by Anthology
And the Angel (who had failed to relieve Lady Hammergallow of her teacup) danced forward with astonishing dexterity (leaving Mrs Jehoram in the window seat) and with an elegant "permit me" rescued the tea-tray from Lady Hammergallow's pretty parlour-maid and vanished officiously in front of her. The Vicar rose to his feet with an inarticulate cry.
XXXVII.
"He's drunk!" said Mr Rathbone-Slater, breaking a terrific silence. "That's the matter with him."
Mrs Jehoram laughed hysterically.
The Vicar stood up, motionless, staring. "Oh! I forgot to explain servants to him!" said the Vicar to himself in a swift outbreak of remorse. "I thought he did understand servants."
"Really, Mr Hilyer!" said Lady Hammergallow, evidently exercising enormous self-control and speaking in panting spasms. "Really, Mr Hilyer!—Your genius is too terrible. I must, I really must, ask you to take him home."
So to the dialogue in the corridor of alarmed maid-servant and well-meaning (but shockingly gauche) Angel—appears the Vicar, his botryoidal little face crimson, gaunt despair in his eyes, and his necktie under his left ear.
"Come," he said—struggling with emotion. "Come away…. I…. I am disgraced for ever."
And the Angel stared for a second at him and obeyed—meekly, perceiving himself in the presence of unknown but evidently terrible forces.
And so began and ended the Angel's social career.
In the informal indignation meeting that followed, Lady Hammergallow took the (informal) chair. "I feel humiliated," she said. "The Vicar assured me he was an exquisite player. I never imagined…."
"He was drunk," said Mr Rathbone-Slater. "You could tell it from the way he fumbled with his tea."
"Such a fiasco!" said Mrs Mergle.
"The Vicar assured me," said Lady Hammergallow. "'The man I have staying with me is a musical genius,' he said. His very words."
"His ears must be burning anyhow," said Tommy Rathbone-Slater.
"I was trying to keep him Quiet," said Mrs Jehoram. "By humouring him. And do you know the things he said to me—there!"
"The thing he played," said Mr Wilmerdings,"—I must confess I did not like to charge him to his face. But really! It was merely drifting."
"Just fooling with a fiddle, eigh?" said George Harringay. "Well I thought it was beyond me. So much of your fine music is—"
"Oh, George!" said the younger Miss Pirbright.
"The Vicar was a bit on too—to judge by his tie," said Mr Rathbone-Slater. "It's a dashed rummy go. Did you notice how he fussed after the genius?"
"One has to be so very careful," said the very eldest Miss Papaver.
"He told me he is in love with the Vicar's housemaid!" said Mrs Jehoram. "I almost laughed in his face."
"The Vicar ought never to have brought him here," said Mrs Rathbone-Slater with decision.
THE TROUBLE OF THE BARBED WIRE.
XXXVIII.
So, ingloriously, ended the Angel's first and last appearance in Society. Vicar and Angel returned to the Vicarage; crestfallen black figures in the bright sunlight, going dejectedly. The Angel, deeply pained that the Vicar was pained. The Vicar, dishevelled and desperate, intercalating spasmodic remorse and apprehension with broken explanations of the Theory of Etiquette. "They do not understand," said the Vicar over and over again. "They will all be so very much aggrieved. I do not know what to say to them. It is all so confused, so perplexing." And at the gate of the Vicarage, at the very spot where Delia had first seemed beautiful, stood Horrocks the village constable, awaiting them. He held coiled up about his hand certain short lengths of barbed wire.
"Good evening, Horrocks," said the Vicar as the constable held the gate open.
"Evenin', Sir," said Horrocks, and added in a kind of mysterious undertone, "Could I speak to you a minute, Sir?"
"Certainly," said the Vicar. The Angel walked on thoughtfully to the house, and meeting Delia in the hall stopped her and cross-examined her at length over differences between Servants and Ladies.
"You'll excuse my taking the liberty, Sir," said Horrocks, "but there's trouble brewin' for that crippled gent you got stayin' here."
"Bless me!" said the Vicar. "You don't say so!"
