The Second Christmas Megapack

by Robert Reginald

  “Yes, miss. I won’t come back till mornin’, but don’t you worry none. We gotta play safe, miss, an’ ef I land th’ jugs I’ll find cover till I kin deliver ’em safe.”

  “Thank you; oh, thank you ever so much! And good luck!”

  She put out her hand; he held it gingerly for a moment in his rough fingers and ran for the car.

  VII.

  The Hopper, in his rôle of the Reversible Santa Claus, dropped off the car at the crossing Muriel had carefully described, waited for the car to vanish, and warily entered the Wilton estate through a gate set in the stone wall. The clouds of the early evening had passed and the stars marched through the heavens resplendently, proclaiming peace on earth and good-will toward men. They were almost oppressively brilliant, seen through the clear, cold atmosphere, and as The Hopper slipped from one big tree to another on his tangential course to the house, he fortified his courage by muttering, “They’s things wot is an’ things wot ain’t!”—finding much comfort and stimulus in the phrase.

  Arriving at the conservatory in due course, he found that Muriel’s averments as to the vulnerability of that corner of her father’s house were correct in every particular. He entered with ease, sniffed the warm, moist air, and, leaving the door slightly ajar, sought the pantry, lowered the shades, and, helping himself to a candle from a silver candelabrum, readily found the safe hidden away in one of the cupboards. He was surprised to find himself more nervous with the combination in his hand than on memorable occasions in the old days when he had broken into country postoffices and assaulted safes by force. In his haste he twice failed to give the proper turns, but the third time the knob caught, and in a moment the door swung open disclosing shelves filled with vases, bottles, bowls, and plates in bewildering variety. A chest of silver appealed to him distractingly as a much more tangible asset than the pottery, and he dizzily contemplated a jewel-case containing a diamond necklace with a pearl pendant. The moment was a critical one in The Hopper’s eventful career. This dazzling prize was his for the taking, and he knew the operator of a fence in Chicago who would dispose of the necklace and make him a fair return. But visions of Muriel, the beautiful, the confiding, and of her little Shaver asleep on Humpy’s bed, rose before him. He steeled his heart against temptation, drew his candle along the shelf and scrutinized the glazes. There could be no mistaking the red Lang-Yao whose brilliant tints kindled in the candle-glow. He lifted it tenderly, verifying the various points of Muriel’s description, set it down on the floor and locked the safe.

  He was retracing his steps toward the conservatory and had reached the main hall when the creaking of the stairsteps brought him up with a start. Some one was descending, slowly and cautiously. For a second time and with grateful appreciation of Muriel’s forethought, he carefully avoided the ferocious jaws of the bear, noiselessly continued on to the conservatory, crept through the door, closed it, and then, crouching on the steps, awaited developments. The caution exercised by the person descending the stairway was not that of a householder who has been roused from slumber by a disquieting noise. The Hopper was keenly interested in this fact.

  With his face against the glass he watched the actions of a tall, elderly man with a short, grayish beard, who wore a golf-cap pulled low on his head—points noted by The Hopper in the flashes of an electric lamp with which the gentleman was guiding himself. His face was clearly the original of a photograph The Hopper had seen on the table at Muriel’s cottage—Mr. Wilton, Muriel’s father, The Hopper surmised; but just why the owner of the establishment should be prowling about in this fashion taxed his speculative powers to the utmost. Warned by steps on the cement floor of the conservatory, he left the door in haste and flattened himself against the wall of the house some distance away and again awaited developments.

  Wilton’s figure was a blur in the star-light as he stepped out into the walk and started furtively across the grounds. His conduct greatly displeased The Hopper, as likely to interfere with the further carrying out of Muriel’s instructions. The Lang-Yao jar was much too large to go into his pocket and not big enough to fit snugly under his arm, and as the walk was slippery he was beset by the fear that he might fall and smash this absurd thing that had caused so bitter an enmity between Shaver’s grandfathers. The soft snow on the lawn gave him a surer footing and he crept after Wilton, who was carefully pursuing his way toward a house whose gables were faintly limned against the sky. This, according to Muriel’s diagram, was the Talbot place. The Hopper greatly mistrusted conditions he didn’t understand, and he was at a loss to account for Wilton’s strange actions.

