The Eleventh Day: The Full Story of 9/11 and Osama bin Laden

by Anthony Summers

  A “freakish noise” sent author-photographer Lew Rubenfien rushing onto the roof of his apartment building.

  It was the sound jet engines make on a runway when they have been powered all the way up for takeoff—though much more violent, somehow enraged.… The plane was moving far faster than you ever saw one go so low in the sky.… I began to shout telepathically, “Get away from the building, get away from the building.” … The plane made a perfect bull’s-eye, leaving a jagged tear … and then, just as it happens in dreams, everything stretched a long way out.… There could only have been a fraction of a second.… Then, at last, the building exploded. Hot and orange, the great gassy flower blew out.

  It was 8:46 A.M.

  The impact had been caught on film thanks to the snap reaction of French documentary maker Jules Naudet, filming nearby with a unit of the New York Fire Department. “I look up, and it’s clearly an American Airlines jet,” the Frenchman said later. “I turned the camera toward where it was going to go … I see it go in. I’m filming it.” The image he shot, destined to become iconic, precisely matches Rubenfien’s verbal description—orange burst at the core, great bloom of gray smoke or vapor to the left.

  In the North Tower, the man who had seen the plane as a distant dot had not been looking when it came right at him. To Chuck Allen of Lava Trading, busy in his 83rd floor office, the memory instead would be of a “muffled, sucking, unbearably loud noise. Like the sound of two high-speed trains crossing in high proximity to each other.”

  Through the windows, still unbroken, he saw debris falling, paper floating. Liquid was running down the windowpanes. There was a grinding and squeaking in the walls and—Allen was vividly conscious of it—the entire building leaned to one side. Then, gradually, it righted itself.

  On the 86th floor, the windows had shattered. James Gartenberg, a broker with Julian Studley real estate, reported by phone that the glass had blown “from the inside of the building out.” And that: “The core of the building, the interior core part of the building, collapsed.”

  American Flight 11 had sliced into the tower between the 93rd and 99th floors. The liquid Allen saw on the windows was almost certainly jet fuel from the plane’s wing tanks, a dribble of the ten thousand gallons said to have been on board.

  Filmmaker Naudet, far below, stayed with the crew of firefighters as it switched from exercise mode to rapid response and rushed to the tower. Minutes later, in the downstairs lobby, he saw what exploding aviation fuel can do. Fireballs had shot down some of the many elevator shafts, detonating on several floors and then in the lobby. “The windows had all been blown out,” Naudet said. “The marble had come off the walls. I saw two bodies burning on the floor. One was screaming, a woman’s scream … I just didn’t want to film that.”

  Some fourteen thousand people worked each day in the Trade Center towers. Its Twin Towers—North and South, each 110 stories high—loomed more than a fifth of a mile over Manhattan. They were the tallest buildings in the city of skyscrapers, symbols of America’s financial power, the heart of a great complex that housed offices, a shopping mall, a hotel, and two subway stations. Vast numbers of workers had not yet been at work when Flight 11 hit. They had been milling around on the lower levels, buying newspapers, grabbing a coffee or a snack. It was primary election day in the city, moreover, and many had stopped to vote before going to the office. Some commuters had been delayed, too, by especially heavy traffic through the tunnels in Manhattan. Innumerable lives were saved that morning by being late.

  As filmmaker Naudet had seen, some were killed or terribly injured in the North Tower lobby. It was the 91st floor far above, though, just below the impact point, that became the frontier between certain death and possible, even probable, survival. Above, on levels 92 to 105, were the hundreds of international bankers, the bond traders, investment and insurance managers and their staffs, who regularly came in early to get a jump on the markets. Higher still, near the tower’s summit, were the customers and staff of Windows on the World, the celebrated restaurant atop the Trade Center—and engineers who manned television and radio transmitters.

  Of the 1,344 souls on those upper floors, none would survive. Some had died instantly, and hundreds had no way of escaping.

