Collected Works of Booth Tarkington

by Booth Tarkington

  Lindley’s back stiffened. “Vilas!”

  “Spare me your protests.” The younger man waved his hand languidly. “You wish not to confer upon this subject — —”

  “It’s a subject we’ll omit,” said Richard.

  His companion stopped swinging, allowed the hammock to come to rest; his air of badinage fell from him; for the moment he seemed entirely sober; and he spoke with gentleness. “Mr. Lindley, if you please, I am still a gentleman — at times.”

  “I beg your pardon,” said Richard quickly.

  “No need of that!” The speaker’s former careless and boisterous manner instantly resumed possession. “You must permit me to speak of a wholly fictitious lady, a creature of my wanton fancy, sir, whom I call Carmen. It will enable me to relieve my burdened soul of some remarks I have long wished to address to your excellent self.”

  “Oh, all right,” muttered Richard, much annoyed.

  “Let us imagine,” continued Mr. Vilas, beginning to swing again, “that I thought I had won this Carmen — —”

  Lindley uttered an exclamation, shifted his position in his chair, and fixed a bored attention upon the passing vehicles in the glimpse of the street afforded between the house and the shrubberies along the side fence. The other, without appearing to note his annoyance, went on, cheerfully:

  “She was a precocious huntress: early in youth she passed through the accumulator stage, leaving it to the crude or village belle to rejoice in numbers and the excitement of teasing cubs in the bear-pit. It is the nature of this imagined Carmen to play fiercely with one imitation of love after another: a man thinks he wins her, but it is merely that she has chosen him — for a while. And Carmen can have what she chooses; if the man exists who could show her that she cannot, she would follow him through the devil’s dance; but neither you nor I would be that man, my dear sir. We assume that Carmen’s eyes have been mine — her heart is another matter — and that she has grown weary of my somewhat Sicilian manner of looking into them, and, following her nature and the law of periodicity which Carmens must bow to, she seeks a cooler gaze and calls Mr. Richard Lindley to come and take a turn at looking. Now, Mr. Richard Lindley is straight as a die: he will not even show that he hears the call until he is sure that I have been dismissed: therefore, I have no quarrel with him. Also, I cannot even hate him, for in my clearer julep vision I see that he is but an interregnum. Let me not offend my friend: chagrin is to be his as it is mine. I was a strong draught, he but the quieting potion our Carmen took to settle it. We shall be brothers in woe some day. Nothing in the universe lasts except Hell: Life is running water; Love, a looking-glass; Death, an empty theatre! That reminds me: as you are not listening I will sing.”

  He finished his drink and lifted his voice hilariously:

  “The heavenly stars far above her,

  The wind of the infinite sea,

  Who know all her perfidy, love her,

  So why call it madness in me?

  Ah, why call it madness — —”

  He set his glass with a crash upon the table, staring over his companion’s shoulder.

  “What, if you please, is the royal exile who thus seeks refuge in our hermitage?”

  His host had already observed the approaching visitor with some surprise, and none too graciously. It was Valentine Corliss: he had turned in from the street and was crossing the lawn to join the two young men. Lindley rose, and, greeting him with sufficient cordiality, introduced Mr. Vilas, who bestowed upon the newcomer a very lively interest.

  “You are as welcome, Mr. Corliss,” said this previous guest, earnestly, “as if these sylvan shades were mine. I hail you, not only for your own sake, but because your presence encourages a hope that our host may offer refreshment to the entire company.”

  Corliss smilingly declined to be a party to this diplomacy, and seated himself beside Richard Lindley on the bench.

  “Then I relapse!” exclaimed Mr. Vilas, throwing himself back full-length in the hammock. “I am not replete, but content. I shall meditate. Gentlemen, speak on!”

  He waved his hand in a gracious gesture, indicating his intention to remain silent, and lay quiet, his eyes fixed steadfastly upon Corliss.

  “I was coming to call on you,” said the latter to Lindley, “but I saw you from the street and thought you mightn’t mind my being as informal as I used to be, so many years ago.”

