Eight Million Ways to Die ms-5

by Lawrence Block

  Eight Million Ways to Die

  ( Matthew Scudder - 5 )

  Lawrence Block

  Nobody knows better than Matthew Scudder how far down a person can sink in this city. A young prostitute named Kim knew it also — and she wanted out. Maybe Kim didn't deserve the life fate had dealt her. She surely didn't deserve her death. The alcoholic ex-cop turned p.i. was supposed to protect her, but someone slashed her to ribbons on a crumbling New York City waterfront pier. Now finding Kim's killer will be Scudder's penance. But there are lethal secrets hiding in the slain hooker's past that are far dirtier than her trade. And there are many ways of dying in this cruel and dangerous town — some quick and brutal… and some agonizingly slow.

  Lawrence Block

  Eight Million Ways To Die

  The death of a beautiful woman is, unquestionably, the most poetical topic in the world.

  EDGAR ALLAN POE

  Chapter 1

  I saw her entrance. It would have been hard to miss. She had blonde hair that was close to white, the sort that's called towhead when it belongs to a child. Hers was plaited in heavy braids that she'd wrapped around her head and secured with pins. She had a high smooth forehead and prominent cheekbones and a mouth that was just a little too wide. In her western-style boots she must have run to six feet, most of her length in her legs. She was wearing designer jeans the color of burgundy and a short fur jacket the color of champagne. It had been raining on and off all day, and she wasn't carrying an umbrella or wearing anything on her head. Beads of water glinted like diamonds on her plaited hair.

  She stood for a moment in the doorway getting her bearings. It was around three-thirty on a Wednesday afternoon, which is about as slow as it gets at Armstrong's. The lunch crowd was long gone and it was too early for the after-work people. In another fifteen minutes a couple of schoolteachers would stop in for a quick one, and then some nurses from Roosevelt Hospital whose shift ended at four, but for the moment there were three or four people at the bar and one couple finishing a carafe of wine at a front table and that was it. Except for me, of course, at my usual table in the rear.

  She made me right away, and I caught the blue of her eyes all the way across the room. But she stopped at the bar to make sure before making her way between the tables to where I was sitting.

  She said, "Mr. Scudder? I'm Kim Dakkinen. I'm a friend of Elaine Mardell's."

  "She called me. Have a seat."

  "Thank you."

  She sat down opposite me, placed her handbag on the table between us, took out a pack of cigarettes and a disposable lighter, then paused with the cigarette unlit to ask if it was all right if she smoked. I assured her that it was.

  Her voice wasn't what I'd expected. It was quite soft, and the only accent it held was Midwestern. After the boots and the fur and the severe facial planes and the exotic name, I'd been anticipating something more out of a masochist's fantasy: harsh and stern and European. She was younger, too, than I'd have guessed at first glance. No more than twenty-five.

  She lit her cigarette and positioned the lighter on top of the cigarette pack. The waitress, Evelyn, had been working days for the past two weeks because she'd landed a small part in an off-Broadway showcase. She always looked on the verge of a yawn. She came to the table while Kim Dakkinen was playing with her lighter. Kim ordered a glass of white wine. Evelyn asked me if I wanted more coffee, and when I said yes Kim said, "Oh, are you having coffee? I think I'd like that instead of wine. Would that be all right?"

  When the coffee arrived she added cream and sugar, stirred, sipped, and told me she wasn't much of a drinker, especially early in the day. But she couldn't drink it black the way I did, she'd never been able to drink black coffee, she had to have it sweet and rich, almost like dessert, and she supposed she was just lucky but she'd never had a weight problem, she could eat anything and never gain an ounce, and wasn't that lucky?

  I agreed that it was.

  Had I known Elaine long? For years, I said. Well, she hadn't really known her that long herself, in fact she hadn't even been in New York too terribly long, and she didn't know her that well either, but she thought Elaine was awfully nice. Didn't I agree? I agreed. Elaine was very levelheaded, too, very sensible, and that was something, wasn't it? I agreed it was something.

