Space Magic

by Levine, David D.

  The king was genuinely delighted with the tinker’s gift of “a storytelling machine, built from bits and pieces found here and there.” The tinker had warned him that Nerissa seemed to believe her own tales, and so he pretended to believe them too, but Nerissa knew when she was being humored. So she gave him made-up stories, as he expected, though most of them had a kernel of truth drawn from her own life.

  Now this king was a kind and wise man, truly appreciative of Nerissa, but he had many political problems and many enemies, so he rarely found time for her stories. After some months he found the sight of her, waiting patiently in his apartments, raised a pang of guilt that overwhelmed his joy at her beauty and grace. So he decided to gift Nerissa to an influential duke. In this way he hoped to put the man in his debt, to broaden the reputation of his tinker, and perhaps to gain Nerissa a more appreciative audience.

  So Nerissa joined the household of Duke Vey, in the city of Arica. The king’s plan met with great success; the duke, well pleased with the king’s gift, spent many hours parading Nerissa before his friends and relations. All were suitably impressed by her stories, her charm, and her gleaming beauty, and the king’s tinker received many fine commissions from those who had seen her.

  One of those who saw her was Denali Eu.

  The son and heir of the famous trader Ranson Eu, Denali appeared but rarely in Arica. When he did visit the city he attended all the finest soirees, displaying his subtle wit and radiant wardrobe, and gambled flamboyantly. All agreed he shared his late father’s gambling skill, though lacking his extravagance and bravado. Of his travels, however, he let fall only the vaguest of hints. He liked to say his business dealings were like leri fruits, sensitive to the harsh light of day.

  In fact, Ranson Eu had gambled away his fortune, leaving his wife and only child shackled to a mountainous debt. Denali Eu had no ship, no travels, no servants. His time away from Arica was spent in a small and shabby house not far from town, the family’s last bit of property, where he and his mother Leona survived on hunting and a small vegetable garden. In the evenings they sewed Denali’s outfits for the next expedition to Arica, using refurbished and rearranged pieces from previous seasons. It is a tribute to Leona Eu’s talent and taste that Denali was often perceived as a fashion leader.

  It pained Denali to maintain this fiction. But he had no alternative, for as long as he was perceived as a prosperous trader his father’s creditors were content to circle far from the fire and dine on scraps. His social status also gave him access to useful information, which could sometimes be sold for cash, and gave him entree to high-stakes gambling venues. Ranson Eu had, in fact, been an excellent gambler when sober, and had passed both acumen and techniques on to his son. Denali often wished he could have returned the favor by passing his caution and temperance on to his father.

  It was across a spinning gambling wheel that Denali Eu first saw Nerissa Zeebnen-Fearsig. The lamplight glanced off her silver metal shoulder as a cat rubs against a leg, leaving both charged with electricity. Her unclothed body revealed every bit of the expense and quality of her manufacture. She stood with head tilted upward, her amber lips gently parted as she spoke to the taller Duke Vey beside her.

  “Who is that?” asked Denali Eu to the woman beside him as he gathered his winnings.

  “It is the duke’s storytelling machine. Have you not seen it before?”

  “No... no, I have not. She’s beautiful. She must be worth millions.”

  “It’s priceless. It was a present from the king.”

  At that moment Eu made the first of three decisions that shaped the rest of his life and set a legend in motion: he determined to win Nerissa from the duke in a game of senec.

  Denali Eu was a keen observer of people, as he had to be given his situation, and he had often found himself seated across a senec table from Duke Vey. The duke, like many senec players, had a mathematical system for playing the game. It was a good system; in fact, Eu had to concede it was better than his own... most of the time. For he had noticed a flaw in the system’s logic. He had husbanded this knowledge for many months; he knew that once he had exploited the flaw the duke would not fall into the same trap a second time.

  Here was the opportunity he had been waiting for. The machine’s platinum and jewels alone might fetch enough to retire his father’s debt, even at the price (far below their actual value) he could obtain on the black market. It would be a shame to break up such a fine creation, but he could never sell her entire; to do so would attract far too much attention to the Eu family’s affairs.

