Halliburton for their crucial advice on early drafts; to the judges of the Daily Telegraph “First Thousand Words of a Novel” competition for their encouragement and lunch; to fellow writers Roddy Lumsden, Ahren Warner, Camellia Stafford, Amy Key, Heather Phillipson and Wayne Smith for teaching me about cadence, amongst other things; to the staff at the superb British Library, where I did much of my research; to Kath, Emma, Neel, Sam, Shona, Nat, David, Stephen, Duncan, Jonathan, Ned and my parents for the necessary emotional support; to Annette Green for liking the book enough to sell it; to Jane Morpeth and Flora Rees for liking it enough to buy it; and particular thanks to Ed Stern and family for kindnesses too numerous to mention.
PART I
1
FRIDAY, 2 JUNE 1780, WEST SUSSEX, ENGLAND
Gabriel Crowther opened his eyes.
“Mr. Crowther, sir?”
The light in the room was weak. Morning light.
“Whoever it is, send them away,” he said.
He blinked. The maid was still there.
“She won’t go, sir. It’s Mrs. Westerman from Caveley Park. She said she is determined, sir. And she said to give you this.”
The maid held out a piece of paper, staying as far away from the bed as she could, as if she feared her master would bite.
The intrusion was unusual. Crowther had done a good job of ignoring his neighbors since taking up residence in Hartswood, near Pulborough, the previous summer, and their visits had swiftly petered out. He did not need companions with whom to pass his time and had no intention of participating in diversions, picnics and subscription dinners of what passed for society in the county. The rest of the village never expected to have much to do with him, but after a month or two of observation, many of the local women found the easiest way to still a child was to threaten it with Mr. Crowther and his big knife. He was a student of anatomy. He wanted to know how bodies lived, what record a man’s life left on his physical remains, and he had the leisure and means to inquire.
His habits soon became known. To the educated, he was a man of science cursed with an appalling lack of manners; to everyone under ten he was a devil doctor who cut the souls from the living bodies of naughty children and ate them.
The maid still held the note out toward him; it trembled a little. He snatched it from her with a low growl and flicked it open. It was written on notepaper—taken from his own desk downstairs, he noticed—in an educated female hand. The writer had not troubled with compliments or excuses about the hour, but confined herself to some dozen words: I have found a body on my land. His throat has been cut.
Crowther passed the note back to his maid.
“My compliments to Mrs. Westerman, and tell her I shall wait on her as soon as I am dressed. Have my horse got ready and brought round.”
The maid stared at him open-mouthed.
“Do it now, if you please, madam.”
THE PREVIOUS EVENING, ADAMS MUSIC SHOP, TICHFIELD STREET NEAR SOHO SQUARE, LONDON
Susan Adams pressed her ear to the floor. On the first of each month her father hosted a little concert in his shop for his neighbors and friends. It was a ritual of his since he had begun, in a small way, to succeed with his business of engraving and printing musical scores and selling them, along with collections of popular songs and airs, to London’s musically inclined residents. It was a kind of offering he made in thanks for his seven rooms, workshop and yard. His children built their own rituals around it. Jonathan would come into Susan’s room, claiming he wished to hear the music better, then be asleep before the first piece was over in the comfort of his older sister’s bed.
“Susan?” he grumbled. “You’re supposed to be in bed too. You can hear the music from here, and it is not so hard as the floor.”
“Shush, Jonathan. I’m listening.” She heard a sigh as her brother gave up and fidgeted the bedclothes around him. The air was still heavy with the heat of the June day passed.
“Well, tell me what is happening then.” He yawned.
She smiled; one of her blond ringlets tickled her ear. She tucked it away and considered.
“Mr. Paxton, Mr. Whitaker and Miss Harding have all arrived. Mr. Paxton has his cello, Mr. Whitaker is to play my harpsichord and Miss Harding is to sing. They are all drinking punch in the shop.”
“I helped sweep it this afternoon.”
Susan had watched Jonathan’s attempts to help the maid, Jane, while she tidied away the scores and parts with her father. She did not think he had been very helpful at all, but he was still only six and should therefore be indulged by someone three years his senior, such as herself. Though he could be annoying. She ignored the interruption.
“The chairs have been dragged into long rows. Mrs. Service is sitting very shy in a corner, because she never buys any music, and her dress is old. Mr. and Mrs. Chase from Sutton Street are here, because Mr. Chase loves a little music when business is done. And Mr. Graves is here, of course, frowning and trying to rub inkstains off his fingers because he’s only just noticed them.”
There was a sleepy giggle from the bed, followed by: “Is Miss Chase here?”
“Of course.” Susan leaped up suddenly and stood very straight, pointing one bare and not very clean foot in front of her. “She is walking in right now, like this.”
The little girl bent her head to one side, adjusted the shawl over her narrow shoulders and put one hand to her waist; the other gathered a pinch of her nightdress like the full skirts of an evening gown and she moved between the imaginary chairs, smiling to left and right. The room seemed to flood with candlelight and conversation.
Jonathan sat up in bed again. “And Mr. Graves is watching her?”
“Yes, from his corner.”
She hopped into a high-backed chair by the empty fireplace and became a tangle of limbs, a young man trying hard to look at his ease, and not entirely succeeding. His mouth opens as if he would like to address someone, then he stops himself and returns to examining his fingernails.
Jonathan laughed again. Susan held up her hand. Faintly from the room below came the first low rasp of Mr. Paxton’s violincello.
“They are beginning.”
Susan jumped from her chair and crouched again, her ear pressed to the gap between the floorboards. She could feel the music from the room below entering through her hands. She could feel it on her open lips.
