White Night df-9

by Jim Butcher

  "I thought it was because you'd never respect any religion that would have you."

  "That too," I said.

  Neither one of us, during this conversation, looked back toward the body in the living room. An uncomfortable silence fell. The floorboards creaked.

  "Murder," Murphy said, finally, staring at the wall. "Maybe someone on a holy mission."

  "Murder," I said. "Too soon to make any assumptions. What made you call me?"

  "That altar," she said. "The inconsistencies about the victim."

  "No one is going to buy magic writing on a wall as evidence."

  "I know," she said. "Officially, she's going down as a suicide."

  "Which means the ball is in my court," I said.

  "I talked to Stallings," she said. "I'm taking a couple of days of personal leave, starting tomorrow. I'm in."

  "Cool." I frowned suddenly and got a sick little feeling in my stomach. "This isn't the only suicide, is it."

  "Right now, I'm on the job," Murphy said. "That isn't something I could share with you. The way someone like Butters might."

  "Right," I said.

  With no warning whatsoever, Murphy moved, spinning in a blur of motion that swept her leg out in a scything, ankle-height arc behind her. There was a thump of impact, and the sound of something heavy hitting the floor. Murphy—her eyes closed—sprang onto something unseen, and her hands moved in a couple of small, quick circles, fingers grasping. Then Murphy grunted, set her arms, and twisted her shoulders a little.

  There was a young woman's high-pitched gasp of pain, and abruptly, underneath Murphy, there was a girl. Murphy had her pinned on her stomach on the floor, one arm twisted behind her, wrist bent at a painful angle.

  The girl was in her late teens. She wore combat boots, black fatigue pants, and a tight, cutoff grey T-shirt. She was tall, most of a foot taller than Murphy, and built like a brick house. Her hair had been cut into a short, spiky style and dyed peroxide white. A tattoo on her neck vanished under her shirt, reappeared for a bit on her bared stomach, and continued beneath the pants. She had multiple earrings, a nose ring, an eyebrow ring, and a silver stud through that spot right under her lower lip. On the hand Murphy had twisted up behind her back, she wore a bracelet of dark little glass beads.

  "Harry?" Murphy said in that tone of voice that, while polite and patient, demanded an explanation.

  I sighed. "Murph. You remember my apprentice, Molly Carpenter."

  Murphy leaned to one side and looked at her profile. "Oh, sure," she said. "I didn't recognize her without the pink-and-blue hair. Also, she wasn't invisible last time." She gave me a look, asking if I should let her up.

  I gave Murphy a wink, and squatted down on the carpet next to the girl. I gave her my best scowl. "I told you to wait at the apartment and practice your focus."

  "Oh, come on," Molly said. "It's impossible. And boring as hell."

  "Practice makes perfect, kid."

  "I've been practicing my ass off!" Molly protested. "I know fifty times as much as I did last year."

  "And if you keep up the pace for another six or seven years," I said, "you might—you might —be ready to go it alone. Until then, you're the apprentice, I'm the teacher, and you do what I tell you."

  "But I can help you!"

  "Not from a jail cell," I pointed out.

  "You're trespassing on a crime scene," Murphy told her.

  "Oh, please," Molly said, both scorn and protest in her voice.

  (In case it slipped by, Molly has authority issues.)

  It was probably the worst thing she could have said.

  "Right," Murphy said. She produced cuffs from her jacket pocket, and slapped them on Molly's pinned wrist. "You have the right to remain silent."

  Molly's eyes widened and she stared up at me. "What? Harry…"

  "If you choose to give up that right," Murphy continued, chanting it with the steady pace of ritual, "anything you say can and will be used against you in a court of law."

  I shrugged. "Sorry, kid. This is real life. Look, your juvenile record is sealed, and you'll be tried as an adult. First offense, I doubt you'll do much more than… Murph?"

  Murphy took a break from the Miranda chant. "Thirty to sixty days, maybe." Then she resumed.

  "There, see? No big deal. See you in a month or three."

  Molly's face got pale. "But… but…"

  "Oh," I added, "beat someone up on the first day. Supposed to save you a lot of trouble."

