The Second Algernon Blackwood Megapack

by Algernon Blackwood

  With a swift smash of the hand he crushed the golden fly that settled on his knee. The murder was done impulsively, utterly without intention. He watched the little point of gold quiver for a moment among the hairs of the rough tweed; then lie still for ever…but the scent of heather-honey filled the air as before; the wind passed sighing through the pines; the clouds still sailed their uncharted sea of blue. There lay the whole spread surface of the Forest in the sun. Only the attitude of the golden fly towards it all was gone. A single, tiny point of view had disappeared. Nature passed on calmly and unhasting; she took no note.

  Then, with a rush of awe, another thought flashed through him: Nature had taken note. There was a difference everywhere. Not a sparrow falleth, he remembered, without God knowing. God was certainly in Nature somewhere. His clumsy senses could not register this difference, yet it was there. His own small world, fed by these senses, was after all the merest little corner of Existence. To the whole of Existence, that included himself, the golden fly, the sun, and all the stars, he must somehow answer for his crime. It was a wanton interference with a sublime and sovereign Purpose that he now divined for the first time. He looked at the wee point of gold lying still and silent in the forest of hairs. He realised the enormity of his act. It could not have been graver had he put out the sun, or the little, insignificant flame of his own existence. He had done a criminal, evil thing, for he had put an end to a certain point of view; had wiped it out; made it impossible. Had the fly been quicker, less easily overwhelmed, or more tenacious of the scrap of universal life it used, Nature would at this instant be richer for its little contribution to the whole of things—to which he himself also belonged. And wherein, he asked himself, did he differ from that fly in the importance, the significance of his contribution to the universe? The soul…? He had never given the question a single thought; but if the scrap of life he owned was called a soul, why should that point of golden glory not comprise one too? Its minute size, its trivial purpose, its few hours of apparently futile existence…these formed no true criterion…!

  Similarly, the thought rushed over him, a Hand was being stretched out to crush himself. His pain was the shadow of its approach; anger in his heart, the warning. Unless he were quick enough, adroit and skilled enough, he also would be wiped out, while Nature continued her slow, unhasting way without him. His attitude towards the personal pain was really the test of his ability, of his merit—of his right to survive. Pain teaches, pain develops, pain brings growth: he had heard it since his copybook days. But now he realised it, as again thought leaped the barrier between familiar words and meaning. In his attitude of mind to his catastrophe lay his salvation or his…death.

  In some such confused and blundering fashion, because along unaccustomed channels, the truth charged into him to overwhelm, yet bringing with it an unwonted sense of joy that seemed to break a crust which long had held back—life. Thus tapped, these sources gushed forth and bubbled over, spread about his being, flooded him with hope and courage, above all with—calmness. Nature held forces just as real and living as human sympathy, and equally able to modify the soul. And Nature was always accessible. A sense of huge companionship, denied him by the littleness of his fellow-men, stole sweetly over him. It was amazingly uplifting, yet fear came close behind it, as he realised the presumption of his former attitude of cynical indifference. These Powers were aware of his petty insolence, yet had not crushed him.… It was, of course, the awakening of the religious instinct in a man who hitherto had worshipped merely a rather low-grade form of intellect.

  And, while the enormous confusion of it shook him, this sense of incommunicable sweetness remained. Bright haunting eyes, with love in them, gazed at him from the blue; and this thing that came so close, stood also far away upon the line of the horizon. It was everywhere. It filled the hollows, but towered over him as well towards the pinnaces of cloud. It was in the sharpness of the peewits’ cry, and in the water’s murmur. It whispered in the pine-boughs, and blazed in every patch of sunlight. And it was glory, pure and simple. It filled him with a sense of strength for which he could find but one description—Triumph.