Crowther was not afraid of silence, but the morning seemed unnaturally bare of birdsong for early June. His visitor had already remounted when he came out of the house and was waiting with her groom by his own chestnut bay. She had greeted him with nothing more than a nod of her head and then urged her horse forward out of the yard and into the roadway as soon as he had taken the reins. Crowther’s house was the first of any significance in the town, so in moments they were among the fields and hedgerows.
He was surprised, even a little annoyed at her silence. He looked sideways at her profile. A woman in her early thirties perhaps, neatly dressed and at some expense. She could never, even in her first bloom of youth, have been very beautiful. Her face was a little too long, and a little too narrow. Her carriage and neat figure suggested good health and habits, however. Her gloved hands rested easily on the reins and her hair was a dark red, curled under the edge of her riding hat.
“Do you like it?” she asked. “My maid Dido always rejoices when I agree to have my hair curled. I find it gets in my eyes.”
Crowther started, and faced forward at once. “My apologies, madam. I did not mean to stare.”
She turned to him, looking at him squarely for a moment or two, then smiled. Crowther noted the dark green of her eyes, was surprised to find himself wondering briefly what she might think of him.
“No, I am sorry, Mr. Crowther,” she said. “And I must thank you for riding out so early. I have been wondering what to say to you, and I’m sorry to confess that nothing that seems appropriate has occurred to me. I could ask you what you think the weather will be today and how you are enjoying Hartswood, but it hardly seems fitting, given our expedition. So I waited until I had the opportunity to be rude to you instead.”
He almost smiled. “Perhaps you can tell me about your discovery and why you have called me rather than the constable or the magistrate.”
She nodded at the suggestion and tilted her chin up as she chose her words. Her voice was light.
“Well, my footman has gone to the squire, in fact, but I read your paper last spring in the Transactions of the Royal Society; you wrote, if you recall, about the signs murderers can leave on their victims, and when I found the body I thought you might be able to read his death like the gypsies read picture cards.” He looked at her with frank astonishment, and she frowned suddenly and looked out at the road in front of her again. “Just because I have my hair curled doesn’t render me incapable of reading, you know.”
Crowther could not decide whether to be offended at her tone or to offer his apologies again and so did neither as they turned off the main road to Balcombe and then London and entered a narrower lane that, he guessed, must mark the boundary between the lands belonging to Caveley Park and those of the great estate of Thornleigh Hall.
“The body is in the copse at the top of the hill,” she said. “The best path to it lies through the woods, so we must continue on foot. My man will see to the horses.”
Susan could tell by her brother’s breathing that he was asleep.
The music finished in applause, and a low female voice began to introduce the next item. As Susan strained to hear, a floorboard in the passageway outside her door suddenly groaned, making her jump. She could hear people talking.
“I should have gone years ago, when Elizabeth died. She told me I should, that the past must be looked at squarely or it will chase you down. But there was always a reason to delay.”
It was her father’s voice. On hearing her mother’s name, Susan’s heart squeezed a little in her chest, and she was lost briefly in an odd confusion of pain and comfort. Her mother had smelled of lavender, and had had very soft brown hair. She had died a week to the day after Jonathan was born. The little girl had held her hand till her father told her it was time to let go.
Another voice replied. It belonged to Mr. Graves, and was nearly as familiar to her as her father’s. She had heard it almost every day in the shop or at their table, ever since he had come to London. She had seldom heard it so low or so serious as now, though. She thought of how his face might look, and her own tilted down in unconscious mimicry. His collar was not always neat but his gray eyes were always sympathetic, and though he was slender as a reed he could still pick her up and swing her around the shop till she was half-sick with laughing. Miss Chase had come in once to find them playing in this way. Mr. Graves had become very red and set her down a little heavily. Susan did not think Miss Chase had minded what they did, or noticed that his brown hair had got rather ruffled.
“You have spoken so little of your time before London, Alexander,” he said now. “How can I advise you? Why has losing the ring concerned you so? Was it valuable? I have never seen you wear it.”
“It had no great value to me, or at least I thought not.” There was a pause. “I am surprised that losing it has caused me such upset. It has been nothing but a plaything of Jonathan’s for some years—he likes the lion and dragon on the seal, and I keep it in my bureau and let him play with it whenever I wish to keep him quiet and still—but it was a last connection to my old home, and now it is gone I begin to worry again. Perhaps I owe something to the people I left there, or to the children. I have told myself I did not, but it itches at me.”
&nbs
p; Graves spoke again. “There must be some reason you have held back so long. Think further on the matter. You are happy now and it is a fragile and delicate thing, happiness. Jonathan will not grieve long over a ring. Why so disturb your life over a trifle that he will have forgotten in a week?” He hesitated. “Do not attract the attention of the gods now, when you still have so much to lose.”
“You are right. ...” Her father stopped again and sighed. Susan knew from his voice that he would be rubbing his chin with his right hand, and shifting the weight off his bad leg. “Perhaps the ring will turn up somewhere and my mind will be quiet. I’ll have Jonathan search the workshop again in the morning. He was quite determined that he hadn’t taken it from the bureau without my leave, however, and is rather indignant that I think he may have done so.” Susan could hear the smile in his voice and looked back toward the bed where her brother slept. He had not mentioned the ring since he had cried so on finding it gone from its little box, but she did not think he had forgotten it yet.
Silence, then the lady downstairs started singing. Susan scrambled to her feet and went to open the door. Alexander and Mr. Graves jumped like guilty truants as the light spilled from the children’s room across her shoulders and onto the landing.
Graves smiled at her. “Listening to the music, Susan?”
“Yes, but what are you talking about? Is Papa going away?”
Her father looked between his friend and his daughter and knelt down.
“Come here, daughter of mine, and tell me something.” She took the hand he held out toward her. “Are you happy, Susan? Would you like to have a maid and a carriage and a large house and a hundred pretty dresses?”