  He lost sight of him for several minutes, then the faint click of a latch marked the prowler’s proximity to a hedge that separated the two estates. The Hopper crept forward, found a gate through which Wilton had entered his neighbor’s property, and stole after him. Wilton had been swallowed up by the deep shadow of the house, but The Hopper was aware, from an occasional scraping of feet, that he was still moving forward. He crawled over the snow until he reached a large tree whose boughs, sharply limned against the stars, brushed the eaves of the house.

  The Hopper was aroused, tremendously aroused, by the unaccountable actions of Muriel’s father. It flashed upon him that Wilton, in his deep hatred of his rival collector, was about to set fire to Talbot’s house, and incendiarism was a crime which The Hopper, with all his moral obliquity, greatly abhorred.

  Several minutes passed, a period of anxious waiting, and then a sound reached him which, to his keen professional sense, seemed singularly like the forcing of a window. The Hopper knew just how much pressure is necessary to the successful snapping back of a window catch, and Wilton had done the trick neatly and with a minimum amount of noise. The window thus assaulted was not, he now determined, the French window suggested by Muriel, but one opening on a terrace which ran along the front of the house. The Hopper heard the sash moving slowly in the frame. He reached the steps, deposited the jar in a pile of snow, and was soon peering into a room where Wilton’s presence was advertised by the fitful flashing of his lamp in a far corner.

  “He’s beat me to ut!” muttered The Hopper, realizing that Muriel’s father was indeed on burglary bent, his obvious purpose being to purloin, extract, and remove from its secret hiding-place the coveted plum-blossom vase. Muriel, in her longing for a Christmas of peace and happiness, had not reckoned with her father’s passionate desire to possess the porcelain treasure—a desire which could hardly fail to cause scandal, if it did not land him behind prison bars.

  This had not been in the program, and The Hopper weighed judicially his further duty in the matter. Often as he had been the chief actor in daring robberies, he had never before enjoyed the high privilege of watching a rival’s labors with complete detachment. Wilton must have known of the concealed cupboard whose panel fraudulently represented the works of Thomas Carlyle, the intent spectator reflected, just as Muriel had known, for though he used his lamp sparingly Wilton had found his way to it without difficulty.

  The Hopper had no intention of permitting this monstrous larceny to be committed in contravention of his own rights in the premises, and he was considering the best method of wresting the vase from the hands of the insolent Wilton when events began to multiply with startling rapidity. The panel swung open and the thief’s lamp flashed upon shelves of pottery.

  At that moment a shout rose from somewhere in the house, and the library lights were thrown on, revealing Wilton before the shelves and their precious contents. A short, stout gentleman with a gleaming bald pate, clad in pajamas, dashed across the room, and with a yell of rage flung himself upon the intruder with a violence that bore them both to the floor.

  “Roger! Roger!” bawled the smaller man, as he struggled with his adversary, who wriggled from under and rolled over upon Talbot, whose arms were clasped tightly about his neck. This embrace seemed likely to continue for some time, so tenaciously had the little man gripped his neighbor. The fat legs of the infuriated
householder pawed the air as he hugged Wilton, who was now trying to free his head and gain a position of greater dignity. Occasionally, as opportunity offered, the little man yelled vociferously, and from remote recesses of the house came answering cries demanding information as to the nature and whereabouts of the disturbance.

  The contestants addressed themselves vigorously to a spirited rough-and-tumble fight. Talbot, who was the more easily observed by reason of his shining pate and the pink stripes of his pajamas, appeared to be revolving about the person of his neighbor. Wilton, though taller, lacked the rotund Talbot’s liveliness of attack.

  An authoritative voice, which The Hopper attributed to Shaver’s father, anxiously demanding what was the matter, terminated The Hopper’s enjoyment of the struggle. Enough was the matter to satisfy The Hopper that a prolonged stay in the neighborhood might be highly detrimental to his future liberty. The combatants had rolled a considerable distance away from the shelves and were near a door leading into a room beyond. A young man in a bath-wrapper dashed upon the scene, and in his precipitate arrival upon the battle-field fell sprawling across the prone figures. The Hopper, suddenly inspired to deeds of prowess, crawled through the window, sprang past the three men, seized the blue-and-white vase which Wilton had separated from the rest of Talbot’s treasures, and then with one hop gained the window. As he turned for a last look, a pistol cracked and he landed upon the terrace amid a shower of glass from a shattered pane.