  And so, first, the anger faded from his mind and crept away. Resentment then slunk after it. Revolt and disappointment also melted, and bitterness gave place to the most marvellous peace the man had ever known. Then came resignation to fill the empty places. Pain, as a means and not an end, had cleared the way, though the accomplishment was like a miracle. But Conversion is a miracle. No ordinary pain can bring it. This anguish he understood now in a new relation to life—as something to be taken willingly into himself and dealt with, all regardless of public opinion. What people said and thought was in their world, not in his. It was less than nothing. The pain cultivated dormant tracts. The terror also purged. It disclosed.…

  He watched the wind, and even the wind brought revelation; for without obstacles in its path it would be silent. He watched the sunshine, and the sunshine taught him too; for without obstacles to fling it back against his eye, he could never see it. He would neither hear the tinkling water nor feel the summer heat unless both one and other overcame some reluctant medium in their pathways. And, similarly with his moral being—his pain resulted from the friction of his personal ambitions against the stress of some noble Power that sought to lift him higher. That Power he could not know direct, but he recognised its strain against him by the resistance it generated in the inertia of his selfishness. His attitude of mind had switched completely round. It was what the preachers termed development through suffering.

  Moreover, he had acquired this energy of resistance somehow from the wind and sun and the beauty of a common summer’s day. Their peace and strength had passed into himself. Unconsciously on his way home he drew upon it steadily. He tossed the pistol into a pool of water. Nature had healed him; and Nature, should he turn weak again, was always there. It was very wonderful. He wanted to sing.…

  BREAMORE.

  THE TRANSFER

  The child began to cry in the early afternoon—about three o’clock, to be exact. I remember the hour, because I had been listening with secret relief to the sound of the departing carriage. Those wheels fading into the distance down the gravel drive with Mrs. Frene, and her daughter Gladys to whom I was governess, meant for me some hours’ welcome rest, and the June day was oppressively hot. Moreover, there was this excitement in the little country household that had told upon us all, but especially upon myself. This excitement, running delicately behind all the events of the morning, was due to some mystery, and the mystery was of course kept concealed from the governess. I had exhausted myself with guessing and keeping on the watch. For some deep and unexplained anxiety possessed me, so that I kept thinking of my sister’s dictum that I was really much too sensitive to make a good governess, and that I should have done far better as a professional clairvoyante.

  Mr. Frene, senior, “Uncle Frank,” was expected for an unusual visit from town about tea-time. That I knew. I also knew that his visit was concerned somehow with the future welfare of little Jamie, Gladys’ seven-year-old brother. More than this, indeed, I never knew, and this missing link makes my story in a fashion incoherent—an important bit of the strange puzzle left out. I only gathered that the visit of Uncle Frank was of a condescending nature, that Jamie was told he must be upon his very best behavior to make a good impression, and that Jamie, who had never seen his uncle, dreaded him horribly already in advance. Then, trailing thinly through the dying crunch of the carriage wheels this sultry afternoon, I heard the curious little wail of the child’s crying, with the effect, wholly unaccountable, that every nerve in my body shot its bolt electrically, bringing me to my feet with a tingling of unequivocal alarm. Positively, the water ran into my eyes. I recalled his white distress that morning when told that Uncle Frank was motoring down for tea and that he was to be “very nice indeed” to him. It had gone into me like a knife. All through the day, indeed, had run this nightmare quality of terror and
vision.

  “The man with the ’normous face?” he had asked in a little voice of awe, and then gone speechless from the room in tears that no amount of soothing management could calm. That was all I saw; and what he meant by “the ’normous face” gave me only a sense of vague presentiment. But it came as anticlimax somehow—a sudden revelation of the mystery and excitement that pulsed beneath the quiet of the stifling summer day. I feared for him. For of all that commonplace household I loved Jamie best, though professionally I had nothing to do with him. He was a high-strung, ultra-sensitive child, and it seemed to me that no one understood him, least of all his honest, tender-hearted parents; so that his little wailing voice brought me from my bed to the window in a moment like a call for help.

