Nikki Gemmell’s Threesome: The Bride Stripped Bare, With the Body, I Take You

by Gemmell, Nikki

  I can see it, you said. In her smile.

  You watched your husband bend over the crazed surface of the canvas with the care of a stonemason at the block, clearing away the soot and grime until Madame Recamier’s face and then body glowed pale before you both. You were transfixed by his fingers that fussed with the attentiveness of love, bringing to life the lips, just the lips, in one golden afternoon, the pale swell of her breast in another.

  Cleaning is always the riskiest part of the process, he told you. It’s all so unknown. What you find underneath might be magnificent, or something you just want to throw out. You never know.

  You could watch him and listen to him for ever in those days: you loved the seductiveness of a man deep in work. You knew, then, it was a reciprocated love and it was a canopy of joy over your life.

  You see your husband now. A man who hides in art, and porn, who’s nourished by an interior world you know nothing of. His work is a world you can never really be a part of, he burrows away into it, just as he does with his moated, secret life.

  Why did you marry him?

  Because he said yes. And you’d reached the stage where you never expected any man to want you that much. And he was such a good friend, right from the beginning, he was a mate; never one of those lovers where you wondered what you had in common apart from sex. And there’s the deep urge within you as your thirties gallop on, the furious want.

  Give me children or else I dye, wrote the anonymous Elizabethan author of your old book.

  Oh yes.

  Cole has a favourite photograph of you, he says it reveals your secret self. It was taken for a magazine article about bright young things, the ones to watch, and their mentors. You’d been chosen by an old student of yours, now an ITV news reader, a hungry young woman who’d straightened her West Country vowels and had a meteoric rise from the local Bristol paper into prime time TV. There was also a celebrated violinist, a geneticist, an architect, a novelist.

  You didn’t want to do it but didn’t say no, of course: it was good publicity for your faculty. You’d never actually liked her enough, had been jealous and a little afraid of her steely greed to succeed. She hid her determination within friendliness and flattery but you saw straight through it.

  The photographer was Colombian. He was exasperated with you all, wanted the group to relax. He asked you to think of the most sensuous thing you could imagine and yell it out, and there was uncomfortable laughter and then silence.

  Skin to skin said your former student suddenly. Someone else, foie gras. The softness of a baby’s thighs. Swimming, naked, at midnight. The smell of freshly cut grass. Fauré’s ‘Sanctus’. A girlfriend’s laugh.

  Until there was only you left.

  Kissing the back of your husband’s neck, you said, while he was absorbed in his work. Your voice stumbly and hesitant, your blush deep. The photo was taken and when it was published it was all, still, in your face.

  Cole loved your look, he knew it well but had never seen it caught.

  He had no recollection of you ever kissing his neck while he was at work.

  Lesson 39

  there should not be overcrowding in bedrooms

  Night, bed, alone, and the glare of what’s happened during that meeting with Gabriel is imprinted in your head like the too-bright fluorescent lights that were never switched off in your school’s corridors. Cole’s fallen asleep on the couch in front of the television. You cannot sleep, cannot sleep, and then it’s dawn. Love is attention and you’re not getting any: you’re like a balloon that’s jerked free from the fist holding it down and is now climbing and swerving in a choppy sky.

  You think of other things, in bed, alone. They’re with you most nights, to lull you to sleep. A group of men watching you being penetrated by a broom handle. You don’t know any of the perpetrators very well. It’s never intimate or tender. It’s filmed. Sometimes women will be watching the penetration; by candlesticks, by animals, sometimes the women will be participating. And the men. Hands will be running over your naked body, parting your legs, probing, slipping inside. Almost every night you imagine these things to drop you into sleep. The movies in your head were most vivid during your teenage years, you can still remember the effect twenty years later, the intensity of them. And now, following the afternoon of Gabriel, you’re vastly awake and holding your fingers snug between your legs and wanting to feel again with the spark of those teenage years, wanting that combusting under your skin.

  You want to ring Theo, you miss your confidante, it’s a huge silence in your life. She was the only person you ever felt comfortable ringing beyond ten. You’d talk sex with her endlessly, what you wanted, what you didn’t; all the things you never said to a man. You loved her expression to describe a good fuck – dirt – meaning it’d be dirty, it’d be sexy sex. A man who’s dirt, you’d always loved the idea of that. And sexy sex.

  Now, alone, you’re bound by caution. Have you ever acted, as an adult, exactly as you wished? You’ve been battened down for so long; the good teacher, friend, wife. And you’re most passive in bed, all surrender and wanting to please so much. Your fantasy life has never leaked into your real life. But in bed, now, alone, possibility is putting its key in the lock, like a stream of desert light in the morning, luring you out.

  Cole stumbles into the room at five and presses his body into you, as if he’s trying to draw the warmth from your flesh. You shrug him off.

  Lesson 40

  there are few who wilfully injure their health, but many thoughtlessly destroy it

  Ten a.m.

