by Mark Place
What about a drink? Whisky? No? Sure you won't stop and have a drop of tea?"
"Thank you, but I am staying with friends."
"Well, I must say I have enjoyed this chat with you very much. Nice to remember some of the things that happened in the old days. Sonia, dear, perhaps you'll take Monsieur — sorry, what's your name, it's gone again — ah, yes, Poirot. Take him down to Mary, will you?"
"No, no," Hercule Poirot hastily waved aside the offer. "I could not dream of troubling Madame any more. I am quite all right. Quite all right. I can find my way perfectly. It has been a great pleasure to meet you again." He left the room.
"Haven't the faintest idea who that chap was," said Sir Roderick, after Poirot had gone.
"You do not know who he was?" Sonia asked, looking at him in a startled manner.
"Personally I don't remember who half the people are who come up and talk to me nowadays. Of course, I have to make a good shot at it. One learns to get away with that, you know. Same thing at parties. Up comes a chap and says, 'Perhaps you don't remember me. I last saw you in 19"' I have to say 'Of course I remember,' but I don't. It's a handicap being nearly blind and deaf. We got pally with a lot of frogs like that towards the end of the war. Don't remember half of them. Oh, he'd been there all right. He knew me and I knew a good many of the chaps he talked about. That story about me and the stolen car, that was true enough. Exaggerated a bit, of course, they made a pretty good story of it at the time. Ah well, I don't think he knew I didn't remember him. Clever chap, I should say, but a thorough frog, isn't he? You know, mincing and dancing and bowing and scraping. Now then, where were we?"
Sonia picked up a letter and handed it to him. She tentatively proffered a pair of spectacles which he immediately rejected.
"Don't want those damned things -- I can see all right." He screwed up his eyes and peered down at the letter he was holding. Then he capitulated and thrust it back into her hands.
"Well, perhaps you'd better read it to me." She started reading it in her clear soft voice.
CHAPTER FIVE
HERCULE POIROT stood upon the landing for a moment. His head was a little on one side with a listening air. He could hear nothing from downstairs.
He crossed to the landing window and looked out. Mary Restarick was below on the terrace, resuming her gardening work. Poirot nodded his head in satisfaction. He walked gently along the corridor. One by one in turn he opened the doors. A bathroom, a linen cupboard, a double bedded spare room, an occupied single bedroom, a woman's room, with a double bed (Mary Restarick's?). The next door was that of an adjoining room and was, he guessed, the room belonging to Andrew Restarick. He turned to the other side of the landing. The door he opened first was a single bedroom. It was not, he judged, occupied at the time, but it was a room which possibly was occupied at weekends. There were toilet brushes on the dressing table. He listened carefully, then tiptoed in. He opened the wardrobe. Yes, there were some clothes hanging up there. Country clothes.
There was a writing table but there was nothing on it. He opened the desk drawers very softly. There were a few odds and ends, a letter or two, but the letters were trivial and dated some time ago. He shut the desk drawers. He walked downstairs, and going out of the house, bade farewell to his hostess. He refused her offer of tea. He had promised to get back, he said as he had to catch a train to town very shortly afterwards. "Don't you want a taxi? We could order you one, or I could drive you in the car." "No, no, Madame, you are too kind." Poirot walked back to the village and turned down the lane by the church. He crossed a little bridge over a stream. Presently he came to where a large car with a chauffeur was waiting discreetly under a beech tree. The chauffeur opened the door of the car, Poirot got inside, sat down and removed his patent leather shoes, uttering a gasp of relief. "Now we return to London," he said.
The chauffeur closed the door, returned to his seat and the car purred quietly away. The sight of a young man standing by the roadside furiously thumbing a ride was not an unusual one. Poirot's eyes rested almost indifferently on this member of the fraternity, a brightly dressed young man with long and exotic hair. There were many such but in the moment of passing him Poirot suddenly sat upright and addressed the driver. "If you please, stop. Yes, and if you can reverse a little... There is someone requesting a lift." The chauffeur turned an incredulous eye over his shoulder. It was the last remark he would have expected. However, Poirot was gently nodding his head, so he obeyed. The young man called David advanced to the door. "Thought you weren't going to stop for me," he said cheerfully. "Much obliged, I'm sure." He got in, removed a small pack from his shoulders and let it slide to the floor, smoothed down his copper brown locks.