  The haze of June lay over that big garden like a blanket; the wonderful flowers, which were Mr. Frene’s delight, hung motionless; the lawns, so soft and thick, cushioned all other sounds; only the limes and huge clumps of guelder roses hummed with bees. Through this muted atmosphere of heat and haze the sound of the child’s crying floated faintly to my ears—from a distance. Indeed, I wonder now that I heard it at all, for the next moment I saw him down beyond the garden, standing in his white sailor suit alone, two hundred yards away. He was down by the ugly patch where nothing grew—the Forbidden Corner. A faintness then came over me at once, a faintness as of death, when I saw him there of all places—where he never was allowed to go, and where, moreover, he was usually too terrified to go. To see him standing solitary in that singular spot, above all to hear him crying there, bereft me momentarily of the power to act. Then, before I could recover my composure sufficiently to call him in, Mr. Frene came round the corner from the Lower Farm with the dogs, and, seeing his son, performed that office for me. In his loud, good-natured, hearty voice he called him, and Jamie turned and ran as though some spell had broken just in time—ran into the open arms of his fond but uncomprehending father, who carried him indoors on his shoulder, while asking “what all this hubbub was about?” And, at their heels, the tailless sheepdogs followed, barking loudly, and performing what Jamie called their “Gravel Dance,” because they ploughed up the moist, rolled gravel with their feet.

  I stepped back swiftly from the window lest I should be seen. Had I witnessed the saving of the child from fire or drowning the relief could hardly have been greater. Only Mr. Frene, I felt sure, would not say and do the right thing quite. He would protect the boy from his own vain imaginings, yet not with the explanation that could really heal. They disappeared behind the rose trees, making for the house. I saw no more till later, when Mr. Frene, senior, arrived.

  * * * *

  To describe the ugly patch as “singular” is hard to justify, perhaps, yet some such word is what the entire family sought, though never—oh, never!—used. To Jamie and myself, though equally we never mentioned it, that treeless, flowerless spot was more than singular. It stood at the far end of the magnificent rose garden, a bald, sore place, where the black earth showed uglily in winter, almost like a piece of dangerous bog, and in summer baked and cracked with fissures where green lizards shot their fire in passing. In contrast to the rich luxuriance of death amid life, a center of disease that cried for healing lest it spread. But it never did spread. Behind it stood the thick wood of silver birches and, glimmering beyond, the orchard meadow, where the lambs played.

  The gardeners had a very simple explanation of its barrenness—that the water all drained off it owing to the lie of the slopes immediately about it, holding no remnant to keep the soil alive. I cannot say. It was Jamie—Jamie who felt its spell and haunted it, who spent whole hours there, even while afraid, and for whom it was finally labelled “strictly out of bounds” because it stimulated his already big imagination, not wisely but too darkly—it was Jamie who buried ogres there and heard it crying in an earthy voice, swore that it shook its surface sometimes while he watched it, and secretly gave it food in the form of birds or mice or rabbits he found dead upon his wanderings. And it was Jamie who put so extraordinarily into words the feeling that the horrid spot had given me from the moment I first saw it.

  “It’s bad, Miss Gould,” he told me.

  “But, Jamie, nothing in Nature is bad—exactly; only different from the rest sometimes.”

  “Miss Gould, if you please, then it’s empty. It’s not fed. It’s dying because it can’t get the food it wants.” And when I stared into the little pale face where the eyes shone so dark and wonderful, seeking within myself for the right thing to say to him, he added, with an emphasis and conviction that made me suddenly turn cold: “Miss Gould”—he always used my name like this in all his sentences—“it’s hungry, don’t you see? But I know what would make it feel all right.”

