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Complete Nonsense

Page 6

by Mervyn Peake


  The sunlight falls upon the grass;

  It falls upon the tower;

  Upon my spectacles of brass

  It falls with all its power.

  It falls on everything it can,

  For that is how it’s made;

  And it would fall on me, except,

  That I am in the shade.

  (1944)

  The Crocodile

  A Crocodile in ecstasy

  Sat on the sofa next to me

  As I poured out the Indian tea.

  I stared at him with startled eyes,

  And wondered at his bird-like cries –

  Such little sounds, from such a size.

  (1944)

  The Giraffe

  You may think that he’s rather slow

  At seeing jokes, but O, dear no,

  It isn’t that at all, and I

  Will furnish you the reason why.

  You see, with such a Normus Neck,

  It takes his laughter half a week

  To climb so very far from where

  It started from, which isn’t fair –

  Because, when it has reached his face,

  He finds that he has lost the place,

  And can’t remember what was so

  Amusing half a week ago!

  (1944)

  My Uncle Paul of Pimlico

  My Uncle Paul of Pimlico

  Has seven cats as white as snow,

  Who sit at his enormous feet

  And watch him, as a special treat,

  Play the piano upside-down,

  In his delightful dressing-gown;

  The firelight leaps, the parlour glows,

  And, while the music ebbs and flows,

  They smile (while purring the refrains),

  At little thoughts that cross their brains.

  (1944)

  It Makes a Change

  There’s nothing makes a Greenland Whale

  Feel half so high-and-mighty,

  As sitting on a mantelpiece

  In Aunty Mabel’s nighty.

  It makes a change from Freezing Seas,

  (Of which a Whale can tire),

  To warm his weary tail at ease

  Before an English fire.

  For this delight he leaves the sea,

  (Unknown to Aunty Mabel),

  Returning only when the dawn

  Lights up the Breakfast Table.

  (1944)

  What a Day It’s Been!

  Dear children, what a day it’s been!

  The kind of day when days

  Are not what they are meant to be

  In several kind of ways.

  My eyes are dim for I have sobbed

  Twelve tears of Platform Brine,

  There’ll never be another Niece

  As innocent as mine!

  Mine was the One! Mine was the Two;

  Mine was the Three and Four,

  And I have heard her parents say,

  She rose to Seven or more!

  So be it. She is gone, and I

  Am left at Waterloo;

  Half magical, half tragical,

  And, half-an-hour… or two.

  (1944)

  How Mournful to Imagine

  Our Ears, you know, have Other Uses,

  For, when we are dead,

  The Coloured Pirates swarm ashore

  And chop them off one’s head!

  Far out at sea, beneath the stars

  They sew them into Sails,

  So that their wicked ships can leap

  Among the Killer whales.

  How mournful to imagine

  Our poor Ears being furled

  By pirates in some purple bay

  Half-way across the world!

  (1944)

  The Jailor and the Jaguar

  The Jailor and the Jaguar

  Keep wandering through the rain,

  The Jailor with a Swaguar,

  The Jaguar with a Pain.

  They search for Warmth and Clothes to Mend,

  But mostly for their Wives,

  Who left them long ago to lend

  More Colour to their Lives.

  (1944)

  The Camel

  I saw a camel sit astride

  A rainbow in the spring;

  His arms were crossed, his yellow hide

  Was of the finest string.

  The rainbow light upon his twine

  Had set it all aglow

  With love and tinctures as divine

  As one could wish to know.

  He edged along the slender arc,

  And then he rolled his eyes.

  Below him the sepulchral dark

  Surged past his hairy thighs…

  And then, he sang! but as his voice

  Was very far removed,

  I first mistook it for the noise

  Of those whom once I loved.

  (1944)

  I Wish I Could Remember

  Along my weary whiskers

  The tears flow fast and free,

  They twinkle in the Arctic

  And plop into the sea.

  Alas! my weary whiskers!

  Alas! my tearfulness!

  I wish I could remember

  The cause of my distress.

  (1944)

  I Waxes and I Wanes, Sir

  I waxes, and I wanes, sir;

  I ebbs’s and I flows;

  Some says it be my Brains, sir,

  Some says it be my Nose.

