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Forged

Page 33

by Bart D. Ehrman

Simon Peter. See Peter, Apostle

  Simon the Magician, 50–52, 62, 88, 89, 155, 160, 190, 191, 217, 233

  Smith, Morton, 27, 260–261, 269n16

  Socrates, 41, 71, 247

  Solomon, 117

  Sophocles, 16, 26

  Speyer, Wolfgang, 40, 123

  Spirit-inspired forgery, 123–125

  Spirit of God, 100–101

  spiritual battle, 144

  Stern (magazine), 13, 14

  Stoics, 16

  stories, true. See true stories

  subjectivity, 3

  submissiveness in women, 83, 94, 103–104, 172, 244

  suffering, 53–54, 57, 59–60, 66–67

  techniques of forgers, 19–20, 33–35

  Tertius, 134

  Tertullian, 18, 83, 84, 156, 165–166, 169, 212, 213, 221–222, 233, 270n24

  Thecla, 81, 82–83, 103, 104, 105, 262

  Theopompus, 29

  3 Corinthians, 88–90, 216

  3 John, 23, 221, 223, 229

  Thomas, Judas Didymus, 213, 215

  Thucydides, 47, 48

  Tiberius, Emperor, 155, 156, 158, 259

  Tibetan Issa stories, 252–254

  Timothy to the Church (Salvian), 32–33, 262

  Tiro, 137

  Titus, 49–50, 86, 93, 95, 96, 99, 101, 102, 103, 115, 188, 197

  tradition, reactualizing, 125–129

  tragic poetry, 45–46, 48

  transfiguration scene, 68–69

  Trevor-Roper, Hugh, 13, 14

  true stories, 43–49; ancient historical writing, 47–49; ancient notions of fiction, 45–48; and falsehood, 45; George Washington illustration, 44–45; nature of, 43–44

  truth: apostolic truth, 7–8; Christianity’s truth claims, 5–7; as complex, 43; evangelical Christians’ commitment to, 3–5; objective truth, 3–4; reconciling Christianity with, 4–5; use of falsehoods to promote, 144, 216, 217, 218, 250, 265

  truth claims, 5–7, 44–45

  Unknown Life of Jesus Christ, The, 252–254

  vegetarianism, 259

  Venturini, K. H., 256

  verisimilitude, 34–35, 102–103

  virgin birth story, 235–236

  Vitruvius, 246

  Washington, George, 44–45

  Weems, Mason Locke, 44

  women in the church, 82–83, 94, 100, 103–105, 172, 244–245

  works, 99, 110, 194–198

  writing: ancient literacy and, 70–73; biography, 46, 47; epic poetry, 45–46, 48; fabrication, 232; falsifications, 240–242; historical writing, 44–45, 47–49, 232–234; homonymous writing, 23; literary genre, 46; notions of fiction, 45–48; orthonymous writing, 22–23; plagiarism, 220, 245–249; pseudepigraphal writing, 24–25; pseudonymous writing, 23–24. See also anonymous writing; forgery, literary; scholarly justification of forgery; secretary hypothesis; true stories

  Xenophon, 41

  Zechariah, 145

  ACKNOWLEDGMENTS

  I WOULD LIKE TO THANK everyone who helped me in writing this book. Thanks first of all to the National Humanities Center, which provided me a fellowship in 2009–10 that allowed me to do the research. The staff, from the top down, were absolutely marvelous. Special thanks to the amazing library staff, Josiah Drewery, Jean Houston, and Eliza Robertson, who have gone far beyond what anyone could hope for in providing research assistance. May their tribe increase.

  Several smart and insightful people graciously read the manuscript in its final stages, and I owe them a huge debt of gratitude: Dale Martin, of the Department of Religion at Yale, who is never afraid to tell me when I’m wrong; Jeff Siker, of the Department of Theology at Loyola Marymount, who occasionally lets me know when I’m right; Joel Marcus, of the Divinity School at Duke, who after all these years continues to wield a mighty red pen; an anonymous reader for the press who provided numerous challenging insights; my daughter, Kelly Ehrman, who is unusually gifted in recognizing literary inelegance; and above all my beloved wife, Sarah Beckwith, professor of medieval and renaissance English at Duke, who is uncannily smart and insightful and is, on top of it all, a walking bibliography.

  Thanks as well to my insightful and encouraging editor at HarperOne, Roger Freet, and all the other Harper folk who have always provided extraordinary help and support: Mark Tauber, Claudia Boutote, Mickey Maudlin, and Julie Burton.

  Unless otherwise indicated, translations of ancient texts are mine.

  I have dedicated the book to granddaughter number two, Sierra, who has seen the light of day for just a year, but is already shining, herself, with an extraordinary brilliance.

  About the Author

  BART D. EHRMAN is the author of more than twenty books, including the New York Times bestselling Misquoting Jesus, God’s Problem, and Jesus, Interrupted. Ehrman is the James A. Gray Distinguished Professor of Religious Studies at the University of North Carolina, Chapel Hill, and is a leading authority on the Bible and the life of Jesus. He has been featured in Time magazine and has appeared on NBC’s Dateline, The Daily Show with Jon Stewart, CNN, The History Channel, and major NPR programs. He lives in Durham, North Carolina. Visit the author online at www.bartdehrman.com.

  Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.

  OTHER BOOKS BY BART D. EHRMAN

  Jesus, Interrupted: Revealing the Hidden Contradictions in the Bible

  (and Why We Don’t Know About Them)

  God’s Problem: How the Bible Fails to Answer Our Most Important Question—Why We Suffer

  Misquoting Jesus: The Story Behind Who Changed the Bible and Why

  The Lost Gospel of Judas Iscariot: Betrayer and Betrayed Reconsidered

  Studies in the Textual Criticism of the New Testament

  Peter, Paul, and Mary Magdalene: The Followers of Jesus in History and Legend

  Truth and Fiction in the Da Vinci Code: A Historian Reveals What We Can Really Know About Jesus, Mary, and Constantine

  A Brief Introduction to the New Testament

  Lost Christianities: The Battle for Scripture and the Faiths We Never Knew

  Lost Scriptures: Books That Did Not Become the New Testament

  The Apostolic Fathers

  Jesus: Apocalyptic Prophet of the New Millennium

  After the New Testament: A Reader in Early Christianity

  The New Testament and Other Early Christian Writings: A Reader

  The New Testament: A Historical Introduction to the Early Christian Writings

  The Orthodox Corruption of Scripture: The Effect of Early Christological Controversies on the Text of the New Testament

  Didymus the Blind and the Text of the Gospels

  Credits

  Jacket design: LeVan Fisher Design

  Jacket and spine painting: St. Matthew and the Angel, by Caravaggio, The Bridgeman Art Library

  Copyright

  FORGED: Writing in the Name of God—Why the Bible’s Authors Are Not Who We Think They Are. Copyright © 2011 by Bart D. Ehrman. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

  FIRST EDITION

  Library of Congress Cataloging-in-Publication Data is available upon request.

  EPub Edition © FEBRUARY 2011 ISBN: 978-0-06-207863-6

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