  “Of course,” said Richard.

  “I have a sinister purpose in coming,” Mr. Corliss laughingly went on. “I want to bore you a little first, and then make your fortune. No doubt that’s an old story to you, but I happen to be one of the adventurers whose argosies are laden with real cargoes. Nobody knows who has or hasn’t money to invest nowadays, and of course I’ve no means of knowing whether you have or not — you see what a direct chap I am — but if you have, or can lay hold of some, I can show you how to make it bring you an immense deal more.”

  “Naturally,” said Richard pleasantly, “I shall be glad if you can do that.”

  “Then I’ll come to the point. It is exceedingly simple; that’s certainly one attractive thing about it.” Corliss took some papers and unmounted photographs from his pocket, and began to spread them open on the bench between himself and Richard. “No doubt you know Southern Italy as well as I do.”

  “Oh, I don’t `know’ it. I’ve been to Naples; down to Paestum; drove from Salerno to Sorrentoby Amalfi; but that was years ago.”

  “Here’s a large scale map that will refresh your memory.” He unfolded it and laid it across their knees; it was frayed with wear along the folds, and had been heavily marked and dotted with red and blue pencillings. “My millions are in this large irregular section,” he continued. “It’s the anklebone and instep of Italy’s boot; this sizable province called Basilicata, east of Salerno, north of Calabria. And I’ll not hang fire on the point, Lindley. What I’ve got there is oil.”

  “Olives?” asked Richard, puzzled.

  “Hardly!” Corliss laughed. “Though of course one doesn’t connect petroleum with the thought of Italy, and of all Italy, Southern Italy. But in spite of the years I’ve lived there, I’ve discovered myself to be so essentially American and commercial that I want to drench the surface of that antique soil with the brown, bad-smelling crude oil that lies so deep beneath it. Basilicata is the coming great oil-field of the world — and that’s my secret. I dare to tell it here, as I shouldn’t dare in Naples.”

  “Shouldn’t `dare’?” Richard repeated, with growing interest, and no doubt having some vague expectation of a tale of the Camorra. To him Naples had always seemed of all cities the most elusive and incomprehensible, a laughing, thieving, begging, mandolin-playing, music-and-murder haunted metropolis, about which anything was plausible; and this impression was not unique, as no inconsiderable proportion of Mr. Lindley’s fellow-countrymen share it, a fact thoroughly comprehended by the returned native.

  “It isn’t a case of not daring on account of any bodily danger,” explained Corliss.

  “No,” Richard smiled reminiscently. “I don’t believe that would have much weight with you if it were. You certainly showed no symptoms of that sort in your extreme youth. I remember you had the name of being about the most daring and foolhardy boy in town.”

  “I grew up to be cautious enough in business, though,” said the other, shaking his head gravely. “I haven’t been able to afford not being careful.” He adjusted the map — a prefatory gesture. “Now, I’ll make this whole affair perfectly clear to you. It’s a simple matter, as are most big things. I’ll begin by telling you of Moliterno — he’s been my most intimate friend in that part of the continent for a great many years; since I went there as a boy, in fact.”

  He sketched a portrait of his friend, Prince Moliterno, bachelor chief of a historic house, the soul of honour, “land-poor”; owning leagues and leagues of land, hills and mountains, broken towers and ruins, in central Basilicata, a province described as wild country and roug
h, off the rails and not easy to reach. Moliterno and the narrator had gone there to shoot; Corliss had seen “surface oil” upon the streams and pools; he recalled the discovery of oil near his own boyhood home in America; had talked of it to Moliterno, and both men had become more and more interested, then excited. They decided to sink a well.

  Corliss described picturesquely the difficulties of this enterprise, the hardships and disappointments; how they dragged the big tools over the mountains by mule power; how they had kept it all secret; how he and Moliterno had done everything with the help of peasant labourers and one experienced man, who had “seen service in the Persian oil-fields.”