  On the 92nd floor, which was intact for a while, debris blocked the stairways. At Carr Futures, John San Pio Resta; his wife, Silvia, seven months pregnant; and trader Damian Meehan were trapped. So, too, was Michael Richards, a sculptor who used studio space on the same floor—an anomaly in a building dedicated to commerce—provided by the Lower Manhattan Cultural Council.

  Meehan had time to phone one of his brothers, to tell him the elevators were gone and that there was smoke. His last words were “We’ve got to go,” as he headed for one of the blocked stairways. We know nothing of the last moments of the San Pio Restas and Michael Richards. Richards had last been seen at midnight, saying he planned to work till morning. Long preoccupied with the theme of aviation, his final work had been a bronze of himself amidst flames and meteors, pierced by airplanes.

  The area immediately above the 92nd floor was a tomb. Fred Alger Management lost thirty-five people, Marsh and McLennan, spread over several floors, 295. For Marsh analyst Patricia Massari, on the phone to her husband when the plane hit, there had been time only for “Oh, my God!” Then the phone went dead. The remains of one of her colleagues would be found five blocks away.

  Cantor Fitzgerald, the bond trading company, had occupied floors 100 to 105. Six hundred fifty-eight people had been in their offices at the moment of impact. Michael Wittenstein had hung up in the middle of a call to a customer, then—courteous to a fault—phoned back to apologize. “I believe,” he had time to say, “there was an explosion in the boiler room.”

  Andrew Rosenblum broke into a conversation with his wife to say there had been “a really loud bang,” that he would call right back. When he did, on a cell phone, he said he and colleagues needed air. They had used a computer to smash a window, and his wife heard coughing, gasping for breath. Kenneth van Auken tried to call his wife but got the answering machine. “I love you,” he said. Then again, “I love you very much. I hope I’ll see you later.”

  All 658 people at Cantor Fitzgerald would soon be dead. One staffer’s body would be found months later, intact, in his suit and tie, seated upright in the rubble.

  From Windows on the World, they used to say, you could see for fifty miles on a clear day. That morning, a very clear one, the seventy-nine greeters, waiters, chefs, and kitchen staff had been busy. Regulars had been at breakfast meetings. In the ballroom, a conference sponsored by the British firm Risk Waters had been about to begin. Guests had been greeted, an audiovisual presentation prepared. Manager Howard Kane, on the phone to his wife, had—inexplicably to her—dropped the receiver at exactly 8:46. She wondered for a moment if her husband had had a heart attack. Then she heard a woman scream, “We’re trapped.” Another man picked up the phone to say there was a fire, that they needed the phone to call 911.

  Death came slowly at Windows on the World. The story told by the cell phones showed that customers and staff hurried down a floor, to the 106th, to wait for help. Assistant general manager Christine Olender, who phoned downstairs for advice, was told to phone back in a couple of minutes. To help with the smoke, it was suggested, those trapped should hold wet towels to their faces—difficult, for the water supply had been severed. They got some water from the flower vases, a waiter told his wife.

  “The situation is rapidly getting worse,” Olender reported. “What are we going to do for air?” Stuart Lee, vice president of a software company, got off an email to his home office. “A debate is going on,” he wrote, “as to whether we should break a window. Consensus is no for the time being.” Then they did break the glass, and people flocked to the window openings.

  Every person still alive on those upper floors, some thirteen hundred feet above the ground, was facing either intense heat or dense smoke rising
from below. Some pinned their hopes of survival on the one way out they imagined open to them—the roof.

  “Get everybody to the roof,” former firefighter Bernie Heeran had told his son Charles, a trader for Cantor Fitzgerald, when he phoned for advice. “Go up. Don’t try to go down.” A colleague, Martin Wortley, told his brother he hoped to escape by helicopter. People had been taken to safety from the roof in the past. On September 11, two police helicopter pilots arrived over the North Tower within minutes—only to realize that any rescue attempt would be jeopardized by the billowing, impenetrable smoke.

  Regulations in force at the Trade Center in 2001, moreover, made it impossible even to reach the roof. The way was blocked by three sets of doors, two that could be opened only by authorized personnel with a swipe card, a third operable at normal times only by remote control by security officers far below. The system did not work on 9/11, for vital wires had been cut when the plane hit the tower. Those hoping to escape knew nothing of this.

