The Woman of Mystery

by Maurice Leblanc

  Paul's explanations at once convinced that offi[Pg 196]cer: the job must either be abandoned or hurried on at once.

  The column went ahead. At three o'clock, guided by a peasant who knew a path where the men sank no deeper than their knees, they succeeded in reaching the neighborhood of the house unperceived. Then, when the alarm had been given by a sentry, the attack began.

  This attack, one of the finest feats of arms in the war, is too well known to need a detailed description here. It was extremely violent. The enemy, who was on his guard, made an equally vigorous defense. There was a tangle of barbed wire to be forced and many pitfalls to be overcome. A furious hand-to-hand fight took place first outside and then inside the house; and, by the time that the French had gained the victory after killing or taking prisoner the eighty-three Germans who defended it, they themselves had suffered losses which reduced their effective force by half.

  Paul was the first to leap into the trenches, the line of which ran beside the house on the left and was extended in a semicircle as far as the Yser. He had an idea: before the attack succeeded and before it was even certain that it would succeed, he wanted to cut off all retreat on the part of the fugitives.

  Driven back at first, he made for the bank, followed by three volunteers, stepped into the water, went up the canal and thus came to the other side[Pg 197] of the house, where, as he expected, he found a bridge of boats.

  At that moment, he saw a figure disappearing in the darkness.

  "Stay here," he said to his men, "and let no one pass."

  He himself jumped out of the water, crossed the bridge and began to run.

  A searchlight was thrown on the canal bank and he again perceived the figure, thirty yards in front of him.

  A minute later, he shouted:

  "Halt, or I fire!"

  And, as the man continued to run, he fired, but aimed so as not to hit him.

  The fugitive stopped and fired his revolver four times, while Paul, stooping down, flung himself between his legs and brought him to the ground.

  The enemy, seeing that he was mastered, offered no resistance. Paul rolled his cloak round him and took him by the throat. With the hand that remained free, he threw the light of his pocket-lamp full on the other's face.

  His instinct had not deceived him: the man he held by the throat was Major Hermann.

  [Pg 198]

  CHAPTER XIII

  THE FERRYMAN'S HOUSE

  Paul Delroze did not speak a word. Pushing his prisoner in front of him, after tying the major's wrists behind his back, he returned to the bridge of boats in the darkness illumined by brief flashes of light.

  The fighting continued. But a certain number of the enemy tried to run away; and, when the volunteers who guarded the bridge received them with a volley of fire, the Germans thought that they had been cut off; and this diversion hastened their defeat.

  When Paul arrived, the combat was over. But the enemy was bound, sooner or later, to deliver a counter-attack, supported by the reinforcements that had been promised to the commandant; and the defense was prepared forthwith.

  The ferryman's house, which had been strongly fortified by the Germans and surrounded with trenches, consisted of a ground floor and an upper story of three rooms, now knocked into one. At the back of this large room, however, was a recess with a sloping roof, reached by three steps, which at one[Pg 199] time had done duty as a servant's attic. Paul, who was entrusted with the arrangement of this upper floor, brought his prisoner here. He laid him on the floor, bound him with a cord and fastened him to a beam; and, while doing so, he was seized with such a paroxysm of hatred that he took him by the throat as though to strangle him.

  He mastered himself, however. After all, there was no hurry. Before killing the man or handing him over to the soldiers to be shot against the wall, why deny himself the supreme satisfaction of having an explanation with him?

  When the lieutenant entered, Paul said, so as to be heard by all and especially by the major:

  "I recommend that scoundrel to your care, lieutenant. It's Major Hermann, one of the chief spies in the German army. I have the proofs on me. Remember that, in case anything happens to me. And, if we should have to retreat…"

  The lieutenant smiled:

  "There's no question of that. We shall not retreat, for the very good reason that I would rather blow up the shanty first. And Major Hermann, therefore, would be blown up with us. So make your mind easy."

  The two officers discussed the defensive measures to be adopted; and the men quickly got to work.

