The Last Days of Pompeii

by Edward George Bulwer-Lytton

  Her touch lingered over the braided hair and polished brow—over the downy and damask cheek—over the dimpled lip—the swan-like and whitish neck. ‘I know now, that thou art beautiful,’ she said: ‘and I can picture thee to my darkness henceforth, and for ever!’

  When Nydia left her, Ione sank into a deep but delicious reverie. Glaucus then loved her; he owned it—yes, he loved her. She drew forth again that dear confession; she paused over every word, she kissed every line; she did not ask why he had been maligned, she only felt assured that he had been so. She wondered how she had ever believed a syllable against him; she wondered how the Egyptian had been enabled to exercise a power against Glaucus; she felt a chill creep over her as she again turned to his warning against Arbaces, and her secret fear of that gloomy being darkened into awe. She was awakened from these thoughts by her maidens, who came to announce to her that the hour appointed to visit Arbaces was arrived; she started, she had forgotten the promise. Her first impression was to renounce it; her second, was to laugh at her own fears of her eldest surviving friend. She hastened to add the usual ornaments to her dress, and doubtful whether she should yet question the Egyptian more closely with respect to his accusation of Glaucus, or whether she should wait till, without citing the authority, she should insinuate to Glaucus the accusation itself, she took her way to the gloomy mansion of Arbaces.

  Chapter VII

  * * *

  Ione Entrapped. The Mouse Tries To Gnaw The Net.

  ‘DEAREST Nydia!’ exclaimed Glaucus as he read the letter of Ione, ‘whitest robed messenger that ever passed between earth and heaven—how, how shall I thank thee?’

  ‘I am rewarded,’ said the poor Thessalian.

  ‘To-morrow—to-morrow! how shall I while the hours till then?’

  The enamoured Greek would not let Nydia escape him, though she sought several times to leave the chamber; he made her recite to him over and over again every syllable of the brief conversation that had taken place between her and Ione; a thousand times, forgetting her misfortune, he questioned her of the looks, of the countenance of his beloved; and then quickly again excusing his fault, he bade her recommence the whole recital which he had thus interrupted. The hours thus painful to Nydia passed rapidly and delightfully to him, and the twilight had already darkened ere he once more dismissed her to Ione with a fresh letter and with new flowers. Scarcely had she gone, than Clodius and several of his gay companions broke in upon him; they rallied him on his seclusion during the whole day, and absence from his customary haunts; they invited him to accompany them to the various resorts in that lively city, which night and day proffered diversity to pleasure. Then, as now, in the south (for no land, perhaps, losing more of greatness has retained more of custom), it was the delight of the Italians to assemble at the evening; and, under the porticoes of temples or the shade of the groves that interspersed the streets, listening to music or the recitals of some inventive tale-teller, they hailed the rising moon with libations of wine and the melodies of song. Glaucus was too happy to be unsocial; he longed to cast off the exuberance of joy that oppressed him. He willingly accepted the proposal of his comrades, and laughingly they sallied out together down the populous and glittering streets.

  In the meantime Nydia once more gained the house of Ione, who had long left it; she inquired indifferently whither Ione had gone.

  The answer arrested and appalled her.

  ‘To the house of Arbaces—of the Egyptian? Impossible!’

  ‘It is true, my little one,’ said the slave, who had replied to her question. ‘She has known the Egyptian long.’

  ‘Long! ye gods, yet Glaucus loves her?’ murmured Nydia to herself.

  ‘And has,’ asked she aloud, ‘has she often visited him before?’

  ‘Never till now,’ answered the slave. ‘If all the rumored scandal of Pompeii be true, it would be better, perhaps, if she had not ventured there at present. But she, poor mistress mine, hears nothing of that which reaches us; the talk of the vestibulum reaches not to the peristyle.’

  ‘Never till now!’ repeated Nydia. ‘Art thou sure?’

  ‘Sure, pretty one: but what is that to thee or to us?’

  Nydia hesitated a moment, and then, putting down the flowers with which she had been charged, she called to the slave who had accompanied her, and left the house without saying another word.

  Not till she had got half-way back to the house of Glaucus did she break silence, and even then she only murmured inly:

  ‘She does not dream—she cannot—of the dangers into which she has plunged. Fool that I am—shall I save her?—yes, for I love Glaucus better than myself.’