  You reach for your handbag, hope you’re not ringing too soon, don’t even know what to say, just hello, will that do, and I wanted to say thanks for the other day; you’ve rehearsed it, the lightness in your voice. You’re living more boldly, you’re beginning, and Theo’s words sound in your head: it’s no use waiting for the light to appear at the end of the tunnel, you just have to stride down and light the bloody thing yourself. There’s nothing wrong with a new friend for there seem to be less and less as the years roll over in your narrowing life.

  Ten a.m. and your thudding heart, your thudding heart.

  The slip of paper isn’t there.

  You’re scrabbling through your wallet and searching the floor and the steps and the ground outside but it’s gone and your fingers are dragging through your hair and your teeth are tearing at your nails, there’s no phone number under directory enquiries and you have no address, of course, and then you sit on the hallway floor, your head thrown back against the wall, for a very long time, very still, in the flat, with its silence like a skull.

  He’s gone.

  As if chunks have been ripped from the book of your future.

  You can’t move, your whole life feels slumped: you don’t know what to do next. You sit there for so long, your hand tucked into your knickers, against your bare flesh. When you withdraw your fingers you stare at the glutinous shine on them, the shout of it. You gasp, your hand trembles; a teenager all over again, so abruptly.

  But you have no number, no address. And he doesn’t have yours. He is gone.

  You feel drained. It took so much effort to get to this point, to overcome the nausea and nerves, to resolve to pick up the phone. You didn’t realise how much you were counting on the possibility of him, a new something to fill your life, until he was lost.

  Lesson 41

  remember to walk briskly and not saunter about or be forever peering into shop windows

  You return to the café in Soho, alone, through September, through October, and he never comes back.

  On a Monday of cold sunshine a young woman is beside you. She’s reading the sex issue of The Face magazine; she’s strongly by herself, as if this cafe is her office and she’s been this at ease in her skin her whole life. You wish you could be that. You buy The Face on the way home, flushing as the newsagent takes your money. You’ll never go back to his shop, you’re not that young woman.

  That night,
alone, in the bedroom, words you’ve never heard before:

  Californicate: copulating shamelessly in every possible position. Chili dog: defecating on a woman’s chest, then masturbating with her breasts. Daisy chaining: a number of people connecting through oral sex. Flooding the cave: urinating into a partner’s vagina. Hum job: oral sex given to a man while humming a tune. On and on and you close the magazine and smooth the cover down, you place it in the bottom of your bedside drawer, you check it’s well tucked.

  Repelled. Horrified. Wet.

  Thinking of the woman in the cafe, and the man who never came back. Thinking of anonymous, uncomplicated sex. Arousing yourself with it all, now, rather than sedating yourself into sleep; wanting it in your life.

  Lesson 42

  every girl her own dressmaker

  The next day at the café you’re like an anemone unfurling within the silky coaxing of the water because you’ve decided that for the next six months you’ll live your life differently from the way you’ve ever lived it before: indulgently, selfishly, wilfully, before marriage and motherhood close over you. You dream of no commitment to anything but your own pleasure, you dream, with renewed vigour, of finding a satisfying fuck. If you’d ever have the courage for that.

  You were a serial sleeper once, during your final year of university, propelled by the thought of launching yourself into the world without any experience of men, a virgin at twenty-two and full of shame and self-loathing at the fact.

  You had an innocence then, in your early twenties. You could pass as sixteen, as still needing to be taught, your face hadn’t yet settled. So one Saturday night at a friend’s you became drunk and emboldened, you had to get it done. There was a man next to you in the doorway; he was taller than you, had clear skin, he’d do. Everyone else was deep into a double episode of The Young Ones, they’d never notice you’d gone.

  You took a deep breath: do you want to go upstairs, you asked.

  What, he said, leaning close.

  Let’s go upstairs, come on.

  You took his hand; he had no idea of your pounding heart. You never saw him again, didn’t want to, his name was quickly lost. There were many after that. They were always snatching the bait, thinking it was you, in fact, who’d fallen prey and not realising that the girl with the face who needed to be taught had become a collector, an archivist of sexual experiences. All disappointing; too dry, painful, anticlimactic, fumbling, bleak.

  So you tried something else. An older man. Your neighbour, a graphic designer who’d never settled down. The age difference was nineteen years. It was worse. He was from an era when sex was purely for the man’s satisfaction; he thought a good fuck was just hammering away vigorously while you lay there and thought of England; he thought condoms were a joke. He told you afterwards as he rubbed your flat belly that he could never sleep with a woman over thirty, he didn’t like them enough: the sagging skin on their necks, the lines on their faces, the bodies thickening out. But you know another reason, now; because by then women have lost their docility, they have awareness, they know too much.

  And they want things themselves.

  So, nothing sparked. Theo, meanwhile, seemed to be sailing her way through men and through life. For you the best moment was always the anticipation, the thrill of giving the men what they wanted and as soon as the clothes were off something was lost. It always seemed to be two people connecting but utterly failing at it, too, and there was a gulf of loneliness in that, and after several years you gave up and slipped into your dream world every single night. So your twenties passed.

  Whenever you did make love it was your thoughts that stirred you more than the touch of the man. He never knew that he wasn’t at the centre of your focus while he was on you, that he was merely kick-starting the film in your head. As he pushed inside you’d slip into concentrating on a scenario that would trigger your pleasure. It all had little to do with the person making love to you. You never found the sex sexy; maybe it would come with the next man or the next but it never combusted for you. What was all the fuss about?

