by Mark Place
Ahead of him farther down the road Poirot descried a house, the top story of which displayed an unusual note of bulbous construction. Something had evidently been tacked on up there not so many years ago. This no doubt was the Mecca towards which his feet were bent. He arrived at a gate to which the nameplate Crosshedges was attached. He surveyed the house. It was a conventional house dating perhaps to the beginning of the century. It was neither beautiful nor ugly. Commonplace was perhaps the word to describe it. The garden was more attractive than the house and had obviously been the subject of a great deal of care and attention in its time, though it had been allowed to fall into disarray. It still had smooth green lawns, plenty of flower beds, carefully planted areas of shrubs to display a certain landscape effect. It was all in good order. A gardener was certainly employed in this garden, Poirot reflected.
A personal interest was perhaps also taken, since he noted in a corner near the house a woman bending over one of the flower beds, tying up dahlias, he thought. Her head showed as a bright circle of pure gold colour. She was tall, slim but square shouldered. He unlatched the gate, passed through and walked up towards the house.
The woman turned her head and then straightened herself, turning towards him enquiringly. She remained standing, waiting for him to speak, some garden twine hanging from her left hand. She looked, he noted, puzzled.
"Yes?" she said.
Poirot, very foreign, took off his hat with a flourish and bowed. Her eyes rested on his moustaches with a kind of fascination.
"Mrs. Restarick?"
"Yes. I -- "
"I hope that I do not derange you, Madame." A faint smile touched her lips.
"Not at all. Are you — " I have permitted myself to pay a visit on you. A friend of mine, Mrs. Ariadne Oliver — "
"Oh, of course. I know who you must be. Monsieur Poiret." "Monsieur Poirot," he corrected her with an emphasis on the last syllable. “Hercule Poirot, at your service. I was passing through this neighbourhood and I ventured to call upon you here in the hope that I might be allowed to pay my respects to Sir Roderick Horsefield."
"Yes. Naomi Lorrimer told us you might turn up."
"I hope it is not inconvenient?"
"Oh, it is not inconvenient at all. Ariadne Oliver was here last weekend. She came over with the Lorrimers. Her books are most amusing, aren't they? But perhaps you don't find detective stories amusing. You are a detective yourself, aren't you — a real one?" "I am all that there is of the most real," said Hercule Poirot.
He noticed that she repressed a smile. He studied her more closely. She was handsome in a rather artificial fashion. Her golden hair was stiffly arranged. He wondered whether she might not at heart be secretly unsure of herself, whether she were not carefully playing the part of the English lady absorbed in her garden. He wondered a little what her social background might have been.
"You have a very fine garden here," he said.
"You like gardens?"
"Not as the English like gardens. You have for a garden a special talent in England. It means something to you that it does not to us."
"To French people, you mean?"
"I am not French. I am Belgian."
"Oh yes. I believe that Mrs. Oliver mentioned that you were once with the Belgian Police Force?"
"That is so. Me, I am an old Belgian police dog." He gave a polite little laugh and said, waving his hands, "But your gardens, you English, I admire. I sit at your feet! The Latin races, they like the formal garden, the gardens of the chateau of Versailles in miniature, and also of course they invented the potager. Very important, the potager. Here in England you have the potager, but you got it from France and you do not love your potager as much as you love your flowers. Hein? That is so?"
"Yes, I think you are right," said Mary Restarick. "Do come into the house. You came to see my uncle."
"I came, as you say, to pay homage to Sir Roderick, but I pay homage to you also, Madame. Always I pay homage to beauty when I meet it." He bowed.
She laughed with slight embarrassment. "You mustn't pay me so many compliments." She led the way through an open French window and he followed her. "I knew your uncle slightly in 1944."
"Poor dear, he's getting quite an old man now. He's very deaf, I'm afraid." "It was long ago that I encountered him. He will probably have forgotten. It was a matter of espionage and of scientific developments of a certain invention. We owed that invention to the ingenuity of Sir Roderick. He will be willing, I hope, to receive me."