"So you recognised me," he said.
"You are perhaps somewhat conspicuously dressed."
"Oh, do you think so? Not really. I'm just one of a band of brothers." "The school of Vandyke. Very dressy."
"Oh. I've never thought of it like that.
Yes, there may be something in what you say."
"You should wear a cavalier's hat," said Poirot," and a lace collar, if I might advise."
"Oh, I don't think we go quite as far as that." The young man laughed. "How Mrs. Restarick dislikes the mere sight of me. Actually I reciprocate her dislike. I don't care much for Restarick, either. There is something singularly unattractive about successful tycoons, don't you think?"
"It depends on the point of view. You have been paying attentions to the daughter, I understand."
"That is such a nice phrase," said David.
"Paying attentions to the daughter. I suppose it might be called that. But there's plenty of fifty-fifty about it, you know.
She's paying attention to me, too."
"Where is Mademoiselle now?" Davis turned his head rather sharply.
"And why do you ask that?"
"I should like to meet her." He shrugged his shoulders.
"I don't believe she'd be your type, you know, any more than I am. Normals in London."
"But you said to her stepmother"
"Oh! we don't tell stepmothers everything."
"And where is she in London?"
"She works in an interior decorators down the King's Road somewhere in Chelsea. Can't remember the name of it for the moment. Susan Phelps, I think."
"But that is not where she lives, I presume. You have her address?"
"Oh yes, a great block of flats. I don't really understand your interest."
"One is interested in so many things."
"What do you mean?"
"What brought you to that house -- (what is its name? -- Crosshedges) today. Brought you secretly into the house and up the stairs." "I came in the back door, I admit."
"What were you looking for upstairs?"
"That's my business. I don't want to be rude -- but aren't you being rather nosy?"
"Yes, I am displaying curiosity. I would like to know exactly where this young lady is."
"I see. Dear Andrew and dear Mary lord rot 'em — are employing you, is that it? They are trying to find her?"
"As yet," said Poirot, "I do not think they know that she is missing." "Someone must be employing you."
"You are exceedingly perceptive," said Poirot. He leant back.
"I wondered what you were up to," said David. "That's why I hailed you. I hoped you'd stop and give me a bit of dope. She's my girl. You know that, I suppose?"
"I understand that that is supposed to be the idea," said Poirot cautiously.
"If so, you should know where she is. Is that not so, Mr. — I am sorry, I do not think I know your name beyond, that is, that your Christian name is David." "Baker." "Perhaps, Mr. Baker, you have had a quarrel."
"No, we haven't had a quarrel. Why should you think we had?" "Miss Norma Restarick left Crosshedges on Sunday evening or was it Monday morning?"
"It depends. There is an early bus you can take. Gets you to London a little after ten. It would make her a bit late at work, but not too muc
h. Usually she goes back on Sunday night."
"She left there Sunday night but she has not arrived at Borodene Mansions."
"Apparently not. So Claudia says."
"This Miss Reece-Holland — that is her name, is it not? — was she surprised or worried?"
"Good lord no, why should she be. They don't keep tabs on each other all the time, these girls."
"But you thought she was going back there?"
"She didn't go back to work either.
They're fed up at the shop, I can tell you."
"Are you worried, Mr. Baker?"
"No. Naturally — I mean, well, I'm damned if I know. I don't see any reason I should be worried, only time's getting on. What is it today — Thursday?"
"She has not quarrelled with you?"
"No. We don't quarrel."
"But you are worried about her, Mr. Baker?"
"What business is it of yours?"
"It is no business of mine but there has, I understand, been trouble at home. She does not like her stepmother."
