The Collective
Page 15
up and went down, but it didn't go away. She'd been aware of it
ever since that thing about Floyd started knocking around in her
head - and then the little girl in the red pinafore.
But, really, hadn't she felt something before either of those things?
Hadn't it actually started when they came down the steps of the
Lear 35 into the hammering heat of the Fort Myers sunshine? Or
even before? En route from Boston?
They were coming to an intersection. Overhead was a flashing
yellow light, and she thought, To the right is a used-car lot and a
sign for the Sanibel Community Theatre.
Then she thought, No, it'll be like the crosses that weren't there. It's
a strong feeling but it's a false feeling.
Here was the intersection. On the right there was a used-car lot-
Palm-dale Motors. Carol felt a real jump at that, a stab of
something sharper than disquiet. She told herself to quit being
stupid. There had to be car lots all over Florida and if you
predicted one at every intersection sooner or later the law of
averages made you a prophet. It was a trick mediums had been
using for hundreds of years.
Besides, there's no theatre sign.
But there was another sign. It was Mary the Mother of God, the
ghost of all her childhood days, holding out her hands the way she
did on the medallion Carol's grandmother had given her for her
tenth birthday. Her grandmother had pressed it into her hand and
looped the chain around her fingers, saying, "Wear her always as
you grow, because all the hard days are coming. " She had worn it,
all right. At Our Lady of Angels grammar and middle school she
had worn it, then at St. Vincent de Paul high. She wore the medal
until breasts grew around it like ordinary miracles, and then
someplace, probably on the class trip to Hampton Beach, she had
lost it. Coming home on the bus she had tongue-kissed for the first
time. Butch Soucy had been the boy; and she had been able to taste
the cotton candy he'd eaten.
Mary on that long-gone medallion and Mary on this billboard had
exactly the same look, the one that made you feel guilty of
thinking impure thoughts even when all you were thinking about
was a peanut-butter sandwich. Beneath Mary, the sign said
"Mother of Mercy Charities Help the Florida Homeless Won't You
Help Us?"
Hey there, Mary, what's the story.
More than one voice this time; many voices, girls' voices, chanting
ghost voices. There were ordinary miracles; there were also
ordinary ghosts. You found these things out as you got older.
"What's wrong with you?" She knew that voice as well as she did
the eyebrow-and-dimple look. Bill's I'm-only-pretending-to-be-
pissed tone of voice, the one that meant he really was pissed, at
least a little.
"Nothing." She gave him the best smile she could manage.
"You really don't seem like yourself Maybe you shouldn't have
slept on the plane.
'You're probably right," she said, and not just to be agreeable,
either. After all, how many women got a second honeymoon on
Captiva Island for their twenty-fifth anniversary? Round trip on a
chartered Learjet? Ten days at one of those places where your
money was no good (at least until MasterCard coughed up the bill
at the end of the month) and if you wanted a massage a big
Swedish babe would come and pummel you in your six-room
beach house?
Things had been different at the start. Bill, whom she'd first met at
a crosstown high-school dance and then met again at college three
years later (another ordinarv miracle), had begun their married life
working as a janitor, because there were no openings in the
computer industry. It was 1973, and computers were essentially
going nowhere and they were living in a grotty place in Revere,
not on the beach but close to it, and all night people kept going up
the stairs to buy drugs from the two sallow creatures who lived in
the apartment above them and listened endlessly to dopey records
from the sixties. Carol used to lie awake waiting for the shouting to
start, thinking, We won't ever get out of here, we'll grow old and
die within earshot of Cream and Blue Cheer and the fucking
Dodgem cars down on the beach.
Bill, exhausted at the end of his shift, would sleep through the
noise, lying on his side, sometimes with one hand on her hip. And
when it wasn't there she often put it there, especially if the
creatures upstairs were arguing with their customers. Bill was all
she had. Her parents had practically disowned her when she
married him. He was a Catholic, but the wrong sort of Catholic.
Gram had asked why she wanted to go with that boy when anyone
could tell he was shanty; how could she fall for all his foolish talk,
why did she want to break her father's heart. And what could she
say?
It was a long distance from that place in Revere to a private jet
soaring at forty-one thousand feet; a long way to this rental car;
which was a Crown Victoria-what the goodfellas in the gangster
movies invariably called a Crown Vic heading for ten days in a
place where the tab would probably be... well, she didn't even want
to think about it.
Floyd?... Ohshit.
"Carol? What is it now?"
