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The Bridge

Page 20

by Iain Banks


  Mr Cramond had died at the wheel; a heart attack. He thought that wasn't such a terrible way to go, providing you didn't hit anybody else.

  The one thing I mustn't say to Andrea, he thought, is, We can't go on meeting like this. He felt slightly guilty about buying a black suit for Mr Cramond's funeral when all he'd had for his own mother's was an armband.

  He drove out to the crematorium with butterflies in his stomach; he was hung-over after finishing most of a bottle of whisky on his own the previous night. He felt he had a cold coming on. For some reason, as he drove into the place through a grey impressive gateway, he just knew that she wasn't going to be there. He felt physically sick, and ready to turn around and go; drive away anywhere. He tried to control his breathing and his heart and his sweating palms, and he drove the Saab on into the wide immaculate grounds, towards the cluster of parked cars in front of the low buildings of the crematorium.

  He hadn't felt like this at his mother's funeral, and he hadn't really been all that close to the advocate. Maybe they would think he was still drunk; he'd had a shower and brushed his teeth but he probably smelled of whisky from his pores. Despite his new suit he felt grubby. He wondered if he should have brought a wreath; he hadn't thought.

  He looked round the cars. Of course she wouldn't be there; it made a warped sort of sense; expected here she somehow wouldn't be able to show; given up for ever at his mother's grave, she had suddenly appeared. All part of life's rich pattern, he told himself, straightening his black tie before approaching the opened doors. Just remember son, he thought. This is bat country.

  She was there, of course. She looked older but more beautiful; under her eyes there were little pucker-marks he'd never noticed before; tiny fleshy folds which made her look as though she'd been brought up for ever squinting into some desert storm. She took his hand, kissed him, held him for a second then let go; he wanted to say she looked beautiful, that she looked beautiful in black; but even while he was telling himself what a cretin he was, his mouth was mumbling something equally but more acceptably inane. He could see no tears in her perfectly made-up eyes.

  The service was brief, surprisingly tasteful. The minister had been a personal friend of the advocate, and listening to his short but obviously sincere eulogy, he felt his eyes tingle. I must be getting old, he thought; either that or drinking too much of the hard stuff and getting soft. The man I was ten years ago would have sneered at me for being moved almost to tears by words spoken by a minister in praise of an upper-middle class barrister.

  Nevertheless. He talked to Mrs Cramond after the service. If he hadn't known her better he'd have thought she was on drugs; she seemed to glow, her eyes wide, her skin shining with an energy born of death; a tearless astonishment, a state of shock produced by the taking away of the man who for more than half her life had been half her life; something beyond the immediacies of grief. He thought of the instant after some injury, when the eye saw the hammer crush the finger, or a slipping blade cut flesh, but before the blood flowed or the pain signal reached the brain. She was in that penumbra now, he thought, surfaced in the oily calm seas of the storm's eye. She was leaving the following day, for a holiday with a sister in Washington DC.

  The last thing she said to him was, 'Will you look after Andrea? They were so close; she won't come with me. Will you look after her?' He said, 'If she'll be looked after ... There's somebody in Paris, anyway, she might-' 'No,' said Mrs Cramond, and shook her head once, quite definite (a gesture the daughter had inherited; he suddenly saw one in the other). 'No, it's you. You,' she said, and squeezed his hand before getting into her son's Bentley. She whispered, 'You'll be the closest now.'

  He stood, puzzled, for a while, then went to look for her. She was outside, in the car park, slouched against an undertaker's black Daimler limousine. She was lighting up a menthol More as he walked up, frowning. 'You shouldn't do that,' he told her; 'think of your lungs.' She regarded him with crushed-looking eyes. 'Solidarity,' she said bitterly. 'My old man's smoking at the moment too.' A small muscle in her jaw trembled. 'Oh, Andrea,' he said, suddenly filled with pity for her. He put his hand out towards her but she flinched away, turning from him and pulling her black coat tighter about her. He stood still for a moment, knowing that a few years ago he would have been hurt at this instant of rejection, and probably turned on his heel. He waited, and she came back to him, throwing the More down into the gravel and stepping on it with one black, swivelling shoe. 'Get me out of here, kid,' she said. 'Beam me up Scotty. Where's the Porsche? I was looking for it.'