  You were much better at it by yourself, in your head.

  Lesson 43

  the law for everyone is duty first, pleasure next

  What you want:

  The lights turned off. A touch that’s gentle, slow, provocative, that builds you up, that makes you want it too much. An orgasm; it doesn’t have to be at the same time as the man, just one orgasm so that you know what everyone’s talking about. Eye contact. A quick coming that’s not on your breasts or your face. Holding afterwards, skin to skin. Oral sex, precisely where you ask, for as long and as soft and as slow as you’d like. Sex that’s uncomplicated, with no ties, where the man will do exactly what you want. Claiming happiness for yourself: you’re so used to focusing on your partner’s pleasure at the expense of your own.

  What you do not want:

  To suck a penis. The smell of stale smoke. A tongue in your ear. Underwear involving satin or g-strings or leopard print or lace. The vaginal sex to go on too long. A thrusting so hard that it burns, it hurts. Swallowing. Breast sucking, breast licking, breast anything. To be asked what are you thinking. For it to be pushed upon you when you’re tired, grubby, not yet wet. Being pinned down. A rush to get in. A penis that’s too big. Loud snorting at climax, or groaning, or any expression like ‘ooh yes, baby’ and ‘c’mon’. For the roll-over after the coming to be too abrupt. To be kicked out too quick.

  What you love:

  The arch of the foot, its bones, rake-splayed. Wide, blunt, clean fingernails. Michelangelo wrists. Cleanliness. The nape of your neck nuzzled. Your eyelids kissed. Burrowing deep under the blankets. Clothes to be drawn off slowly, in exquisite anticipation. Cold, smooth walls you are rammed against. The sound of a lover’s breath close to your ear. Your hair pulled back when he’s inside. Your name spoken aloud just before he comes. Connecting, a holiness fluttering within you both. Seduction that’s slow, intriguing, unique, by flattery, extravagant gestures, text: poem scraps on napkins, filthy e-mails that should never be sent, love letters scrawled on Underground passes, a line composed in lipstick on your back as you sleep, written backwards, to be read in the mirror; oh yes, all that.

  Lesson 44

  if you have a dog and never let him out the poor fellow will bark and howl miserably

  Cole has a gift. He hasn’t given you one for so long, since Marrakech, when you received chocolates and magazines and jewellery from the souks. You protest but you’re smiling, you can’t help it, for it signals a thaw, a softening back into an easier way. You can both feel it, time is smoothing things out. You both want this.

  It’s an envelope. You slide your fingers beneath the heavy, cream flap.

  Private membership to the London Library. The writers’ library. It’s too ironic, heartbreaking, apt and your heart swells with light and guilt. Your husband’s blackmailing you with generosity and you know exactly what you’ll do, for a writers’ library might, just might, have an actor in it, who’s researching a screenplay, perhaps.

  I thought it might give you a kick start, Cole says. For the book.

  Ah, the book.

  For you’d told him once that one day you’d like to take your cheeky seventeenth-century text and do something with it. It was one reason why he was so insistent you give up the drudgery of teaching, to try something you’d always wanted to do – although sometimes you suspected it was just to keep you all to himself. You’d showed him the section where the author stated that women married not for pleasure but for the propagation of children; and her conclusion that the wives of barren men should be allowed to sleep with other men fit and lusty. Isn’t that gorgeous, you remember teasing him, when can I start? And Cole had grabbed you firmly by the arm and had smacked you, stingingly, on the bum.

  The cupboard. Quick.

  And you’d laughed and laughed.

  You’d told Cole that there was a novel in the text, or a history perhaps, the intimate kind that crack
s open private lives. It felt good to tell him, as if it would give some weight to your own life. You’re not sure, now, though, you ever really meant it.

  But he didn’t forget.

  No one except your husband knows of the cautiousness at the heart of your life. Your adulthood has been a progressive retreat from curiosity and wonder, an endless series of delays and procrastinations. You wanted to be so much, once, but life kept on getting in the way. You shone during your journalism degree but were never quite hungry enough for a newsroom. You dreaded the cold calling, of intruding so much on people’s lives. You did an MA and drifted into teaching and were always doubting your abilities: said shouldn’t it be someone else when your colleagues urged you to apply for a higher post, asked me? Really? when offered a promotion, never pushed for a pay rise. You settled. Shunned creativity, flight, risk, never had the courage to give a dream, any dream, a go.

  And now you hold the envelope to your lips and smile and kiss your husband on the forehead. You’ll go to the Library tomorrow, you say it’s the perfect gift. You don’t tell him you’ll be looking for a man in a very neat suit, with a beautiful nape. For Cole is seducing you with thoughtfulness and you want him to know how grateful you are.

  But something is all skittery within you and there’s the light and the guilt of that.

  You know what Theo would do in this situation. You wonder about your Elizabethan wife. If she ever acted on her words, if she was that courageous, or stupid. Indulgent. Selfish. Bold.