Leaving Lucy Pear

by Anna Solomon

  ALSO BY ANNA SOLOMON

  The Little Bride

  EDITED BY ANNA SOLOMON

  Labor Day:

  True Birth Stories by Today’s Best Women Writers

  VIKING

  An imprint of Penguin Random House LLC

  375 Hudson Street

  New York, New York 10014

  penguin.com

  Copyright © 2016 by Anna Solomon

  Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

  Excerpt from “The Last Word of a Bluebird” from The Poetry of Robert Frost, edited by Edward Connery Lathem. Copyright © 1930, 1969 by Henry Holt and Company. Copyright © 1944 by Robert Frost. Used by permission of Henry Holt and Company, LLC. All rights reserved.

  ISBN 9781594632655 (hardcover)

  ISBN 9780698149922 (ebook)

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

  Version_1

  Contents

  Also by Anna Solomon

  Title Page

  Copyright

  Dedication

  Epigraph

  Part One 1917

  One: 1927

  Two

  Three

  Four

  Five

  Six

  Seven

  Eight

  Nine

  Ten

  Eleven

  Part Two Twelve

  Thirteen

  Fourteen

  Fifteen

  Sixteen

  Seventeen

  Eighteen

  Nineteen

  Twenty

  Twenty-one

  Twenty-two

  Twenty-three

  Twenty-four

  Twenty-five

  Part Three Twenty-six

  Twenty-seven

  Twenty-eight

  Twenty-nine

  Thirty

  Thirty-one

  Thirty-two

  Thirty-three

  Thirty-four

  Thirty-five

  Thirty-six

  Thirty-seven

  Thirty-eight

  Acknowledgments

  To Mike

  The Last Word of a Blue Bird

  As I went out a Crow

  In a low voice said, “Oh,

  I was looking for you.

  How do you do?

  I just came to tell you

  To tell Lesley (will you?)

  That her little Bluebird

  Wanted me to bring word

  That the north wind last night

  That made the stars bright

  And made ice on the trough

  Almost made him cough

  His tail feathers off.

  He just had to fly!

  But he sent her Good-by,

  And said to be good,

  And wear her red hood,

  And look for skunk tracks

  In the snow with an ax—

  And do everything!

  And perhaps in the spring

  He would come back and sing.”

  ROBERT FROST

  Part One

  1917

  If they were coming, this was the night. The pears had stayed yellow and hard for so long that Bea had started to despair, but they were finally ready to pick. The moon was a quarter full. The afternoon’s wind had gone limp. Midnight came and went. Bea counted to five hundred for extra measure—silently, so she wouldn’t wake the nurse—then she took up the infant from its bassinet, wrapped it in her aunt Vera’s angora shawl, and crept down the cellar stairs in her bare feet.

  The stairs to the cellar were granite, and cold. The original wooden ones had burned with the original wooden house in 1873. Bea did not know about the fire but she could smell it, because the cellar was the one part of the house that hadn’t needed rebuilding and its walls retained the flavor of ash. She moved toward the bulkhead door as fast as she could, feeling along the wall with her free hand, careful not to bump the handles of shovels and hoes, though the shovels and hoes had been through far worse. They had witnessed flood and fire. They had been variously cared for and abused by generations of gardeners, had been used to plant tulips and to dig graves. They had even, once upon a time, been in the presence of another unwed mother and her infant. Knowing this might have put Bea’s own suffering in perspective. But she did not know and she had not been taught perspective. She was eighteen, the daughter of ascendant Boston Jews who had sent her away to Eastern Point in a black, curtained limousine the day she started to show.

  The bulkhead door was heavier than she expected, its diagonal slope demanding that it be lifted as much as pushed. She had unlocked it from the outside before going to bed but she hadn’t tested its weight and now the thing didn’t budge. She pressed harder. The cellar was her only way out—she had tested the doors on the first floor and every one either shrieked or squeaked or groaned. She pushed again. If she put the baby down, it would cry. Bea started to pant with panic. The cellar roof seemed to be dropping, the walls squeezing. She climbed the bulkhead steps until she was bent nearly in two, the infant squeezed into the small space between her thighs and chest, and tried to open the door with her back. Her legs shook. Sweat sprang at her neck. She was still soft and weak from the birth two weeks before, her right eye bloodshot though she had no memory of pushing, no memory of any of it, nothing until a baby was being handed to her, clean and silent, like a doll her mother had bought. She was lucky, Bea understood—Aunt Vera had hired a doctor who had studied in Germany with the father of twilight sleep. There had been morphine, there had been scopolamine—these, according to Aunt Vera, would do more to liberate women than the vote. Bea understood that she was supposed to understand herself to be lucky. She understood that she must have pushed, and that she should be glad not to remember. She pushed now, using her neck, her shoulders, every muscle in her body. At last the door gave an inch, then two, then lightened so quickly Bea was following it—she had to scramble to catch up before it slammed on the ground outside. She looked behind her, above. The hinge had given a sharp cry. She went stiff waiting for another sound, the nurse’s heavy footsteps, her heavy call: Beatrice? She waited until her breath came and quieted her heart. Then she stepped out into the night.