  They took the Saab to Gullane; she wanted to see the place where he'd died, so they stopped at the still ripped-up trench of verge and the not-yet repaired wall. He watched her in the rear-view mirror, standing looking down at the torn piece of turf as though expecting to see the grass grow back before her eyes. She touched the gashed ground and the stones of the farm wall, then came back to the car, rubbing stone-dust and earth from her pale, manicured fingers. She told him that her brother thought she was morbid for wanting to come here. 'You don't think I am, do you?' He said no, no, she wasn't. They drove on to the cold, empty house on the dunes overlooking the firth.

  She turned and hugged him as soon as they were through the door; when he tried to kiss her, gently and softly, she rammed her mouth against his, her nails dug into his scalp, into his back through his jacket, into his buttocks through the black suit's trousers; she made a whimpering noise he'd never heard her make before and pushed his jacket offhis shoulders. He had just decided to go along with this desperate, anguished, erotic reaction, but to try to manoeuvre her into somewhere a little more comfortable than the draughty front hall with its cold tiles and bristly doormat, when such a decision became unnecessary. It was as if his body woke up to what was actually happening, as though some instantly transmissible fever spread from her to him. He was suddenly as consumed, as wildly, absurdly abandoned as she was, wanting her more than he could ever remember having wanted her before. They collapsed onto the doormat, she pulled him to her, without taking off coat or underclothes. It was over for them both in seconds, and only then did she cry.

  The advocate had left him his golfclubs. He had to smile; it was a nice gesture. He left his wife - who had her own money - the house in Moray Place. The son got all his law books and the two most valuable paintings; Andrea was to have the rest, save for a few thousand to go to the son's own children and some nieces and nephews, and a couple of charitable bequests.

  The son was busy with the estate, so he and Andrea drove Mrs Cramond to Prestwick for her night flight to the USA. He held onto Andrea's slim shoulders and watched the aircraft climb, curving over the dark Clyde, heading for America. He insisted on waiting until they could no longer see it, so they stood and watched its winking lights grow smaller and smaller against the last glow of the day. Somewhere over the Mull of Kintyre, when he'd almost lost sight of it, the jet climbed out of the shadow of the earth and into the retreating sunlight; its vapour trail blazed suddenly, glorious pink against the deep, dark blue. Andrea caught her breath, then gave a small laugh, the first since she'd heard the news about her father.

  In the car, driving north by the side of the deep, dark river, he confessed he hadn't known the trail would suddenly appear like that, and after a moment's hesitation, he told her about trying to follow the Paris-bound jet a year earlier. Sentimental fool, she told him, and kissed him.

  They went to see his father, then took a few days off; she had two weeks before she had to go back to Paris, and he had no urgent work so they just drove wherever they wanted for the next few days, staying in small hotels and bed-and-breakfasts and not knowing where they'd be heading when they got up each morning. They went to Mull, Sky, Cape Wrath, Inverness, Aberdeen, Dunfermline - where they stayed with Stewart and Shona - then by-passed the Bridges and the city to head via Culross and Stirling, Blyth Bridge and Peebles to the borders. It was her birthday while they were away; he bought her a bracelet in white gold. They w
ere heading back to Edinburgh from Jedburgh, on the last day, when she saw the distant tower. 'Let's go there,' she said.

  They could only get within half a mile with the Saab; they parked oil a narrow, deserted road, she put on her Kickers, he lifted his camera and they tramped across a field then up through a wood and thick bracken, uphill towards the tower which stood on a broad summit of rock and grass. He hadn't realised it was so huge, from the road. It was massive; a local laird's solution to local unemployment at the start of the previous century, as well as a monument to a man and a great battle.