  It isn’t as I’m slow, sir,

  (To cut a story long),

  It’s just I’d love to know, sir,

  Which one of them is wrong.

  (1944)

  The Hippopotamus

  The very nastiest grimace

  You make upon the sly,

  Is choice beside the Hippo’s face

  Who doesn’t even try.

  (1944)

  A Languorous Life

  A languorous life I lead, I do

  Lead such a languorous life.

  I lead it Here, I lead it There,

  Together with my wife.

  Sometimes we lead it Round-and-round,

  And sometimes Through-and-through;

  It is a life we recommend

  To anyone like You.

  (1944)

  Sensitive, Seldom and Sad

  Sensitive, Seldom and Sad are we,

  As we wend our way to the sneezing sea,

  With our hampers full of thistles and fronds

  To plant round the edge of the dab-fish ponds;

  O, so Sensitive, Seldom and Sad –

  Oh, so Seldom and Sad.

  In the shambling shades of the shelving shore,

  We will sing us a song of the Long Before,

  And light a red fire and warm our paws

  For it’s chilly, it is, on the Desolate shores,

  For those who are Sensitive, Seldom and Sad,

  For those who are Seldom and Sad.

  Sensitive, Seldom and Sad we are,

  As we wander along through Lands Afar,

  To the sneezing sea, where the sea-weeds be,

  And the dab-fish ponds that are waiting for we

  Who are, Oh, so Sensitive, Seldom and Sad,

  Oh so Seldom and Sad.

  (1944)

  Roll Them Down

  Roll them down

  And down

  And roll them

  Down

  Through the vales

  Of the skulls

  Where the

  Winds

  Bring the hails

  To the valleys

  Where the bulls

  Roar hell

  Through the alleys

  Of the hills

  Of rock

  Stock-still

  As the lock-

  Jaw bones

  That groan

  To the tri-

  Coloured sky

  And the lean

  White colt

>   As halts

  By the vaults

  Of the green

  Thunderbolts

  Is seen

  Quite plain

  With stars

  And little fishes

  In his

  Mane.

  (c. 1946)

  One Day When They Had Settled Down

  Deliria was seven foot five

  And Jones was five foot seven

  Deliria she gobbled fruit,

  And Jones – he dreamed of heaven.

  In great thick dusty books he read

  And hardly ever went to bed

  Before it was eleven.

  One day when they had settled down

  To face the other way,

  A yellow lion in his prime

  Crept through the mountains grey,

  And – smiling like a buttercup,

  Pulled off his socks and ate them up –

  There is no more to say.

  (1946)

  Again! Again! and Yet Again

  Again! again! and yet again

  I find my skull’s too small

  For all the jokes that throng my Brain

  And have no point at all!

  (1946)

  Uncle George

  Uncle George became so nosey

  That we bought him a tea-cosy

  To defend ourselves, and bring

  Confusion to the evil Thing;

  Which angered him so much, we had

  To tie him to a blotting pad

  Which soaks his energy away

  From dawn to dusk, and dusk to day,

  Until he’s now so out of joint

  That he can never see the point.

  (1946)

  The King of Ranga-Tanga-Roon

  The King of Ranga-Tanga-Roon

  Ate catfish with a golden spoon

  And growled beneath the steaming sun

  Until his wife was ninety-one.

  The bright blue waters danced about

  His island till the fish came out

  And sang ‘O Ranga-Tanga-Roo,

  Your wife will soon be ninety-two!’

  (1946)

  I Cannot Give You Reasons

  I cannot give you reasons

  But I can give you Facts

  About the way that grocers plunge

  Through bubbling cataracts.

  I saw them in the moonlight

  A hundred miles from home –

  Their pockets full of goldfish,

  Their trousers full of foam.

  What is the use of hiding

  The secret any more?

  I saw them, though I’m glad to say,

  They didn’t see I saw.

  (1946)

  The Ballad of Sweet Pighead

  1

  Sweet Pighead, youngest of the family,

  Loved with a secret, scared embarrassment

  By her startled mother, throve, and grew to be

  The toast of a divided continent.