"Sir John Gotch, Sir. He's very angry indeed, Sir. His language, Sir——. But I felt bound to tell you, Sir. He's certain set on taking out a summons on account of that there barbed wire. Certain set, Sir, he is."
"Sir John Gotch!" said the Vicar. "Wire! I don't understand."
"He asked me to find out who did it. Course I've had to do my duty, Sir. Naturally a disagreeable one."
"Barbed wire! Duty! I don't understand you, Horrocks."
"I'm afraid, Sir, there's no denying the evidence. I've made careful enquiries, Sir." And forthwith the constable began telling the Vicar of a new and terrible outrage committed by the Angelic visitor.
But we need not follow that explanation in detail—or the subsequent confession. (For my own part I think there is nothing more tedious than dialogue). It gave the Vicar a new view of the Angelic character, a vignette of the Angelic indignation. A shady lane, sun-mottled, sweet hedges full of honeysuckle and vetch on either side, and a little girl gathering flowers, forgetful of the barbed wire which, all along the Sidderford Road, fenced in the dignity of Sir John Gotch from "bounders" and the detested "million." Then suddenly a gashed hand, a bitter outcry, and the Angel sympathetic, comforting, inquisitive. Explanations sob-set, and then—altogether novel phenomenon in the Angelic career—passion. A furious onslaught upon the barbed wire of Sir John Gotch, barbed wire recklessly handled, slashed, bent and broken. Yet the Angel acted without personal malice—saw in the thing only an ugly and vicious plant that trailed insidiously among its fellows. Finally the Angel's explanations gave the Vicar a picture of the Angel alone amidst his destruction, trembling and amazed at the sudden force, not himself, that had sprung up within him, and set him striking and cutting. Amazed, too, at the crimson blood that trickled down his fingers.
"It is still more horrible," said the Angel when the Vicar explained the artificial nature of the thing. "If I had seen the man who put this silly-cruel stuff there to hurt little children, I know I should have tried to inflict pain upon him. I have never felt like this before. I am indeed becoming tainted and coloured altogether by the wickedness of this world."
"To think, too, that you men should be so foolish as to uphold the laws that let a man do such spiteful things. Yes—I know; you will say it has to be so. For some remoter reason. That is a thing that only makes me angrier. Why cannot an act rest on its own merits?… As it does in the Angelic Land."
That was the incident the history of which the Vicar now gradually learnt, getting the bare outline from Horrocks, the colour and emotion subsequently from the Angel. The thing had happened the day before the musical festival at Siddermorton House.
"Have you told Sir John who did it?" asked the Vicar. "And are you sure?"
"Quite sure, Sir. There can be no doubting it was your gentleman, Sir. I've not told Sir John yet, Sir. But I shall have to tell Sir John this evening. Meaning no offence to you, Sir, as I hopes you'll see. It's my duty, Sir. Besides which—"
"Of course," said the Vicar, hastily. "Certainly it's your duty. And what will Sir John do?"
"He's dreadful set against the person who did it—destroying property like that—and sort of slapping his arrangements in the face."
Pause. Horrocks made a movement. The Vicar, tie almost at the back of his neck now, a most unusual thing for him, stared blankly at his toes.
"I thought I'd tell you, Sir," said Horrocks.
"Yes," said the Vicar. "Thanks, Horrocks, thanks!" He scratched the back of his head. "You might perhaps … I think it's the best way … Quite sure Mr Angel did it?"
"Sherlock 'Omes, Sir, couldn't be cocksurer."
"Then I'd better give you a little note to the Squire."
XXXIX.
The Vicar's table-talk at dinner that night, after the
Angel had stated his case, was full of grim explanations, prisons, madness.
"It's too late to tell the truth about you now," said the Vicar. "Besides, that's impossible. I really do not know what to say. We must face our circumstances, I suppose. I am so undecided—so torn. It's the two worlds. If your Angelic world were only a dream, or if this world were only a dream—or if I could believe either or both dreams, it would be all right with me. But here is a real Angel and a real summons—how to reconcile them I do not know. I must talk to Gotch…. But he won't understand. Nobody will understand…."