  * * * *

  Only the conviction of an earnest child, perhaps, could have made so outrageous a suggestion worth listening to for an instant; but for me, who felt that things an imaginative child believed were important, it came with a vast disquieting shock of reality. Jamie, in this exaggerated way, had caught at the edge of a shocking fact—a hint of dark, undiscovered truth had leaped into that sensitive imagination. Why there lay horror in the words I cannot say, but I think some power of darkness trooped across the suggestion of that sentence at the end, “I know what would make it feel all right.” I remember that I shrank from asking explanation. Small groups of other words, veiled fortunately by his silence, gave life to an unspeakable possibility that hitherto had lain at the back of my own consciousness. The way it sprang to life proves, I think, that my mind already contained it. The blood rushed from my heart as I listened. I remember that my knees shook. Jamie’s idea was—had been all along—my own as well.

  And now, as I lay down on my bed and thought about it all, I understood why the coming of his uncle involved somehow an experience that wrapped terror at its heart. With a sense of nightmare certainty that left me too weak to resist the preposterous idea, too shocked, indeed, to argue or reason it away, this certainty came with its full, black blast of conviction; and the only way I can put it into words, since nightmare horror really is not properly tellable at all, seems this: that there was something missing in that dying patch of garden; something lacking that it ever searched for; something, once found and taken, that would turn it rich and living as the rest; more—that there was some living person who could do this for it. Mr. Frene, senior, in a word, “Uncle Frank,” was this person who out of his abundant life could supply the lack—unwittingly.

  For this connection between the dying, empty patch and the person of this vigorous, wealthy, and successful man had already lodged itself in my subconsciousness before I was aware of it. Clearly it must have lain there all along, though hidden. Jamie’s words, his sudden pallor, his vibrating emotion of fearful anticipation had developed the plate, but it was his weeping alone there in the Forbidden Corner that had printed it. The photograph shone framed before me in the air. I hid my eyes. But for the redness—the charm of my face goes to pieces unless my eyes are clear—I could have cried. Jamie’s words that morning about the “’normous face” came back upon me like a battering-ram.

  * * * *

  Mr. Frene, senior, had been so frequently the subject of conversation in the family since I came, I had so often heard him discussed, and had then read so much about him in the papers—his energy, his philanthropy, his success with everything he laid his hand to—that a picture of the man had grown complete within me. I knew him as he was—within; or, as my sister would have said—clairvoyantly. And the only time I saw him (when I took Gladys to a meeting where he was chairman, and later felt his atmosphere and presence while for a moment he patronizingly spoke with her) had justified the portrait I had drawn. The rest, you may say, was a woman’s wild imagining; but I think rather it was that kind of divining intuition which women share with children. If souls could be made visible, I would stake my life upon the truth and accuracy of my portrait.

  For this Mr. Frene was a man who drooped alone, but g
rew vital in a crowd—because he used their vitality. He was a supreme, unconscious artist in the science of taking the fruits of others’ work and living—for his own advantage. He vampired, unknowingly no doubt, every one with whom he came in contact; left them exhausted, tired, listless. Others fed him, so that while in a full room he shone, alone by himself and with no life to draw upon he languished and declined. In the man’s immediate neighborhood you felt his presence draining you; he took your ideas, your strength, your very words, and later used them for his own benefit and aggrandizement. Not evilly, of course; the man was good enough; but you felt that he was dangerous owing to the facile way he absorbed into himself all loose vitality that was to be had. His eyes and voice and presence devitalized you. Life, it seemed, not highly organized enough to resist, must shrink from his too near approach and hide away for fear of being appropriated, for fear, that is, of—death.

  Jamie, unknowingly, put in the finishing touch to my unconscious portrait. The man carried about with him some silent, compelling trick of drawing out all your reserves—then swiftly pocketing them. At first you would be conscious of taut resistance; this would slowly shade off into weariness; the will would become flaccid; then you either moved away or yielded—agreed to all he said with a sense of weakness pressing ever closer upon the edges of collapse. With a male antagonist it might be different, but even then the effort of resistance would generate force that he absorbed and not the other. He never gave out. Some instinct taught him how to protect himself from that. To human beings, I mean, he never gave out. This time it was a very different matter. He had no more chance than a fly before the wheels of a huge—what Jamie used to call—“attraction” engine.