"Quite right too. She's a bitch, that woman. Hard as nails. She doesn't like Norma either."
"She has been ill, has she not? She had to go to hospital." "Who are you talking about -- Norma?"
"No, I am not talking about Miss Restarick. I am talking about Mrs. Restarick."
"I believe she did go into a nursing home. No reason she should. Strong as a horse, I'd say."
"And Miss Restarick hates her stepmother."
"She's a bit unbalanced sometimes, Norma. You know, goes off the deep end. I tell you, girls always hate their stepmothers."
"Does that always make stepmothers ill. Ill enough to go to hospital?"
"What the hell are you getting at?"
"Gardening perhaps -- or the use of weedkiller."
"What do you mean by talking about weed killer? Are you suggesting that Norma -- that she'd dream of -- that -- "
"People talk," said Poirot. "Talk goes round the neighbourhood."
"Do you mean that somebody has said that Norma has tried to poison her stepmother? That's ridiculous. It's absolutely absurd."
"It is very unlikely, I agree," said Poirot. "Actually, people have not been saying that."
"Oh. Sorry. I misunderstood. But-- what did you mean?"
"My dear young man," said Poirot, "you must realise that there are rumours going about, and rumours are almost always about the same person -- a husband."
"What, poor old Andrew? Most unlikely I should say."
"Yes. Yes, it does not seem to me very likely."
"Well, what were you there for then?
You are a detective, aren't you?"
"Yes."
"Well, then?"
"We are talking at cross purposes," said Poirot. "I did not go down there to enquire into any doubtful or possible case of poisoning. You must forgive me if I cannot answer your question. It is all very hush-hush, you understand."
"What on earth do you mean by that."
"I went there," said Poirot, "to see Sir Roderick Horsefield." "What, that old boy? He's practically ga-ga, isn't he?"
"He is a man," said Poirot, "who is in possession of a great many secrets. I do not mean that he takes an active part in such things nowadays, but he knows a good deal.
He was connected with a great many things in the past war. He knew several people."
"That's all over years ago, though."
"Yes, yes, his part in things is all over years ago. But do you not realise that there are certain things that it might be useful to know?"
"What sort of things?"
"Faces," said Poirot. "A well-known face perhaps, which Sir Roderick might recognise. A face or a mannerism, a way of talking, a way of walking, a gesture. People do remember, you know. Old people. They remember, not things that have happened last week or last month or last year, but they remember something that happened, say, nearly twenty years ago. And they may remember someone who does not want to be remembered. And they can tell you certain things about a certain man or a certain woman or something they were mixed up in -- I am speaking very vaguely, you understand. I went to him for information."
"You went to him for information, did you? That old boy? Ga-ga. And he gave it to you?"
"Let us say that I am quite satisfied." David continued to stare at him. "I wonder now," he said, "Did you go to see the old boy or did you go to see the little girl, eh? Did you want to know what she was doing in the house? I've wondered once or twice myself. Do you think she took that post there to get a bit of past information out of the old boy?"
"I do not think," said Poirot, "that it will serve any useful purpose to discuss these matters. She seems a very devoted and attentive--what shall I call her- secretary?"
"A mixture of a hospital nurse, a secretary, a companion, an au pair girl, an uncle's help? Yes, one could find a good many names for her, couldn't one? He's besotted about her. You noticed that?"
"It is not unnatural under the circumstances," said Poirot primly.
"I can tell you someone who doesn't like her, and that's our Mary."
"And she perhaps does not like Mary Restarick either."
"So that's what you think, is it?" said David. "That Sonia doesn't like Mary Restarick. Perhaps you go as far as thinking that she may have made a few enquiries as to where the weed killer was kept?
Bah," he added, "the whole thing's ridiculous. All right. Thanks for the lift. I think I'll get out here."
"Aha. This is where you want to be?
We are still a good seven miles out of London."
"I'll get out here. Good-bye, M. Poirot."