  It was two weeks before Denali Eu was able to engineer a game of no-limit senec with the duke, and when he sat down at the table Denali’s nerves were already keening with tension. He usually kept his visits to a week, and despite his best efforts he thought some were beginning to suspect he had only two suits of clothing to his name.

  Denali knew the duke would not be easily trapped. As he played he extended himself much farther than he usually did, risked much more than he normally would, to engage the duke’s attention. His smile grew forced, and trickles of perspiration ran down his sides; he had to restrain himself from nervously tapping his cards against his sweating glass of leri water.

  Eyebrows were raised around the table. One of the other players muttered “seems he has a touch of the old man in him after all” behind his cards. Again and again Denali raised the stakes, pushing his system to its own limits. Repeatedly he seized control of the dealer’s token, the surest way to maintain his lead but the greatest risk in case of a forfeit. And forfeit he did, not just once but twice, for even the best system must occasionally fail in the face of an improbable run of bad cards. But through aggressive play he beat back from his losses, bankrupting one player after another. And always he kept a weather eye for the run of staves he needed to exploit the flaw in the duke’s system.

  Finally only Denali Eu and Duke Vey remained, the reflected light from the maroon felt of the senec table turning both their faces into demon masks. The other players watched from the surrounding darkness, most of their stakes now in Denali’s possession. He could walk away from the table right now and it would be his most profitable trip since his father’s death.

  “One last hand,” he said, placing his ante, “before we retire? A hand of Dragons’ Delight, perhaps?”

  “Very well,” replied the duke, matching the ante.

  Dragons’ Delight was a fiendishly complicated form of senec, with round after round of betting and many opportunities for forfeit. Denali trembled beneath his cape as he raised and raised, trying to pull as much money as possible from the duke’s hand, but not so much that he would be tempted to fold.

  The seven of staves came out, and Denali raised his bet. The duke matched him. Then the prince of staves snapped onto the table. He raised again, substantially, and the duke raised him back. He matched, then dealt another card.

  It was the courtesan of staves.

  Their eyes met over the red-glowing table, the little pile of colorful cards, the heaps of betting counters. Denali knew the duke’s system predicted an end to the run after three staves: a win for the duke. His own system said the odds of a fourth stave at this point, yielding a win for him, were better than eighty percent.

  Denali gathered his hand of cards into a tight little bundle, tapped it against the table to square it, laid it carefully on the felt before him. He placed his hands, fingers spread, on either side of the stack for a moment. Then he reached to his left and shoved a huge pile of counters to the middle of the table. It was far more than the duke could match.

  The duke placed his cards flat on the table. “It seems I must fold.”

  “So it seems. Or... you could wager some personal property.”

  “I think I know what you have in mind.”

  “Yes. The storytelling machine.”

  “I’m sorry. That is worth far more than...”

  Denali pushed all the rest of his counters forward.

&nb
sp; The duke stared levelly into Denali’s eyes. Denali stared back a challenge: How much do you trust your system?

  The duke dropped his eyes to his cards. Studied them hard for a moment, then looked back. “Very well. I wager the storytelling machine.” A ripple of sound ran through the observers. “But I’m afraid that must be considered a raise. What can you offer to match it?”

  Denali’s heart shrank to a cold hard clinker at the center of his chest. He must match the raise, or fold. “I wager my ship.” A man in the crowd gasped audibly.

  Denali’s ship, the Crocus, which had been his father’s, was nothing but a worthless hull rusting behind his mother’s house. The drive and other fittings had gone to a money lender from Gaspara. If he lost, his deception would be exposed and he would be sold into slavery to pay his father’s debts.

  “I accept that as a match,” said the duke.

  Denali stared at the back of the top card of the deck. If it was a stave, he won. Else, he lost. The little boy on the card’s back design stared back at him. He could not meet that printed gaze, and dropped his eyes.

  His eye lit upon one single counter that had been left by accident on the table before him, and a mad impulse seized him. He placed his index finger upon that counter, slid it across the felt to join the rest.