"Oh, I'm sure he'll love it," said Mrs. Restarick. "He has rather a dull life in some ways nowadays. I have to be so much in London -- we are looking for a suitable house there." She sighed and said, "Elderly people can be very difficult sometimes."
"I know said Poirot. Frequently I, too, am difficult."
She laughed. "Ah no, M. Poirot, come now, you mustn't pretend you're old."
"Sometimes I am told so," said Poirot.
He sighed. "By young girls," he added mournfully.
"That's very unkind of them. It's probably the sort of thing that our daughter would do," she added.
"Ah, you have a daughter?"
"Yes. At least, she is my stepdaughter."
"I shall have much pleasure in meeting her," said Poirot politely.
"Oh well, I'm afraid she is not here. She's in London. She works there."
"The young girls, they all do jobs nowadays."
"Everybody's supposed to do a job," said Mrs. Restarick vaguely. "Even when they get married they're always being persuaded back into industry or back into teaching."
"Have they persuaded you, Madame, to come back into anything?"
"No. I was brought up in South Africa. I only came here with my husband a short time ago-- It's all -- rather strange to me still." She looked round her with what Poirot judged to be an absence of enthusiasm. It was a handsomely furnished room of a conventional type -- without personality. Two large portraits hung on the walls -- the only personal touch. The first was that of a thin lipped woman in a grey velvet evening dress. Facing her on the opposite wall was a man of about thirty odd with an air of repressed energy about him.
"Your daughter, I suppose, finds it dull in the country?"
"Yes, it is much better for her to be in London.
She doesn't like it here." She paused abruptly, and then as though the last words were almost dragged out of her, she said, " -- and she doesn't like me."
"Impossible," said Hercule Poirot, with Gallic politeness.
"Not at all impossible! Oh well, I suppose it often happens. I suppose it's hard for girls to accept a stepmother."
"Was your daughter very fond of her own mother?"
"I suppose she must have been. She's a difficult girl. I suppose most girls are."
Poirot sighed and said, "Mothers and fathers have much less control over daughters nowadays. It is not as it used to be in the old good-fashioned days."
"No indeed."
"One dare not say so, Madame, but I must confess I regret that they show so very little discrimination in choosing their — how do you say it? — their boyfriends?"
"Norma has been a great worry to her father in that way. However, I suppose it is no good complaining. People must make their own experiments. But I must take you up to Uncle Roddy — he has his own rooms upstairs."
She led the way out of the room. Poirot looked back over his shoulder. A dull room, a room without character — except perhaps for the two portraits. By the style of the woman's dress, Poirot judged that they dated from some years back. If that was the first Mrs. Restarick, Poirot did not think that he would have liked her.
He said, "Those are fine portraits, Madame."
"Yes. Lansberger did them." It was the name of a famous and exceedingly expensive fashionable portrait painter of twenty years ago. His meticulous naturalism had now gone out of fashion, and since his death, he was little spoken of. His sitters were sometimes sneeringly spoken of as "clothes props", but Poirot though
t they were a good deal more than that. He suspected that there was a carefully concealed mockery behind the smooth exteriors that Lansberger executed so effortlessly.
Mary Restarick said as she went up the stairs ahead of him, "They have just come out of storage -- and been cleaned up and -- " She stopped abruptly -- coming to a dead halt, one hand on the stair-rail. Above her, a figure had just turned the corner of the staircase on its way down. It was a figure that seemed strangely incongruous. It might have been someone in fancy dress, someone who certainly did not match with this house.
He was a figure familiar enough to Poirot in different conditions, a figure often met in the streets of London or even at parties. A representative of the youth of today. He wore a black coat, an elaborate velvet waistcoat, skin tight pants, and rich curls of chestnut hair hung down on his neck. He looked exotic and rather beautiful, and it needed a few moments to be certain of his sex.
"David!" Mary Restarick spoke sharply.
"What on earth are you doing here?" The young man was by no means taken aback. "Startled you?" he asked. "So sorry."
"What are you doing here — in this house? You — have you come down here with Norma?"
"Norma? No. I hoped to find her here."