  A woman of unmistakable Celtic origin screamed murder from a third-story window. The thought of murder was disagreeable to The Hopper. Shaver’s father had missed him by only the matter of a foot or two, and as he had no intention of offering himself again as a target he stood not upon the order of his going.

  He effected a running pick-up of the Lang-Yao, and with this art treasure under one arm and the plum-blossom vase under the other, he sprinted for the highway, stumbling over shrubbery, bumping into a stone bench that all but caused disaster, and finally reached the road on which he continued his flight toward New Haven, followed by cries in many keys and a fusillade of pistol shots.

  Arriving presently at a hamlet, where he paused for breath in the rear of a country store, he found a basket and a quantity of paper in which he carefully packed his loot. Over the top he spread some faded lettuce leaves and discarded carnations which communicated something of a blithe holiday air to his encumbrance. Elsewhere he found a bicycle under a shed, and while cycling over a snowy road in the dark, hampered by a basket containing pottery representative of the highest genius of the Orient, was not without its difficulties and dangers, The Hopper made rapid progress.

  Halfway through New Haven he approached two policemen and slowed down to allay suspicion.

  “Merry Chris’mas!” he called as he passed them and increased his weight upon the pedals.

  The officers of the law, cheered as by a greeting from Santa Claus himself, responded with an equally hearty Merry Christmas.

  VIII.

  At three o’clock The Hopper reached Happy Hill Farm, knocked as before at the kitchen door, and was admitted by Humpy.

  “Wot ye got now?” snarled the reformed yeggman.

  “He’s gone and done ut ag’in!” wailed Mary, as she spied the basket.

  “I sure done ut, all right,” admitted The Hopper good-naturedly, as he set the basket on the table where a few hours earlier he had deposited Shaver. “How’s the kid?”

  Grudging assurances that Shaver was asleep and hostile glances directed at the mysterious basket did not disturb his equanimity.

  Humpy was thwarted in an attempt to pry into the contents of the basket by a tart reprimand from The Hopper, who with maddening deliberation drew forth the two glazes, found that they had come through the night’s vicissitudes unscathed, and held them at arm’s length, turning them about in leisurely fashion as though lost in admiration of their loveliness. Then he lighted his pipe, seated himself in Mary’s rocker, and told his story.

  It was no easy matter to communicate to his irritable and contumelious auditors the sense of Muriel’s charm, or the reasonableness of her request that he commit burglary merely to assist her in settling a family row. Mary could not understand it; Humpy paced the room nervously, shaking his head and muttering. It was their judgment, stated with much frankness, that if he had been a fool in the first place to steal the child, his character was now blackened beyond any hope by his later crimes. Mary wept copiously; Humpy most annoyingly kept counting upon his fingers as he reckoned the “time” that was in store for all of them.

  “I guess I got into ut an’ I guess I’ll git out,” remarked The Hopper serenely. He was disposed to treat them with high condescension, as incapable of appreciating the lofty philosophy of life by which he was sustained. Meanwhile, he gloated over the loot of the night.

  “Them things is wurt’ mints; they’s more valible than di’mon’s, them things is! Only eddicated folks knows about ’em. They’s fer emp’rors and kings t’ set up in their palaces, an’ men goes nutty jes’ hankerin’ fer ’em. The pigtails made ’em thousand o’ years back, an’ th’ secret died with ’em. They ain’t never goin’ to be no more jugs like them settin’ right there. An’ them two ole sports give up their business jes’ t’ chase things like them. They’s some folks goes loony about chickens, an’ hosses, an’ fancy dogs, but this here kind o’ collectin’s only fer millionaires. They’s more difficult t’ pick than a lucky race-hoss. They’s barrels o’ that stuff in them houses, that looked jes’ as good as them there, but nowheres as valible.”

  An informal lecture on Chinese ceramics before daylight on Christmas morning was not to the liking of the anxious and nerve-torn Mary and Humpy. They brought The Hopper down from his lofty heights to practical questions touching his plans, for the disposal of Shaver in the first instance, and the ceramics in the second. The Hopper was singularly unmoved by their forebodings.