  I let her take her time. She had acres of small talk, she smiled and held your eyes with hers when she talked, and she could probably have walked off with the Miss Congeniality award in any beauty contest she didn't win outright, and if it took her awhile to get to the point that was fine with me. I had no place else to go and nothing better to do.

  She said, "You used to be a policeman."

  "A few years back."

  "And now you're a private detective."

  "Not exactly." The eyes widened. They were a very vivid blue, an unusual shade, and I wondered if she were wearing contact lenses. The soft lenses sometimes do curious things to eye color, altering some shades, intensifying others.

  "I don't have a license," I explained. "When I decided I didn't want to carry a badge anymore I didn't figure I wanted to carry a license, either." Or fill out forms or keep records or check in with the tax collector. "Anything I do is very unofficial."

  "But it's what you do? It's how you make your living?"

  "That's right."

  "What do you call it? What you do."

  You could call it hustling a buck, except that I don't hustle a whole lot. The work finds me. I turn down more than I handle, and the jobs I accept are ones I can't think of a way to turn down. Right now I was wondering what this woman wanted from me, and what excuse I'd find to say no.

  "I don't know what to call it," I told her. "You could say that I do favors for friends."

  Her face lit up. She'd been doing a lot of smiling ever since she walked in the door but this was the first smile that got as far as her eyes. "Well, hell, that's perfect," she said. "I could use a favor. As far as that goes, I could use a friend."

  "What's the problem?"

  She bought some thinking time by lighting another cigarette, then lowered her eyes to watch her hands as she centered the lighter on top of the pack. Her nails were well manicured, long but not awkward, lacquered the color of tawny port. She wore a gold ring set with a large square-cut green stone on the third finger of her left hand. She said, "You know what I do. Same as Elaine."

  "So I gathered."

  "I'm a hooker."

  I nodded. She straightened in her seat, squared her shoulders, adjusted the fur jacket, opened the clasp at her throat. I caught a trace of her perfume. I'd smelled that spicy scent before but couldn't recall the occasion. I picked up my cup, finished my coffee.

  "I want out."

  "Of the life?"

  She nodded. "I've been doing this for four years. I came here four years ago in July. August, September, October, November. Four years and four months. I'm twenty-three years old. That's young, isn't it?"

  "Yes."

  "It doesn't feel so young." She adjusted the jacket again, refastened the clasp. Light glinted off her ring. "When I got off the bus four years ago I had a suitcase in one hand and a denim jacket over my arm. Now I've got this. It's ranch mink."

  "It's very becoming."

  "I'd trade it for the old denim jacket," she said, "if I could have the years back. No, I wouldn't. Because if I had them back I'd just do the same thing with them, wouldn't I? Oh to be nineteen again and know what I know now, but the only way that could be is if I started tricking at fifteen, and then I'd be dead by now. I'm just rambling. I'm sorry."

  "No need."

  "I want to get out of the life."

  "And do what? Go back to Minnesota?"
r />   " Wisconsin. No, I won't be going back. There's nothing there for me. Just because I want out doesn't mean I have to go back."

  "Okay."

  "I can make lots of trouble for myself that way. I reduce things to two alternatives, so if A is no good that means I'm stuck with B. But that's not right. There's the whole rest of the alphabet."

  She could always teach philosophy. I said, "Where do I come in, Kim?"

  "Oh. Right."

  I waited.

  "I have this pimp."

  "And he won't let you leave?"

  "I haven't said anything to him. I think maybe he knows, but I haven't said anything and he hasn't said anything and-" Her whole upper body trembled for a moment, and small beads of perspiration glistened on her upper lip.

  "You're afraid of him."

  "How'd you guess?"

  "Has he threatened you?"

  "Not really."

  "What does that mean?"

  "He never threatened me. But I feel threatened."