  Early on, one of the helicopter pilots sent a brief message. “Be advised,” he radioed, “that we do have people confirmed falling out of the building at this time.” In the lobby, a firefighter told filmmaker Naudet simply, “We got jumpers.”

  VIEWERS AROUND THE WORLD were by now watching events live on television. At the time, however, few in the United States saw the men and women of the Trade Center as they jumped to certain death. Most American editors ruled the pictures too shocking to be shown.

  The jumping had begun almost at once. Alan Reiss, of the Port Authority, would remember seeing people falling from high windows within two minutes. Naudet thought “five, ten minutes” passed before he and those around him heard what sounded like explosions—the sound the bodies made as they struck the ground. “They disintegrated. Right in front of us, outside the lobby windows. There was completely nothing left of them. With each loud boom, every firefighter would shudder.”

  In the heat of an inferno, driven by unthinkable pain, jumping may for many have been more reflexive action than choice. For those with time to think, the choice between incineration and a leap into thin air may not have been difficult.

  Firefighters had never seen anything on this scale, the sheer number of human beings falling, a man clutching a briefcase, another ripping off his burning shirt as he jumped, a woman holding down her skirt in a last attempt at modesty. Some fell in pairs holding hands, others in groups, three or four at a time. Some appeared to line up to jump, like paratroopers.

  At least one jump seemed involuntary. Gazing through a long lens, photographer Richard Smiouskas was watching five or six people huddled together in a narrow window when one figure suddenly fell forward and away. It looked as though he had been shoved.

  “As the debris got closer to the ground,” firefighter Kevin McCabe said, “you started seeing arms and legs. You couldn’t believe what you were watching … [then] it was like cannon balls hitting the ground. Boom. I remember one person actually hitting a piece of structural steel over a glass canopy … I remember turning my face away … you’d just hear the pounding … tremendously loud, like taking a bag of concrete and throwing it into a closed courtyard. A loud echo … Boom. Boom …”

  To Derek Brogan, McCabe’s companion, it “looked like it was raining bodies.” The bodies spelled danger. “We started to get hit,” said Lieutenant Steve Turilli. “You would get hit by an arm or a leg and it felt like a metal pole was hitting you. It was like a war zone.”

  Cascading humanity.

  JUST FORTY-NINE MINUTES had passed since the hijacking aboard Flight 11 had begun, seventeen since the great airplane roared over Manhattan to bring mayhem and murder to the North Tower. Now, in the sky high above the carnage, a police helicopter pilot spotted something astounding. “Christ!” he shouted into the microphone. “There’s a second plane crashing …”

  THREE

  “WE HAVE SOME PLANES.”

  More than three quarters of an hour earlier, as air traffic controller Pete Zalewski tried to get a response from the hijacked Flight 11, he had suddenly heard an unfamiliar voice on the frequency—a man’s voice, with an Arabic accent. Zalewski had trouble making out the words, but moments later a second, clearer transmission persuaded him and colleagues that a hijack was under way. The hijacker, they would conclude, had been trying to address the passengers and—unfamiliar with the equipment—inadvertently transmitted to ground control instead.

  A quality assurance specialist then pulled the tape, listened very carefully, and figured out what the Arabic voice had said on the initial, indistinct transmission. “We have some planes. Just stay quiet and you’ll be okay. We are returning to the airport.”

  This was a giveaway that—had the U.S. military been able to intervene in time—could have wrecked the operation. The hijackers had seized not two but four airplanes. What remained unknown, until even later, was that there may have been plans to seize even more.

  AS AMERICA’S FLIGHT 11 had been boarding, United Airlines Flight 175—also departing from Boston—had been readying for takeoff. Copilot Michael Horrocks, a former Marine, called his wife about then, joking that he was flying that day with “some guy with a funny Italian name.” Flight 175’s captain was Victor Saracini, a veteran like Flight 11’s Ogonowski. The team of flight attendants included Kathryn Laborie and Alfred Marchand—a former police officer—in First Class; Robert Fangman in Business; and Amy King and Michael Tarrou—a couple thinking of getting married—in Coach.