  “I guess th’ lady got me to do ut!” he retorted finally. “Ef I do time fer ut I reckon’s how she’s in fer ut, too! An’ I seen her pap breakin’ into a house an’ I guess I’d be a state’s witness fer that! I reckon they ain’t goin’ t’ put nothin’ over on Hop! I guess they won’t peep much about kidnappin’ with th’ kid safe an’ us pickin’ ’im up out o’ th’ road an’ shelterin’ ’im. Them folks is goin’ to be awful nice to Hop fer all he done fer ’em.” And then, finding that they were impressed by his defense, thus elaborated, he magnanimously referred to the bill-book which had started him on his downward course.

  “That were a mistake; I grant ye ut were a mistake o’ jedgment. I’m goin’ to keep to th’ white card. But ut’s kind o’ funny about that poke—queerest thing that ever happened.”

  He drew out the book and eyed the name on the flap. Humpy tried to grab it, but The Hopper, frustrating the attempt, read his colleague a sharp lesson in good manners. He restored it to his pocket and glanced at the clock.

  “We gotta do somethin’ about Shaver’s stockin’s. Ut ain’t fair fer a kid to wake up an’ think Santy missed ’im. Ye got some candy, Mary; we kin put candy into ’em; that’s reg’ler.”

  Humpy brought in Shaver’s stockings and they were stuffed with the candy and popcorn Mary had provided to adorn their Christmas feast. Humpy inventoried his belongings, but could think of nothing but a revolver that seemed a suitable gift for Shaver. This Mary scornfully rejected as improper for one so young. Whereupon Humpy produced a Mexican silver dollar, a treasured pocket-piece preserved through many tribulations, and dropped it reverently into one of the stockings. Two brass buttons of unknown history, a mouth-organ Mary had bought for a neighbor boy who assisted at times in the poultry yard, and a silver spectacle case of uncertain antecedents were added.

  “We ought t’ ’a’ colored eggs fer ’im!” said The Hopper with sudden inspiration, after the stockings had been restored to Shaver’s bed. “Some yaller an’ pink eggs would ’a’ been the right ticket.”

  Mary scoffed at the
idea. Eggs wasn’t proper fer Christmas; eggs was fer Easter. Humpy added the weight of his personal experience of Christian holidays to this statement. While a trusty in the Missouri penitentiary with the chicken yard in his keeping, he remembered distinctly that eggs were in demand for purposes of decoration by the warden’s children sometime in the spring; mebbe it was Easter, mebbe it was Decoration Day; Humpy was not sure of anything except that it wasn’t Christmas.

  The Hopper was meek under correction. It having been settled that colored eggs would not be appropriate for Christmas he yielded to their demand that he show some enthusiasm for disposing of his ill-gotten treasures before the police arrived to take the matter out of his hands.

  “I guess that Muriel’ll be glad to see me,” he remarked. “I guess me and her understands each other. They’s things wot is an’ things wot ain’t; an’ I guess Hop ain’t goin’ to spend no Chris’mas in jail. It’s the white card an’ poultry an’ eggs fer us; an’ we’re goin’ t’ put in a couple more incubators right away. I’m thinkin’ some o’ rentin’ that acre across th’ brook back yonder an’ raisin’ turkeys. They’s mints in turks, ef ye kin keep ’em from gettin’ their feet wet an’ dyin’ o’ pneumonia, which wipes out thousands o’ them birds. I reckon ye might make some coffee, Mary.”

  The Christmas dawn found them at the table, where they were renewing a pledge to play “the white card” when a cry from Shaver brought them to their feet.

  Shaver was highly pleased with his Christmas stockings, but his pleasure was nothing to that of The Hopper, Mary, and Humpy, as they stood about the bed and watched him. Mary and Humpy were so relieved by The Hopper’s promises to lead a better life that they were now disposed to treat their guest with the most distinguished consideration. Humpy, absenting himself to perform his morning tasks in the poultry-houses, returned bringing a basket containing six newly hatched chicks. These cheeped and ran over Shaver’s fat legs and performed exactly as though they knew they were a part of his Christmas entertainment. Humpy, proud of having thought of the chicks, demanded the privilege of serving Shaver’s breakfast. Shaver ate his porridge without a murmur, so happy was he over his new playthings.