  “I raise by one.”

  Stunned silence from the observers.

  The duke’s eyes narrowed. Then widened. Then closed, as he placed his hand across them. He began to chuckle. Then he laughed out loud. He leaned back in his chair, roaring with laughter, and slapped his cards on the table before him. “You fiendish bastard!” he gasped out. “I fold!”

  Pandemonium. Denali Eu and the Duke Vey stood, shook hands, then embraced each other. The duke trembled with laughter; Denali just trembled. Servants appeared to gather the counters and process the transfer of property.

  Denali could not help himself. He turned over the top card.

  It was the five of berries.

  -o0o-

  The next morning Denali Eu came to the duke’s city house, his bag slung over his shoulder. He found Nerissa waiting in the entry hall, alone except for two guards. “The duke sends his regrets,” said one, “but after last night’s entertainment he finds himself indisposed to company.”

  Denali and the guards signed papers acknowledging the transfer of Nerissa to his possession, and he turned to leave, gesturing for her to follow. But as the door opened for them, a ray of morning sunlight touched her body and sent shimmering reflections into all the corners of the room. Denali turned back and was startled by her brilliant beauty.

  “You’re naked,” he blurted out, and immediately felt foolish.

  “Sir and Master, I am as I was made,” she replied.

  “I myself was born naked, but that does not excuse nudity in polite society. Here.” He removed his cape and placed it over her shoulders. It was sufficient for propriety. Then, unsure of the proper term of address for a machine, he silently proffered his elbow. She took it, and the two of them walked out the door side by side.

  “What shall I call you?” he said as they strolled up toward the docks. Her feet chimed on the hard pathway.

  “My name is Nerissa Zeebnen-Fearsig, Sir and Master.”

  “Yes, but have you any title?”

  “No, Sir and Master.”

  “Your name is a trifle... ungainly. I shall address you as M’zelle.” It was a standard term of address for a younger woman, or one of lower status. None of her other owners had ever called her anything of the sort.

  “As you wish, Sir and Master.”

  “You may address me simply as Sir,” he said. The repeated use of his full and proper title made Denali uncomfortable, for he was keenly aware of just how close he was to slavery himself. He was all the more discomfited by Nerissa’s inhuman beauty and poise. Walking beside her, he felt himself little more than a bag of meat and hair. Worse, he knew that soon he would have to destroy this marvelous machine, though his mind kept trying to escape that fact. “In fact, you need not use the Sir on every statement. M’zelle.” And he inclined his head.

  “Yes, Sir and Ma.... Yes, Sir.... Oh, goodness.” Though her face had only a few movements to it, her confusion and embarrassment were clear from the set of her tourmaline eyebrows and amber lips. “I mean, yes. Just yes.”

  “Just so,” he said, and he laughed.

  Nerissa was unsure what to think of this man, whose clothing and bearing indicated great wealth but whose attitude toward her was deferential. She had sometimes seen fear, from unsophisticated or unlettered people, but this was something else. It was as though she held a measure of power over him.

  Then she realized what it was she saw in Denali Eu’s eyes. It was something she had never before seen directed toward herself.

  It was respect.

  They reached the docks, a confusion of utilitarian buildings at the top of a hill just outside of town. This was where the shiftspace ships made landfall. “Here we are, M’zelle,” he said, and gestured her into a docking shed like all the rest.

  It was empty.

  “I do not understand, Sir.”

  He looked at the floor. His original plan had been to deactivate her at this point. But as they had walked together from town, he had come to understand just how heavy she was. There was no way he could smuggle her to his mother’s house unassisted, and nobody other than Nerissa herself who could be trusted to assist.

  He puffed out his cheeks, not raising his head. “The reason this shed is empty is that I have no ship. We will wait here until after dark, and then we will walk to my home, which is not far from here.”

  “You have no ship, Sir?”