  Their fifty-six passengers were the usual mix: a computer expert, a scout for the Los Angeles Kings hockey team, a commercials producer, a senior marketer for a software company, a systems consultant for the Defense Department. There were also foreigners: three Germans, an Israeli, a British man, and an Irish woman—and five young Arabs, three Saudis and two Emiratis. All the Arabs had booked seats in First or Business Class.

  As they had in the case of Flight 11, ground staff were to recall odd details about the passengers from the Middle East. Two Arabs bungled the boarding process—one of them boarded using his companion’s boarding card, and a new one had to be printed. One man asked twice in poor English if he could purchase a ticket, when he already had one. Two waiting passengers, possibly the same man and a companion, behaved strangely at the gate ticket counter. They stood in line, only to walk away on reaching the counter, line up again, and walk away again. In all, they went through the process three times. They seemed nervous, “looked down at the ground as if they were attempting to avoid eye contact.” Nevertheless, they both eventually boarded successfully.

  Captain Saracini took United Flight 175 into the air before 8:15 and climbed steadily to 31,000 feet. Twenty-three minutes into the flight, a controller looking for the missing Flight 11 asked him and his copilot to see if they could spot it. They did, and were told to stay out of its way. Three minutes later, as 175 entered New York airspace, Saracini came on the air to report to controller Dave Bottiglia:

  SARACINI: We figured we’d wait to go to you[r] Center. Ah, we heard a suspicious transmission on our departure out of Boston, ah … sound[ed] like someone keyed the mike and, ah, said, ah, “Everyone, stay in your seats.”

  BOTTIGLIA: Oh, okay. I’ll pass that along …

  Saracini had probably decided to wait a while before reporting the suspect transmission from Flight 11 because—surmising that it indicated a hijack—he wanted to avoid being overheard. United passengers using headsets could listen in on the cockpit chatter simply by listening to Channel 9—it was a form of entertainment. It is possible that on Saracini’s plane, unbeknownst to him, some of those listening in were the men planning to hijack the aircraft.

  Whether or not they overheard the cockpit chatter, hijackers struck Flight 175 within five minutes of the captain’s report about the sinister transmission. At 8:47 the transponder code—the signal that identifies an aircraft—changed twice in the space of a minute. Four minutes later, when ground control asked the pilots to readjust the transpo
nder, there was no response. In the same minute, the airplane deviated from its assigned altitude, climbed, and then—near Allentown, Pennsylvania—began a turn to the southeast. Pilots Saracini and Horrocks were silent now.

  Others on board found a way to communicate. Five minutes after the change of course, the phone rang at Starfix, a United facility in California assigned to handle crew calls about minor maintenance problems. The mechanic who took the call, Marc Policastro, found himself talking to a male flight attendant aboard Flight 175, probably Robert Fangman. He said the flight had been hijacked, the pilots killed.

  On another phone, a passenger named Peter Hanson got through to his parents’ home in Connecticut. He described the hijack, speaking in low tones as his father made notes. “I think they’ve taken over the cockpit,” Hanson said. “An attendant has been stabbed. Someone else up front may have been killed. The plane is making strange moves.”

  On the ground at New York Center, the silence from 175 by now had controller Dave Bottiglia thoroughly alarmed. He alerted an air traffic manager, Mike McCormick. The turn Flight 175 had been making became a U-turn, until the plane was pointed directly at New York City. “We might,” Bottiglia heard McCormick say, “have multiple hijacks.”

  At 8:58, another phone began ringing. Passenger Brian Sweeney, the Defense Department consultant on the plane, was trying to reach his wife, Julie, in Massachusetts. She was a teacher, already at school, so he left a voice message. “Hey Jules, it’s Brian. I’m on a plane and it’s hijacked, and it doesn’t look good. I just wanted to let you know that I love you, and I hope to see you again. If I don’t, please have fun in life. Please be happy. Please live your life. That’s an order.”