  Murphy dragged Molly to her feet, her hands now cuffed. "Do you understand your rights as I have conveyed them to you?"

  Molly's mouth fell open. She looked from Murphy to me, her expression shocked.

  "Or," I said, "you might apologize."

  "I-I'm sorry, Harry," she said.

  I sighed. "Not to me, kid. It isn't my crime scene."

  "But…" Molly swallowed and looked at Murphy. "I was just's-standing there."

  "You wearing gloves?" Murphy asked.

  "No."

  "Shoes?"

  "Yes."

  "Touch anything?"

  "Um." Molly swallowed. "The door. Just pushed it a little. And that Chinese vase she's planted her spearmint in. The one with a crack in it."

  "Which means," Murphy said, "that if I can show that this is a murder, a full forensic sweep could pick up your fingerprints, the imprint of your shoes, and, as brittle as your hairdo is, possibly genetic traces if any of it broke off. Since you aren't one of the investigating officers or police consultants, that evidence would place you at the scene of the crime and could implicate you in a murder investigation."

  Molly shook her head. "But you just said it would be called a suic—"

  "Even if it is, you don't know proper procedure, the way Harry does, and your presence here might contaminate the scene and obscure evidence about the actual killer, making the murderer even more difficult to find before he strikes again."

  Molly just stared at her.

  "That's why there are laws about civilians and crime scenes. This isn't a game, Miss Carpenter," Murphy said, her voice cool, but not angry. "Mistakes here could cost lives. Do you understand me?"

  Molly glanced from Murphy to me and back, and her shoulders sagged. "I didn't mean to… I'm sorry."

  I said in a gentle voice, "Apologies won't give life back to the dead, Molly. You still haven't learned to consider consequences, and you can't afford that. Not anymore."

  Molly flinched a little and nodded.

  "I trust that this will never happen again," Murphy said.

  "No, ma'am."

  Murphy looked skeptically at Molly and back to me.

  "She means well," I said. "She just wanted to help."

  Molly gave me a grateful glance.

  Murphy's tone softened as she took the cuffs off. "Don't we all."

  Molly rubbed at her wrists, wincing. "Um. Sergeant? How did you know I was there?"

  "Floorboards creaking when no one was standing on them," I said.

  "Your deodorant," Murphy said.

  "Your tongue stud clicked against your teeth once," I said.

  "I felt some air move a few minutes ago," Murphy said. "Didn't feel like a draft."

  Molly swallowed and her face turned pink. "Oh."

  "But we didn't see you, did we, Murph?"

  Murphy shook her head. "Not even a little."

  A little humiliation and ego deflation, now and then, is good for apprentices. Mine sighed miserably.

  "Well," I said. "You're here. Might as well tag along." I nodded to Murphy and headed for the door.

  "Where are we going?" Molly asked. Both bored medtechs blinked and stared as Molly followed me out of the apartment. Murphy came out behind us and waved them in to carry the body out.

  "To see a friend of mine," I said. "You like polka?"

  Chapter Three

  I hadn't been back to the Forensic Institute on West Harrison since that mess with Necromancers-R-Us nearly two years before. It wasn't an
unpleasant-looking place, despite the fact that it was the repository for former human beings awaiting examination. It was in a little corporate park, very clean, with green lawns and neat bushes and fresh-painted lines on the spaces in the parking lots. The buildings themselves were quietly unassuming, functional and tidy.

  It was one of those places that show up a lot in my nightmares.

  It wasn't like I'd ever been a fan of viewing corpses, but a man I knew had been caught in the magical cross fire, and wound up an animated supercorpse who had nearly torn my car apart with his bare hands.

  I hadn't come back since then. I had better things to do than revisit scenes like that. But once I was there and parked and heading for the doors, it wasn't as bad as I thought it would be, and I went in without hesitation.

  This was Molly's first visit. At my request, she had ditched much of the facial jewelry and wore an old Cubs baseball hat over her per-oxide locks. Even so, she didn't exactly cut a respectable businesslike figure, but I was content with damage control. Of course, my outfit barely qualified for business casual, and the heavy leather coat in the too-warm weather probably gave me a distinctive aura of eccentricity. Or at least it would have, if I made more money.