  • • •

  Through the near trees she could see the far ones in the orchard down below. Slowly, her eyes adjusted, and she saw the pears themselves, their waxy orbs glowing greenly in the three-quarter dark. Her mouth watered and Bea, embarrassed by this bodily secretion, turned her thoughts to her Plan.

  Walk to orchard.

  Wake infant.

  Nurse infant.

  Change infant.

  Check inside paper sack: extra diapers, two bottles, four cans of Borden’s evaporated milk, five twenty-dollar bills.

  Set infant under most plentiful tree.

  Run.

 
Around her left wrist, on a leather cord, Bea wore the very loud whistle Aunt Vera used to scare squirrels off the bird feeders. If they weren’t gentle with the infant, she would blow it. Also, she would blow it if they turned out not to be who she thought they were. Bea had relied on Uncle Ira for her information, and Uncle Ira was prone to telling tales. Nevertheless, Bea had chosen to believe him. It happened every year, he said. When the moon was bright enough to see by but not to be easily seen, the air still enough not to carry sound or scent. The pears on the verge of starting to drop. He never heard or saw a thing, but the next morning he would look out his window and down the hill and there, where the day before the pears had packed the branches like sparrows, there would be only leaves and the gray, fleshy stubs from which the pears had grown. Uncle Ira smiled, describing this. They might be giraffes, he mused. Giants! Ira harbored a kind of love for the trespassers who stole his pears. They made him feel benevolent.

  But really, he said, Catholics. A poor Irish family who had found a market for pears. And Bea believed him, maybe because she had to. She didn’t know any Catholics. Catholics weren’t Jews, but they were like Jews in that they weren’t Protestants. So there was that. And back home Bea had seen the Irish children walking in packs through the common and envied them, even the poor ones, the company. There looked to be a certain freedom in being one of many: the right to go unnoticed, unattended. Neglect, Bea’s mother would call it, she who had rarely let Bea out of her sight.

  Until she had, quite suddenly.

  And look at the consequences.

  Bea steadied herself against one of the near trees, a tall, straight pine so bare of low branches it entered her consciousness as more human than plant. An idea came to her of sliding down its rough side, lying down on the cushion its needles made beneath her feet, and falling back to sleep with the baby in her arms.

  The infant snorted. Bea wouldn’t have guessed that babies snorted but this one snorted all the time, followed by a tremulous sigh. The sigh came. Bea shifted the infant to her shoulder. High above them, a branch creaked and shifted, making way for moonlight. Already its angle had changed. If Bea waited for the people to arrive, she would lose her resolve, or she would keep it and be seen and the people would tell Uncle Ira and he would tell her parents and her mother would make her give the baby to the awful woman who had come last month from the Orphanage for Jewish Children, reeking of camphor and assuring Aunt Vera and Uncle Ira that she did not believe in spoiling, kissing, or otherwise unnecessarily touching babies.

  She began to walk. Her neck was wet with the baby’s breath and to counter the sensation, and whatever emotion it might lead to, she did what she had trained herself to do over the months of carrying the baby, as rigorously as she had ever trained herself to play a Beethoven sonata or pen a thank-you card in the microscopic, finger-cramping script that satisfied her mother: she thought of other things. The pear trees, which she could see more clearly with every step. They were Braffets, she knew, not because she understood anything about fruit or trees but because Uncle Ira talked about his pears all the time, as though they were the children he wished he’d had, braver and brighter than his own. Have you seen the Braffets, battling the frost? Look at those Braffets, blossoming like little gods. Who knew I would be so lucky to have such Braffets. Thirty-one years ago, he had imported the trees from Sussex, England, paying their fare not in cargo but in third class, where each one, wrapped in burlap, its roots watered daily by a hired boy, occupied its own bunk. The Braffets are in the orchard, fermenting the revolution. Bea tightened her hold on the bundle of baby and shawl. She had reached the stone wall that marked the orchard’s western boundary. She squinted into the dark, straining to hear the first sounds of feet and wheelbarrows, but heard nothing apart from the lazy slap of water on the rocky beach down below. The pears waited on their branches. Vera’s exotic fish swam silently in their little pond. The infant made no sound but Bea covered its mouth with her hand anyway, half knowing its lips would move to suck her palm, half pretending to be surprised at the warm, wet mouth as it burrowed and groped. Braffet, she said in her mind. Braffet pears were named after a duchess. Braffet pears appear on the branch a bold yellow and turn green when ripe. Braffet pears are often marred by rough brownish gray patches but these do not affect their taste or texture beneath the skin. All this Bea recited silently as she unbuttoned her dress to her waist, shrugged one shoulder from its sleeve, and lowered the waking infant so it could suck.