"Find her here — what do you mean? She's in London."
"Oh, but my dear, she isn't. At any rate, she's not at 67 Borodene Mansions."
"What do you mean, she isn't there?"
"Well, since she didn't come back this weekend, I thought she was probably here with you. I came down to see what she was up to."
"She left here Sunday night as usual."
She added in an angry voice, "Why didn't you ring the bell and let us know you were here? What are you doing roaming about the house?"
"Really, darling, you seem to be thinking I'm going to pinch the spoons or something. Surely it's natural to walk into a house in broad daylight. Why ever not?"
"Well, we're old-fashioned and we don't like it."
"Oh dear, dear." David sighed. "The fuss everyone makes. Well, my dear, if I'm not going to have a welcome and you don't seem to know where your stepdaughter is, I suppose I'd better be moving along. Shall I turn out my pockets before I go?"
"Don't be absurd, David."
"Ta-ta, then." The young man passed them, waved an airy hand and went on down and out through the open front door.
"Horrible creature," said Mary Restarick, with a sharpness of rancour that startled Poirot. "I can't bear him. I simply can't stand him. Why is England absolutely full of these people nowadays?"
"Ah, Madame, do not disquiet yourself.
It is all a question of fashion. There have always been fashions. You see less in the country, but in London you meet plenty of them."
"Dreadful," said Mary. "Absolutely dreadful. Effeminate, exotic."
"And yet not unlike a Vandyke portrait, do you not think so, Madame? In a gold frame, wearing a lace collar, you would not then say he was effeminate or exotic."
"Daring to come down here like that. Andrew would have been furious. It worries him dreadfully. Daughters can be very worrying. It's not even as though Andrew knew Norma well. He's been abroad since she was a child. He left her entirely to her mother to bring up, and now he finds her a complete puzzle. So do I for that matter. I can't help feeling that she is a very odd type of girl. One has no kind of authority over them these days. They seem to like the worst type of young men. She's absolutely infatuated with this David Baker. One can't do anything. Andrew forbade him the house, and look, he turns up here, walks in as cool as a cucumber. I think — I almost think I'd better not tell Andrew.
I don't want him to be unduly worried. I believe she goes about with this creature in London, and not only with him. There are some much worse ones even. The kind that don't wash, completely unshaven faces and funny sprouting beards and greasy clothes."
Poirot said cheerfully. "Alas, Madame, you must not distress yourself. The indiscretions of youth pass."
"I hope so, I'm sure. Norma is a very difficult girl. Sometimes I think she's not right in the head. She's so peculiar. She really looks sometimes as though she isn't all there. These extraordinary dislikes she takes — "
"Dislikes?"
"She hates me. Really hates me. I don't see why it's necessary. I suppose she was very devoted to her mother, but after all it's only reasonable that her father should marry again, isn't it?"
"Do you think she really hates you?"
"Oh, I know she does. I've had ample proof of it. I can't say how relieved I was when she went off to London. I didn't want to make trouble -- "
She stopped suddenly. It was as though for the first time she realised that she was talking to a stranger. Poirot had the capacity to attract confidences. It was as though when people were talking to him they hardly realised who it was they were talking to. She gave a short laugh now.
"Dear me," she said, "I don't really know why I'm saying all this to you. I expect every family has these problems. Poor stepmothers, we have a hard time of it. Ah, here we are." She tapped on a door.
"Come in, come in." It was a stentorian roar.
"Here is a visitor to see you. Uncle," said Mary Restarick, as she walked into the room, Poirot behind her. A broad-shouldered, square-faced, red cheeked irascible looking elderly man had been pacing the floor. He stumped forward towards them. At the table behind him a girl was sitting sorting letters and papers. Her head was bent over them, a sleek, dark head. "This is Monsieur Hercule Poirot, Uncle Roddy," said Mary Restarick.