  He gave the business reality, colouring it with details relevant and irrelevant, anecdotes and wayside incidents: he was fluent, elaborate, explicit throughout. They sank five wells, he said, “at the angles of this irregular pentagon you see here on the map, outlined in blue. These red circles are the wells.” Four of the wells “came in tremendous,” but they had managed to get them sealed after wasting — he was “sorry to think how many thousand barrels of oil.” The fifth well was so enormous that they had not been able to seal it at the time of the speaker’s departure for America.

  “But I had a cablegram this morning,” he added, “letting me know they’ve managed to do it at last. Here is, the cablegram.” He handed Richard a form signed “Antonio Moliterno.”

  “Now, to go back to what I said about not `daring’ to speak of this in Naples,” he continued, smiling. “The fear is financial, not physical.”

  The knowledge of the lucky strike, he explained, must be kept from the “Neapolitan money-sharks.” A third of the land so rich in oil already belonged to the Moliterno estates, but it was necessary to obtain possession of the other two thirds “before the secret leaks into Naples.” So far, it was safe, the peasants of Basilicata being “as medieval a lot as one could wish.” He related that these peasants thought that the devils hiding inside the mountains had been stabbed by the drills, and that the oil was devils’ blood.

  “You can see some of the country people hanging about, staring at a well, in this kodak, though it’s not a very good one.” He put into Richard’s hand a small, blurred photograph showing a spouting well with an indistinct crowd standing in an irregular semicircle before it.

  “Is this the Basilicatan peasant costume?” asked Richard, indicating a figure in the foreground, the only one revealed at all definitely. “It looks more oriental. Isn’t the man wearing a fez?”

  “Let me see,” responded Mr. Corliss very quickly. “Perhaps I gave you the wrong picture. Oh, no,” he laughed easily, holding the kodak closer to his eyes; “that’s all right: it is a fez. That’s old Salviati, our engineer, the man I spoke of who’d worked in Persia, you know; he’s always worn a fez since then. Got in the habit of it out there and says he’ll never give it up. Moliterno’s always chaffing him about it. He’s a faithful old chap, Salviati.”

  “I see.” Lindley looked thoughtfully at the picture, which the other carelessly returned to his hand. “There seems to be a lot of oil there.”

  “It’s one of the smaller wells at that. And you can see from the kodak that it’s just `blowing’ — not an eruption from being `shot,’ or the people wouldn’t stand so near. Yes; there’s an ocean of oil under that whole province; but we want a lot of money to get at it. It’s mountain country; our wells will all have to go over fifteen-hundred feet, and that’s expensive. We want to pipe the oil to Salerno, where the Standard’s ships will take it from us, and it will need a great deal for that. But most of all we want money to get hold of the land; we must control the whole field, and it’s big!”

  “How did you happen to come here to finance it?”

  “I was getting to that. Moliterno himself is as honourable a man as breathes God’s air. But my experience has been that Neapolitan capitalists are about the cleverest and slipperiest financiers in the world. We could have financed it twenty times over in Naples in a day, but neither Moliterno nor I was willing to trust them. The thing is enormous, you see — a really colossal fortune — and Italian law is full of ins and outs, and the first man we talked to confidentially would have given us his word to play straight, and, the instant we left him, would have flown post-haste for Basilicata and grabbed for himself the two thirds of the field not yet in our hands. Moliterno and I talked it over many, many times; we thought of going to Rome for the money, to Paris, to London, to New York; but I happened to remember the old house here that my aunt had left me — I wanted to sell it, to add whatever it brought to the money I’ve already put in — and then it struck me I might raise the rest here as well as anywhere else.”

  The other nodded. “I understand.”

  “I suppose you’ll think me rather sentimental,” Corliss went on, with a laugh which unexpectedly betrayed a little shyness. “I’ve never forgotten that I was born here — was a boy here. In all my wanderings I’ve always really thought of this as home.”

  His voice trembled slightly and his face flushed; he smiled deprecatingly as though in apology for these symptoms of emotion; and at that both listeners felt (perhaps with surprise) the man’s strong attraction. There was something very engaging about him: in the frankness of his look and in the slight tremor in his voice; there was something appealing and yet manly in the confession, by this thoroughgoing cosmopolite, of his real feeling for the home-town.