  “No.” He turned and took her hands in his. They were warm, and hummed faintly. The fingernails were chips of ruby. He still did not meet her eyes. “No, M’zelle, I have no ship. In fact, I am afraid you are my sole possession of any value.” Finally he looked up, his eyes pleading. “I must ask that you keep my secret safe.”

  Nerissa’s heart went out to him then. “I am honored by your trust, Sir.”

  “Thank you, M’zelle.” He led her to a small office, where there was a cot and a chair and a small stasis cupboard. “This is my waiting room. Can I offer you something to drink? Oh.”

  His expression of embarrassment was charming. “No, thank you,” she said.

  “But please... do take a seat.”

  “I do not tire, Sir.”

  “Please, M’zelle. I insist. I could not bear to see you stand while I sit, and I do tire and must sit eventually.”

  “Very well, Sir,” she said. The chair creaked beneath her weight, but held.

  Denali poured himself a glass of cool water from the cupboard, then sat on the edge of the cot. “Usually I pass the time until dark reading, but since I am now the owner of a fine storytelling machine, it would seem impolite not to make use of your services. Would you please tell me a story?”

  “Certainly, Sir. What kind of story would you like to hear?”

  “Tell me a story about... yourself.”

  A thrill went through her then. “Would you like a true story, or a made-up one?”

  “True stories are always more interesting.”

  And so Nerissa told him a story about a golden eagle who lived for many years as the brain of a bird ship, then slept for a long time and finally became a storytelling machine. She did not embellish—the story was fantastic enough as it was—and she did not leave out the sad parts or the embarrassing parts.

  When she finished, it was full dark. The glass of water sat, untouched, on the dusty floor beside Denali’s cot.

  Unlike the tinker, Denali Eu was an educated man. He knew the history of the bird ships, and he understood just what Nerissa was and what she was capable of. He had inherited his father’s notes, his contacts, and his trading expertise along with his debts. He knew in his bones that with a bird ship he could not just repay those debts, but rebuild his family’s wealth and reputa
tion.

  It was then that he made the second of the three decisions that set a legend in motion: he would find a way to refurbish the hull of Crocus and refit it as a bird ship.

  But all he said to Nerissa was “Thank you for the story, M’zelle.” He knew his new plan was nearly as cruel as the old, because it would still mean the end of her existence as a gleaming almost-person. But at least she will still be alive, he told himself. You have the right to do this. She is your property. You owe it to your mother and to your father’s memory.

  Still he felt filthy.

  Denali dressed Nerissa in a spare suit of his traveling clothes, with gloves and a large floppy hat to hide her platinum skin, and they walked to his mother’s house by the light of the moons. They talked as they walked, he of his life and she of hers. Both asked questions; both listened attentively to the answers. They learned about each other and they grew closer. If Nerissa sensed Denali was holding something back, she was not unduly concerned; she had already received far more confidences from him than she could ever have expected.

  The house of Leona Eu had been hers before her marriage to Ranson Eu. It was small and patched, but warm and tasteful and genuine. Nerissa had never seen such a place; she loved it immediately.

  Denali introduced Nerissa to his mother and explained that he had won Nerissa at gambling. Later, in private, he told his mother he planned to sell Nerissa on his next trip to Arica, but did not want the storyteller to know this because she would feel unwanted.

  The life of the household returned to something like its usual routine, and Nerissa did her best to contribute. She proved to be a tireless gardener (her delicate finger joints protected from the dirt by leather gloves), and her ability to sit completely motionless for hours made her an impressive hunter. Nerissa was soon accepted as part of the family. This was something she had never experienced before, and she was honored and delighted. In the evenings, they all entertained each other with stories.

  After Leona and Nerissa had gone to bed (for though her body never wearied, Nerissa’s brain still required sleep), Denali stayed up late for many nights. He researched the bird ships and hauled out the old plans of Crocus, then drew new plans. The refitted ship would be stronger in the keel and lighter in weight; less luxurious, but with more lifesystem and cargo capacity. He sent both sets of plans to his father’s chandler. The reply arrived in a few days: the chandler would do the work, though he said the design seemed insane.