  2

  Her father, when he saw her in her cot,

  Recovered slowly and then hanged himself.

  Her only sister, rooted to the spot,

  Tore off her clothes and swore she was an elf –

  3

  By contrast she was human but no elf

  So to the black asylum she was taken –

  Of this sweet Pighead knew no more than Ralph

  Her uncle, long since dead, whom none can waken.

  4

  Her brothers saw in her, this new born child,

  A family disgrace, something indecent.

  One hid himself in Greece, where he reviled

  The Saxon race – another, northward bent,

  5

  Brooded in igloos, or to staunch this wound

  To everything his soul believed in, swam

  From floe to floe, or with peculiar bounds

  Pursued the Arctic sun as red as jam.

  6

  The third burned incense in the dark of night

  To shrive himself of such a carnal sister.

  By day he was a draper, with his white

  Impassive face of razor cuts and plaster.

  7

  He left the red brick house where he’d been born

  With all its thirty well appointed rooms

  And took a flat in Palmer’s Green alone

  Beside a brand new graveyard of bright tombs.

  8

  And so the family, reduced to two,

  Lived on in Fairmould Square, the frightened mother

  Eyeing her little child who gently grew

  From hour to hour like roses in mild weather.

  9

  The mother dropped her friends, she locked her doors,

  Dismissed her servants – drew her curtains close,

  Appalled and puzzled, but without a pause

  In her maternal succour, tended her rose.

  10

  She was a perfect child, dressed in her long

  White silken nightdress – how could anyone

  But say that she was perfect as a song

  Of delphic rapture lifting to the moon?

  11

  Sweet Pighead grew – still hidden from men’s sight:

  Her little snout, her delicate, dawn-lit ears,

  Her alabaster skin that lapped the light,

  Her tiny eyes, her amber coloured tears.

  12

  Her nursery was spacious, and the air

  Balmy, that through the open skylight swam.

  The walls were ducks-egg blue, the furniture

  Was lemon yellow, with a hint of cream.

  From Figures of Speech. The Key to the drawing is on p. 234.

  13

  It was not long before her mother saw

  Her porcine babe with less of fear than pride.

  At six weeks old she’d learned to semaphore,

  And took the seven times table in her stride.

  14

  At eighteen months, with Euclid at her back,

  And Plato in the pocket of her nighty,

  Her mother realized the gulphous lack

  Of her own brain in face of this almighty

  15

  Proffering that lay there in the cot,

  A charming smile upon its delicate lips,

  The gentle wrinkling of the satin snout,

  The wise eyes toying with apocalypse.

  16

  Her mother, gushing with a naked pride,

  Doted upon the brilliant freak she bore,

  Yet awed by this uncalculable tide

  Of sentience, was terrified the more.

  17

  One day, in Pighead’s second year, the child

  Spoke quietly, ‘Come, come, you’re overwrought,

  Let us go out, the air is soft and mild.

  I’d like to see the world I’ve read about.’

  18

  Her mother wrung her hands, and knelt beside

  The infant sitting cross legged on the floor.

  ‘Dear mother,’ said Sweet Pighead, ‘do not hide

  Your thoughts from me, because they show the more.

  19

  ‘Of my uniqueness I’m aware, and that

  Though I’m conventionally formed elsewhere

  My poor head is a pig’s.’ She touched her snout

  And lifted up the tips of either ear.

  20

  ‘I’ve given deep and serious thought, dear mother,

  And know how I shall probably affect

  And shock the populace – why bother

  To palliate their lack of intellect?

  21

  ‘I have considered how I shall be shunned

  And how I shall be gaped upon, and how

  The answer to the problem, I have found,

  Demands unflinching courage, blow for blow…’

  (10 March 1947)

  Hold Fast

  Hold fast

  To the law
/>   Of the last

  Cold tome,

  Where the earth

  Of the truth

  Lies thick

  On the page,

  And the loam

  Of faith

  In the ink

  Long fled

  From the drone

  Of the nib

  Flows on

  Through the breath

  Of the bone

  Reborn

  In a dawn

  Of doom

  Where blooms

  The rose

  For the winds

  The Child

  For the tomb

  The thrush

 

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