  The guard sitting at the desk where Phil had been murdered was expecting me, but not Molly, and he told me she would have to wait. I said I'd wait, too, until Butters verified her. The guard looked sullen about being forced to expend the enormous effort it took to punch an intercom number. He growled into the phone, grunted a few times, then thumped a switch and the security door buzzed. Molly and I went on through.

  There are several examination rooms at the morgue, but it's never hard to figure out which one Butters is inside. You just listen for the polka.

  I homed in on a steady oom-pah, oom-pah of a tuba, until I could pick up the strains of clarinet and accordion skirling along with it. Exam room three. I rapped briefly on the door and opened it without actually stepping inside.

  Waldo Butters was bent over his desk, squinting at his computer's screen, while his butt and legs shuffled back and forth in time to the polka music. He muttered something to himself, nodded, and hit the space bar on his keyboard with one elbow in time with his tapping heels, without looking up at me. "Hey, Harry."

  I blinked. "Is that 'Bohemian Rhapsody'?"

  "Yankovic. Man's a freaking genius," he replied. "Give me a sec to power down before you come all the way in."

  "No problem," I told him.

  "You've worked with him before?" Molly asked quietly.

  "Uh-huh," I said. "He's clued."

  Butters waited until his printer started rattling, then shut down the computer and walked to the printer to pick up a couple of pages and staple them together. Then he dropped the pages onto a small stack of them and bound them with a large rubber band. "Okay, that should do it." He turned to face me with a grin.

  Butters was an odd little duck. He wasn't much taller than Murphy, and she probably had more muscle than he did. His shock of black hair resembled nothing so much as an explosion in a steel wool factory. He was all knees and elbows, especially in the surgical greens he was wearing, his face was lean and angular, his nose beaky, and his eyes were bright behind the prescription glasses.

  "Harry," he said, offering his hand. "Long time, no see. How's the hand?"

  I traded grips with him. Butters had long, wiry fingers, very precise and not at all weak. He wasn't anyone's idea of dangerous, but the little guy had guts and brains. "Only three months or so. And not too bad." I held my gloved left hand up and wiggled all the fingers. My ring and pinkie fingers moved with little trembles and twitches, but by God they moved when I told them to.

  The flesh of my left hand had practically melted in an unanticipated conflagration during a battle with a scourge of vampires. The doctors had been shocked that they didn't have to amputate, but told me I'd never use it again. Butters had helped me work out a regimen of physical therapy, and my fingers were mostly functional, though my hand still looked pretty horrible—but even that had begun to change, at least a little. The ugly little lumps of scar tissue and flesh had begun to fade, and my hand looked considerably less like a melted wax model than it had before. The nails had grown back in, too.

  "Good," Butters said. "Good. You still playing guitar?"

  "I hold it. It makes noise. Might be a little generous to call it playing." I gestured to Molly. "Waldo Butters, this is Molly Carpenter, my apprentice."

  "Apprentice, eh?" Butters extended an amiable hand. "Pleased to meetcha," he said. "So does he turn you into squirrels and fishes and stuff, like in The Sword in the Stone?"

  Molly sighed. "I wish. I keep trying to get him to show me how to change form, but he won't."

  "I promised your parents I wouldn't let you melt yourself into a pile of goo," I told her. "Butters, I assume someone—and I won't name any names—told you I'd be dropping by?"

  "Yowsa," the little ME said, nodding. He held up a finger, went to the door, and locked it, before turning to lean his back against it. "Look, Dresden. I have to be careful what kind of information I share, right? It comes with the job."

  "Sure."

  "So you didn't hear it from me."

  I looked at Molly. "Who said that?"

  "Groovy," Butters said. He walked back over to me and offered me the packet of papers. "Names and addresses of the deceased," he said.

  I frowned and flipped through them: columns of text, much of it technical; ugly photographs. "The victims?"

  "Officially, they're the deceased." His mouth tightened. "But yeah. I'm pretty sure they're victims."

  "Why?"