  When she arrived at the house of the Athenian, she learnt that he had gone out with a party of his friends, and none knew whither. He probably would not be home before midnight.

  The Thessalian groaned; she sank upon a seat in the hall and covered her face with her hands as if to collect her thoughts. ‘There is no time to be lost,’ thought she, starting up. She turned to the slave who had accompanied her.

  ‘Knowest thou,’ said she, ‘if Ione has any relative, any intimate friend at Pompeii?’

  ‘Why, by Jupiter!’ answered the slave, ‘art thou silly enough to ask the question? Every one in Pompeii knows that Ione has a brother who, young and rich, has been—under the rose I speak—so foolish as to become a priest of Isis.’

  ‘A priest of Isis! O Gods! his name?’

  ‘Apaecides.’

  ‘I know it all,’ muttered Nydia: ‘brother and sister, then, are to be both victims! Apaecides! yes, that was the name I heard in... Ha! he well, then, knows the peril that surrounds his sister; I will go to him.’

  She sprang up at that thought, and taking the staff which always guided her steps, she hastened to the neighboring shrine of Isis. Till she had been under the guardianship of the kindly Greek, that staff had sufficed to conduct the poor blind girl from corner to corner of Pompeii. Every street, every turning in the more frequented parts, was familiar to her; and as the inhabitants entertained a tender and half-superstitious veneration for those subject to her infirmity, the passengers had always given way to her timid steps. Poor girl, she little dreamed that she should, ere many days were passed, find her blindness her protection, and a guide far safer than the keenest eyes!

  But since she had been under the roof of Glaucus, he had ordered a slave to accompany her always; and the poor devil thus appointed, who was somewhat of the fattest, and who, after having twice performed the journey to Ione’s house, now saw himself condemned to a third excursion (whither the gods only knew), hastened after her, deploring his fate, and solemnly assuring Castor and Pollux that he believed the blind girl had the talaria of Mercury as well as the infirmity of Cupid.

  Nydia, however, required but little of his assistance to find her way to the popular temple of Isis: the space before it was now deserted, and she won without obstacle to the sacred rail.

  ‘There is no one here,’ said the fat slave. ‘What dost thou want, or whom Knowest thou not that the priests do not live in the temple?’

  ‘Call out,’ said she, impatiently; ‘night and day there is always one flamen, at least, watching in the shrine of Isis.’

  The slave called—no one appeared.

  ‘Seest thou no one?’

  ‘No one.’

  ‘Thou mistakest; I hear a sigh: look again.’

  The slave, wondering and grumbling, cast round his heavy eyes, and before one of the altars, whose remains still crowd the narrow space, he beheld a form bending as in meditation.

  ‘I see a figure, said he; ‘and by the white garments, it is a priest.’

  ‘O flamen of Isis!’ cried Nydia; ‘servant of the Most Ancient, hear me!’

  ‘Who calls?’ said a low and melancholy voice.

  ‘One who has no common tidings to impart to a member of your body: I come to declare and not to ask oracles.’

  ‘With whom wouldst thou confer? This is no hour for
thy conference; depart, disturb me not; the night is sacred to the gods, the day to men.’

  ‘Methinks I know thy voice? thou art he whom I seek; yet I have heard thee speak but once before. Art thou not the priest Apaecides?’

  ‘I am that man,’ replied the priest, emerging from the altar, and approaching the rail.

  ‘Thou art! the gods be praised!’ Waving her hand to the slave, she bade him withdraw to a distance; and he, who naturally imagined some superstition connected, perhaps, with the safety of Ione, could alone lead her to the temple, obeyed, and seated himself on the ground, at a little distance. ‘Hush!’ said she, speaking quick and low; ‘art thou indeed Apaecides?’

  ‘If thou knowest me, canst thou not recall my features?’

  ‘I am blind,’ answered Nydia; ‘my eyes are in my ear, and that recognizes thee: yet swear that thou art he.’

  ‘By the gods I swear it, by my right hand, and by the moon!’

  ‘Hush! speak low—bend near—give me thy hand; knowest thou Arbaces? Hast thou laid flowers at the feet of the dead? Ah! thy hand is cold—hark yet!—hast thou taken the awful vow?’

  ‘Who art thou, whence comest thou, pale maiden?’ said Apaecides, fearfully: ‘I know thee not; thine is not the breast on which this head hath lain; I have never seen thee before.’