"Goodbye." Poirot leant back in his seat as David slammed the door.
II
Mrs. Oliver prowled round her sitting room. She was very restless. An hour ago she had parcelled up a typescript that she had just finished correcting. She was about to send it off to her publisher who was anxiously awaiting it and constantly prodding her about it every three or four days. "There you are," said Mrs. Oliver, addressing the empty air and conjuring up an imaginary publisher.
"There you are, and I hope you like it!”
“don't. I think it's lousy!”
“I don't believe you know whether anything I write is good or bad. Anyway, I warned you. I told you it was frightful.”
You said "Oh! no, no, I don't believe that for a moment."
"You just wait and see," said Mrs. Oliver vengefully. "You just wait and see." She opened the door, called to Edith, her maid, gave her the parcel and directed that it should be taken to the post at once.
"And now," said Mrs. Oliver, "what am I going to do with myself?" She began strolling about again.
"Yes," thought Mrs. Oliver, "I wish I had those tropical birds and things back on the wall instead of these idiotic cherries. I used to feel like something in a tropical wood. A lion or a tiger or a leopard or a cheetah! What could I possibly feel like in a cherry orchard except a bird scarer?" She looked round again. "Cheeping like a bird, that's what I ought to be doing," she said gloomily. "Eating cherries... I wish it was the right time of year for cherries. I'd like some cherries. I wonder now" She went to the telephone. "I will ascertain. Madam," said the voice of George in answer to her enquiry. Presently another voice spoke. "Hercule Poirot, at your service, Madame," he said.
"Where've you been?" said Mrs. Oliver.
"You've been away all day. I suppose you went down to look up the Restaricks. Is that it? Did you see Sir Roderick? What did you find out?" "Nothing," said Hercule Poirot.
"How dreadfully dull," said Mrs. Oliver.
"No, I do not think it is really so dull.
It is rather astonishing that I have not found out anything." "Why is it so astonishing? I don't understand."
"Because," said Poirot, "it means either there was nothing to find out, and that, let me tell you, does not accord with the facts, or else something was being very cleverly concealed. That, you see, would be interesting. Mrs. Restarick, by
the way, did not know the girl was missing."
"You mean — she has nothing to do with the girl having disappeared?"
"So it seems. I met there the young man."
"You mean the unsatisfactory young man that nobody likes?" "That is right. The unsatisfactory young man."
"Did you think he was unsatisfactory?"
"From whose point of view?"
"Not from the girl's point of view, I suppose."
"The girl who came to see me I am sure would have been highly delighted with him."
"Did he look very awful?"
"He looked very beautiful," said Hercule Poirot.
"Beautiful?" said Mrs. Oliver. "I don't know that I like beautiful young men."
"Girls do," said Poirot.
"Yes, you're quite right. They like beautiful young men. I don't mean good looking young men or smart-looking young men or well-dressed or well washed looking young men. I mean they either like young men looking as though they were just going on in a Restoration comedy, or else very dirty young men looking as though they were just going to take some awful tramp's job."
"It seemed that he also did not know where the girl is now -- " "Or else he wasn't admitting it."
"Perhaps. He had gone down there. Why? He was actually in the house. He had taken the trouble to walk in without anyone seeing him. Again why? For what reason? Was he looking for the girl? Or was he looking for something else?"
"You think he was looking for something?"
"He was looking for something in the girl's room," said Poirot.
"How do you know? Did you see him there?"
"No, I only saw him coming down the stairs, but I found a very nice little piece of damp mud in Norma's room that could have come from his shoe. It is possible that she herself may have asked him to bring her something from that room - there are a lot of possibilities. There is another girl in that house and a pretty one - He may have come down there to meet her. Yes — many possibilities."
"What are you going to do next?" demanded Mrs. Oliver.
"Nothing," said Poirot.
"That's very dull," said Mrs. Oliver disapprovingly.
"I am going to receive, perhaps, a little information from those I have employed to find it, though it is quite possible that I shall receive nothing at all."