Poirot stepped forward gracefully into action and speech. "Ah, Sir Roderick, it is many years — many years since I have had the pleasure of meeting you. We have to go back, so far as the last war. It was, I think, in Normandy the last time. How well I remember, there was there also Colonel Race and there was General Abercrombie and there was Air Marshal Sir Edmund Collingsby. What decisions we had to take! And what difficulties we had with security. Ah, nowadays, there is no longer the need for secrecy. I recall the unmasking of that secret agent who succeeded for so long — you remember Captain Henderson."
"Ah. Captain Henderson indeed. Lord that damned swine! Unmasked!"
"You may not remember me, Hercule Poirot.”
"Yes, yes, of course I remember you.
Ah, it was a close shave that, a close shave. You were the French representative, weren't you? There were one or two of them, one I couldn't get on with — can't remember his name. Ah well, sit down, sit down. Nothing like having a chat over old days."
"I feared so much that you might not remember me or my colleague. Monsieur Giraud."
"Yes, yes, of course I remember both of you. Ah, those were the days, those were the days indeed." The girl at the table got up. She moved a chair politely towards Poirot.
"That's right, Sonia, that's right," said Sir Roderick. "Let me introduce you," he said, "to my charming little secretary here. Makes a great difference to me. Helps me, you know, files all my work. Don't know how I ever got on without her."
Poirot bowed politely. "Enchante, mademoiselle," he murmured.
The girl murmured something in rejoinder. She was a small creature with black bobbed hair. She looked shy. Her dark blue eyes were usually modestly cast down, but she smiled up sweetly and shyly at her employer. He patted her on the shoulder.
"Don't know what I should do without her," he said. I don't really."
"Oh, no," the girl protested. "I am not much good really. I cannot type very fast."
"You type quite fast enough, my dear. You're my memory, too. My eyes and my ears and a great many other things." She smiled again at him.
"One remembers," murmured Poirot, "some of the excellent stories that used to go the round. I don't know if they were exaggerated or not. Now, for instance, the day that someone stole your car and — " he proceeded to follow up the tale. Sir Roderick was delighted. "Ha, ha, of course now. Yes, indeed, well, bit of exaggeration, I expect. But on the whole, that's how it was. Yes, yes, well, fanc
y your remembering that, after all this long time. But I could tell you a better one than that now." He launched forth into another tale. Poirot listened, applauded. Finally he glanced at his watch and rose to his feet.
"But I must detain you no longer," he said. "You are engaged, I can see, in important work. It was just that being in this neighbourhood I could not help paying my respects. Years pass, but you, I see, have lost none of your vigour, of your enjoyment of life."
"Well, well, perhaps you may say so.
Anyway, you mustn't pay me too many compliments — but surely you'll stay and have tea. I'm sure Mary will give you some tea." He looked round. "Oh, she's gone away. Nice girl."
"Yes, indeed, and very handsome. I expect she has been a great comfort to you for many years."
"Oh! they've only married recently. She's my nephew's second wife. I'll be frank with you. I've never cared very much for this nephew of mine, Andrew — not a steady chap. Always restless. His elder brother Simon was my favourite. Not that I knew him well, either. As for Andrew, he behaved very badly to his first wife. Went off, you know. Left her high and dry. Went off with a thoroughly bad lot. Everybody knew about her. But he was infatuated with her. The whole thing broke up in a year or two: silly fellow. This girl he's married seems all right. Nothing wrong with her as far as I know. Now Simon was a steady chap — damned dull, though. I can't say I liked it when my sister married into that family. Marrying into trade, you know. Rich, of course, but money isn't everything -- we've usually married into the Services. I never saw much of the Restarick lot."
"They have, I believe, a daughter. A friend of mine met her last week."
"Oh, Norma. Silly girl. Goes about in dreadful clothes and has picked up with a dreadful young man. Ah well, they're all alike nowadays. Long-haired young fellows, beatniks, Beatles, all sorts of names they've got. I can't keep up with them. Practically talk a foreign language. Still, nobody cares to hear an old man's criticisms, so there we are. Even Mary -- I always thought she was a good, sensible sort, but as far as I can see she can be thoroughly hysterical in some ways -- mainly about her health. Some fuss about going to hospital for observation or something.