"I am putting you to terrible inconvenience, I am afraid. My appalling unworldliness—"
"It's not you," said the Vicar. "It's not you. I perceive you have brought something strange and beautiful into my life. It's not you. It's myself. If I had more faith either way. If I could believe entirely in this world, and call you an Abnormal Phenomenon, as Crump does. But no. Terrestrial Angelic, Angelic Terrestrial…. See-Saw."
"Still, Gotch is certain to be disagreeable, most disagreeable. He always is. It puts me into his hands. He is a bad moral influence, I know. Drinking. Gambling. Worse. Still, one must render unto Cæsar the things that are Cæsar's. And he is against Disestablishment…."
Then the Vicar would revert to the social collapse of the afternoon. "You are so very fundamental, you know," he said—several times.
The Angel went to his own room puzzled but very depressed. Every day the world had frowned darker upon him and his angelic ways. He could see how the trouble affected the Vicar, yet he could not imagine how he could avert it. It was all so strange and unreasonable. Twice again, too, he had been pelted out of the village.
He found the violin lying on his bed where he had laid it before dinner. And taking it up he began to play to comfort himself. But now he played no delicious vision of the Angelic Land. The iron of the world was entering into his soul. For a week now he had known pain and rejection, suspicion and hatred; a strange new spirit of revolt was growing up in his heart. He played a melody, still sweet and tender as those of the Angelic Land, but charged with a new note, the note of human sorrow and effort, now swelling into something like defiance, dying now into a plaintive sadness. He played softly, playing to himself to comfort himself, but the Vicar heard, and all his finite bothers were swallowed up in a hazy melancholy, a melancholy that was quite remote from sorrow. And besides the Vicar, the Angel had another hearer of whom neither Angel nor Vicar was thinking.
DELIA.
XL.
She was only four or five yards away from the Angel in the westward gable. The diamond-paned window of her little white room was open. She knelt on her box of japanned tin, and rested her chin on her hands, her elbows on the window-sill. The young moon hung over the pine trees, and its light, cool and colourless, lay softly upon the silent-sleeping world. Its light fell upon her white face, and discovered new depths in her dreaming eyes. Her soft lips fell apart and showed the little white teeth.
Delia was thinking, vaguely, wonderfully, as girls will think. It was feeling rather than thinking; clouds of beautiful translucent emotion drove across the clear sky of her mind, taking shape that changed and vanished. She had all that wonderful emotional tenderness, that subtle exquisite desire for self-sacrifice, which exists so inexplicably in a girl's heart, exists it seems only to be presently trampled under foot by the grim and gross humours of daily life, to be ploughed in again roughly and remorselessly, as the farmer ploughs in the clover that has sprung up in the soil. She had been looking out at the tranquillity of the moonlight long before the Angel began to play,—waiting; then suddenly the quiet, motionless beauty of silver and shadow was suffused with tender music.
She did not move, but her lips closed and her eyes grew even softer. She had been thinking before of the strange glory that had suddenly flashed out about the stooping hunchback when he spoke to her in the sunset; of that and of a dozen other glances, chance turns, even once the touching of her hand. That afternoon he had spoken to her, asking strange questions. Now the music seemed to bring his very face before her, his look of half curious solicitude, peering into her face, into her eyes, into her and through her, deep down into her soul. He seemed now to be speaking directly to her, telling her of his solitude and trouble. Oh! that regret, that longing! For he was in trouble. And how could a servant-girl help him, this soft-spoken gentleman who carried himself so kindly, who played so sweetly. The music was so sweet and keen, it came so near to the thought of her heart, that presently one hand tightened on the other, and the tears came streaming down her face.
As Crump would tell you, people do not do that kind of thing unless there is something wrong with the nervous system. But then, from the scientific point of view, being in love is a pathological condition.