  Its dark stones seemed to rise for ever into the wind; a heavy grey superstructure of wood protruding at the top held what looked like an open viewing platform beneath a conical wooden spire. He'd have imagined there would be a road up to such a place, a car park, a souvenir shop, turnstiles; officials and tickets and commerce. There didn't even seem to be a path. They stood, craning their necks looking up at it. The view just from the hillside was impressive enough. He took some photographs.

  She turned, grinning, to him. 'What did you say this place was called?' He looked at the map he was carrying, shrugged.

  'Penielhaugh, I think,' he said. She laughed.

  'Penile-haugh. Wonder if we can get inside.' She went to a small door. There were three large boulders resting against it. She tried to roll them away.

  'You'll be lucky,' he told her. He pushed and heaved the rocks away. The little door opened. She clapped her hands and went in.

  'Wow,' she said, as hejoined her. The tower was hollow, just a single tube of stone. It was dark, the earth floor was covered in pigeon droppings and tiny, soft feathers, and the noise of the disturbed, cooing birds echoed faintly in the darkness. Sudden flapping sounded like fading, uncertain applause. High above, a few birds flew across dusty beams of light shining from the wooden cupola. The air was rich with the smell of the birds. A single narrow stairway - stones set jutting from the wall - spiralled up into the light-capped gloom.

  'Amazing place,' he breathed.

  'How sweet the sound ... Tolkienesque, as they used to say,' she said, her head back, looking straight up, mouth open. He went over to the bottom of the spiralling stairs. There was a narrow metal rail set on spindly, rather rusted-looking rods. He thought: a century and a half old, if it's original. More. Even older. He shook it, dubious.

  'Think it's safe?' she asked him. Her voice was low; he looked up again. It looked like a very long way to the top. A hundred and fifty feet? Two hundred? He thought about the rocks which had been rolled against the door. She gazed up too, caught a falling feather and looked at it. He shrugged.

  'What the hell.' He started up the stone steps. She started after him immediately. He stopped. 'Let me get ahead a bit first; I'm heavier.' He went on up another twenty or so steps, keeping his feet close to the wall, not using the iron rail. She followed, not coming too close. 'Probably quite all right,' he told her half-way up, looking down towards the small circle of dark spattered earth at the base of the tower. 'Probably find the local rugby team trains by running up and down this every day.'

  'Sure,' was all she said.

  They got to the top. It was a broad, octagonal platform of grey-painted wood; thick timbers, solid planks and a firm, secure set of rails. They were both breathing hard when they got there. His heart was hammering.

  It was a clear day. They stood getting their breath back, the wind stroking their hair. He breathed in the fresh, cool air and walked round the airy circle, drinking in the view and taking a few photographs.

  'Think we can see England from here?' she said, coming over to him. He was gazing north, wondering if a distant smudge on the horizon, over the other side of some distant hills, was above Edinburgh. He made a mental note to buy a pair of binoculars for keeping in the car. He looked round.

  'Soitinly,' he said. 'Good grief, you could probably see your mother from here on a really clear day.'

  She put her arms round his waist and cuddled him, her head on his chest. He stroked her hair. 'Really?' she said. 'How about Paris?'

  He sighed, looked away from her, over the border countryside, across low hills, woods and fields and hedges. 'Yeah, maybe Paris.' He looked into her green eyes. 'I think you can see Paris from almost anywhere.' She said nothing, just hugged him some more. He kissed the crown of her head. 'Are you really coming back?'

  'Yes,' she said, and he could feel her head nodding, rubbing against his chest. 'Yes, I'm coming back.'

  He gazed at the distant landscape for a while, watching the wind move the tops of the serried firs. He laughed once, just a sudden shrugging motion of his shoulders, a noise in his chest.

  'What?' she said, not looking up.

  'I was just thinking,' he said. 'I don't suppose if I asked you to marry me, you'd say yes, would you?' He stroked her hair. She looked up slowly, an expression he could not read shown on her calm face.