  First of all, the bridge of boats was unmade, trenches dug along the canal and the machine-guns[Pg 200] turned to face the other way. Paul, on his first floor, had the sandbags moved from the one side of the house to the other and the less solid-looking portions of the wall shored up with beams.

  At half-past five, under the rays of the German flashlights, several shells fell round about. One of them struck the house. The big guns began to sweep the towpath.

  A few minutes before daybreak, a detachment of cyclists arrived by this path, with Bernard d'Andeville at their head. He explained that two companies and a section of sappers in advance of a complete battalion had started, but their progress was hampered by the enemy's shells and they were obliged to skirt the marshes, under the cover of the dyke supporting the towpath. This had slowed their march; and it would be an hour before they could arrive.

  "An hour," said the lieutenant. "It will be stiff work. Still, we can do it. So…"

  While he was giving new orders and placing the cyclists at their posts, Paul came up; and he was just going to tell Bernard of Major Hermann's capture, when his brother-in-law announced his news:

  "I say, Paul, dad's with me!"

  Paul gave a start:

  "Your father is here? Your father came with you?"

  "Just so; and in the most natural manner. You must know that he had been looking for an oppor[Pg 201]tunity for some time. By the way, he has been promoted to interpreter lieutenant…"

  Paul was no longer listening. He merely said to himself:

  "M. d'Andeville is here… M. d'Andeville, the Comtesse Hermine's husband. He must know, surely. Is she alive or dead? Or has he been the dupe of a scheming woman to the end and does he still bear a loving recollection of one who has vanished from his life? But no, that's incredible, because there is that photograph, taken four years later and sent to him: sent to him from Berlin! So he knows; and then…?"

  Paul was greatly perplexed. The revelations made by Karl the spy had suddenly revealed M. d'Andeville in a startling light. And now circumstances were bringing M. d'Andeville into Paul's presence, at the very time when Major Hermann had been captured.

  Paul turned towards the attic. The major was lying motionless, with his face against the wall.

  "Your father has remained outside?" Paul asked his brother-in-law.

  "Yes, he took the bicycle of a man who was riding near us and who was slightly wounded. Papa is seeing to him."

  "Go and fetch him; and, if the lieutenant doesn't object…"

  He was interrupted by the bursting of a shrapnel shell the bullets of which riddled the sandbags heaped up in the front of them. The day was breaking.[Pg 202] They could see an enemy column looming out of the darkness a mile away at most.

  "Ready there!" shouted the lieutenant from below. "Don't fire a shot till I give the order. No one to show himself!"

  It was not until a quarter of an hour later and then only for four or five minutes that Paul and M. d'Andeville were able to exchange a few words. Their conversation, moreover, was so greatly hurried that Paul had no time to decide what attitude he should take up in the presence of Elisabeth's father. The tragedy of the past, the part which the Comtesse Hermine's husband played in that tragedy: all this was mingled in his mind with the defense of the block-house. And, in spite of their great liking for each other, their greeting was somewhat absent and distracted.

  Paul was ordering a smal
l window to be stopped with a mattress. Bernard was posted at the other end of the room.

  M. d'Andeville said to Paul:

  "You're sure of holding out, aren't you?"

  "Absolutely, as we've got to."

  "Yes, you've got to. I was with the division yesterday, with the English general to whom I am attached as interpreter, when the attack was decided on. The position seems to be of essential importance; and it is indispensable that we should stick to it. I saw that this gave me an opportunity of seeing you, Paul, as I knew that your regiment was[Pg 203] to be here. So I asked leave to accompany the contingent that had been ordered to…"

  There was a fresh interruption. A shell came through the roof and shattered the wall on the side opposite to the canal.

  "Any one hurt?"

  "No, sir."

  M. d'Andeville went on:

  "The strangest part of it was finding Bernard at your colonel's last night. You can imagine how glad I was to join the cyclists. It was my only chance of seeing something of my boy and of shaking you by the hand… And then I had no news of my poor Elisabeth; and Bernard told me…"

  "Ah," said Paul quickly, "has Bernard told you all that happened at the chateau?"