"Nothing," she said. Up ahead by the road was a little pink
bungalow, the porch flanked by palms - seeing those trees with
their fringy heads lifted against the blue sky made her think of
Japanese Zeros coming in low; their underwing machine guns
firing, such an association clearly the result of a youth misspent in
front of the TV - and as they passed a black woman would come
out. She would be drying her hands on a piece of pink towelling
and would watch them expressionlessly as they passed, rich folks
in a Crown Vic headed for Captiva, and she'd have no idea that
Carol Shelton once lay awake in a ninety-dollar-a-month
apartment, listening to the records and the drug deals upstairs,
feeling something alive inside her, something that made her think
of a cigarette that had fallen down behind the drapes at a party,
small and unseen but smoldering away next to the fabric.
"Hon?"
"Nothing, I said." They passed the house. There was no woman.
An old man - white, not black-sat in a rocking chair, watching
them pass. There were rimless glasses on his nose and a piece of
ragged pink towelling, the same shade as the house, across his lap.
"I'm fine now. Just anxious to get there and change into some
shorts."
His hand touched her hip where he had so often touched her during
those first days - and then crept a little farther inland. She thought
about stopping him (Roman hands and Russian fingers, they used
to say) and didn't. They were, after all, on their second
honeymoon. Also, it would make that expression go away.
"Maybe," he said, "we could take a pause. You know, after the
dress comes off and before the shorts go on.
"I think that's a lovely idea," she sai
d, and put her hand over his,
pressed both more tightly against her. Ahead was a sign that would
read "Palm House 3 Mi. on Left" when they got close enough to
see it.
The sign actually read "Palm House 2 Mi. on Left." Beyond it was
another sign, Mother Mary again, with her hands outstretched and
that little electric shimmy that wasn't quite a halo around her head.
This version read "Mother of Mercy Charities Help the Florida
Sick - Won't You Help Us?"
Bill said, "The next one ought to say 'Burma Shave."'
She didn't understand what he meant, but it was clearly a joke and
so she smiled. The next one would say "Mother of Mercy Charities
Help the Florida Hungry;" but she couldn't tell him that. Dear Bill.
Dear in spite of his sometimes stupid expressions and his
sometimes unclear allusions. He'll most likely leave you, and you
know something? If you go through with it that's probably the best
luck you can expect. This according to her father. Dear Bill, who
had proved that just once, just that one crucial time, her judgment
had been far better than her father's. She was still married to the
man her Gram had called "the big boaster." At a price, true, but
everyone paid a price.
Her head itched. She scratched at it absently, watching for the next
Mother of Mercy billboard.
Horrible as it was to say, things had started turning around when
she lost the baby. That was just before Bill got a job with Beach
Computers, out on Route 128; that was when the first winds of
change in the industry began to blow.
Lost the baby, had a miscarriage - they all believed that except
maybe Bill. Certainly her family had believed it: Dad, Mom,
Gram. "Miscarriage" was the story they told, miscarriage was a
Catholic's story if ever there was one. Hey, Mary, what's the story,
they had sometimes sung when they skipped rope, feeling daring,
feeling sinful, the skirts of their uniforrns flipping up and down
over their scabby knees. That was at Our Lady of Angels, where
Sister Annunciata would spank your knuckles with her ruler if she
caught you gazing out the window during Sentence Time, where
Sister Dormatilla would tell you that a million years was but the
first tick of eternity's endless clock (and you could spend eternity
in Hell, most people did, it was easy). In Hell you would live
forever with your skin on fire and your bones roasting. Now she
was in Florida, now she was in a Crown Vic sitting next to her
husband, whose hand was still in her crotch; the dress would be
wrinkled but who cared if it got that look off his face, and why
wouldn't the feeling stop?
She thought of a mailbox with "Raglan" painted on the side and an
American-flag decal on the front, and although the name turned
out to be "Reagan" and the flag a Grateful Dead sticker; the box
was there. She thought of a small black dog trotting briskly along
the other side of the road, its head down, sniffling, and the small
black dog was there. She thought again of the billboard and, yes,
there it was: "Mother of Mercy Charities Help the Florida Hungry -
Won't You Help Us?"
Bill was pointing. "There-see? I think that's Palm House. No, not
where the billboard is, the other side. Why do they let people put
those things up out here, anyway?"
"I don't know." Her head itched. She scratched, and black dandruff
began falling past her eyes. She looked at her fingers and was
horrified to see dark smutches on the tips; it was as if someone had
just taken her fingerprints.
"Bill?" She raked her hand through her blond hair and this time the
flakes were bigger. She saw they were not flakes of skin but flakes
of paper. There was a face on one, peering out of the char like a
face peering out of a botched negative.
"Bill?"
"What? Wh-" Then a total change in his voice, and that frightened
her more than the way the car swerved. "Christ, honey, what's in
your hair?"