  'I don't suppose I would either,' she said slowly, her eyes flickering, switching from one of his eyes to the other, a tiny frown etched in between her deep, dark brows. He shrugged, looked away again.

  'Well, never mind,' he said.

  She hugged him once more, head on chest. 'Sorry kid. It'd be you, if anybody. It just isn't me.'

  'Yeah, what the hell,' he said, 'I don't suppose it's me either. I just don't want to be apart from you for so long again.'

  'I don't think we ever have to be again.' The wind blew some of her red, glossy hair up against his face, tickling his nose. 'It isn't just Edinburgh, you know, it's you as well,' she told him quietly. 'I need my own place, and I dare say I'll always be too easily led astray by a soft voice or a nice bum, but... well, it's up to you. You sure you don't want to look for a nice wee wifey?' She looked up at him, grinning.

  'Oh,' he said, nodding, 'pretty damn certain.'

  She kissed him, lightly at first. He leant back against one of the grey square posts of the tower's superstructure, clutching her buttocks and rolling his tongue round inside her mouth, thinking, Well if the damn post gives way, what the hell; I may never be this happy again. There are worse ways to go.

  She pulled away from him, a familiar, ironic smirk on her face. 'Yi talked me inta it, yi sweet-talkin bestid.' He laughed and pulled her back.

  'You insatiable hussy.'

  'You bring out the best in me.' She fondled his balls through his jeans, stroked his erection.

  'Anyway, I thought your period had started.'

  'Good God man, not afraid of a little bit of blood are you?'

  'No of course not, but I haven't brought any tissues or -'

  'Oh why are men so fucking fastidious?' she growled, biting his chest through his shirt and pulling a thin white scarf from a pocket in her jacket like a magician producing a rabbit. 'Use this, if you must mop up.' She covered his mouth with hers. He pulled her shirt out of her trousers, looked at the scarf held in his other hand.

  'This is silk,' he told her.

  She pulled his zip down. 'You better believe it kid; I deserve the best.'

  Afterwards they lay still, shivering a little in the breeze of a cool July day as it moved through the painted wooden structure. He told her her aureoles were like pink washers, her nipples like little marshmallow bolts, and the tiny puckered slits at their tips like slots for a screwdriver. She laughed quietly, dozily, amused at such comparisons. She looked up at him, a sort of ironical, roguish expression on her face. 'Do you really love me?' she said, apparently unbelieving. He shrugged.

  ''Fraid so.'

  'You're a fool,' she chided gently, lifting one hand to play with a lock of his hair, smiling at it.

  'You think so,' he said, lowering himself for a moment, kissing the tip of her nose.

  'Yes,' she said. 'I am fickle and selfish.'

  'You are generous and independent.' He brushed some windblown hair away from near her eyes. She laughed, shook her head.

  'Well, love is blind,' she said.

  'So they tell us.' He sighed. 'Can't see it myse
lf.'

  Metamorphosis:

  Oligocene

  When I was young I used to see these things float down in front of my eyes, but I knew they were inside my eyes and that they moved the same way that pretend snowflakes move in one of those little snow scene ornaments. Never could work out what the hell they were (I described them to the doctor once as looking like roads on a map - I still know what I meant - but they'd be better described as looking like tiny twisted glass pipes with bits of dark matter stuck in the tubes), but they never seemed to cause any real problems so I paid them no attention. Only years later did I find out they were quite normal; just dead cells from the top of the eye floating down through the fluid. I believe I did once worry about them silting up, but I guessed there was some bodily process that went on inside my eyes which would make sure it didn't happen. Shame, really; with an imagination like mine I think I'd have made a great hypochondriac.

  Somebody told me something about silt; that little dark fellow with the stick. Said the whole thing was sinking; they'd taken so much water from artesian wells, and so much oil and gas too, that whole bits of the thing were just sinking into the water. Quite upset about it, he was. Of course there's a fix; you pump in sea water. More expensive than just sucking out what you want, but you don't get anything for nothing (although, of course, there are margins, which come pretty damn close).

 

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