  "At least, as much as he knew; but there are a good many things that are difficult to understand; and Bernard says that you have more precise details. For instance, why did Elisabeth stay at the chateau?"

  "Because she wanted to," said Paul. "I was not told of her decision until later, by letter."

  "I know. But why didn't you take her with you, Paul?"

  "When I left Ornequin, I made all the necessary arrangements for her to go."

  "Good. But you ought not to have left Ornequin without her. All the trouble is due to that."

  M. d'Andeville had been speaking with a certain[Pg 204] acerbity, and, as Paul did not answer, he asked again:

  "Why didn't you take Elisabeth away? Bernard said that there was something very serious, that you spoke of exceptional circumstances. Perhaps you won't mind explaining."

  Paul seemed to suspect a latent hostility in M. d'Andeville; and this irritated him all the more on the part of a man whose conduct now appeared to him so perplexing:

  "Do you think," he said, "that this is quite the moment?"

  "Yes, yes, yes. We may be separated any minute…"

  Paul did not allow him to finish. He turned abruptly towards his father-in-law and exclaimed:

  "You are right, sir! It's a horrible idea. It would be terrible if I were not able to reply to your questions or you to mine. Elisabeth's fate perhaps depends on the few words which we are about to speak. For we must know the truth between us. A single word may bring it to light; and there is no time to be lost. We must speak out now… Whatever happens."

  His excitement surprised M. d'Andeville, who asked:

  "Wouldn't it be as well to call Bernard over?"

  "No, no," said Paul, "on no account! It's a thing that he mustn't know about, because it concerns…"

  [Pg 205]"Because it concerns whom?" asked M. d'Andeville, who was more and more astonished.

  A man standing near them was hit by a bullet and fell. Paul rushed to his assistance; but the man had been shot through the forehead and was dead. Two more bullets entered through an opening which was wider than it need be; and Paul ordered it to be partly closed up.

  M. d'Andeville, who had been helping him, pursued the conversation:

  "You were saying that Bernard must not hear because it concerns…"

  "His mother," Paul replied.

  "His mother? What do you mean? His mother? It concerns my wife? I don't understand…"

  Through the loopholes in the wall they could see three enemy columns advancing, above the flooded fields, moving forward on narrow causeways which converged towards the canal opposite the ferryman's house.

  "We shall fire when they are two hundred yards from the canal," said the lieutenant commanding the volunteers, who had come to inspect the defenses. "If only their guns don't knock the shanty about too much!"

  "Where are our reinforcements?" asked Paul.

  "They'll be here in thirty or forty minutes. Meantime the seventy-fives are doing good work."

  The shells were flying through space in both directions, some falling in the midst of the German col[Pg 206]umns, others around the blockhouse. Paul ran to every side, encouraging and directing the men. From time to time he went to the attic and looked at Major Hermann, who lay perfectly still. Then Paul returned to his post.

  He did not for a second cease to think of the duty incumbent on him as an officer and a combatant, nor for a second of what he had to say to M. d'Andeville. But these two mingled obsessions deprived him of all lucidity of mind! and he did not know how to come to an explanation with his father-in-law or how to unravel the tangled position. M. d'Andeville asked his question several times. He did not reply.

  The lieutenant's voice was raised:

  "Attention!… Present!… Fire!…"

  The command was repeated four times over. The nearest enemy column, decimated by the bullets, seemed to waver. But the others came up with it; and it formed up again.

  Two German shells burst against the house. The roof was carried away bodily, several feet of the frontage were demolished and three men killed.

  After the storm, a calm. But Paul had so clear a sense of the danger which threatened them all that he was unable to contain himself any longer. Suddenly making up his mind, addressing M. d'Andeville without further preamble, he said:

  "One word in particular… I must know… Are you quite sure that the Comtesse d'Andeville is dead?" And without waiting for the reply, he went[Pg 207] on: "Yes, you think my question mad. It seems so to you because you do not know. But I am not mad; and I ask you to answer my question as you would do if I had the time to state the reasons that justify me in asking it. Is the Comtesse Hermine dead?"