I am painfully aware of the objectionable nature of my story here. I have even thought of wilfully perverting the truth to propitiate the Lady Reader. But I could not. The story has been too much for me. I do the thing with my eyes open. Delia must remain what she really was—a servant girl. I know that to give a mere servant girl, or at least an English servant girl, the refined feelings of a human being, to present her as speaking with anything but an intolerable confusion of aspirates, places me outside the pale of respectable writers. Association with servants, even in thought, is dangerous in these days. I can only plead (pleading vainly, I know), that Delia was a very exceptional servant girl. Possibly, if one enquired, it might be found that her parentage was upper middle-class—that she was made of the finer upper middle-class clay. And (this perhaps may avail me better) I will promise that in some future work I will redress the balance, and the patient reader shall have the recognised article, enormous feet and hands, systematic aspiration of vowels and elimination of aspirates, no figure (only middle-class girls have figures—the thing is beyond a servant-girl's means), a fringe (by agreement), and a cheerful readiness to dispose of her self-respect for half-a-crown. That is the accepted English servant, the typical English woman (when stripped of money and accomplishments) as she appears in the works of contemporary writers. But Delia somehow was different. I can only regret the circumstance—it was altogether beyond my control.
DOCTOR CRUMP ACTS.
XLI.
Early the next morning the Angel went down through the village, and climbing the fence, waded through the waist-high reeds that fringe the Sidder. He was going to Bandram Bay to take a nearer view of the sea, which one could just see on a clear day from the higher parts of Siddermorton Park. And suddenly he came upon Crump sitting on a log and smoking. (Crump always smoked exactly two ounces per week—and he always smoked it in the open air.)
"Hullo!" said Crump, in his healthiest tone. "How's the wing?"
"Very well," said the Angel. "The pain's gone."
"I suppose you know you are trespassing?"
"Trespassing!" said the Angel.
"I suppose you don't know what that means," said Crump.
"I don't," said the Angel.
"I must congratulate you. I don't know how long you will last, but you are keeping it up remarkably well. I thought at first you were a mattoid, but you're so amazingly consistent. Your attitude of entire ignorance of the elementary facts of Life is really a very amusing pose. You make slips of course, but very few. But surely we two understand one another."
He smiled at the Angel. "You would beat Sherlock Holmes. I wonder who you really are."
The Angel smiled back, with eyebrows raised and hands extended. "It's impossible for you to know who I am. Your eyes are blind, your ears deaf, your soul dark, to all that is wonderful about me. It's no good my telling that I fell into your world."
The Doctor waved his pipe. "Not that, please. I don't want to pry if you have your reasons for keeping quiet. Only I would like you to think of Hilyer's mental health. He really believes this story."
The Angel shrugged his dwindling wings.
"You did not know him before this affair. He's changed tremendousl
y. He used to be neat and comfortable. For the last fortnight he's been hazy, with a far-away look in his eyes. He preached last Sunday without his cuff links, and something wrong with his tie, and he took for his text, 'Eye hath not seen nor ear heard.' He really believes all this nonsense about the Angel-land. The man is verging on monomania!"
"You will see things from your own standpoint," said the Angel.
"Everyone must. At any rate, I think it jolly regrettable to see this poor old fellow hypnotized, as you certainly have hypnotized him. I don't know where you come from nor who you are, but I warn you I'm not going to see the old boy made a fool of much longer."
"But he's not being made a fool of. He's simply beginning to dream of a world outside his knowledge——"
"It won't do," said Crump. "I'm not one of the dupe class. You are either of two things—a lunatic at large (which I don't believe), or a knave. Nothing else is possible. I think I know a little of this world, whatever I do of yours. Very well. If you don't leave Hilyer alone I shall communicate with the police, and either clap you into a prison, if you go back on your story, or into a madhouse if you don't. It's stretching a point, but I swear I'd certify you insane to-morrow to get you out of the village. It's not only the Vicar. As you know. I hope that's plain. Now what have you to say?"
With an affectation of great calm, the Doctor took out his penknife and began to dig the blade into his pipe bowl. His pipe had gone out during this last speech.
For a moment neither spoke. The Angel looked about him with a face that grew pale. The Doctor extracted a plug of tobacco from his pipe and flung it away, shut his penknife and put it in his waistcoat pocket. He had not meant to speak quite so emphatically, but speech always warmed him.