  He opened his mouth, closed it again, and frowned. "You ever see something out of the corner of your eye? But when you look at it, there's nothing there? Or at least, it doesn't look like what you thought it was?"

  "Sure."

  "Same thing here," he said. "Most of these folks show classic, obvious suicides. There are just a few little details wrong. You know?"

  "No," I said. "Enlighten me."

  "Take that top one," he said. "Pauline Moskowitz. Thirty-nine, mother of two, husband, two dogs. She disappears on a Friday night and opens up her wrists in a hotel bathtub around three A.M. Saturday morning."

  I read over it. "Am I reading this right? She was on antidepressants?"

  "Uh-huh," Butters said, "but nothing extreme, and she'd been on them and stable for eight years. Never showed suicidal tendencies before, either."

  I looked at the ugly picture of a very ordinary-looking woman lying naked and dead in a tub of cloudy liquid. "So what's got your scalpel in a knot?"

  "The cuts," Butters said. "She used a box knife. It was in the tub with her. She severed tendons in both wrists."

  "So?"

  "So," Butters said. "Once she'd cut the tendons on one wrist, she'd have had very little controlled movement with the fingers in that hand. So what'd she do to cut them both? Use two box knives at the same time? Where's the other knife?"

  "Maybe she held it with her teeth," I said.

  "Maybe I'll close my eyes and throw a rock out over the lake and it will land in a boat," Butters said. "It's technically possible, but it isn't really likely. The second wound almost certainly wouldn't be as deep or as clean. I've seen 'em look like someone was cutting up a block of Parmesan into slivers. These two cuts are almost identical."

  "I guess it's not conclusive, though," I said.

  "Not officially."

  "I've been hearing that a lot today." I frowned. "What's Brioche think?"

  At the mention of his boss, Butters grimaced. "Occam's razor, to use his own spectacularly insensitive yet ironic phrasing. They're suicides. End of story."

  "But your guess is that someone else was holding the knife?"

  The little ME's face turned bleak, and he nodded without speaking.

  "Good enough for me," I said. "What about the body today?"

  "Can't say until I look," Butters said. He gave me a shrewd g
lance. "But you think it's another murder."

  "I know it is," I replied. "But I'm the only one, until Murphy's off the clock."

  "Right." Butters sighed.

  I flipped past Mrs. Moskowitz's pages to the next set of ugly pictures. Also a woman. The pages named her Maria Casselli. Maria had been twenty-three when she washed down thirty Valium with a bottle of drain cleaner.

  "Another hotel room," I noted quietly.

  Molly glanced over my shoulder at the printout of the photo at the scene. She turned pale and took several steps away from me.

  "Yeah," Butters said, concerned eyes on my apprentice. "It's a little unusual. Most suicides are at home. They usually go somewhere else only if they need to jump off a bridge or drive their car into a lake or something."

  "Ms. Casselli had a family," I said. "Husband, her younger sister living with her."

  "Yeah," Butters said. "You can guess what Brioche had to say."

  "She walked in on her hubby and baby sister, decided to end it all?"

  "Uh-huh."

  "Uh," Molly said. "I think—"

  "Outside," Butters provided, unlocking the door. "First door on the right."

  Molly hurried from the room, down to the bathroom Butters had directed her to.

  "Jesus, Harry," Butters said. "Kid's a little young for this."

  I held up the picture of Maria's body. "Lot of that going around."

  "She's actually a wizard? Like you?"

  "Someday," I said. "If she survives." I read over the next two profiles, both of women in their twenties, both apparent suicides in hotel rooms, both of them with housemates of one sort or another.

  The last profile was different. I read over it and glanced up at Butters. "What's with this one?"

  "Fits the same general profile," Butters said. "Women, dead in hotel rooms."

  I frowned down at the papers. "Where's the cause of death?"

  "That's the thing," Butters said. "I couldn't find one."

  I lifted both eyebrows at him.

  He spread his hands. "Harry, I know my trade. I like figuring this stuff out. And I haven't got the foggiest why the woman is dead. Every test I ran came up negative; every theory I put together fell apart. Medically speaking, she's in good shape. It's like her whole system just… got the switch turned off. Everything at once. Never seen anything like it."