  M. d'Andeville, restraining his feelings and consenting to adopt the hypothesis which Paul seemed to insist on, said:

  "Is there any reason that allows you to presume that my wife is still alive?"

  "There are very serious reasons, I might say, incontestable reasons."

  M. d'Andeville shrugged his shoulders and said, in a firm voice:

  "My wife died in my arms. My lips touched her icy hands, felt that chill of death which is so horrible in those we love. I myself dressed her, as she had asked, in her wedding gown; and I was there when they nailed down the coffin. Anything else?"

  Paul listened to him and thought to himself:

  "Has he spoken the truth? Yes, he has; and still how can I admit…?"

  Speaking more imperiously, M. d'Andeville repeated:

  "Anything else?"

  "Yes," said Paul, "one more question. There was a portrait in the Comtesse d'Andeville's boudoir: was that her portrait?"

  [Pg 208]"Certainly, her full length portrait."

  "Showing her with a black lace scarf over her shoulders?"

  "Yes, the kind of scarf she liked wearing."

  "And the scarf was fastened in front by a cameo set in a gold snake?"

  "Yes, it was an old cameo which belonged to my mother and which my wife always wore."

  Paul yielded to thoughtless impulse. M. d'Andeville's assertions seemed to him so many admissions; and, trembling with rage, he rapped out:

  "Monsieur, you have not forgotten, have you, that my father was murdered? We often spoke of it, you and I. He was your friend. Well, the woman who murdered him and whom I saw, the woman whose image has stamped itself on my brain wore a black lace scarf round her shoulders and a cameo set in a gold snake. And I found this woman's portrait in your wife's room. Yes, I saw her portrait on my wedding evening. Do you understand now? Do you understand or don't you?"

  It was a tragic moment between the two men. M. d'Andeville stood trembling, with his hands clutching his rifle.

  "Why is he trembling?" Paul asked himself; and his suspicions increased until they became an ac
tual accusation. "Is it a feeling of protest or his rage at being unmasked that makes him shake like that? And am I to look upon him as his wife's accomplice? For, after all…"

  [Pg 209]He felt a fierce grip twisting his arm. M. d'Andeville, gray in the face, blurted out:

  "How dare you? How dare you suggest that my wife murdered your father? Why, you must be drunk! My wife, a saint in the sight of God and man! And you dare! Oh, I don't know what keeps me from smashing your face in!"

  Paul released himself roughly. The two men, shaking with a rage which was increased by the din of the firing and the madness of their quarrel, were on the verge of coming to blows while the shells and bullets whistled all around them.

  Then a new strip of wall fell to pieces. Paul gave his orders and, at the same time, thought of Major Hermann lying in his corner, to whom he could have brought M. d'Andeville like a criminal who is confronted with his accomplice. But why then did he not do so?

  Suddenly remembering the photograph of the Comtesse Hermine which he had found on Rosenthal's body, he took it from his pocket and thrust it in front of M. d'Andeville's eyes:

  "And this?" he shouted. "Do you know what this is?… There's a date on it, 1902, and you pretend that the Comtesse Hermine is dead!… Answer me, can't you? A photograph taken in Berlin and sent to you by your wife four years after her death!"

  M. d'Andeville staggered. It was as though all his rage had evaporated and was changing into infinite stupefaction. Paul brandished before his face[Pg 210] the overwhelming proof constituted by that bit of cardboard. And he heard M. d'Andeville mutter:

  "Who can have stolen it from me? It was among my papers in Paris… Why didn't I tear it up?…" Then he added, in a very low whisper, "Oh, Hermine, Hermine, my adored one!"

  Surely it was an avowal? But, if so, what was the meaning of an avowal expressed in those terms and with that declaration of love for a woman laden with crime and infamy?

  The lieutenant shouted from the ground floor:

  "Everybody into the trenches, except ten men. Delroze, keep the best shots and order independent firing."