  ‘But thou hast heard my voice: no matter, those recollections it should shame us both to recall. Listen, thou hast a sister.’

  ‘Speak! speak! what of her?’

  ‘Thou knowest the banquets of the dead, stranger—it pleases thee, perhaps, to share them—would it please thee to have thy sister a partaker? Would it please thee that Arbaces was her host?’

  ‘O gods, he dare not! Girl, if thou mockest me, tremble! I will tear thee limb from limb!’

  ‘I speak the truth; and while I speak, Ione is in the halls of Arbaces—for the first time his guest. Thou knowest if there be peril in that first time! Farewell! I have fulfilled my charge.’

  ‘Stay! stay!’ cried the priest, passing his wan hand over his brow. ‘If this be true, what—what can be done to save her? They may not admit me. I know not all the mazes of that intricate mansion. O Nemesis! justly am I punished!’

  ‘I will dismiss yon slave, be thou my guide and comrade; I will lead thee to the private door of the house: I will whisper to thee the word which admits. Take some weapon: it may be needful!’

  ‘Wait an instant,’ said Apaecides, retiring into one of the cells that flank the temple, and reappearing in a few moments wrapped in a large cloak, which was then much worn by all classes, and which concealed his sacred dress. ‘Now,’ he said, grinding his teeth, ‘if Arbaces hath dared to—but he dare not! he dare not! Why should I suspect him? Is he so base a villain? I will not think it—yet, sophist! dark bewilderer that he is! O gods protect—hush! are there gods? Yes, there is one goddess, at least, whose voice I can command; and that is—Vengeance!’

  Muttering these disconnected thoughts, Apaecides, followed by his silent and sightless companion, hastened through the most solitary paths to the house of the Egyptian.

  The slave, abruptly dismissed by Nydia, shrugged his shoulders, muttered an adjuration, and, nothing loath, rolled off to his cubiculum.

  Chapter VIII

  * * *

  The Solitude And Soliloquy Of The Egyptian. His Character Analysed.

  WE must go back a few hours in the progress of our story. At the first grey dawn of the day, which Glaucus had already marked with white, the Egyptian was seated, sleepless and alone, on the summit of the lofty and pyramidal tower which flanked his house. A tall parapet around it served as a wall, and conspired, with the height of the edifice and the gloomy trees that girded the mansion, to defy the prying eyes of curiosity or observation. A table, on which lay a scroll, filled with mystic figures, was before him. On high, the stars waxed dim and faint, and the shades of night melted from the sterile mountain-tops; only above Vesuvius there rested a deep and massy cloud, which for several days past had gathered darker and more solid over its summit. The struggle of night and day was more visible over the broad ocean, which stretched calm, like a gigantic lake, bounded by the circling shores that, covered with vines and foliage, and gleaming here and there with the white walls of sleeping cities, sloped to the scarce rippling waves.

  It was the hour above all others most sacred to the daring science of the Egyptian—the science which would read our changeful destinies in the stars.

  He had filled his scroll, he had noted the moment and the sign; and, leaning upon his hand, he had surrendered himself to the thoughts which his calculation excited.

  ‘Again do the stars forewarn me! Some danger, then, assuredly awaits me!’ said he, slowly; ‘some danger, violent and sudden in its nature. The stars wear for me the same mocking menace which, if our chronicles do not err, they once wore for Pyrrhus—for him, doomed to strive for all things, to enjoy none—all attacking, nothing gaining—battles without fruit, laurels without triumph, fame without success; at last made craven by his own superstitions, and slain like a dog by a tile from the hand of an old woman! Verily, the stars flatter when they give me a type in this fool of war—when they promise to the ardour of my wisdom the same results as to the madness of his ambition—perpetual exercise—no certain goal!—the Sisyphus task, the mountain and the stone!—the stone, a gloomy image!—it reminds me that I am threatened with somewhat of the same death as the Epirote. Let me look again. “Beware,” say the shining prophets, “how thou passest under ancient roofs, or besieged walls, or overhanging cliffs—a stone hurled from above, is charged by the curses of destiny against thee!” And, at no distant date from this, comes the peril: but I cannot, of a certainty, read the day and hour. Well! if my glass runs low, the sands shall sparkle to the last. Yet, if I escape this peril—ay, if I escape—bright and clear as the moonlight track along the waters glows the rest of my existence. I see honors, happiness, success, shining upon every billow of the dark gulf beneath which I must sink at last. What, then, with such destinies beyond the peril, shall I succumb to the peril? My soul whispers hope, it sweeps exultingly beyond the boding hour, it revels in the future—its own courage is its fittest omen. If I were to perish so suddenly and so soon, the shadow of death would darken over me, and I should feel the icy presentiment of my doom. My soul would express, in sadness and in gloom, its forecast of the dreary Orcus. But it smiles—it assures me of deliverance.’