  "Have other girls tried to leave?"

  "I don't know. I don't know much about his other girls. He's very different from other pimps. At least from the ones I know about."

  They're all different. Just ask their girls. "How?" I asked her.

  "He's more refined. Subdued."

  Sure. "What's his name?"

  "Chance."

  "First name or last name?"

  "It's all anybody ever calls him. I don't know if it's a first name or a last name. Maybe it's neither, maybe it's a nickname. People in the life, they'll have different names for different occasions."

  "Is Kim your real name?"

  She nodded. "But I had a street name. I had a pimp before Chance, his name was Duffy. Duffy Green, he called himself, but he was also Eugene Duffy and he had another name he used sometimes that I forget." She smiled at a memory. "I was so green when he turned me out. He didn't pick me up right off the bus but he might as well."

  "He a black man?"

  "Duffy? Sure. So is Chance. Duffy put me on the street. The Lexington Avenue stroll, and sometimes when it was hot there we'd go across the river to Long Island City." She closed her eyes for a moment. When she opened them she said, "I just got this rush of memory, what it was like on the street. My street name was Bambi. In Long Island City we did the johns in their cars. They would drive in from all over Long Island. On Lexington we had a hotel we could use. I can't believe I used to do that, I used to live like that. God, I was green! I wasn't innocent. I knew what I came to New York for, but I was green all right."

  "How long were you on the street?"

  "It must have been five, six months. I wasn't very good. I had the looks and I could, you know, perform, but I didn't have street smarts. And a couple of times I had anxiety attacks and I couldn't function. Duffy gave me stuff but all it ever did was make me sick."

  "Stuff?"

  "You know. Drugs."

  "Right."

  "Then he put me in this house, and that was better, but he didn't like it because he had less control that way. There was this big apartment near Columbus Circle and I went to work there like you would go to an office. I was in the house, I don't know, maybe another six months. Just about that. And then I went with Chance."

  "How did that happen?"

  "I was with Duffy. We were at this bar. Not a pimp bar, a jazz club, and Chance came and sat at our table. We all three sat and talked, and then they left me at the table and went off and talked some more, and Duffy came back alone and said I was to go with Chance. I thought he meant I should do him, you know, like a trick, and I was pissed because this was supposed to be our evening together and why should I be working. See, I didn't take Chance for a pimp. Then he explained that I was going to be Chance's girl from now on. I felt like a car he just sold."

  "Is that what he did? Did he sell you to Chance?"

  "I don't know what he did. But I went with Chance and it was all right. It was better than with Duffy. He took me out of that house and put me on a phone and it's been, oh, three years now."

  "And you want me to get you off the hook."

  "Can you do it?"

  "I don't know. Maybe you can do it yourself. Haven't you said anything to him? Hinted at it, talked about it, something like that?"

  "I'm afraid."

  "Of what?"

  "That he'd kill me or mark me or something. Or that he'd talk me out of it." She leaned forward, put her port-tipped fingers on my wrist. The gesture was clearly calculated but nonetheless effective for it. I breathed in her spicy scent and felt her sexual impact. I wasn't aroused and didn't want her but I could not be unaware of her sexual strength. She said, "Can't you help me, Matt?" And, immediately, "Do you mind if I call you Matt?"

  I had to laugh. "No," I said. "I don't mind."

  "I make money but I don't get to keep it. And I don't really make more money than I did on the street. But I have a little money."

  "Oh?"

  "I have a thousand dollars."

  I didn't say anything. She opened her purse, found a plain white envelope, got a finger under the flap and tore it open. She took a sheaf of bills from it and placed them on the table between us.

  "You could see him for me," she said.

  I picked up the money, held it in my hand. I was being offered the opportunity to serve as intermediary between a blonde whore and a black pimp. It was not a role I'd ever hungered for.