  “Of course I know how very few people, even among the `old citizens,’ would have any recollection whatever of me,” he went on; “but that doesn’t make any difference in my sentiment for the place and its people. That street out yonder was named for my grandfather: there’s a statue of my great uncle in the State House yard; all my own blood: belonged here, and though I have been a wanderer and may not be remembered — naturally am not remembered — yet the name is honoured here, and I — I — —” He faltered again, then concluded with quiet earnestness: “I thought that if my good luck was destined to bring fortunes to others, it might as well be to my own kind — that at least I’d offer them the chance before I offered it to any one else.” He turned and looked Richard in the face. “That’s why I’m here, Mr. Lindley.”

  The other impulsively put out his hand. “I understand,” he said heartily.

  “Thank you.” Corliss changed his tone for one less serious. “You’ve listened very patiently and I hope you’ll be rewarded for it. Certainly you will if you decide to come in with us. May I leave the maps and descriptions with you?”

  “Yes, indeed. I’ll look them over carefully and have another talk with you about it.”

  “Thank heaven, that’s over!” exclaimed the lounger in the hammock, who had not once removed his fascinated stare from the expressive face of Valentine Corliss. “If you have now concluded with dull care, allow me to put a vital question: Mr. Corliss, do you sing?”

  The gentleman addressed favoured him with a quizzical glance from between half-closed lids, and probably checking an impulse to remark that he happened to know that his questioner sometimes sang, replied merely, “No.”

  “It is a pity.”

  “Why?”

  “Nothing,” returned the other, inconsequently. “It just struck me that you ought to sing the Toreador song.”

  Richard Lindley, placing the notes and maps in his pocket, dropped them, and, stooping, began to gather the scattered papers with a very red face. Corliss, however, laughed good-naturedly.

  “That’s most flattering,” he said; “though there are other things in `Carmen’ I prefer — probably because one doesn’t hear them so eternally.”

  Vilas pulled himself up to a sitting position and began to swing again. “Observe our host, Mr. Corliss,” he commanded gayly. “He is a kind old Dobbin, much beloved, but cares damn little to hear you or me speak of music. He’d even rather discuss your oil business than listen to us talk of women, whereas nothing except women ever really interests you, my dear sir. He’s not our kind of man,” he concluded, mourn
fully; “not at all our kind of man!”

  “I hope,” Corliss suggested, “he’s going to be my kind of man in the development of these oil-fields.”

  “How ridic” — Mr. Vilas triumphed over the word after a slight struggle— “ulous! I shall review that: ridiculous of you to pretend to be interested in oil-fields. You are not that sort of person whatever. Nothing could be clearer than that you would never waste the time demanded by fields of oil. Groundlings call this `the mechanical age’ — a vulgar error. My dear sir, you and I know that it is the age of Woman! Even poets have begun to see that she is alive. Formerly we did not speak of her at all, but of late years she has become such a scandal that she is getting talked about. Even our dramas, which used to be all blood, have become all flesh. I wish I were dead — but will continue my harangue because the thought is pellucid. Women selecting men to mate with are of only two kinds, just as there are but two kinds of children in a toy-shop. One child sets its fancy on one partic” — the orator paused, then continued— “on one certain toy and will make a distressing scene if she doesn’t get it: she will have that one; she will go straight to it, clasp it and keep it; she won’t have any other. The other kind of woman is to be understood if you will make the experiment of taking the other kind of child to a toy-shop and telling her you will buy her any toy in the place, but that you will buy her only one. If you do this in the morning, she will still be in the shop when it is closing for the night, because, though she runs to each toy in turn with excitement and delight, she sees another over her shoulder, and the one she has not touched is always her choice — until she has touched it! Some get broken in the handling. For my part, my wires are working rather rustily, but I must obey the Stage-Manager. For my requiem I wish somebody would ask them to play Gounod’s masterpiece.”

  “What’s that?” asked Corliss, amused.