  As he thus concluded his soliloquy, the Egyptian involuntarily rose. He paced rapidly the narrow space of that star-roofed floor, and, pausing at the parapet, looked again upon the grey and melancholy heavens. The chills of the faint dawn came refreshingly upon his brow, and gradually his mind resumed its natural and collected calm. He withdrew his gaze from the stars, as, one after one, they receded into the depths of heaven; and his eyes fell over the broad expanse below. Dim in the silenced port of the city rose the masts of the galleys; along that mart of luxury and of labor was stilled the mighty hum. No lights, save here and there from before the columns of a temple, or in the porticoes of the voiceless forum, broke the wan and fluctuating light of the struggling morn. From the heart of the torpid city, so soon to vibrate with a thousand passions, there came no sound: the streams of life circulated not; they lay locked under the ice of sleep. From the huge space of the amphitheatre, with its stony seats rising one above the other—coiled and round as some slumbering monster—rose a thin and ghastly mist, which gathered darker, and more dark, over the scattered foliage that gloomed in its vicinity. The city seemed as, after the awful change of seventeen ages, it seems now to the traveler,—a City of the Dead.’

  The ocean itself—that serene and tideless sea—lay scarce less hushed, save that from its deep bosom came, softened by the distance, a faint and regular murmur, like the breathing of its sleep; and curving far, as with outstretched arms, into the green and beautiful land, it seemed unconsciously to clasp to its breast the cities sloping to its margin—Stabiae, and Herculane
um, and Pompeii—those children and darlings of the deep. ‘Ye slumber,’ said the Egyptian, as he scowled over the cities, the boast and flower of Campania; ‘ye slumber!—would it were the eternal repose of death! As ye now—jewels in the crown of empire—so once were the cities of the Nile! Their greatness hath perished from them, they sleep amidst ruins, their palaces and their shrines are tombs, the serpent coils in the grass of their streets, the lizard basks in their solitary halls. By that mysterious law of Nature, which humbles one to exalt the other, ye have thriven upon their ruins; thou, haughty Rome, hast usurped the glories of Sesostris and Semiramis—thou art a robber, clothing thyself with their spoils! And these—slaves in thy triumph—that I (the last son of forgotten monarchs) survey below, reservoirs of thine all-pervading power and luxury, I curse as I behold! The time shall come when Egypt shall be avenged! when the barbarian’s steed shall make his manger in the Golden House of Nero! and thou that hast sown the wind with conquest shalt reap the harvest in the whirlwind of desolation!’

  As the Egyptian uttered a prediction which fate so fearfully fulfilled, a more solemn and boding image of ill omen never occurred to the dreams of painter or of poet. The morning light, which can pale so wanly even the young cheek of beauty, gave his majestic and stately features almost the colors of the grave, with the dark hair falling massively around them, and the dark robes flowing long and loose, and the arm outstretched from that lofty eminence, and the glittering eyes, fierce with a savage gladness—half prophet and half fiend!

  He turned his gaze from the city and the ocean; before him lay the vineyards and meadows of the rich Campania. The gate and walls—ancient, half Pelasgic—of the city, seemed not to bound its extent. Villas and villages stretched on every side up the ascent of Vesuvius, not nearly then so steep or so lofty as at present. For, as Rome itself is built on an exhausted volcano, so in similar security the inhabitants of the South tenanted the green and vine-clad places around a volcano whose fires they believed at rest for ever. From the gate stretched the long street of tombs, various in size and architecture, by which, on that side, the city is as yet approached. Above all, rode the cloud-capped summit of the Dread Mountain, with the shadows, now dark, now light, betraying the mossy caverns and ashy rocks, which testified the past conflagrations, and might have prophesied—but man is blind—that which was to come!