The face appeared to be Mother Teresa's. Or was that just because
she'd been thinking about Our Lady of Angels? Carol plucked it
from her dress, meaning to show it to Bill, and it crumbled
between her fingers before she could. She turned to him and saw
that his glasses were melted to his cheeks. One of his eyes had
popped from its socket and then split like a grape pumped full of
blood.
And I knew it, she thought. Even before I turned, I knew it. Because
I had that feeling.
A bird was crying in the trees. On the billboard, Mary held out her
hands. Carol tried to scream. Tried to scream.
"CAROL?"
It was Bill's voice, coming from a thousand miles away. Then his
hand - not pressing the folds of her dress into her crotch, but on her
shoulder.
"You O.K., babe?"
She opened her eyes to brilliant sunlight and her ears to the steady
hum of the Learjet's engines. And something else-pressure against
her eardrums. She looked from Bill's mildly concerned face to the
dial below the temperature gauge in the cabin and saw that it had
wound down to 28,000.
"Landing?" she said, sounding muzzy to herself "Already?"
"It's fast, huh?" Sounding pleased, as if he had flown it himself
instead of only paying for it. "Pilot says we'll be on the ground in
Fort Myers in twenty minutes. You took a hell of a jump, girl."
"I had a nightmare."
He laughed-the plummy ain't-you-the-silly-billy laugh she had
come really to detest. "No nightmares allowed on your second
honeymoon, babe. What was it?"
"I don't remember," she said, and it was the truth. There were only
fragments: Bill with his glasses melted all over his face, and one of
the three or four forbidden skip rhymes they had sometimes
chanted back in fifth and sixth grade. This one had gone Hey there,
Mary, what's the story... and then something-something-
something. She couldn't come up with the rest. She could
remember Jangle-tangle jingle-bingle, I saw your daddy's great
big dingle, but she couldn't remember the one about Mary-
Mary helps the Florida sick, she thought, with no idea of what the
thought meant, and just then there was a beep as the pilot turned
the seatbelt light on. They had started their final descent. Let the
wild rumpus start, she thought, and tightened her belt.
"You really don't remember?" he asked, tightening his own. The
little jet ran through a cloud filled with bumps, one of the pilots in
the cockpit made a minor adjustment, and the ride smoothed out
again. "Because usually, just after you wake up, you can still
remember. Even the bad ones."
"I remember Sister Annunciata, from Our Lady of Angels.
Sentence Time."
"Now, that's a nightmare.
Ten minutes later the landing gear came down with a whine and a
thump. Five minutes after that they landed.
"They were supposed to bring the car right out to the plane," Bill
said, already starting up the Type A shit. This she didn't like, but at
/> least she didn't detest it the way she detested the plummy laugh
and his repertoire of patronizing looks. "I hope there hasn't been a
hitch."
There hasn't been, she thought, and the feeling swept over her full
force. I'm going to see it out the window on my side in just a
second or two. It's your total Florida vacation car, a great big white
goddam Cadillac, or maybe it's a Lincoln - And, yes, here it came,
proving what? Well, she supposed, it proved that sometimes when
you had deja vu what you thought was going to happen next really
did happen next. It wasn't a Caddy or a Lincoln after all, but a
Crown Victoria - what the gangsters in a Martin Scorsese film
would no doubt call a Crown Vic.
"Whoo," she said as he helped her down the steps and off the
plane. The hot sun made her feel dizzy.
"What's wrong?"
"Nothing, really. I've got deja' vu. Left over from my dream, I
guess. We've been here before, that kind of thing."
"It's being in a strange place, that's all," he said, and kissed her
cheek. "Come on, let the wild rumpus start."
They went to the car. Bill showed his driver's license to the young
woman who had driven it out. Carol saw him check out the hem of
her skirt, then sign the paper on her clipboard.
She's going to drop it, Carol thought. The feeling was now so
strong it was like being on an amusement-park ride that goes just a
little too fast; all at once you realize you're edging out of the Land
of Fun and into the Kingdom of Nausea. She'll drop it, and Bill
will say "Whoopsy-daisy" and pick it up for her, get an even closer
look at her legs.
But the Hertz woman didn't drop her clipboard. A white courtesy
van had appeared, to take her back to the Butler Aviation terminal.
She gave Bill a final smile-Carol she had ignored completely-and
opened the front passenger door. She stepped up, then slipped.
"Whoopsy-daisy, don't be crazy," Bill said, and took her elbow,
steadying her. She gave him a smile, he gave her well-turned legs a
goodbye look, and Carol stood by the growing pile of their luggage
and thought, Hey there, Mary...
"Mrs. Shelton?" It was the co-pilot. He had the last bag, the case
with Bill's laptop inside it, and he looked concerned. "Are you all
right? You're very pale."
Bill heard and turned away from the departing white van, his face
worried. If her strongest feelings about Bill were her only feelings