  I wanted to hand the money back. But I was nine or ten days out of Roosevelt Hospital and I owed money there, and on the first of the month my rent would be due, and I hadn't sent anything to Anita and the boys in longer than I cared to remember. I had money in my wallet and more money in the bank but it didn't add up to much, and Kim Dakkinen's money was as good as anybody else's and easier to come by, and what difference did it make what she'd done to earn it?

  I counted the bills. They were used hundreds and there were ten of them. I left five on the table in front of me and handed the other five to her. Her eyes widened a little and I decided she had to be wearing contacts. Nobody had eyes that color.

  I said, "Five now and five later. If I get you off the hook."

  "Deal," she said, and grinned suddenly. "You could have had the whole thousand in front."

  "Maybe I'll work better with an incentive. You want some more coffee?"

  "If you're having some. And I think I'd like something sweet. Do they have desserts here?"

  "The pecan pie's good. So's the cheesecake."

  "I love pecan pie," she said. "I have a terrible sweet tooth but I never gain an ounce. Isn't that lucky?"

  Chapter 2

  There was a problem. In order for me to talk to Chance I had to find him, and she couldn't tell me how to do it.

  "I don't know where he lives," she said. "Nobody does."

  "Nobody?"

  "None of his girls. That's the big guessing game if a couple of us should happen to be together and he's not in the room. Trying to guess where Chance lives. One night I remember this girl Sunny and I were together and we were just goofing, coming up with one outrageous idea after another. Like he lives in this tenement in Harlem with his crippled mother, or he has this mansion in Sugar Hill, or he has a ranch house in the suburbs and commutes. Or he keeps a couple of suitcases in his car and lives out of them, just sleeping a couple hours a night at one of our apartments." She thought a moment. "Except he never sleeps when he's with me. If we do go to bed he'll just lie there afterward for a little while and then he's up and dressed and out. He said once he can't sleep if there's another person in the room."

  "Suppose you have to get in touch with him?"

  "There's a number to call. But it's an answering service. You can call the number any time, twenty-four hours a day, and there's always an operator that answers. He always checks in with his service. If we're out or something, he'll check in with them every thirty minutes, every hour."

  She gave me the number and I wrote it in my notebook. I asked her wher
e he garaged his car. She didn't know. Did she remember the car's license number?

  She shook her head. "I never notice things like that. His car is a Cadillac."

  "There's a surprise. Where does he hang out?"

  "I don't know. If I want to reach him I leave a message. I don't go out looking for him. You mean is there a regular bar he drinks in? There's a lot of places he'll go sometimes, but nothing regular."

  "What kind of things does he do?"

  "What do you mean?"

  "Does he go to ball games? Does he gamble? What does he do with himself?"

  She considered the question. "He does different things," she said.

  "What do you mean?"

  "Depending who he's with. I like to go to jazz clubs so if he's with me that's where we'll go. I'm the one he calls if he's looking for that kind of an evening. There's another girl, I don't even know her, but they go to concerts. You know, classical music. Carnegie Hall and stuff. Another girl, Sunny, digs sports, and he'll take her to ball games."

  "How many girls has he got?"

  "I don't know. There's Sunny and Nan and the girl who likes classical music. Maybe there's one or two others. Maybe more. Chance is very private, you know? He keeps things to himself."

  "The only name you've got for him is Chance?"

  "That's right."

  "You've been with him, what, three years? And you've got half a name and no address and the number of his answering service."

  She looked down at her hands.

  "How does he pick up the money?"

  "From me, you mean? Sometimes he'll come by for it."

  "Does he call first?"

  "Not necessarily. Sometimes. Or he'll call and tell me to bring it to him. At a coffee shop or a bar or something, or to be on a certain corner and he'll pick me up."

  "You give him everything you make?"

  A nod. "He found me my apartment, he pays the rent, the phone, all the bills. We'll shop for my clothes and he'll pay. He likes picking out my clothes. I give him what I make and he gives me back some, you know, for walking-around money."