  She gasped as the mouth clamped onto her nipple, but the pain was a distraction, too, welcome in its own way. If the choice had been up to the Orphanage for Jewish Children woman, the infant would have been taken away before Bea even woke up. Aunt Vera was the one who noticed Bea, during the woman’s visit, turn bone white. Vera was weak but she had summoned the stick-straight posture she had been taught at Miss Winsor’s School and argued for a two-week delay. They would hire a wet nurse, she promised. And maybe because Vera was so ill, or so rich, or both, the woman relented. But then Aunt Vera hired a regular nurse and shocked Bea by putting the baby to her breast and Bea had gone along, in part because it justified her holding the baby, which she was desperate if terrified to do, and in part because the whole business was so uncomfortable it called up in her a resentment and resenting the baby had been a relief.

  As the sucking went on, the pain quieted. She leaned forward, trying to make out the gap in the honeysuckle that was the lower entrance to the orchard. Still she saw no one. She heard nothing new. The baby pulled at her breast until the pain abandoned her entirely, leaving behind a fluttering twinge that was recognizable to Bea, despite herself, as pleasure.

  • • •

  A crack sounded from beyond the gap. Bea held her breath. She heard no footsteps on the road, no wheels scraping the dirt ruts. She had assumed they would push wheelbarrows for the pears, but the scuffling she heard now came from the small woods across the road. Beyond the woods were the rocks that led down to the harbor. So they had come by boat. Bea stuck a finger in the infant’s mouth, dislodged it from her breast, and started to walk toward the pear trees. The infant wailed. Bea stuck her finger back in its mouth and the baby sucked again, quiet, but the echo of its cry winged out over the trees. Bea’s blood began to pound. She worked to breathe, even to swallow, but her throat was full of the pounding; each step she took through the tall grass exploded in her ears. She looked back at the house. Vera’s hearing was weak and Uncle Ira slept like a stone, but the nurse was always half awake, it seemed, springing catlike when the infant so much as stirred.

  Bea was looking back so intently she didn’t see the root that threw her forward. She caught herself with one hand but the infant’s head fell back roughly, as the nurse had instructed her it was never supposed to do. The baby howled. Bea filled its mouth again with her finger, bounced it, shushed in its ear.

  In her fall she reached the pear tree she had chosen yesterday. She came down to the orchard in daylight, wanting to be sure that if for some reason the people picked from only one tree this year, they would find the baby waiting under it. She chose this one, and felt certain in her choice. But now she couldn’t see well and the infant struggled in her arms and the scent of pears was so strong she thought she would gag. Maybe the next tree produced the finest pears. Maybe this tree was understood to be the runt and the people wouldn’t even bother with it. Why had Bea thought herself capable of judging anything, let alone the worth of a tree?

  Voices now, shout-whispers through the trees. Get up, said her mother. Give the thing back to the nurse. Go to sleep. Wait for the lady from the orphanage. You’re a good girl. You used to be. Don’t let a small mistake ruin your life. Aunt Vera said, Keep the baby, if it upsets you so much. We’ll raise it together. But that was a lie because Aunt Vera was dying. Do what you want, Uncle Ira said. You think your parents ever do a thing they don’t want? But Bea didn’t know what she wanted. She wanted to go back, she supposed, to bef
ore the lieutenant, before he smiled at her, before he pushed her against the wall, before he forced himself on her. Handsome, her mother had murmured in her ear that night. Handsome, she murmured now. Bea wanted to go back to when her greatest struggle was picking her way through Liszt. But she couldn’t go back and Aunt Vera would die soon and she didn’t trust Uncle Ira to defend her, when the time came; for all his talk, he snapped like a stick in front of her father. So if Bea kept the baby it would be taken anyway, only it would be the hideous orphanage woman who got it.

  The small woods trembled with the people’s coming and Bea allowed herself a look down. Across the baby’s cheeks, she could trace the rash that had bloomed its second day of life, ferociously red and raw. Bea had convinced herself that the rash was a direct result of her unsuitability as a mother, and that it wouldn’t go away until she gave the thing up. She touched its cheek now, letting her fingers skid over the tiny bumps. They had receded, just as the nurse had said they would. The nurse couldn’t have known how her words, meant to comfort, would rattle Bea. The rash was perfectly common, she had said, nothing to trouble over. It would clear up soon and the girl would have Bea’s skin, “coffee ’n’ cream,” the nurse’s R rolling like water. “Baby girl,” she had cooed while Bea pretended not to listen. Baby girl. Darlin’. Luv. Girl.

  Cradling it now as the people came closer, Bea experienced time slowing into a long, stuttering wave, her life at once paused and hurtling forward, her vision stretching to see the infant growing at an alarming rate, lengthening and fattening in her arms until it outgrew her grasp and unfurled to stand before her. It was so undeniably a girl, just like Bea—a girl in an orchard in the middle of the night—that Bea felt her own heart grow. She felt as if her ribs would crack.

  Rubbish, said her mother. Sentiment. In three weeks Bea would recommence her musical instruction at the conservatory and enter the freshman class at Radcliffe, where she would continue her studies in the liberal arts and wear a brace to hold in her stomach and go to dances with the Harvard boys and act like all the other girls, as if she’d never lost a thing.